New Releases by Thomas Bailey

Reprint of the original, first published in 1881. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.

INTRODUCTION. "If my object in these pages were to present a complete scheme of counsels and maxims for the guidance of life, I should have to repeat the numerous rules some of them excellent which have been drawn up by thinkers of all ages, from Theognis and Solomon down to La Rochefoucauld; and, in so doing, I should inevitably entail upon the reader a vast amount of well-worn commonplace. But the fact is that in this work I make still less claim to exhaust my subject than in any other of my writings." (...)

Reproduction of the original.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Story of a Bad Boy by Thomas Bailey Aldrich. The Story of a Bad Boy is a semi-autobiographical fiction novel by American writer Thomas Bailey Aldrich, fictionalizing his experiences as a boy in Portsmouth, New Hampshire. The book is considered the first in the "bad boy" genre of literature, though the text''s opening lines admit that he was "not such a very bad, but a pretty bad boy". Plot - "Tom Bailey" is born in the fictitious town of Rivermouth, New Hampshire, but moves to New Orleans with his family when he is 18 months old. In his boyhood, his father wants his to be educated in the North and sent him back to Rivermouth to live with his grandfather, Captain Nutter. Nutter lives with his sister and an Irish servant. There, Tom becomes a member of a boys'' club called the Centipedes. Together, the boys become involved in a series of adventures. In one prank, the boys steal an old carriage and push it into a bonfire for the [Fourth of July. During the winter, several boys build a snow fort on Slatter''s Hill, inciting rival boys into a battle of snowballs. Later, Tom and three other boys combine their money to buy a boat named Dolphin and sneak away to an island. Tom also befriends a man nicknamed Sailor Ben, whom Tom originally meets on the ship that took him away from New Orleans. Revealed as the long-lost husband of Captain Nutter''s Irish servant, Ben settles in Rivermouth in a boat-like cabin. Sailor Ben helps the boys fire off a series of old cannon at the pier, much to the confusion of the local townspeople. When his father''s banking job fails, Tom is invited by an uncle to work in a counting-house in New York.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the story of a bad boy. Well, not such a very bad, but a pretty bad boy; and I ought to know, for I am, or rather I was, that boy myself.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It is late autumn 1756, Jacob Murray and a band of rangers are locked in desperate pursuit of a Delaware raiding party that overran and massacred the garrison at Fort Stevens. Among the women and children taken prisoner is Jacob’s wife, Maggie. Driven by guilt and anger, Jacob sets a furious pace that leads his men into dangerous unknown territory. Meanwhile the fate of the prisoners is made all the more tenuous when raiding party scouts report the death of Chief Tewea at Kittanning, and Maggie will soon be forced to reconsider everything she has ever thought about the ‘savages’ that have inflicted such havoc on her life. In a world at war where blood debts are constantly paid and incurred, decisions made can change the course of lives forever. For Maggie, Jacob and their son James, the pull of their blood will draw them into a winter none of them could foresee. The fourth book in the award-winning Gauntlet Runner series, Blood Lines once again transports readers to colonial America during the French and Indian War and offers a clear unsentimental glimpse into the history of the period through the eyes of its characters. WWW.THEGAUNTLETRUNNER1754.COM

THE AMERICAN PAGEANT enjoys a reputation as one of the most popular, effective, and entertaining texts in American history. The colorful anecdotes, first-person quotations, and trademark wit bring American history to life. The 14th edition places an even greater emphasis on the global context of American history through a new feature, Thinking Globally. Revised primary source features excite student interest and help them learn to examine documents the way historians do. Additional pedagogical features make THE AMERICAN PAGEANT accessible to students: part openers and chapter-ending chronologies provide a context for the major periods in American history, while other features present primary sources, scholarly debates, and key historical figures for analysis. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

It is close upon daybreak. The great wall of pines and hemlocks that keep off the west wind from Stillwater stretches black and indeterminate against the sky. At intervals a dull, metallic sound, like the guttural twang of a violin string, rises form the frog-invested swamp skirting the highway. Suddenly the birds stir in their nests over there in the woodland, and break into that wild jargoning chorus with which they herald the advent of a new day. In the apple-orchards and among the plum-trees of the few gardens in Stillwater, the wrens and the robins and the blue-jays catch up the crystal crescendo, and what a melodious racket they make of it with their fifes and flutes and flageolets! The village lies in a trance like death. Possibly not a soul hears this music, unless it is the watchers at the bedside of Mr. Leonard Tappleton, the richest man in town, who has lain dying these three days, and cannot last until sunrise. Or perhaps some mother, drowsily hushing her wakeful baby, pauses a moment and listens vacantly to the birds singing. But who else?

This is the story of a bad boy. Well, not such a very bad, but a pretty bad boy; and I ought to know, for I am, or rather I was, that boy myself. Lest the title should mislead the reader, I hasten to assure him here that I have no dark confessions to make. I call my story the story of a bad boy, partly to distinguish myself from those faultless young gentlemen who generally figure in narratives of this kind, and partly because I really was not a cherub. I may truthfully say I was an amiable, impulsive lad, blessed with fine digestive powers, and no hypocrite. I didn''t want to be an angel and with the angels stand; I didn''t think the missionary tracts presented to me by the Rev. Wibird Hawkins were half so nice as Robinson Crusoe; and I didn''t send my little pocket-money to the natives of the Feejee Islands, but spent it royally in peppermint-drops and taffy candy. In short, I was a real human boy, such as you may meet anywhere in New England, and no more like the impossible boy in a storybook than a sound orange is like one that has been sucked dry. But let us begin at the beginning.