Search "Ernest Hemingway"

Prime Your Freelance Writing Career for Success! So you want to be a freelance writer. Great! But now you''re faced with a laundry list of questions: Should I freelance full time or part time? Should I write for magazines, newspapers, or online markets? How do I dream up the perfect article idea, and how do I pitch it successfully? How do I negotiate contracts, foster relationships with editors, and start getting steady work while avoiding financial panic attacks and unpleasant ulcers? The Essential Guide to Freelance Writing answers all of these questions--and much more. From breaking in to navigating the basics of the business, this book is your road map to a fruitful and rewarding freelance life. You''ll learn how to: • Dig into various markets, including consumer magazines, trade journals, newspapers, and online venues. • Make your digital mark and build your writing platform. • Pitch like a pro and craft solid query letters that get responses. • Conduct professional interviews in person, by phone, or by e-mail. • Write and structure various types of articles, from front-of-the-book pieces to profiles and features. • Quit your lackluster day job, and live the life you''ve always wanted. Filled with insider secrets, candid advice, and Zachary Petit''s trademark humor and blunt honesty, The Essential Guide to Freelance Writing won''t just show you how to survive your freelancing writing career--it will teach you how to truly thrive.

Encyclopedic and lively, this book illuminates the basic facts associated with the more than 2,500 fictional and historical people, animals, events and cultural artifacts which appear in Hemingway''s nine novels. Hemingway advertised himself as an authority on sport and war, but his interests were much broader. He studied the literary, political, and popular cultures of the many countries he lived in (Cuba, France, United States) and visited regularly (Spain, Germany, Austria, Italy, eastern Africa). His novels reveal his erudition: They are studded with often arcane references to art, history, literature, music, religion, medicine, weapons, travel, and contemporary events. Mandel''s encyclopedic Reading Hemingway: The Facts in the Fictions identifies this network of allusions and retrieves these unwritten contexts. Includes illustrations, endnotes, a comprehensive bibliography, and index. A useful complement to the many biographical and critical efforts to unravel Hemingway''s novels, this volume will encourage informed classroom discussion and enhance scholarly debate. Paperback edition available 2001. Cloth edition previously published in 1995.

The 1934 Pulitzer Prize-winning novel about a young newlywed woman struggling with her harsh life in rural, impoverished antebellum Georgia. "It has a wonderful freshness about it.... A wonderfully large and vital picture." ―The New York Times Cean and Lonzo are a young couple beginning their married lives two decades before the Civil War in a land where nature is hostile, the seasons dictate the law, and the days are punctuated by the hard work of the land. The couple''s only wealth is their hands, their obstinacy, and their love. By the time Cean is forty-three, she has borne fourteen children; buried five of them and her husband; and survived a civil war, venomous snakebite, ferocious panther attack, and a deadly house fire. Neither life nor the din of history has spared her. In her lyrical, fascinating story (winner of the 1932 Pulitzer Prize for Literature), author Caroline Miller explores the struggle and survival of impoverished settlers in pre-Civil War South Georgia. A thought-provoking addition to American, Civil War, and Women''s History studies.

The Able McLaughlins is a 1923 novel by Margaret Wilson. It won the Pulitzer Prize for the Novel in 1924. The story is about Wully McLaughlin, doughty but inarticulate young hero, returns from Grant''s army to find that his sweetheart, Christie McNair, has fallen a victim, against her will, to the scapegrace of the community, Peter Keith. She has concealed her plight from every one, but cannot conceal it from him.

This book presents a psycho-biographic analysis of Ernest Hemingway’s works so as to map the complex mindscape of the author in order to unearth those thought processes that culminated in the character architecture of his protagonists inaugurating a tradition of a narcissistic self-fictionalization. His epistolary literature has been primarily used as an opulent source of biographic information for profiling the real Hemingway, de-skinning the photogenic cosmetic layers of glamour that this hunter-fisherman-soldier-author had a fetish to don flamboyantly. This methodical, meticulous book dissecting the character anatomies of Hemingway’s protagonists using the tool of biographic chronicle will enable Hemingway aficionados to decipher the narcissism conundrum that haloes this author’s mystic persona.

The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.

From the very first page, Grief Doodling invites action. Topics range from the benefits of doodling, to why doodling is fun, to doodling tips, and responding to doodling prompts. The prompts, based on grief research, promote self-worth and healing. This is a hopeful book--something all grieving kids need.

