New Releases by William Bell

John Milton''s "Comus" is a captivating work of English literature blending poetry and drama into a powerful allegory. This classic poem explores themes relevant across centuries, solidifying Milton''s place as a master of verse. Steeped in classical tradition, "Comus" showcases Milton''s lyrical genius and profound understanding of the human condition. Explore the rich language and enduring story in this meticulously prepared edition. A cornerstone of literary study and a testament to the power of poetic drama, "Comus" remains a compelling and thought-provoking read for those interested in the history of poetry and its critical interpretation. Experience the timeless appeal of Milton''s verse in this elegantly reprinted edition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reprint of the original, first published in 1876.

Reprint of the original, first published in 1875.

Journey back to ancient Greece and discover the secrets of the Attic buildings in this insightful book. Renowned archaeologist William Bell Dinsmoor takes you through the various stages of construction and the different materials used, shedding light on the skills and techniques of the Athenian builders. This book is a must-have for anyone interested in ancient architecture and history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from the Introduction: "Few poems have been more variously designated than Comus. Milton himself describes it simply as "A Mask"; by others it has been criticised and estimated as a lyrical drama, a drama in the epic style, a lyric poem in the form of a play, a phantasy, an allegory, a philosophical poem, a suite of speeches or majestic soliloquies, and even a didactic poem. Such variety in the description of the poem is explained partly by its complex charm and many-sided interest, and partly by the desire to describe it from that point of view which should best reconcile its literary form with what we know of the genius and powers of its author."

This Is A New Release Of The Original 1891 Edition.

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"But I don''t look like a Jewish Negro or a black Jew. I look like a black. I am of average height, of average build, with wavy hair that I wear very short, and very dark skin. Talk about an identity crisis." Ten years after Crabbe, Bell returns to the theme of a young man wrestling with his identity. Zack Lane is uncomfortable with his mixed racial origins. He knows much about his father''s side, the descendants of Romanian Jews, but his mother broke all ties with her family before Zack was born. Why she did so is the "family mystery." Zack has recently been uprooted when his parents moved from the largest city in Canada to the outskirts of a small town. Friendless, unsuccessful at school and at the lowest point in his life, he undertakes a research project into the life of Richard Pierpoint, former African slave, soldier in the War of 1812, and the pioneer farmer who cleared the land on which Zack''s house now stands. Pierpoint''s story inspires Zack to go to Mississippi to look for his maternal grandfather. What he discovers shakes the foundations of all he has believed in.

Seventeen-year-old Alex Jackson comes home from school to find that his father, a CBC news cameraman, wants to take him to China''s capital, Beijing. Once there, Alex finds himself on his own in Tian An Men Square as desperate students fight the Chinese army for their freedom. Separated from his father and carrying illegal videotapes, Alex must trust the students to help him escape. Closely based on eyewitness accounts of the massacre in Beijing, Forbidden City is a powerful and frightening story.

Allie''s life has just taken a turn for the worse; not only do her parents fight all the time, but she is failing more classes than not and now she thinks she might be pregnant. Unable to face up to her parents, Allie decides to run away. She hooks up with her old friend Razz, a professional skateboarder, and goes on the road. Razz is ranked number one but constant confrontations with the challenger Slash put Allie in some dangerous situations. With the rivalry heating up, Razz and Allie head toward home—right into the path of a fierce tornado. To survive in the horror and destruction that follow the storm, Allie has to call on an inner strength she didn''t know she had. This short novel is a high-interest, low-reading level book for teen readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible. Also available in Spanish.

Lent is a great time to work dramatic presentations into your congregation''s programming -- and Getting Our Feet Wet, a collection of 14 thoughtful sketches depicting Lenten themes, is a great resource for communicating the gospel in fresh and exciting ways. Written with grace and style, the scenes probe common assumptions about faith, making a vivid impression on audiences while stretching their theological imagination. Most of the dramas explore familiar biblical events from novel vantage points: the proprietor of the upper room, two anonymous women at the crucifixion, wine-weary disciples in the Garden of Gethsemane. Some of the stories bring out the humor and theological edge in scripture, while others leave readers yearning for the Good News of Easter. Appropriate for intimate gatherings or large worship services (particularly during Holy Week), many of the scenes require only one or two characters, and each comes with specific directions for props, sound, and lighting. Performance time of the scenes varies from approximately 5 to 12 minutes. Gary William Bell is the executive director of SOS Community Services in Ann Arbor and Ypsilanti, Michigan. SOS is a community-based agency that assists people in crisis and provides comprehensive supportive services for homeless families. Bell previously served urban, suburban, and rural congregations in the United Methodist Church and the United Church of Christ. He is a graduate of Oakland University (B.A.) and Colgate-Rochester Divinity School (M.Div.), and holds a Ph.D. in Urban Social Institutions from the University of Wisconsin-Milwaukee, where his doctoral dissertation examined church social activism and included original research on congregational responses to poverty and other social problems.

211 illus, 9 b/w pls, 10 tbls & 9 foldout plans & drawings

A Level III tuba solo composed by Georges Bizet, arranged by William Bell.