New Releases by Adam Hochschild

În anii ’80 ai secolului al XIX-lea, în timp ce puterile europene își împărțeau Africa, regele Leopold al II-lea al Belgiei a acaparat vastul și puțin exploratul teritoriu din jurul fluviului Congo. Prin intermediul oamenilor săi de încredere, suveranul belgian a jefuit ținutul de resurse esențiale – în special cauciuc, dar și aur și fildeș, printre altele –, a tratat locuitorii indigeni cu brutalitate inimaginabilă și, în cele din urmă, a redus populația cu 10 milioane – cultivându-și, simultan, cu viclenie reputația de mare susținător al cauzelor umanitare. În timp, eforturile eroice de a expune aceste crime au dus la prima mare mișcare pentru drepturile omului din secolul al XX-lea, la care au participat inclusiv personalități precum Mark Twain și arhiepiscopul de Canterbury. Fantoma regelui Leopold este o relatare tulburătoare despre ambițiile unui monarh megaloman, la fel de șiret, fermecător și crud ca un personaj negativ shakespearian. Totodată, ne sunt prezentați cei care au luptat împotriva lui Leopold: câțiva misionari, călători și tineri idealiști care au plecat în Africa și au devenit, pe neașteptate, martorii unor scene înfiorătoare. „O cronică superbă, captivantă.” Publishers Weekly „Cartea lui Hochschild reprezintă o raritate, prin faptul că posedă valoare academică, dar și calitățile unui roman. Extraordinară.” Boston Sunday Globe „O relatare vie, care îl face pe cititor să fie profund conștient de amploarea ororilor comise de regele Leopold și slujitorii săi.” The New York Times „O narațiune uimitoare, minuțios documentată și bine scrisă. După cum atrage atenția Hochschild, este povestea unei tragedii ale cărei consecințe continuă să se facă resimțite și în prezent.” MARTIN KLEIN, Toronto Globe and Mail „Fantoma regelui Leopold este o lectură fundamentală pentru noul secol.” TOM SANDBORN, Vancouver Sun ISBN ebook: 9786303613420

National Bestseller • One of the year's most acclaimed works of nonfiction A BEST BOOK OF THE YEAR: New York Times, Washington Post, New Yorker, Chicago Tribune, Kirkus, New York Post, Fast Company From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced—in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens’ arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames. This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons—a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O’Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator—who was in fact Hoover’s star undercover agent. It is a time that we have mostly forgotten about, until now. In American Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country—and showing how their struggles still guide us today.

Prologue: Tumult at Carnegie Hall -- Tsar and queen -- Magic land -- City of the world -- Missionary to the slums -- Cinderella of the sweatshops -- Distant thunder -- Island paradise -- A tall, shamblefooted man -- By ballot or bullet -- A key to the gates of heaven -- Not the rose I thought she was -- I didn't raise my boy to be a soldier -- Let the guilty be shot at once -- All my life I have been preparing to meet this -- Waves against a cliff -- The springtime of revolution? -- No peaceful tent in no man's land -- Love is always justified.

In this rich collection, bestselling author Adam Hochschild has selected and updated over two dozen essays and pieces of reporting from his long career. Threaded through them all is his concern for social justice and the people who have fought for it. The articles here range from a California gun show to a Finnish prison, from a Congolese center for rape victims to the ruins of gulag camps in the Soviet Arctic, from a stroll through construction sites with an ecologically pioneering architect in India to a day on the campaign trail with Nelson Mandela. Hochschild also talks about the writers he loves, from Mark Twain to John McPhee, and explores such far-reaching topics as why so much history is badly written, what bookshelves tell us about their owners, and his front-row seat for the shocking revelation in the 1960s that the CIA had been secretly controlling dozens of supposedly independent organizations. With the skills of a journalist, the knowledge of a historian, and the heart of an activist, Hochschild shares the stories of people who took a stand against despotism, spoke out against unjust wars and government surveillance, and dared to dream of a better and more just world.

For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.

A NEW YORK TIMES BESTSELLER. A sweeping history of the Spanish Civil War, told through a dozen characters, including Hemingway and George Orwell: A tale of idealism, heartbreaking suffering, and a noble cause that failed. For three crucial years in the 1930s, the Spanish Civil War dominated headlines in America and around the world, as volunteers flooded to Spain to help its democratic government fight off a fascist uprising led by Francisco Franco and aided by Hitler and Mussolini. Today we're accustomed to remembering the war through Hemingway’s For Whom the Bell Tolls and Robert Capa’s photographs. But Adam Hochschild has discovered some less familiar yet far more compelling characters who reveal the full tragedy and importance of the war: a fiery nineteen-year-old Kentucky woman who went to wartime Spain on her honeymoon, a Swarthmore College senior who was the first American casualty in the battle for Madrid, a pair of fiercely partisan, rivalrous New York Times reporters who covered the war from opposites sides, and a swashbuckling Texas oilman with Nazi sympathies who sold Franco almost all his oil — at reduced prices, and on credit. It was in many ways the opening battle of World War II, and we still have much to learn from it. Spain in Our Hearts is Adam Hochschild at his very best. “With all due respect to Orwell, Spain in Our Hearts should supplant Homage to Catalonia as the best introduction to the conflict written in English. A humane and moving book."—New Republic “Excellent and involving . . . What makes [Hochschild’s] book so intimate and moving is its human scale.” — Dwight Garner, New York Times

Relaas over de Eerste Wereldoorlog vanuit de optiek van enkele tijdgenoten in Groot-Brittannië.