Most people know Florence Nightingale was a compassionate and legendary nurse, but they don’t know her full story. This riveting biography explores the exceptional life of a woman who defied the stifling conventions of Victorian society to pursue what was considered an undesirable vocation. She is best known for her work during the Crimean War, when she vastly improved gruesome and deadly conditions and made nightly rounds to visit patients, becoming known around the world as the Lady with the Lamp. Her tireless and inspiring work continued after the war, and her modern methods in nursing became the defining standards still used today. Includes notes, bibliography, and index.

Ernest Hemingway is a mythic writer and alpha male. As a hunter and conservationist, he drew greatly from the strong example of Theodore Roosevelt, and he much enjoyed teaching newcomers to shoot and hunt. Including short excerpts from Hemingway''s works, these stories of his guns and rifles tell us as much about him as a lifelong, expert hunter and shooter ad as a man.

Brilliant, evocative, poetic, savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that is turned into dirt-poor farmers by the Depression and the great drought of the thirties. The novel moves through a single year and, at the same time, a decade of years, from the spring arrival of the family at their mortgaged farm to the winter 10 years later, when the ravages of drought, fire, and personal anguish have led to the deaths of two of the five. Like Ethan Frome, the relatively brief, intense story evokes the torment possible among people isolated and driven by strong feelings of love and hate that, unexpressed, lead inevitably to doom. Reviewers in the thirties praised the novel, calling its prose "profoundly moving music," expressing incredulity "that this mature style and this mature point of view are those of a young women in her twenties," comparing the book to "the luminous work of Willa Cather," and, with prescience, suggesting that it "has that rare quality of timelessness which is the mark of first-rate fiction."

In his autobiography, Adam West tells the inside story of his role as the Caped Crusader. One day in the 1960s he woke up a star. The Batman TV show had become an overnight hit, rocketing its little-known lead actor to fame. But within two years Batmania had faded and West was on a downward path.

''Immersive, tense, seductive'' – Sunday Times ''Unputdownable'' – Sunday Express Scott and Zelda Fitzgerald, Pablo Picasso, Cole and Linda Porter, Ernest Hemingway, John Dos Passos - all are summer guests of Gerald and Sara Murphy. Visionary, misunderstood, and from vastly different backgrounds, the Murphys met and married young, and set forth to create a beautiful world. They alight on Villa America: their coastal oasis of artistic genius, debauched parties, impeccable style and flamboyant imagination. But before long, a stranger enters into their relationship, and their marriage must accommodate an intensity that neither had forseen. When tragedy strikes, their friends reach out to them, but the golden bowl is shattered, and neither Gerald nor Sara will ever be the same. Ravishing, heart-breaking, and written with enviable poise, Villa America delivers on all the promise of Liza Klaussmann''s bestselling debut, Tigers in Red Weather. It is an overwhelming, unforgettable novel.

New, carefully focused essays providing a thorough examination of Hemingway''s groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway''s nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.

Anyone interested in Michigan history, the life of Ernest Hemingway, or the culture of the early twentieth century will enjoy this beautiful volume.

Celebrate the fortieth anniversary of the enduring gothic masterpiece Flowers in the Attic—the unforgettable forbidden love story that earned V.C. Andrews a fiercely devoted fan base and became an international cult classic. At the top of the stairs there are four secrets hidden—blond, innocent, and fighting for their lives… They were a perfect and beautiful family—until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother. A suspenseful and thrilling tale of family, greed, murder, and forbidden love, Flowers in the Attic is the unputdownable first novel of the epic Dollanganger family saga. The Dollanganger series includes: Flowers in the Attic, Petals in the Wind, If There Be Thorns, Seeds of Yesterday, Garden of Shadows, Beneath the Attic, and Out of the Attic.

The Present Book Is An In-Depth Critical Study Of The Modern American Classic, Ernest Hemingway S The Old Man And The Sea, Which Won The Pulitzer Prize In 1952 And The Nobel Prize In 1954.This Study, While Keeping The Novel Under The Critical Lens, Examines It Against The Backdrop Of Hemingway S Aesthetic Convictions And Overall Literary Achievement. It Throws Light On The Various Dimensions Of Not Only The Novel But Hemingway S Craftsmanship Like His Use Of Suggestion And Symbolism, His Inimitable Style, His Manipulation Of Narrative Perspective, And The Way He Projects His Philosophical Theme Of The Ephemeral Versus The Everlasting, Which Is Dramatized In The Old Man And The Sea.The Present Book Will Definitely Prove Useful To Students, Researchers As Well As Teachers Of English Literature Interested In The Study Of Hemingway And His Works.

