New Releases by Thomas Mann

The Holy Sinner explores a subject that fascinated Thomas Mann to the end of his life - the origins of evil and evil''s connection with magic. Here Mann uses a medieval legend about "the exceeding mercy of God and the birth of the blessed Pope Gregory" - illuminating the notion of original sin and transcendence of evil.

A classic, controversial book exploring German culture and identity by the author of Death in Venice and The Magic Mountain, now back in print. When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation. Thomas took it as an unforgivable stab in the back. The bitter dispute between the brothers would swell into the strange, tortured, brilliant, sometimes perverse literary performance that is Reflections of a Nonpolitical Man, a book that Mann worked on and added to throughout the war and that bears an intimate relation to his postwar masterpiece The Magic Mountain. Wild and ungainly though Mann’s reflections can be, they nonetheless constitute, as Mark Lilla demonstrates in a new introduction, a key meditation on the freedom of the artist and the distance between literature and politics. The NYRB Classics edition includes two additional essays by Mann: “Thoughts in Wartime” (1914), translated by Mark Lilla and Cosima Mattner; and “On the German Republic” (1922), translated by Lawrence Rainey.

Tonio Kroger is a novel written by Thomas Mann and published in 1903. This work was the first one that Mann published. Tonio Kroger creates a pair with Death in Venice, a more famous story, because both tell of an artist''s life and his travels. Though the plots are different and the novels end quite differently, both describe Mann''s views on art.

One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.

Minuten vergingen, bis man dem seitlich im Stuhle Hinabgesunkenen zur Hilfe eilte. Man brachte ihn auf sein Zimmer. Und noch desselben Tages empfing eine respektvoll ersch�tterte Welt die Nachricht von seinem Tode. Mann selbst hat den Tod in Venedig die ,,Trag�die einer Entw�rdigung" genannt und dabei den Begriff Trag�die durchaus w�rtlich gemeint, Mann described Death in Venice as "the tragedy of degradation", and in so doing he meant this quite literally; his work is full of classical allusions and dark motifs, enriching the compelling narrative of the faltering writer von Aschenbach and his quiet love for Tadzio. The book is short but immensely powerful, and Venice especially is depicted as nowhere else in German literature, as a city of passion and intrigue, but also of sickness and decay. This student''s edition of Death in Venice contains the full 1912 text, complete with background notes and a biography of the author, as well as spacious margins for annotation. Visit www.cbypublishing.co.uk to view our full range of products.

A Major Literary Event: a brilliant new translation of Thomas Mann''s first great novel, one of the two for which he was awarded the Nobel Prize in literature in 1929. Buddenbrooks, first published in Germany in 1900, when Mann was only twenty-five, has become a classic of modem literature -- the story of four generations of a wealthy bourgeois family in northern Germany. With consummate skill, Mann draws a rounded picture of middle-class life: births and christenings; marriages, divorces, and deaths; successes and failures. These commonplace occurrences, intrinsically the same, vary slightly as they recur in each succeeding generation. Yet as the Buddenbrooks family eventually succumbs to the seductions of modernity -- seductions that are at variance with its own traditions -- its downfall becomes certain. In immensity of scope, richness of detail, and fullness of humanity, Buddenbrooks surpasses all other modem family chronicles; it has, indeed, proved a model for most of them. Judged as the greatest of Mann''s novels by some critics, it is ranked as among the greatest by all. Thomas Mann was awarded the Nobel Prize for literature in 1929.

The ironic satire of a decaying German duchy and its rejuvenation by the appearance of an independent-minded American woman. Peopled with a range of characters from aristocrat to mad woman, this novel is a microcosm of Europe before the Great War. The book''s driving force is the development of a love between the young Prince, hidebound by tradition, and the exotic, beautiful Imma. Written by Noble Prize winning author Thomas Mann, his careful depiction of a decaying society rejuvenated by modern forces illustrates in fable what he regarded as a universal truth - that ripeness and death are a necessary condition of rebirth.

"Brilliant…a little masterpiece."—Chicago Sun-Times "Beautiful…one of the best short novels he has written."—New York Times Book Review "Can rank with the best of Mann''s writing."—The Boston Globe "Magnificent…one of the greatest bits of writing which one of the world''s greatest writers has ever given us."—Chicago Herald-American "Brilliant…one of those splendid novelettes which in this reviewer''s opinion represent the very essence of Mr. Mann''s literary art."—Saturday Review of Literature "Thomas Mann wrote this engaging novella in a few weeks in 1943. (The new translation by Marion Faber and Stephen Lehmann, which is brisk and direct, is a welcome replacement of the fussier and less accurate English version done by Helen Lowe-Porter for the original publication.)…What is especially noteworthy about The Tables of the Law among Mann''s fictions is its playfulness." —Robert Alter, London Review of Books "His senses were hot, and so he yearned for spirituality, purity, and holiness—the invisible, which seemed to him spiritual, holy, and pure." Thus Thomas Mann introduces Moses in The Tables of the Law, the Nobel Prize winner''s retelling of the prophet''s life. Invited in 1943 to write this story as a defense of the Decalogue, Mann reveals how strange and forbidding Moses'' task was. As "the Lawgiver"—endowed with the wrists and hands of a stonemason—engraves the tablets, so he hews the souls of his people: "Into the stone of the mountain I carved the ABC of human behavior,but it shall also be carved into your flesh and blood, Israel…" Mann''s tale of the ethical founding and molding of a people sharply rebukes the Nazis for their intended destruction of the moral code set down in the Ten Commandments. But does his famous irony and authorial license mock or enhance the Biblical account of the shaping of the Jewish people? You know the Bible story. Now read Mann''s version—it will grip you anew. Newly translated from the German by Marion Faber and Stephen Lehmann. "To present the foundation of law for half the world is no simple task. The Tables of the Law is a historical title following Moses as he is tasked by God to present the ten commandments, providing a human and much different insight on the role of Moses as the Prophet of God. Expertly translated, The Tables of the Law is a solid addition to any literary fiction collection."—Midwest Book Review

A reworking of the Faust legend in which a fictional German composer, Adrian Leverkühn, makes a pact with Mephistopheles for early fame. After confessing his pact, Leverkühn collapses, dying ten years later, bedridden and helpless. The composer''s life parallels the rise and fall of Nazism.