From "the heir to R. Crumb and Art Spiegelman" (Economist) comes a monumental, wordless depiction of the most infamous day of World War I.

Op 22 mei 1787 besluiten twaalf bevlogen mannen in een Londense drukkerij een protest te organiseren voor de afschaffing van de slavernij. Directe aanleiding was het nieuws dat honderddrieëndertig zieke slaven over boord waren gezet zodat de eigenaar de verzekeringspremie kon innen. Het zou het begin zijn van de eerste mensenrechtencampagne in de westerse wereld. Aan de hand van de dagboeken van een journalist en de logboeken van een kapitein van een slavenschip laat Adam Hochschild zien hoe een aantal spraakmakende gebeurtenissen de publieke opinie deed omslaan en hoe de tegenstanders erin slaagden een protest te ontketenen dat wereldwijd uiteindelijk tot afschaffing van de slavernij zou leiden.

Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism. Mosse’s work highlights the ineffable nature of current events in today’s Congo. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy. Following studies at the London Consortium and Goldsmiths College in London, Richard Mosse (born 1980) graduated from the Yale School of Art. He was awarded the Leonore Annenberg Fellowship in 2008 and the Guggenheim Fellowship in 2011. His work has been featured on the pages of Aperture, Artforum, Art in America, Frieze and Modern Painters.

Hochschild explores the First World War with a particular focus on the conflict between the critics and the supporters of the war.

A "stunning blend of reportage, travelogue, history and meditation" by the New York Times–bestselling author of King Leopold's Ghost ( Publishers Weekly). National Book Award finalist Adam Hochschild brings a lifetime's familiarity with South Africa to bear in this eye-opening examination of a critical turning point in that nation's history: the Great Trek of 1836–39, during which Dutch-speaking white settlers, known as Boers, journeyed deep into the country's interior to escape the British colonial administration. The mass migration culminated with the massacre of indigenous Zulus in the 1838 Battle of Blood River. Looking at the tensions of modern South Africa through the dramatic prism of the nineteenth century, Hochschild vividly recreates the battle—and its contentious commemoration by rival groups 150 years later. In his epilogue, Hochschild extends his view to the astonishing political changes that have occurred in the country in recent decades—and the changes yet to be made. Hochschild's incisive take on these events, noted Nadine Gordimer, "is far more than an outsider's perception of the drama of our country. Read him, in particular, to understand the rise of white extremism which is threatening the democratic vision of the African National Congress and its allied progressive constituency among people of all colors." "A good book for anyone who wants a succinct and precise account of how this fascinating country has got where it is. . . . This is a book I recommend warmly." —Archbishop Desmond Tutu "One of the most illuminating books ever written on contemporary South Africa." — Publishers Weekly "Thoroughly researched, immensely readable . . . A work of vivid reportage and astute political analysis." — San Francisco Chronicle

From the author of King Leopold's Ghost, a narrative history of the social justice campaign formed in the fight to free the slaves of the British Empire. In early 1787, twelve men—a printer, a lawyer, a clergyman, and others united by their hatred of slavery—came together in a London printing shop and began the world's first grass-roots movement, battling for the rights of people on another continent. Masterfully stoking public opinion, the movement's leaders pioneered a variety of techniques that have been adopted by citizens' movements ever since, from consumer boycotts to wall posters and lapel buttons to celebrity endorsements. A deft chronicle of this groundbreaking antislavery crusade and its powerful enemies, Bury the Chains gives a little-celebrated human rights watershed its due. A San Francisco Chronicle Bestseller A Book Sense Selection "By far the most readable and rounded account we have of British antislavery, a campaign that, as the author rightly claims, helped to change the world and can be seen as a prototype of the modern social justice movement." —Robin Blackburn, Los Angeles Times Book Review "A thrilling, substantive, and oftentimes raw work of narrative history. In its own fashion, it furthers the abolitionists' crucial work of lifting our moral blindness." —Maureen Corrigan, National Public Radio's Fresh Air