About this Edition This 2021-2022 Digital Student Edition of Ayn Rand''s Anthem was created for teachers and students receiving free novels from the Ayn Rand Institute, and includes a historic Q&A with Ayn Rand that cannot be found in any other edition of Anthem. In this Q&A from 1979, Rand responds to questions about Anthem sent to her by a high school classroom. About Anthem Anthem is Ayn Rand’s “hymn to man’s ego.” It is the story of one man’s rebellion against a totalitarian, collectivist society. Equality 7-2521 is a young man who yearns to understand “the Science of Things.” But he lives in a bleak, dystopian future where independent thought is a crime and where science and technology have regressed to primitive levels. All expressions of individualism have been suppressed in the world of Anthem; personal possessions are nonexistent, individual preferences are condemned as sinful and romantic love is forbidden. Obedience to the collective is so deeply ingrained that the very word “I” has been erased from the language. In pursuit of his quest for knowledge, Equality 7-2521 struggles to answer the questions that burn within him — questions that ultimately lead him to uncover the mystery behind his society’s downfall and to find the key to a future of freedom and progress. Anthem anticipates the theme of Rand’s first best seller, The Fountainhead, which she stated as “individualism versus collectivism, not in politics, but in man’s soul.”

A Study Guide for Ernest Hemingway''s "A Clean, Well-Lighted Place," excerpted from Gale''s acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1,0 (A), University of Marburg (Institute for Anglistics/ American Studies), course: PS The Initiation Theme in American Fiction, language: English, abstract: Initiation in Ernest Hemingway’s A Farewell to Arms Since it was published in the late 1920s, Ernest Hemingway’s novel A Farewell to Arms has mostly been read as a love story against the background of the First World War (Brooks 81; Matthews 77; Ross 90; Smith 78). This is right insofar as the novel deals with the young American Frederic Henry who, while being involved in the war on the side of the Italian Army, falls in love with a beautiful British nurse, Catherine Barkley. There is, however, more to this book: When looking at the world in which the protagonist finds himself, it becomes clear that it is one in which people are lacking proper, stable values. Everything that Frederic Henry learned in his teenage years, the world he grew up in and its complex value system based on such values as honor and dignity, has fallen apart. Frederic himself expresses this on several occasions, for example in Book Three, when he says, I was always embarrassed by the words sacred, glorious, and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them, on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it. [...] Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the number of roads, the names of rivers, the number of regiments and the dates. (Hemingway 184-5) Because of the meaninglessness of those old values, A Farewell to Arms is also a story dealing with a quest that was typical for Frederic Henry’s generation: a quest for knowledge and a way of living in a world whose foundations have been shaken by the chaos created by World War I. At the beginning of the novel, Frederic Henry is, in many ways, lost: He neither knows where he belongs nor where he is going. He seeks pleasure in activities such as drinking huge quantities of alcohol and going to a whorehouse with his comrades. As it depicts his growth from immaturity to maturity, or, in a way, completion of his character, A Farewell to Arms should be read as his initiation story. [...]

The moving story of how F. Scott Fitzgerald—washed up, alcoholic and ill—dedicated himself to devising a heartfelt course in literature for the woman he loved. In 1937, on the night of her engagement to the Marquess of Donegall, Sheilah Graham met F. Scott Fitzgerald at a party in Hollywood. Graham, a British-born journalist, broke off her engagement, and until Fitzgerald had a fatal heart attack in her apartment in 1940, the two writers lived the fervid, sometimes violent affair that is memorialized here with unprecedented intimacy. When they met, Fitzgerald’s fame had waned. He battled crippling alcoholism while writing screenplays to support his daughter and institutionalized wife. Graham’s star, however, was rising, to the point where she became Hollywood’s highest-paid, best-read gossip columnist. But if Fitzgerald had lived out his “crack-up” in public, Graham kept her demons secret—such as that she believed herself to be “a fascinating fake who pulled the wool over Hollywood’s eyes.’’ Most poignantly, she keenly felt her lack of education, and Fitzgerald rose to the occasion. He became her passionate tutor, guiding her through a curriculum of his own design: a college of one. Graham loved him the more for it, writing the book as a tribute. As she explained, “An unusual man’s ideas on what constituted an education had to be preserved. It is a new chapter to add to what is already known about an author who has been microscopically investigated in all the other areas of his life.”

A unique view of Hemingway, the man and the writer, through the women he loved and who loved him.

