New Releases by Simon Schama

From ancient times to modernity, antisemitism has endured as one of the most persistent forms of hatred. For thousands of years, as society embraced new ideas and discoveries - including the birth of Christianity and Islam, the enlightenment, the rise of nationalism and globalism, and great leaps of technology - the Jewish people served as a dark mirror on which fears, anxieties and hatreds have been reflected. Why? In this crucial and unflinching history, Sir Simon Schama, the acclaimed British historian, examines the forces that have enabled this old hatred to surface, adapt and thrive, even in the age of liberal democracy. With his characteristic blend of clarity, erudition and curiosity, Schama looks at the recurring beliefs and imagery that have coursed through the variants of antisemitism, including the latest outbreaks since the October 7 attacks and the war in Gaza. The Shortest History of Antisemitism is a compelling and revealing exploration of the stains of the past and their echoes today.

Simon Schama explores our enduring fascination with birds in this visually stunning art book iconic images. “You lose the flight of the bird, and you lose the song of the bird, and you lose the world, really.” —Simon Schama, The New York Times ‘No other creatures have fixed themselves so obsessively and ubiquitously in our restless, earth-stuck imagination as birds… the fixation painted, imprinted, sculpted, filmed in our art.’ – Simon Schama From Icarus to Peter Pan, who hasn’t dreamt of flying? Birds are the embodiment of our desires, fears and fantasies. In this publication internationally renowned (art) historian Simon Schama and Mauritshuis director Martine Gosselink explore the fascinating relationship between humans and birds through art, literature and cultural history. Carel Fabritius’s world-famous Goldfinch, Picasso’s Dove, Brancusi’s Bird in Space, an Egyptian falcon mummy, a feather dress by Iris van Herpen: this book is a visual and literary journey through centuries of bird imagery. The icing on the cake is a wonderful anthology of bird stories from, among other works, The Epic of Gilgameshand One Thousand and One Nights, as well as bird poems by such writers as Rabindranath Tagore, Ted Hughes, Bob Marley and Rumi. With contributions by Simon Schama, Martine Gosselink, Laura Cumming, Stefan Hertmans, Philip Hoare, Eva Meijer and Adrienne Quarles van Ufford. This book is published on the occasion of the exhibition BIRDS – Curated by The Goldfinch & Simon Schamain Mauritshuis, The Hague from 12 February to 7 June 2026.

Da millenni gli esseri umani e i virus coesistono e, suo malgrado, l'umanità più di una volta si è scoperta vulnerabile, stretta tra il terrore del contagio e l'ingegnosità della scienza. Soffermandosi in particolare su avvenimenti del XVIII e XIX secolo, Schama focalizza la propria ricerca su un tema ancora oggi attuale, ossia il sospetto e i pregiudizi che da sempre hanno accompagnato tanto l'insorgere di inattese epidemie quanto le nuove scoperte scientifiche volte a scongiurarne gli effetti peggiori. Infatti, diverse malattie infettive dilagarono nelle affollate città moderne: il vaiolo colpì Londra, il colera infestò Parigi, la peste flagellò l'India. Il compito della nascente scienza medica? Fermare la mortalità. Per raccontare quella frenetica battaglia per salvare quante più vite umane possibili, Schama presenta un'incredibile sequenza di personaggi e di storie. Tra queste, la triste parabola di un eroe quasi sconosciuto, Waldemar Haffkine. Scienziato ebreo di Odessa e microbiologo presso l'Istituto Pasteur, Haffkine sviluppò il primo vaccino contro il colera e, trasferitosi in India, fu pioniere di una serie di studi scientifici che contribuirono a immunizzare milioni di persone. Acclamato in Inghilterra come «salvatore dell'umanità», fu però vittima di un atto di scioccante ingiustizia che mise fine alla sua brillante carriera. Nel ripercorrere la lunga storia della lotta tra l'uomo e i virus, Schama trova lo spunto per difendere la propria incrollabile certezza che esista un legame profondo e inscindibile che ci unisce alla natura e alla nostra specie. Alla fine, sostiene Schama, affrontiamo alcune sfide del nostro tempo insieme, come la lotta contro le infezioni pericolose. In quei momenti, «non ci sono estranei, ma solo amici intimi: un'unica preziosa catena di connessioni». Attraversando i confini tra Oriente e Occidente, Schama conduce il lettore in un viaggio nel tempo che racconta molto del nostro presente, dimostrando come la lotta alle epidemie sia un compito non solo scientifico, ma anche politico, culturale e personale.

