Best Selling Books by Robert

Reproduction of the original: In Search of the Unknown by Robert W. Chambers

Until just yesterday, no society--monogamous or polygamous—had defined marriage as anything other than a male-female union. With clear and cogent arguments, What Is Marriage? explains the rational basis of this historic consensus. It defeats the arguments for recognizing same-sex partnerships as marriages and shows how doing so would harm the common good. Originally published in the Harvard Journal of Law and Public Policy, this book’s core argument quickly became the year’s most widely read essay of more than 300,000 scholarly articles posted on the Social Sciences Research Network. Now expanded to address a flurry of prominent responses, What Is Marriage? stands poised to meet its moment as few books of this generation have. If the marriage debate in America is decided in the next few years, it will be either with this book’s help, or despite its powerful arguments. Rhodes Scholar Sherif Girgis, Princeton University professor Robert P. George, and Ryan T. Anderson, editor of the online journal Public Discourse, provide a devastating critique of the claim that equality requires redefining marriage. They point out that any assessment of what “marriage equality” demands depends on first determining what marriage is—what sort of relationships must be treated as essentially the same. They defend the principle that marriage, as a comprehensive union ordered to family life, requires a man and a woman. And they argue for the great social benefits of enshrining this principle in law. Most compellingly, they show that those who embrace same-sex civil marriage leave themselves no firm ground—none—for not recognizing as marriages every relationship type describable in polite English, including multiple-partner (“polyamorous”) sexual unions. Finally, What Is Marriage? decisively answer common objections: that the historic view is rooted in bigotry (like laws forbidding interracial marriage); that it is callous to people’s needs; that it can’t show the harm of recognizing same-sex couplings, or the point of recognizing infertile ones; and that it treats a mere “social construct” as if it were natural, or an unreasoned religious view as if it were rational.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The crew of the Flying Scud are murdered by castaways, who adopt their names and try to sink the ship. The wreck is salvaged, the buyer being sure it contained a fortune in opium, and exciting events follow.

Robert Kane provides a critical overview of debates about free will of the past half century, relating this recent inquiry to the broader history of the free will issue and to vital currents of twentieth century thought. Kane also defends a traditional libertarian or incompatibilist view of free will (one that insists upon the incompatibility of free will and determinism), employing arguments that are both new to philosophy and that respond to contemporary developments in physics and biology, neuro science, and the cognitive and behavioral sciences.

Reverse Tradition invites the reader of postmodern fiction to travel back to the nineteenth-century novel without pretending to let go of contemporary anxieties and expectations. What happens to the reader of Beckett when he or she returns to Melville? Or to the enthusiast of Toni Morrison who rereads Charlotte Bronte? While Robert Kiely does not claim that all fictions begin to look alike, he finds unexpected and illuminating pleasures in examining a variety of ways in which new texts reflect on old. In this engaging book, Kiely not only juxtaposes familiar authors in unfamiliar ways; he proposes a countertradition of intertextuality and a way to release the genie of postmodernism from the bottleneck of the late twentieth century. Placing the reader''s response at the crux, he offers arresting new readings by pairing, among others, Jorge Luis Borges with Mark Twain, and Maxine Hong Kingston with George Eliot. In the process, he tests and challenges common assumptions about transparency in nineteenth-century realism and a historical opacity in early and late postmodernism.

At a bleak, isolated military school on the fringes of the Austro-Hungarian Empire, four young cadets —Torless, Beineberg, Reiting and their victim Basini—rift even further away from their school- fellows into a private world of ritual, secrecy and torture. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lawmen Virgil Cole and Everett Hitch must prevent all-out war between rival factions in the latest adventure in the New York Times-bestselling series. When gold is discovered in the foothills just outside of Appaloosa, it sets off a fight between two shrewd local business operations as their hired gun hands square off over the claim. First a young miner disappears, then another. And then one of the businessmen himself is killed, right on his front doorstep. Meanwhile, as Cole and Hitch try to put a stop to the escalating violence, another killer is making his way toward town in pursuit of a long-lost dream, and a mission of vengeance. Cole and Hitch will have their work cut out for them to keep the peace, especially when all these ruffians converge at the huge Appaloosa Days festival, where hundreds of innocent souls might get caught in the crossfire . . .

Reproduction of the original: The Memoirs of An American Citizen by Robert Herrick

LARGE PRINT EDITION 16 POINT FONT "Perhaps the best adventure story ever written" THE ORIGINAL AND CLASSIC STORY TOLD BY ROBERT LOUIS STEVENSON. FIRST PUBLISHED IN 1883 Pirates, buried treasure, treasure maps, mutiny at sea, murder - what an adventure awaits the reader of this classic novel! Told in six adventures packed full of pirate fun and mystery.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A concise guide which helps readers to diagnose and manage all blood disorders quickly and efficiently.

Epic romances, fearsome dragons and alien worlds lie between the pages of this volume. Containing more than 35 stories from the early masters of fantasy literature, the narratives here transport the reader to alternate worlds where magic abounds, cosmic terrors lie around the corner and intrepid heroes fight for justice. Drawing inspiration from Norse, Japanese and Chinese mythology as well as from traditional fairytales and modern fears, the authors collected here span the breadth of the genre. Including tales from William Morris, H. G. Wells, Robert E. Howard and H. P. Lovecraft amongst others, they demonstrate the plethora of imaginative literature that was written in the late 19th and early 20th centuries. Many of these tales were foundational works, bringing ideas of the supernatural into the mainstream, and through their efforts creating entirely new genres. Before Tolkien, there were many writers embracing the realm of fantastic fiction. The man responsible for its origin was George MacDonald (1824-1905), a Calvinist minister and Celtic scholar, who wrote the first true fantasy novel. He was followed by a number of imaginative successors at the end of the 19th century, including H. G. Wells, Arthur Machen, and Ernest Bramah. After the end of World War I, the pulp magazines opened up the genre to a new generation of writers - particularly H. P. Lovecraft and Robert E. Howard - who provided exciting, magical and horrifying tales that fascinated a multitude of readers. By the outbreak of World War II, the outlines of the fantasy genre had been sketched out by these pioneers, and an entirely new type of fiction had been created. This collection includes stories by: Robert E. Howard H. P. Lovecraft G. G. Pendarves H. G. Wells William Morris Lafcadio Hearn Abraham Merritt Arthur Machen Ernest Bramah Robert W. Chambers George MacDonald