Un relato emocionante de la primera campaña popular en favor de los derechohumanos, que dio la libertad a cientos de miles de esclavos en todo el mundo, por el autor de El fantasma del rey Leopoldo.En 1787, doce hombres se reunieron en una imprenta londinense para acometer una tarea aparentemente impracticable: acabar con la esclavitud en el mayor imperio de la Tierra. De paso serían los primeros en aplicar la mayoría de los instrumentos a los que recurren hoy día los ciudadanos activistas, desde los carteles y los envíos masivos de correo hasta los boicots y las chapas de solapa. Este grupo de personas de gran talento aunaba el odio a la injusticia con una rara habilidad para promocionar su causa. Al cabo de cinco años, más de 300.000 británicos se negaban a consumir el principal producto de origen esclavo (el azúcar), la clase elegante de Londres se adornaba con insignias antiesclavistas creadas por Josiah Wedgwood, y la Cámara de los Comunes había aprobado la primera ley que prohibía la trata de esclavos.Sin embargo, la Cámara de los Lores, donde los partidarios de la esclavitud eran más poderosos, votaron en contra del proyecto de ley.Enterrad las cadenas rebosa en descripciones de situaciones evocadoras, gran dramatismo y matizados retratos de héroes escasamente encomiados y malvados pintorescos. Una vez más, Adam Hochschild presta por fin a un hecho histórico decisivo y poco reconocido toda la atención que se merece.Adam Hochschild (Nueva York, 1942) ha escrito para The New Yorker, Harper’s Magazine, New York Review of Books, New York Times Magazine, Nation y otras publicaciones. Fue también cofundador de la revista Mother Jones. Es autor de diversos libros, entre los que destacan Half the Way Home: A Memoir of Father and Son y sobre todo El fantasma del rey Leopoldo (Península).

Adam Hochschild tar i "Begrav lenkene" for seg slaveriets historie. Han tar blant annet for seg historien om verdens første vellykkede grasrotbevegelse, da tolv menn kom sammen i London i 1787 for å få en slutt på slaveriet. De kjempet for menneskerettighetene til en gruppe de selv ikke tilhørte, og lyktes mot alle odds. Hochschild portretterer både menneskene som arbeidet for å få en slutt på slaveriet og de som var i slaveriets tjeneste, for eksempel møter vi en kaptein på et slaveskip. "Kong Leopolds arv" fins i norsk oversettelse av samme forfatter.

From the author of the best-selling King Leopold's Ghost, this haunting and deeply honest memoir tells of Adam Hochschild's conflicted relationship with his father, the head of a multinational mining corporation. The author lyrically evokes his privileged childhood on an Adirondack estate, a colorful uncle who was a pioneer aviator and fighter ace, and his first explorations of the larger world he encountered as he came of age in the tumultuous 1960s. But above all this is a story of a father and his only son and of the unexpected peace finally made between them.

An in-depth exploration of the legacy of Joseph Stalin on the former Soviet Union, by the author of King Leopold's Ghost. Although some twenty million people died during Stalin's reign of terror, only with the advent of glasnost did Russians begin to confront their memories of that time. In 1991, Adam Hochschild spent nearly six months in Russia talking to gulag survivors, retired concentration camp guards, and countless others. The result is a riveting evocation of a country still haunted by the ghost of Stalin. A New York Times Notable Book "An important contribution to our awareness of the former Soviet Union's harrowing past and unsettling present." — Los Angeles Times "A perceptive, intelligent book demonstrating that the significance of the gulag transcends the confines of one country and one generation." — The New York Times Book Review "This probing and sensitive book...casts striking new light upon the Russian past and present." — The Washington Post Book World "The voices [Hochschild] has recorded, the relics he has seen, are haunting—and the raw material of a terrific book." —David Remnick, Pulitzer Prize–winning author of Lenin's Tomb "No other work has brought home the full horror of this monstrous dictator's rule than this close-up account." —Daniel Schorr, former senior news analyst, National Public Radio

Beschrijving van het schrikbewind van de Belgische koning in de Congo Vrijstaat (1885-1908) en de internationale protestbeweging daartegen.

The 25th Anniversary Edition, with a foreword by Barbara Kingsolver "An enthralling story . . . A work of history that reads like a novel." — Christian Science Monitor “As Hochschild’s brilliant book demonstrates, the great Congo scandal prefigured our own times . . . This book must be read and reread.” — Los Angeles Times Book Review A National Book Critics Circle Award Finalist * A New York Times Notable Book In the late nineteenth century, as the European powers were carving up Africa, King Leopold II of Belgium carried out a brutal plundering of the territory surrounding the Congo River. Ultimately slashing the area’s population by ten million, he still managed to shrewdly cultivate his reputation as a great humanitarian. A tale far richer than any novelist could invent, King Leopold’s Ghost is the horrifying account of a megalomaniac of monstrous proportions. It is also the deeply moving portrait of those who defied Leopold: African rebel leaders who fought against hopeless odds and a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure but unexpectedly found themselves witnesses to a holocaust and participants in the twentieth century’s first great human rights movement.

Als einer der Ersten hatte der amerikanische Journalist Adam Hochschild Zugang zu Akten des Moskauer KGB-Archivs, als einer der Ersten konnte er 1991 in bis dahin für Ausländer verbotene Städte reisen, entlegene Gebiete des Gulag aufsuchen und vor allem mit Opfern, aber auch mit Tätern der stalinistischen äSäuberungenä, mit ihren Kindern und Enkeln sprechen.