“Simon Schama has re-examined the role of Baron Edmond de Rothschild [1845-1934] and his son James [1878-1957] in the Jewish settlement of Palestine... He refutes Herzl’s charge that the colonies were a ‘rich man’s pastime to while away what would otherwise have been idle hours’ by illustrating how Baron Edmond’s immediate concern in 1882 for the sanctuary of Eastern European pogrom victims was, by the turn of the century, translated into a total commitment to the development of a self-supporting Jewish homeland and finally a state... Along the way, Schama maneuvers skillfully through the cluttered detail of budgets, expenditures, equipment, crop experimentation (with wine, tobacco, and perfume), border disputes, and administrative problems, providing occasional vignettes of local Palestinian conditions under Ottoman rule, Baronial outrage at colonists’ ingratitude toward his centralized regime, agents’ ineptness, and encounters with Herzl, Balfour, and Weizmann. Meanwhile the Baron evolves from a ‘benevolent onlooker’ to an ‘active accomplice’; and, with Schama’s thoroughly documented, incisively written account, he and his family take their significant places in Israeli history.” — Kirkus “To its credit Schama’s work records that the re-establishment of large-scale Jewish settlement in Palestine was not only marked by a struggle against its Arab inhabitants and later against its British overlords, but primarily by a struggle against the sandy soil, rocks and swamps which covered so much of the land available for Jewish settlement at the turn of the century... The importance of this study... is that it is the first to be based on the archives of PICA [the Palestine Jewish Colonisation Association], which Schama has used extensively. He presents countless details concerning the early Jewish settlements, and many fascinating vignettes of life in Ottoman Palestine... he has written a highly readable account of aspects of life in Palestine in the late nineteenth and early twentieth centuries.” — Ronald W. Zweig, The Historical Journal “Schama’s contributions are remarkable... Schama’s lively and intelligent discussion of the material hardships and economic realities of the resettlement effort... makes... an important contribution... The spare details of the economic problems of the Yishuv take on a sense of immediacy that is found only in the best economic history.” — Todd M. Endelman, Jewish Social Studies “[B]iographies of Baron Edmond de Rothschild have been written before... But not until Schama’s book, which evidently had the support of family cooperation, could we rely on a study based on archival as well as more readily available documentation. It is fortunate that this material is now made accessible in the interpretation of a distinguished historian with a broad sweep of social and economic as well as political interests.” — Benjamin Halpern, Middle East Journal “[An] important study.” — Raphael Patai, The American Historical Review

Simon Schama vertelt in De ruwe oversteek op sublieme wijze over de grote maar onderbelichte rol die slaafgemaakten speelden in de strijd tussen Amerika en Groot-Brittannië (Amerikaanse Revolutie, 1775-1783). Tienduizenden Afrikaans-Amerikaanse slaafgemaakten vluchtten van plantages om voor de Britse troepen te vechten. In ruil voor hun loyaliteit werd hen vrijheid en land in het vooruitzicht gesteld, een belofte die niet werd nagekomen. Simon Schama volgt hun odyssee, van het vuur van de oorlog tot de vlucht naar het ijskoude, onherbergzame Nova Scotia, waar ze na de Britse nederlaag aan hun lot werden overgelaten. Voorstanders van het afschaffen van de slavernij leidden duizenden van hen naar Sierra Leone, waar ze hoopten eindelijk vrij te zijn.

'Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.' Simon Schama Sir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world's foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging - from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama's tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world's most respected publications - the Times, the Guardian, the New Yorker, Harper's Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world's foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

A catalogue to accompany an exhibition of the same name at Eykyn Maclean, New York, 20 March - 20 April 2018

In het tweede deel van De geschiedenis van de Joden richt Simon Schama zich op de periode van 1492 tot 1900. In 2013 verscheen het eerste deel (van drie), dat overal ter wereld lovend werd ontvangen. Met zijn karakteristieke flair en gevoel voor detail neemt hij je mee in de geschiedenis. Hij vertelt de verhalen van rabbijnen en filosofen, maar ook van degenen die zelden een plek krijgen toebedeeld in de geschiedschrijving: een dichteres in het getto van Venetië, een bokser in georgiaans Engeland, een bijbelverkoper in Amsterdam, een dovenleraar in achttiende-eeuws Frankrijk en een operacomponist in negentiende-eeuws Duitsland. De geschiedenis ontvouwt zich van India tot Galilea, van Virginia tot Istanboel. In de handen van meesterverteller Schama is de geschiedenis van de Joden een verhaal over de hele mensheid. ‘Prachtig vertelde geschiedenis van de Joden aan de hand van verhalen van gewone mensen.’ – Trouw ‘Schama smeedt feiten uit voorbije eeuwen aaneen tot één adembenemend verhaal waarin hij laat zien dat Joden van beslissende invloed op de wereld zijn geweest.’ – Het Parool ‘Een grootse prestatie.’ – The Guardian ‘Magistraal.’ – Financial Times

A passionate history of Judaism; a world unfolding across many continents and five centuries by one of our greatest and internationally bestselling historians. Belonging is a magnificent cultural history abundantly alive with energy, character and colour. From the Jews’ expulsion from Spain in 1492 it tells the stories not just of rabbis and philosophers but of a poetess in the ghetto of Venice; a boxer in Georgian England; a general in Ming China; an opera composer in nineteenth-century Germany. The story unfolds in Kerala and Mantua, the starlit hills of Galilee, the rivers of Colombia, the kitchens of Istanbul, the taverns of Ukraine and the mining camps of California. It sails in caravels, rides the stage coaches and the railways; trudges the dawn streets of London, hobbles along with the remnant of Napoleon’s ruined army. The Jewish story is a history that is about, and for, all of us. And in our own time of anxious arrivals and enforced departures, the Jews’ search for a home is more startlingly resonant than ever. ‘A magnificent achievement...’ Jonathan Freedland, Guardian ‘An extraordinary cultural journey, filled with astonishingly colourful and outrageous characters ... Schama delivers a superb and thrilling ride, both inspirational and tragic’ Simon Sebag Montefiore, Mail on Sunday

The world is facing the worst humanitarian crisis since the Second World War. Over 300,000 are dead in Syria, and one and half million are either injured or disabled. Four and a half million people are trying to flee the country. And Syria is just one of a growing number of failed or failing states in the Middle East and North Africa. How should developed nations respond to human suffering on this mass scale? Do the prosperous societies of the West, including Canada and the U.S., have a moral imperative to assist as many refugees as they reasonably and responsibly can? Or, is this a time for vigilance and restraint in the face of a wave of mass migration that risks upending the tolerance and openness of the West? The eighteenth semi-annual Munk Debate, which was held on April 1, 2016, pits former UN High Commissioner for Human Rights Louise Arbour and leading historian Simon Schama against leader of the UK Independence Party Nigel Farage and bestselling author Mark Steyn to debate the West’s response to the global refugee crisis.