Featured on Good Morning America, the front page of Cosmopolitan.com, Travel + Leisure, POPSUGAR, Harper''s Bazaar, Good Housekeeping, Redbook, HelloGiggles, Woman''s Day, and Country Living. After purchasing one-way flights from New York City to Paris, Kyle James and his girlfriend Ashley quit their day jobs, planned futures, and daily paradigms to see as much of the world as they could. In 114 days, they trekked across 15 countries and 38 cities with nothing but their backpacks, their smartphones, and each other. Not Afraid of the Fall is the unvarnished story of their off-the-cuff journey: from cliff-jumping off Croatia''s untouched coasts, to bathing with rescued elephants in Thailand; from crashing mopeds on gravelly mountain roads in Santorini, to hitchhiking with strangers in rental cars in Hungary. Part travel memoir, part love letter to those staring at the walls of a corporate cubicle, Not Afraid of the Fall is an inspiring book that captures the sweet mysteries of life on the road and an empowering narrative for anyone who has ever uttered the words "maybe next year."

A detective story, a black comedy, a tragedy, and out of print for over 25 years, this monumental tour-de-force is a dissertation on the histories and stereotypes that conspire to man and to unman black Americans by a Faulkner Award-winning writer.

Overzicht van vooral de 20e-eeuwse Nederlandse typografie.

Your future as a writer is in your hands. Whether you are a newcomer or an accomplished professional, a novelist, story writer, or a writer of nonfiction, you will find this book a wealth of immediately useful guidance not available anywhere else. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of useable solutions-- how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place." You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won''t need to struggle with flashbacks or background material after you''ve read Chapter 14, which shows you how to bring background into the foreground. Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You''ll discover literary values that enhance writing, providing depth and resonance. You''ll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript. In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.

Provides insight for determining personality types, from recognizing each type''s wake-up call and red flag to letting go of self-defeating habits and reactions.

The literary icon’s niece connects with her past to “carry the Hemingway traditions of hunting, family, and storytelling into the new millennium” (Kirkus Reviews). Fifteen years after her father’s death, Hilary Hemingway receives a curious inheritance: an audio cassette of Les, her father, telling outrageous stories about hunting with his famous older brother, Ernest Hemingway. Les clearly aims to amuse the listeners with tales of the Hemingway brothers hunting vicious ostriches, hungry crocodiles, and deadly komodo dragons, but where Les Hemingway gets serious is in defending and explaining his brother’s reputation to a contemptuous Hemingway scholar. Hilary transcribes these stories, revealing the bond between two larger-than-life brothers—and tells of her own quest to make peace with the painful parts of the Hemingway legacy.

""Rick Barton should have been a San Francisco legend," wrote author and artist Etel Adnan in a 1998 essay. Barton (American, 1928-1992) was born and raised in New York and settled in the Bay Area in the 1950s. Working primarily in pen or brush and ink, in a kaleidoscopic linear style, Barton ceaselessly recorded the world around him. His intricate sheets capture the intimate interiors and social spaces, lovers and friends, and architectural and botanical subjects that fascinated him. Bringing together more than sixty drawings, two accordion-folded sketchbooks, and printed books and portfolios, this catalogue presents the work of a significant and, until now, unheralded figure of the Beat era. Complementing the images are a deeply researched essay by Rachel Federman, curator of the accompanying exhibition at the Morgan Library & Museum, and an excerpt of Adnan''s essay, the first and previously the only published account of Barton"--

Percy Glossop was a pastry cook extraordinaire, a teller of tales, and a citizen of Europe during the twentieth century. He was in Paris at the same time as many of the Lost Generation because of his mother. When he was born she was very young and, as he later came to understand, inclined towards a cheerful promiscuity. Percy, a free spirit, grew up and participated in turbulent times: World War I, the 1919 Paris Peace Conference, the General Strike, the rise of Hitler and the civil war in Spain all leading up to his role in World War II. Enjoy Percy''s hotchpotch of memories, imaginings and reality concerning family, romance, war, the literary world, the wartime film industry, the London stage and how he managed to elude the famous American writer in Paris and Madrid in the 1920s and 1930s in, I Never Met Ernest Hemingway.