The correspondence of Theodor Adorno and Thomas Mann documents a rare encounter of creative tension between literary tradition and aesthetic modernism spanning the years 1943-1955.

Presents the correspondence of Thomas and Heinrich Mann

"Mann''s pivotal role during the Nazi period as perhaps the most eloquent spokesman for the ''other Germany'' that lived in exile means that anyone studying the history of our century must begin with him. . . . These letters are literary and cultural documents that have few equals in our age."--James K. Lyon, University of California, San Diego "Mann''s pivotal role during the Nazi period as perhaps the most eloquent spokesman for the ''other Germany'' that lived in exile means that anyone studying the history of our century must begin with him. . . . These letters are literary and cultural documents that have few equals in our age."--James K. Lyon, University of California, San Diego

Thomas Mann, fascinated with the concept of genius and with the richness of German culture, found in Johann Wolfgang von Goethe the embodiment of the German culture hero. Mann''s novelistic biography of Goethe was first published in English in 1940. Lotte in Weimar is a vivid dual portrait--a complex study of Goethe and of Lotte, the still-vivacious woman who in her youth was the model for Charlotte in Goethe''s widely-read The Sorrows of Young Werther. Lotte''s thoughts, as she anticipates meeting Goethe again after forty years, and her conversations with those in Weimar who knew the great man, allow Mann to assess Goethe''s genius from many points of view. Hayden White''s fresh appraisal of the novel reveals its consonances with our own concerns. Thomas Mann, fascinated with the concept of genius and with the richness of German culture, found in Johann Wolfgang von Goethe the embodiment of the German culture hero. Mann''s novelistic biography of Goethe was first published in English in 1940. Lotte in Weimar is a vivid dual portrait--a complex study of Goethe and of Lotte, the still-vivacious woman who in her youth was the model for Charlotte in Goethe''s widely-read The Sorrows of Young Werther. Lotte''s thoughts, as she anticipates meeting Goethe again after forty years, and her conversations with those in Weimar who knew the great man, allow Mann to assess Goethe''s genius from many points of view. Hayden White''s fresh appraisal of the novel reveals its consonances with our own concerns.

From a Nobel Prize for Literature winner and one of the most iconic German writers of the 20th century, Transposed Heads is a beautiful story that explores the complex relationship between the spirit, body, and mind. Inspired by an ancient Hindu legend, Mann’s writes about two Indian friends, Shridaman and Nanda, whom together, decide to decapitate themselves. However, they awaken from their attempted suicides to find their heads restored, but to the wrong body. Now, Sita, the wife of Shridaman must determine the true meaning of identity as she navigates her own feelings as to which representation is her actual husband. As the love-triangle carries on, Mann shows just how entwined our mind, body, and spirit are. “The Transposed Heads is altogether delightful . . . It is certainly the most charming of Mann''s works . . . in short, a restatement in parable form of Mann''s intransigent faith in the human intellect. It is also a rich and subtle analysis of the psychology of friendship and love.”—Sewanee Review

V. 1. Joseph and his brothers.--v. 2. Young Joseph.--v. 3. Joseph in Egypt.--v. 4. Joseph the provider.

Joseph and His Brothers (Joseph und seine Brüder) is a four-part novel by Thomas Mann, written over the course of 16 years. Mann retells the familiar stories of Genesis, from Jacob to Joseph (chapters 27-50), setting it in the historical context of the Amarna Period. Mann considered it his greatest work. The tetralogy consists of: The Stories of Jacob (Die Geschichten Jaakobs; written December 1926 to October 1930, Genesis 27-36) Young Joseph (Der junge Joseph; written January 1931 to June 1932, Genesis 37) Joseph in Egypt (Joseph in Ägypten; written July 1932 to 23 August 1936, Genesis 38-39) Joseph the Provider (Joseph, der Ernährer; written 10 August 1940 to 4 January 1943, Genesis 40-50) Mann''s presentation of the ancient Orient and the origins of Judaism is influenced by Alfred Jeremias'' 1904 Das Alte Testament im Lichte des Alten Orients, emphasizing Babylonian influence in the editing of Genesis, and by the work of Dmitry Merezhkovsky. Mann sets the story in the 14th century BC and makes Akhenaten the pharaoh who appoints Joseph his vice-regent. Joseph is aged 28 at the ascension of Akhenaten, which would mean he was born about 1380 BC in standard Egyptian chronology, and Jacob in the mid-1420s BC. Other contemporary rulers mentioned include Tushratta and Suppiluliuma. A dominant topic of the novel is Mann''s exploration of the status of mythology and his presentation of the Late Bronze Age mindset with regard to mythical truths and the emergence of monotheism. Events of the story of Genesis are frequently associated and identified with other mythic topics. Central is the notion of underworld and the mythical descent to the underworld. Jacob''s sojourn in Mesopotamia (hiding from the wrath of Esau) is paralleled with Joseph''s life in Egypt (exiled by the jealousy of his brothers), and on a smaller scale his captivity in the well; they are further identified with the "hellraid" of Inanna-Ishtar-Demeter, the Mesopotamian Tammuz myth, the Jewish Babylonian captivity as well as the Harrowing of Hell of Jesus Christ.