New Releases by Victor Hugo

THE FOREST OF LA SAUDRAIE. During the last days of May, 1793, one of the Parisian battalions introduced into Brittany by Santerre was reconnoitring the formidable La Saudraie Woods in Astillé. Decimated by this cruel war, the battalion was reduced to about three hundred men. This was at the time when, after Argonne, Jemmapes, and Valmy, of the first battalion of Paris, which had numbered six hundred volunteers, only twenty-seven men remained, thirty-three of the second, and fifty-seven of the third,—a time of epic combats. The battalion sent from Paris into La Vendée numbered nine hundred and twelve men. Each regiment had three pieces of cannon. They had been quickly mustered. On the 25th of April, Gohier being Minister of Justice, and Bouchotte Minister of War, the section of Bon Conseil had offered to send volunteer battalions into La Vendée; the report was made by Lubin, a member of the Commune. On the 1st of May, Santerre was ready to send off twelve thousand men, thirty field-pieces, and one battalion of gunners. These battalions, notwithstanding they were so quickly formed, serve as models even at the present day, and regiments of the line are formed on the same plan; they altered the former proportion between the number of soldiers and that of non-commissioned officers. On the 28th of April the Paris Commune had given to the volunteers of Santerre the following order: "No mercy, no quarter." Of the twelve thousand that had left Paris, at the end of May eight thousand were dead. The battalion which was engaged in La Saudraie held itself on its guard. There was no hurrying: every man looked at once to right and to left, before him, behind him. Kléber has said: "The soldier has an eye in his back." They had been marching a long time. What o''clock could it be? What time of the day was it? It would have been hard to say; for there is always a sort of dusk in these wild thickets, and it was never light in that wood. The forest of La Saudraie was a tragic one. It was in this coppice that from the month of November, 1792, civil war began its crimes; Mousqueton, the fierce cripple, had come forth from those fatal thickets; the number of murders that had been committed there made one''s hair stand on end. No spot was more terrible.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Marius is a fictional character, one of the protagonists of Victor Hugo''s 1862 novel Les Miserables. He is a young student, and the suitor of Cosette. Believing Cosette lost to him, and determined to die, he joins the revolutionary association Friends of the ABC as they take part in the 1832 June Rebellion. Although not a member of the group, the ties of friendship bring him close in. Facing death in the fight, his life is saved by Jean Valjean, and he subsequently weds Cosette, a young woman whom Valjean had raised as his own."

This book is Les Miserables by Victor Hugo with translation by Isabel F. Hapgood and notes by Jim Coburn. The story is unabridged and is footnoted for the numerous unexplained places and events.

Victor Hugo, in full Victor-Marie Hugo (26 February 1802 – 22 May 1885) was a French poet, novelist, and dramatist who was the most important of the French Romantic writers. Though regarded in France as one of that country''s greatest poets, he is better known abroad for such novels as Notre-Dame de Paris (1831) and Les Misérables (1862).-wikipedia

HarperCollins is proud to present its new range of best-loved, essential classics.

"Story of the ex-convict Jean Valjean, who escapes prison and tries to turn his life around, but cannot escape his past"--

Victor-Marie Hugo (1802-1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights campaigner, and perhaps the most influential exponent of the Romantic movement in France. In France, Hugo''s literary reputation rests primarily on his poetic and dramatic output and only secondarily on his novels. Among many volumes of poetry, Les Contemplations and La Legende des Siecles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. In the Englishspeaking world his best-known works are often the novels Les Miserables and Notre-Dame de Paris (translated into English as The Hunchback of Notre-Dame) (1899). Though extremely conservative in his youth, Hugo moved to the political left as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He is buried in the Pantheon. Amongst his other works are: Napoleon the Little (1852), The Man Who Laughs (1869), The History of a Crime (1877), Poems (1888) and The Memoirs of Victor Hugo.

Classic from the year 2009 in the subject Romance Languages - French Literature, language: English, abstract: BOOK FIRST. WATERLOO*** CHAPTER I. WHAT IS MET WITH ON THE WAY FROM NIVELLES*** Last year (1861), on a beautiful May morning, a traveller, the person who is telling this story, was coming from Nivelles, and directing his course towards La Hulpe. He was on foot. He was pursuing a broad paved road, which undulated between two rows of trees, over the hills which succeed each other, raise the road and let it fall again, and produce something in the nature of enormous waves. He had passed Lillois and Bois-Seigneur-Isaac. In the west he perceived the slate-roofed tower of Braine-l''Alleud, which has the form of a reversed vase. He had just left behind a wood upon an eminence; and at the angle of the cross-road, by the side of a sort of mouldy gibbet bearing the inscription Ancient Barrier No. 4, a public house, bearing on its front this sign: At the Four Winds (Aux Quatre Vents). Echabeau, Private Cafe. A quarter of a league further on, he arrived at the bottom of a little valley, where there is water which passes beneath an arch made through the embankment of the road. The clump of sparsely planted but very green trees, which fills the valley on one side of the road, is dispersed over the meadows on the other, and disappears gracefully and as in order in the direction of Braine-l''Alleud. On the right, close to the road, was an inn, with a four-wheeled cart at the door, a large bundle of hop-poles, a plough, a heap of dried brushwood near a flourishing hedge, lime smoking in a square hole, and a ladder suspended along an old penthouse with straw partitions. A young girl was weeding in a field, where a huge yellow poster, probably of some outside spectacle, such as a parish festival, was fluttering in the wind. At one corner of the inn, beside a pool in which a flotilla of ducks was navigating, a badly paved path plunged into the bushes. The wayfarer struck into t

