New Releases by William Kurelek

When W.O. Mitchell died in February of 1998, millions mourned his passing. Our loss was the lead item on the national news, many newspaper obituaries ran for a full page, and as an extraordinary mark of respect, flags outside government offices across the land flew at half-mast. The man they mourned - and everyone in the Canadian book world whose life he had touched was personally saddened - was known above all as the author of "Who Has Seen the Wind. And this edition - containing the full text - marrying W.O. Mitchell's text with the art of William Kurelek, has established itself as a classic. Since its publication in 1947, "Who Has Seen the Wind has established itself in the hearts and minds of millions as a Canadian classic. The reasons for the book's classic status are not hard to find. As readers enter the world of four-year-old Brian O'Connal and his family and friends, they find characters that radiate life so convincingly that the book has a life of its own. No ordinary simple novel, it is the ageless story of childhood told with tenderness and humour and without sentimentality, and the picture of a small town anywhere, drawn with realism and understanding. This handsome edition marries W.O. Michell's prose with the inspired illustrations of one of Canada's finest and most popular artists, the late William Kurelek. The 8 full-colour paintings he produced, like the 32 black-and-white sketches that adorn the first page of every chapter, all come specifically from the text, and are illustrations in the very best sense. This edition is a collector's piece, a beautiful book that is also a joy to read, again and again.

Paintings and text describe what immigrants went through to survive in North America.

Vingt contes, vingt tableaux, amalgame de rv̊e et de rǎlit, ̌ cristallisš autour d'un mm̊e thm̈e : la Nativit.̌ Ils se rčlament d'un dčor typiquement canadien : a mari usque ad mare. Ce sont les rv̊es d'un enfant de douze ans qui convergent vers une mm̊e interrogation : si c'est arriv ̌l-̉bas, pourquoi pas ici? si c'est arriv ̌alors, pourquoi pas maintenant? Rčit simple, color, ̌ fix ̌sur toiles collectionněs par les grands musěs du Canada, d'Europe et des Etats-Unis.

Summer on the prairies during the Depression years was not a vacation from school; it was hard work.

The author's paintings of Canadian lumber camps accompany his first-hand observations of the life of a lumberjack.

'With reverence and warmth the author writes and paints his memories of boyhood on a 1930 prairie farm in winter. The narrative is colorful and interesting...the illustrations, one for each of twenty brief flashbacks, are rich in texture and painted in the American folk-primitive style; nearly all are small triumphs which can stand alone.' ---Booklist