Most Popular Books by Richard Rodgers

20 melodies, including: Bali Ha''i * Climb Ev''ry Mountain * Edelweiss * It''s a Grand Night for Singing * Some Enchanted Evening * You''ll Never Walk Alone * more.

Another publication to celebrate the 2002 centennial of revered composer Richard Rodgers, this songbook features easy guitar arrangements with tablature for 25 beloved Broadway standards: Bali Ha''i * Bewitched * Edelweiss * Hello, Young Lovers * I Whistle a Happy Tune * Isn''t It Romantic? * It Might as Well Be Spring * The Lady Is a Tramp * My Favorite Things * My Funny Valentine * Oh, What a Beautiful Mornin'' * Some Enchanted Evening * You''ll Never Walk Alone * and more.

Finally, a five finger book of Rodgers and Hammerstein favorites! Featuring songs such as: Do-Re-Mi, Getting To Know You, I Whistle A Happy Tune , It''s A Grand Night For Singing, My Favorite Things and more... Soloist part with optional teacher accompaniment.

20 of their finest songs: Climb Ev''ry Mountain * A Cock-Eyed Optimist * Do I Love You Because You''re Beautiful? * I Have Dreamed * It''s a Grand Night for Singing * Oklahoma * Some Enchanted Evening * Ten Minutes Ago * You''ll Never Walk Alone * more.

This fabulous gift box is the ultimate collection for anyone who loves the music of Rodgers and Hammerstein. Featuring 90 classic songs arranged for piano and voice with guitar chord frames, the set includes nine books: vocal selections from their eight most popular shows, plus Rodgers and Hammerstein Rediscovered, a compilation of rare favorites. All the books are packaged in a deluxe hard case for permanent storage and display.

The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm, and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein''s Cinderella was the most widely viewed program in the history of the medium. Its re-creation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. In 1956 Richard Rodgers and Oscar Hammerstein II were indisputably the world''s most successful writers of musicals. Julie Andrews was a sparkling new star, having just triumphed in My Fair Lady. When her agent approached Rodgers and Hammerstein and suggested that the television audience would welcome a musical version of "Cinderella," it was an irresistible temptation for all. Everything about the project was right from the start. The CBS production team was quickly assembled. Richard Lewine, a distant cousin of Rodgers and a close friend, was the producer, Ralph Nelson the director. Howard Lindsay and his wife, Dorothy Stickney, were signed for the King and Queen; Jon Cypher played the Prince; the Stepmother and Stepsisters were made less frightening and more comic by Ilka Chase, Kaye Ballard and Alice Ghostley; rather than the standard old crone, the beautiful Edie Adams played the Godmother. Rodgers and Hammerstein approached the story with the honesty and simplicity that characterized all their work. They purposely did not seek to improve a story they felt was dramatically sound, as many writers are prone to do, instead concentrating on bringing the characters to life. Rodgers wrote in his autobiography Musical Stages, "In writing the story and the songs, Oscar and I felt that it was important to keep everything as traditional as possible, without any ''modernizing'' or reaching for psychological significance." When Hammerstein was asked where he found the version of Cinderella story he based his adaptation upon, he answered, "I looked it up in the encyclopedia." The marriage of music, lyrics and story in Cinderella exemplified their artistic philosophy; all elements held together integrally to illuminate the characters. As Rodgers explained, "Although a few of its songs have become popular, our score for Cinderella is another example of what theatre music is really about. No matter what the medium, a score is more than a collection of individual songs. It is, or should be, a cohesive entity whose word and music are believable expressions of the characters singing them...Like a symphony, concerto or opera, some portions have greater appeal than others, but it is the work as a whole that makes the overall impression." Cinderella succeeded. When it was broadcast on March 31, 1957, it was viewed by more people than any other program in the history of television.

(Big Note Composer Collection). 22 songs, including: Climb Ev''ry Mountain * Honey Bun * If I Loved You * It''s a Grand Night for Singing * The March of the Siamese Children * Maria * Oh, What a Beautiful Mornin'' * People Will Say We''re in Love * Sixteen Going on Seventeen * The Sound of Music * Younger Than Springtime * and more.

(P/V/G Composer Collection). 43 great love songs by the master of American musical theater, including: All at Once You Love Her * Bewitched * Hello, Young Lovers * Here in My Arms * I Could Write a Book * I Didn''t Know What Time It Was * Isn''t It Romantic? * The Most Beautiful Girl in the World * My Funny Valentine * My Romance * Some Enchanted Evening * Where or When * Younger Than Springtime * more. This collection also includes a biography and photos.

Childhood; start in theater; role of Dramatists Guild in securing rights of playwrights; beginnings of the Music Theater of Lincoln Center; association with Lorenz Hart and Oscar Hammerstein II; impressions of George Balanchine, Gertrude Lawrence, Florenz Ziegfeld, Billy Rose and others.