Wie een gezicht vastlegt, legt de geschiedenis vast, zo is de overtuiging van Simon Schama. De manier waarop Churchill ruziede met zijn schilder zegt iets over de politieke verhoudingen na de Tweede Wereldoorlog. Dat John Lennon een paar uur nadat hij in foetushouding was gefotografeerd door Annie Leibovitz, werd doodgeschoten is een wonderlijk wrede speling van het lot. En de plaatjes van Charlie Chaplin of George Bernard Shaw die je bij een pakje sigaretten kreeg, zeggen iets over het begrip roem, dat steeds meer verschijningsvormen kreeg. Schama kijkt met liefde en aandacht naar schilderijen en foto’s uit de afgelopen eeuwen. Hij leest er de karakters in: daadkracht, dromerigheid, passiviteit, frustratie, irritatie. Zijn vertelling over Groot-Brittannië aan de hand van portretten ontstijgt de geschiedenis: zijn verhalen worden meesterwerkjes over menselijke emotie en menselijk handelen. Hij beweegt zich met vertrouwde, stilistische virtuositeit tussen kunst en geschiedenis om te laten zien hoe mensen leven met macht, liefde, roem – en ondergang. Zo geeft hij een uniek beeld van een wereldrijk

Change - sometimes gentle and subtle, sometimes shocking and violent - is the dynamic of Simon Schama's unapologetically personal and grippingly written history of Britain, especially the changes that wash over custom and habit, transforming our loyalties. What makes or breaks a nation? To whom do we give our allegiance and why? And where do the boundaries of our community lie - in our hearth and home, our village or city, tribe or faith? What is Britain - one country or many? Has British history unfolded 'at the edge of the world' or right at the heart of it? Schama delivers these themes in a form that is at once traditional and excitingly fresh. The great and the wicked are here - Becket and Thomas Cromwell, Robert the Bruce and Anne Boleyn - but so are countless more ordinary lives: an Irish monk waiting for the plague to kill him in his cell at Kilkenny; a small boy running through the streets of London to catch a glimpse of Elizabeth I. The first in a series, this volume paints a rich and vivid portrait of the life of the British people and their nation.

Pre-eminent author and art historian Simon Schama has written widely on art for many years to great acclaim. In Hang-Ups, a personal selection of his articles from, amongst others, The New Yorker, appears in Britain for the very first time. Brilliantly and lucidly written by one of the most singular voices in non-fiction, this volume of provocative and often idiosyncratic essays makes hugely satisfying reading for lovers of both art and social history. In contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the unforgettable peculiarity of Stanley Spencer. From the author whose writing has been called sublime and whose ability to bring art and history vividly to life has earned him admiration worldwide, Hang-Ups is Schamas rallying cry for the art lover to look at familiar works of art and their artists and embrace a new way of seeing.

The acclaimed historian and award-winning author offers an essential, historical, outsider''s perspective on the crucial 2008 presidential election and its importance for reclaiming America''s original ideal. It''s not business as usual. Cultural hostilities have divided America in two irreconcilable blocs more completely than at any time since the Civil War. In November 2008, the American people elected a new president, feeling more anxious about the future of the nation than at any time since Watergate. Our omnipotent military, the cornucopia of material comforts available, the security of borders, and the global economy all seem to be in question. In The American Future, historian Simon Schama takes a long look at the multiple crises besetting the United States and asks: How do these problems look in the mirror of time? In four crucial debates (wars, religion, race and immigration, and the relationship between natural resources and prosperity), Schama looks back to see more clearly into the future. Full of lost insights, The American Future showcases Schama''s acclaimed gift for storytelling, ensuring these voices will be heard again.

"Great art has dreadful manners," Simon Schama observes wryly at the start of his epic and explosive exploration of the power, and whole point, of art. "The hushed reverence of the gallery can fool you into believing masterpieces are polite things; visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your sense of reality. . . ." With the same disarming force, The Power of Art propels us on an eye-opening, breathtaking odyssey, zooming in on eight extraordinary masterpieces, from Caravaggio''s David and Goliath to Picasso''s Guernica. Jolting us far from the comfort zone of the hushed art gallery, Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever. The embattled heroes—Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso and Rothko—each in his own resolute way, faced crisis with steadfast defiance, pitting passion and conviction against scorn and short-sightedness. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world. With vivid storytelling and powerfully evocative descriptive passages, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeois life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of Civil War Spain. Most compelling of all, The Power of Art traces the extraordinary evolution of eight "eye-popping" world-class works of art. Created in a bolt of illumination, such works "tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript . . . ''OK, OK, but what''s art really for?''"