Though written at the beginning of the Romantic era, this remarkable French historical romance takes place in medieval Paris at the Cathedral of Notre Dame. It is there that the deformed Quasimodo has gone deaf ringing the grand church''s bells for his adoptive father Dom Claude Frollo. The severe priest, though he looks after the grotesque Quasimodo, ignores the public persecution that the man suffers whenever he leaves the Cathedral, and it is at just such moment of vulnerability that the lovely young Gypsy Esmeralda shows Quasimodo an act of kindness that leads to his inner transformation. Though still hated by everyone, Quasimodo''s sleeping soul awakens and grows in an extraordinary conversion to the sublime, allowing him to care for and protect Esmeralda even as those who admired her come to fear and despise her. A commanding and epic melodrama fully utilizing the extremes of passion and religion in the bygone Gothic era, Hugo''s novel explores social justice through the suffering of his characters, though with a compassion and melancholy that belies the author''s conviction in the impossibility of salvation in his existing world.

Classic from the year 2009 in the subject Romance Languages - French Literature, language: English, abstract: BOOK SIXTH - LE PETIT-PICPUS*** CHAPTER I. NUMBER 62 RUE PETIT-PICPUS*** Nothing, half a century ago, more resembled every other carriage gate than the carriage gate of Number 62 Rue Petit-Picpus. This entrance, which usually stood ajar in the most inviting fashion, permitted a view of two things, neither of which have anything very funereal about them, --a courtyard surrounded by walls hung with vines, and the face of a lounging porter. Above the wall, at the bottom of the court, tall trees were visible. When a ray of sunlight enlivened the courtyard, when a glass of wine cheered up the porter, it was difficult to pass Number 62 Little Picpus Street without carrying away a smiling impression of it. Nevertheless, it was a sombre place of which one had had a glimpse.[...] *** BOOK SEVENTH. PARENTHESIS*** CHAPTER I. THE CONVENT AS AN ABSTRACT IDEA**** This book is a drama, whose leading personage is the Infinite. Man is the second. Such being the case, and a convent having happened to be on our road, it has been our duty to enter it. Why? Because the convent, which is common to the Orient as well as to the Occident, to antiquity as well as to modern times, to paganism, to Buddhism, to Mahometanism, as well as to Christianity, is one of the optical apparatuses applied by man to the Infinite. This is not the place for enlarging disproportionately on certain ideas; nevertheless, while absolutely maintaining our reserves, our restrictions, and even our indignations, we must say that every time we encounter man in the Infinite, either well or ill understood, we feel ourselves overpowered with respect. There is, in the synagogue, in the mosque, in the pagoda, in the wigwam, a hideous side which we execrate, and a sublime side, which we adore. What a contemplation for the mind, and what endless food for thought, is the reverberation of God upon the human wall![...]

Encompassing a multitude of plots, the narrative is bounded by the character of the protagonist, Jean Valjean. Expressing the author''s ideas about society, religion and politics, it is in the backdrop of Napoleonic Wars and ensuing years that the story unravels. Grace, moral philosophy, law and history of France are discussed.

The French title of the novel emphasizes Notre Dame''s (A French memorial) role as a symbol of Paris. Primarily novel is concerned with the theme of revolution and social strife. Hugo was profoundly concerned by the class differences that set the 1789 French Revolution in motion. Hugo acknowledges that fate plays a powerful role, but implies that free will is also possible.

The French title of the novel emphasizes Notre Dame''s (A French memorial) role as a symbol of Paris. Primarily novel is concerned with the theme of revolution and social strife. Hugo was profoundly concerned by the class differences that set the 1789 French Revolution in motion. Hugo acknowledges that fate plays a powerful role, but implies that free will is also possible.

The French title of the novel emphasizes Notre Dame''s (A French memorial) role as a symbol of Paris. Primarily novel is concerned with the theme of revolution and social strife. Hugo was profoundly concerned by the class differences that set the 1789 French Revolution in motion. Hugo acknowledges that fate plays a powerful role, but implies that free will is also possible.

"Les Miserables" is a magisterial work which is rich in both character portrayal and meticulous historical description - site accessed 06/03/2013 http://www.booktopia.com.au/les-miserables-victor-hugo/prod9781853260858.html.

More commonly known as The Hunchback of Notre-Dame, Victor Hugo''s Romantic novel of dark passions and unrequited love In the vaulted Gothic towers of Notre-Dame Cathedral lives Quasimodo, the hunchbacked bellringer. Mocked and shunned for his appearance, he is pitied only by Esmerelda, a beautiful gypsy dancer to whom he becomes completely devoted. Esmerelda, however, has also attracted the attention of the sinister archdeacon Claude Frollo, and when she rejects his lecherous approaches, Frollo hatches a plot to destroy her, that only Quasimodo can prevent. Victor Hugo''s sensational, evocative novel brings life to the medieval Paris he loved, and mourns its passing in one of the greatest historical romances of the nineteenth century. John Sturrock''s clear, contemporary translation is accompanied by an introduction discussing it as a passionate novel of ideas, written in defence of Gothic architecture and of a burgeoning democracy, and demonstrating that an ugly exterior can conceal moral beauty. This revised edition also includes further reading and a chronology of Hugo''s life. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Victor Hugo wrote this work whilst in exile for taking part in the events herein described. His story is thrillingly told. The world for the first time gets all the details of the coup d'' état by which Louis Napoleon became emperor of France. The book reads like a novel, and yet its action only goes over two days and is all strictly historical. Its publication caused a great excitement in Paris that October, and probably prevented a similar attack upon the liberties of France and the Republic. At all events, it was this fear which caused Victor Hugo to make his testimony public; for he said, "This work is more than opportune; it is imperative. I publish it."