New Releases by Robert MacFarlane

From the acclaimed author of The Wild Places and Underland, an exploration of walking and thinking In this exquisitely written book, Robert Macfarlane sets off from his Cambridge, England, home to follow the ancient tracks, holloways, drove roads, and sea paths that crisscross both the British landscape and its waters and territories beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, and of pilgrimage and ritual. Told in Macfarlane’s distinctive voice, The Old Ways folds together natural history, cartography, geology, archaeology and literature. His walks take him from the chalk downs of England to the bird islands of the Scottish northwest, from Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he crosses paths with walkers of many kinds—wanderers, pilgrims, guides, and artists. Above all this is a book about walking as a journey inward and the subtle ways we are shaped by the landscapes through which we move. Macfarlane discovers that paths offer not just a means of traversing space, but of feeling, knowing, and thinking.

From the New York Times bestselling author of Is a River Alive? and Underland, a soaring blend of cultural history, meditation, and memoir about the mysteries of the world’s highest places and our unending quest for the summit "Wonderfully illuminating.” —Los Angeles Times • “Fascinating.” —The New York Times Book Review For those who love mountains, their wonder is beyond dispute. But for many, their allure is beyond reason; their extraordinary beauty offset by the immense risks involved in climbing them. In this groundbreaking and now classic work, Robert Macfarlane answers the enduring ‘why’ of mountaineering. He explores how mountains have come to grip the Western imagination and hold so many of us spellbound, drawing us up into the high places—sometimes at the cost of our lives. Braiding history, geology, human stories, and glittering accounts of his own journeys in high, wild landscapes from the Rockies to the Himalayas, Macfarlane unfurls the mysteries and passions of mountaineering’s imaginative evolution. His account begins in the mid-1700s, when a fascination for mountains was sparked by the work of both poets and scientists in Europe. It ends with a vivid re-creation of George Mallory’s three, ill-fated expeditions in the 1920s, as Mallory sought to be the first to summit Mt. Everest.

From the author of The Old Ways and Underland, an "eloquent (and compulsively readable) reminder that, though we''re laying waste the world, nature still holds sway over much of the earth''s surface." --Bill McKibben Winner of the Boardman Tasker Prize for Mountain Literature and a finalist for the Orion Book Award Are there any genuinely wild places left in Britain and Ireland? That is the question that Robert Macfarlane poses to himself as he embarks on a series of breathtaking journeys through some of the archipelago''s most remarkable landscapes. He climbs, walks, and swims by day and spends his nights sleeping on cliff-tops and in ancient meadows and wildwoods. With elegance and passion he entwines history, memory, and landscape in a bewitching evocation of wildness and its vital importance.

''"Originality" is only plagiarizing from a great many'', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways. Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century''s end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.

And codified directions for routine work. pp. 21.