Kirkus (STARRED review) "Churchwell... has written an excellent book... she’s earned the right to play on [Fitzgerald''s] court. Prodigious research and fierce affection illumine every remarkable page.” The autumn of 1922 found F. Scott Fitzgerald at the height of his fame, days from turning twenty-six years old, and returning to New York for the publication of his fourth book, Tales of the Jazz Age. A spokesman for America’s carefree younger generation, Fitzgerald found a home in the glamorous and reckless streets of New York. Here, in the final incredible months of 1922, Scott and Zelda Fitzgerald drank and quarreled and partied amid financial scandals, literary milestones, car crashes, and celebrity disgraces. Yet the Fitzgeralds’ triumphant return to New York coincided with another event: the discovery of a brutal double murder in nearby New Jersey, a crime made all the more horrible by the farce of a police investigation—which failed to accomplish anything beyond generating enormous publicity for the newfound celebrity participants. Proclaimed the “crime of the decade” even as its proceedings dragged on for years, the Mills-Hall murder has been wholly forgotten today. But the enormous impact of this bizarre crime can still be felt in The Great Gatsby, a novel Fitzgerald began planning that autumn of 1922 and whose plot he ultimately set within that fateful year. Careless People is a unique literary investigation: a gripping double narrative that combines a forensic search for clues to an unsolved crime and a quest for the roots of America’s best loved novel. Overturning much of the received wisdom of the period, Careless People blends biography and history with lost newspaper accounts, letters, and newly discovered archival materials. With great wit and insight, acclaimed scholar of American literature Sarah Churchwell reconstructs the events of that pivotal autumn, revealing in the process new ways of thinking about Fitzgerald’s masterpiece. Interweaving the biographical story of the Fitzgeralds with the unfolding investigation into the murder of Hall and Mills, Careless People is a thrilling combination of literary history and murder mystery, a mesmerizing journey into the dark heart of Jazz Age America.

In the tradition of other great ex-patriot stories like The Sun Also Rises or All the Pretty Horses, Native Moments is a coming-of-age adventure set among the lush landscape of Costa Rica. After the death of his brother, Sanch Murray leaves for a surf trip as a way to cope and sets out on a quixotic search for an alternative to the American Dream. Set in 1999 Costa Rica, Sanch and his friend Jake Higdon wander the dirt roads of Tamarindo and surrounding areas chasing waves as a way to live out the romantic fantasy lifestyle of traveling surfers. Jake Higdon, six years Sanch''s senior, takes on the role of the wise leader and Sanch as his young apprentice. Sanch''s adventure leads to encounters with people who share world views he had never considered and could potentially shape his own changing perceptions about life. Through sometimes humorous episodes such as trying his hand as a matador at a roadside rodeo or in his not so humorous battle with dysentery, Sanch explores life''s beauty and wonder alongside the darker undercurrents of humanity. Along his journey, Sanch befriends a shamanic traveler named Rob, young revolutionaries from Venezuela, numerous expatriates from around the world trying to escape whatever it is that keeps chasing them, and a beautiful local girl named Andrea, who Sanch suspects is a prostitute but can''t help falling for.

Whether you are a university professor, researcher at a think tank, graduate student, or analyst at a private firm, chances are that at some point you have presented your work in front of an audience. Most of us approach this task by converting a written document into slides, but the result is often a text-heavy presentation saddled with bullet points, stock images, and graphs too complex for an audience to decipher—much less understand. Presenting is fundamentally different from writing, and with only a little more time, a little more effort, and a little more planning, you can communicate your work with force and clarity. Designed for presenters of scholarly or data-intensive content, Better Presentations details essential strategies for developing clear, sophisticated, and visually captivating presentations. Following three core principles—visualize, unify, and focus—Better Presentations describes how to visualize data effectively, find and use images appropriately, choose sensible fonts and colors, edit text for powerful delivery, and restructure a written argument for maximum engagement and persuasion. With a range of clear examples for what to do (and what not to do), the practical package offered in Better Presentations shares the best techniques to display work and the best tactics for winning over audiences. It pushes presenters past the frustration and intimidation of the process to more effective, memorable, and persuasive presentations.

The MLA Style Manual has been the standard guide for graduate students, teachers, and scholars in the humanities and for professional writers in many fields. The second edition contains several added sections and updated guidelines on citing electronic works -- including materials found on the World Wide Web. There is an expanded chapter on the publication process, from manuscript to published work, and advice for those seeking to publish their articles or books. A chapter by the attorney Arthur F. Abelman reviews legal issues, such as copyright law, the concept of fair use, the provisions of a typical publishing contract, defamation, and the emergence of privacy law. Other chapters discuss stylistic conventions and the preparation of manuscripts, theses, and dissertations and offer an authoritative and comprehensive presentation of MLA documentation style.

Catalog of an exhibition held at the Morgan Library & Museum, June 3-September 18, 2016.

Manuscript written by Mary Hemingway with handwritten editoral changes by her husband, Ernest Hemingway. Dated approximately 1950-1960.