"Focusing on eight iconic works of art, this series reveals the history of visual imagination through the ages. A combination of reconstruction, photography and storytelling transport the viewer back to the intense moments when great works were conceived and born: the murderous, messianic world of Baroque Rome; opulent, parvenu Amsterdam; paranoid, revolutionary Paris; Victorian England suffocating beneath riches and righteousness; the madhouses and brothels of Provence; the carnage of civil war Spain; 1950s New York, caught between Cold War jitters and Manhattan glitter. In each place, a great artist is backed into a corner, facing a crisis, given a chance to confound his rivals, enemies and critics one more time." -- Container.

In response to a declaration by the last royal governor of Virginia that any rebel-owned slave who escaped and served the King would be emancipated, tens of thousands of slaves--Americans who clung to the sentimental notion of British freedom--escaped from farms, plantations and cities to try to reach the British camp. This mass movement lasted as long as the war did, and a military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in American history. Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture at the war''s end, into inhospitable Nova Scotia, where thousands who had served the Crown were betrayed and, in a little-known hegira of the slave epic, sent across the broad, stormy ocean to Sierra Leone.--From publisher description.

In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of good books for all'. whose books and TV series have enthralled huge audiences through their gripping storytelling. Citizens, his award-winning account of the French Revolution, has continued to be one of Penguin's most popular history titles since it was first published in 1989. This extract takes us into the heart of the revolution's ferment as the angry crowd storm the Bastille

De politieke geschiedenis van Nederland vanaf de patriottentijd tot aan de grondvesting van het Koninkrijk der Nederlanden.

Après Giacometti en 2001, Matisse/Kelly en 2002 et Otto Dix en 2003, Gallimard et le Centre Pompidou publient un nouvel ouvrage, consacré aux seuls dessins de Cy Twombly, né en 1928. Au début des années 1950, Twombly séjourne au Black Mountain College où l'avant-garde artistique américaine se retrouve dans un climat unique d'émulation et d'échanges inspiré par le Bauhaus européen de l'entre-deux guerres. Si Twombly a été averti des expériences récentes de l'Action Painting et des possibilités nouvelles du geste pictural et de l'automatisme, qu'il explore pendant ces années, il choisit de s'installer, en 1957, à Rome, où il vit et travaille encore aujourd'hui. Depuis 1992, il partage son temps entre l'Italie et la Virginie. La renommée internationale de Twombly se confirme lors de son exposition au Whitney Museum of American Art à New York en 1979. Après la grande rétrospective européenne qui fut présentée à Zurich, Madrid, Londres, Düsseldorf et au Centre Pompidou en 1988, ce fut au Museum of Modern Art de New York, en 1994, de célébrer Cy Twombly. En 1995, un musée dessiné par Renzo Piano, entièrement dédié à son œuvre , ouvre ses portes à Houston. Cet ouvrage, réalisé pour accompagner l'exposition du Centre Pompidou, comprend des essais de Simon Schama et de Jonas Storsve, commissaire de l'exposition, ainsi qu'un texte de Roland Barthes.

From early England and the Tudors through the British Wars of the 17th century to the rise and fall of the British Empire, award-winning historian Simon Schama illuminates British history through a variety of historical themes and key British characters.

This work takes us from the mid-1770s when the country was intoxicated by a great surge of political energy through to the massive advances of technology and industrialisation during the Victoria era, and the burgeoning of the British Empire.

Foreword by Mikhail Piotrovsky. Introduction by Simon Schama.

Beat is Anya Gallaccio's site-specific installation for the Duveen Galleries at Tate Britain. It responds specifically to both the dramatic space and scale of the Duveen Galleries and the tradition of British landscape painting represented in the Tate Collection.