Most Popular Books by Samuel Taylor Coleridge

Biographia Literaria by Samuel Taylor Coleridge is one of the world''s most significant treatises on the nature of poetry and the poet. Coleridge gave the Romantic movement its philosophy in his greatest prose work, The Biographia Literaria. This book, which is a combination of autobiography, literary criticism and philosophy, contains some basic ideas on the superiority of the imagination to mere logic.

This Elibron Classics title is a reprint of the original edition published by Bernhard Tauchnitz in Leipzig, 1860.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lyrical Ballads and Other Poems of Coleridge & Wordsworth'' stands as a seminal collection that heralds the dawn of English Romanticism, encapsulating its fervent spirit through a rich tapestry of themes including nature, the imagination, and the common man. This anthology showcases a remarkable diversity in literary styles, ranging from the accessible and lyrical to the profoundly philosophical. Its significance is further amplified by the inclusion of such groundbreaking works as ''Tintern Abbey'' and ''The Rime of the Ancient Mariner,'' which together challenge and redefine the poetic norms of their age. The contributing poets, William Wordsworth and Samuel Taylor Coleridge, emerge from distinctly rich literary backgrounds, yet share a common vision that propels the Romantic movement. Their collaboration on this volume not only solidifies a lifelong friendship but also a striking intellectual partnership that has deeply influenced the landscape of English literature. These poets'' varied experiences and perspectives enrich the anthology, offering insights into the era''s shifting attitudes towards nature, humanity, and society. For those seeking to immerse themselves in the heights of English Romanticism, ''Lyrical Ballads and Other Poems of Coleridge & Wordsworth'' provides an unparalleled vantage point. The collection invites readers to explore the breadth and depth of human emotion and intellect through the lenses of two of its most influential voices. This anthology serves not only as an educational resource but as a testament to the power of collaboration in fostering profound literary innovation, making it an essential read for enthusiasts of literature and history alike.

Coleridge''s Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge''s changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh''s influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1817, Biographia Literaria is a seminal work of literary criticism and autobiography. Written by the influential Romantic poet Samuel Taylor Coleridge, the book includes biographical sketches of Coleridge''s contemporaries, as well as extensive discussions of literary theory and criticism. This edition, edited and expanded by Coleridge''s nephew Henry Nelson Coleridge, provides valuable insight into the intellectual and cultural milieu of the late 18th and early 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The story of Biographia Literaria begins in a conversation between two friends, Wordsworth and Coleridge, both settled in the Lake District after their return from Germany in 1799. They were debating what form a second edition of the Lyrical Ballads should take to replace the exhausted edition of 1798. In the course of a walk the idea of replacing the brief Advertisement by a critical Preface was conceived. In the aged memory of Wordsworth many years after, the idea and indeed the very substance of the Preface as he came to write it were all Coleridge''s. ''I have never cared a straw about the theory,'' he wrote impatiently on the manuscript of Barron Fields biography of him, ''and the Preface was written at the request of Mr. Coleridge out of sheer good nature. I recollect the very spot, a deserted quarry in the Vale of Grasmere, where he pressed the thing upon me, and but for that it would never have been thought of.'' By 1815, of course, when he came to write the Biographia, the Preface was ''Wordsworth'' and the Biographia Coleridge''s reply to Wordsworth but the simplification is much too crude. It poses and tries to answer two closely connected questions: first, what relation should the language of poetry bear to that of ordinary life? And secondly, what relation should the subject of poetry bear to itself? (The order in which the questions are put look irrational, but it is Wordsworth''s own order and there are good reasons for it.) The answers of the Preface are ''the real language of men in a state of vivid sensation'' and ''the incidents of common life.'' These two questions, or rather Coleridge''s attempt to modify and clarify the old answers to them, are together the central theme of the second half of the Biographia.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Rime of the Ancient Mariner relates the experiences of a sailor who has returned from a long sea voyage. The mariner stops a man who is on his way to a wedding ceremony and begins to narrate a story. The wedding-guest''s reaction turns from bemusement to impatience to fear to fascination as the mariner''s story progresses, as can be seen in the language style.