New Releases by T. S. Eliot

Pascal''s Pensées The Misery of Man without God By Blaise Pascal BRAND NEW COPYIntroduction By T. S. Eliot The Pensées (literally, "thoughts") represented a defense of the Christian religion by Blaise Pascal, the renowned 17th century philosopher and mathematician. Pascal''s religious conversion led him into a life of asceticism, and the Pensées was in many ways his life''s work. The concept (but not the term) "Pascal''s Wager" stems from a portion of this work. The Pensées is in fact a name given posthumously to his fragments, which he had been preparing for an Apology for the Christian Religion and which was never completed. It might seem that about Blaise Pascal, and about the two works on which his fame is founded, everything that there is to say had been said. The details of his life are as fully known as we can expect to know them; his mathematical and physical discoveries have been treated many times; his religious sentiment and his theological views have been discussed again and again; and his prose style has been analysed by French critics down to the finest particular. But Pascal is one of those writers who will be and who must be studied afresh by men in every generation. It is not he who changes, but we who change. It is not our knowledge of him that increases, but our world that alters and our attitudes towards it. The history of human opinions of Pascal and of men of his stature is a part of the history of humanity. That indicates his permanent importance. The facts of Pascal''s life, so far as they are necessary for this brief introduction to the Pensées, are as follows. He was born at Clermont, in Auvergne, in 1623. His family were people of substance of the upper middle class. His father was a government official, who was able to leave, when he died, a sufficient patrimony to his one son and his two daughters. In 1631 the father moved to Paris, and a few years later took up another government post at Rouen. Wherever he lived, the elder Pascal seems to have mingled with some of the best society, and with men of eminence in science and the arts. Blaise was educated entirely by his father at home. He was exceedingly precocious, indeed excessively precocious, for his application to studies in childhood and adolescence impaired his health, and is held responsible for his death at thirty-nine. Prodigious, though not incredible stories are preserved, especially of his precocity in mathematics. His mind was active rather than accumulative; he showed from his earliest years that disposition to find things out for himself, which has characterised the infancy[Pg viii] of Clerk-Maxwell and other scientists. Of his later discoveries in physics there is no need for mention here; it must only be remembered that he counts as one of the greatest physicists and mathematicians of all time; and that his discoveries were made during the years when most scientists are still apprentices.

Volume Two covers the early years of his editorship of The Criterion (the periodical that Eliot launched with Lady Rothermere''s backing in 1922), publication of The Hollow Men and the course of Eliot''s thinking about poetry and poetics after The Waste Land. The correspondence charts Eliot''s intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of Poems 1909-1925, Eliot''s first publication with the house with which he would be associated for the rest of his life. It was partly because of Eliot''s profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the Letters fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.

In two highly anticipated volumes, the correspondence of the twentieth century''s eminent man of letters, from youth to early manhood

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare''s finesse to Oscar Wilde''s wit, this unique collection brings together works as diverse and influential as The Pilgrim''s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

Poet, dramatist, critic and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of The Complete Poems and Plays, published for the first time in paperback, includes all of his verse and work for the stage, from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land, Old Possum''s Book of Practical Cats and Murder in the Cathedral. ''Each year Eliot''s presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.'' Ted Hughes

Let Us Go Then, You and I is a new edition of T. S. Eliot''s selected poems, published to celebrate his nomination as the ''Nation''s Favourite Poet'' in a BBC poll for National Poetry Day 2009.

As a poet, editor and essayist, T. S. Eliot was one of the defining figures of twentieth century poetry. This selection, which was made by Eliot himself, includes many of his most celebrated works, including The Love Song of J. Alfred Prufrock and The Waste Land.Other volumes in this series: Auden, Betjemen, Plath, Hughes and Yeats.

T. S. Eliot was not only one of the greatest poets of the twentieth century—he was also one of the most acute writers on his craft. In On Poetry and Poets, which was first published in 1957, Eliot explores the different forms and purposes of poetry in essays such as "The Three Voices of Poetry," "Poetry and Drama," and "What Is Minor Poetry?" as well as the works of individual poets, including Virgil, Milton, Byron, Goethe, and Yeats. As he writes in "The Music of Poetry," "We must expect a time to come when poetry will have again to be recalled to speech. The same problems arise, and always in new forms; and poetry has always before it . . . an ‘endless adventure.''"

A collection of poems by T S Eliot.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 Excerpt: ...earth. r'' = radius of moon, or other body. P = moon''s horizontal parallax = earth''s angular semidiameter as seen from the moon. f = moon''s angular semidiameter. Now = P (in circular measure), r''-r = r (in circular measure);.''. r: r'':: P: P'', or (radius of earth): (radios of moon):: (moon''s parallax): (moon''s semidiameter). Examples. 1. Taking the moon''s horizontal parallax as 57'', and its angular diameter as 32'', find its radius in miles, assuming the earth''s radius to be 4000 miles. Here moon''s semidiameter = 16'';.-. 4000::: 57'': 16'';.-. r = 400 16 = 1123 miles. 2. The sun''s horizontal parallax being 8"8, and his angular diameter 32V find his diameter in miles. '' Am. 872,727 miles. 3. The synodic period of Venus being 584 days, find the angle gained in each minute of time on the earth round the sun as centre. Am. l"-54 per minute. 4. Find the angular velocity with which Venus crosses the sun''s disc, assuming the distances of Venus and the earth from the sun are as 7 to 10, as given by Bode''s Law. Since (fig. 50) S V: VA:: 7: 3. But Srhas a relative angular velocity round the sun of l"-54 per minute (see Example 3); therefore, the relative angular velocity of A V round A is greater than this in the ratio of 7: 3, which gives an approximate result of 3"-6 per minute, the true rate being about 4" per minute. Annual ParaUax. 95. We have already seen that no displacement of the observer due to a change of position on the earth''s surface could apparently affect the direction of a fixed star. However, as the earth in its annual motion describes an orbit of about 92 million miles radius round the sun, the different positions in space from which an observer views the fixed stars from time to time throughout the year must be separated ...

A collection of T.S. Eliot’s most important poems, including “The Waste Land” and “The Love Song of J. Alfred Prufrock.” T. S. Eliot is one of the most important and influential poets of the twentieth century. His unique and innovative evocations of the folly and poetry of humanity helped reshape modern literature, with poems such as “The Love Song of J. Alfred Prufrock,” included here, and most notable, the title poem, “The Waste Land,” his groundbreaking masterpiece of postwar decay and redemption. Since its publication in 1922, “The Waste Land” has become one of the most widely studied modernist texts in English literature. Gathering together many of Eliot''s major early poems, distinguished Harvard scholar and literary critic Helen Vendler presents an invaluable portrait of T. S. Eliot as a young poet and examines the artistry and craft that made him a Nobel laureate and one of the most significant voices in modern verse.

This Dover edition, first published in 1998, is an unabridged republication of poems from early standard editions.

Fragment d''una traducció al català, i publicat a la revista Ariel.