New Releases by Albert Camus

"The French writer Albert Camus is best known for his novels and philosophical works, which are among the most influential of the twentieth century. But his journals, which he kept from 1935 to 1959, offer an intimate glimpse into his thinking at its most personal. Beautifully retranslated by Ryan Bloom and supplemented by an introduction by Alice Kaplan, Travels in the Americas presents the journals that Camus wrote during his eventful visits to the United States in 1946 and to South America in 1949. When Camus sailed to the US in 1946, he was virtually unknown to American audiences. All that was about to change-The Stranger, his first book translated into English, was about to be published, and he would soon be a literary star. By 1949, when he set out for South America, Camus was an international celebrity. Camus''s journals from these two trips record his impressions, frustrations, and longings. Here are his vivid first impressions of New York City, his encounters with publishers and critics and assorted shipmates. Camus appears unguarded, his fallibility on full display. He is irritated by mediocrity and frustrated by his health. Yet he is also moved to rapture by landscapes, by women, or simply by the bounty of his own philosophical imagination. Long unavailable in English and now freshly translated and annotated, these journals let readers walk beside the existentialist thinker as he experiences the changes in his own life and in the world around him, openly describing his passions and preoccupations on the way, all in his inimitable style"--

ABOUT THE PLAGUE The first new translation of The Plague to be published in the United States in more than seventy years, bringing the Nobel Prize winner''s iconic novel ("A redemptive book, one that wills the reader to believe, even in a time of despair." --The Washington Post) to a new generation of readers. The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation, and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr. Rieux, resist the terror. An immediate triumph when it was published in 1947, The Plague is in part an allegory of France''s suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence. In this fresh yet careful translation, award-winning translator Laura Marris breathes new life into Albert Camus''s ever-resonant tale. Restoring the restrained lyricism of the original French text, and liberating it from the archaisms and assumptions of the previous English translation, Marris grants English readers the closest access we have ever had to the meaning and searing beauty of The Plague. This updated edition promises to add relevance and urgency to a classic novel of twentieth-century literature.

A book of anticlerical works published by the Soviet publishing house ''Politizdat'' in 1989. /// anti-christian experience of criticizing Christianity - a curse to Christianity /// the future of one illusion /// Psychoanalysis and religion /// problem - Freud and Jung - Religious experience analysis /// the myth of Sisyphus. Essay on the absurd.-philosophical suicide-absurd freedom/man/creativity/// Existentialism is Hunamisn

The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

Written when execution by guillotine was still legal in France, Albert Camus'' devastating attack on the ''obscene exhibition'' of capital punishment remains one of the most powerful, persuasive arguments ever made against the death penalty.

The Nobel Prize winner''s most influential and enduring political writings, newly curated and introduced by acclaimed Camus scholar Alice Kaplan. Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Committed Writings brings together, for the first time, thematically-linked essays from across Camus''s writing career that reflect the scope of his political thought. This pivotal collection embodies Camus''s radical and unwavering commitment to upholding human rights, resisting fascism, and creating art in the service of justice.

The Nobel Prize winner''s most influential and enduring personal writings, newly curated and introduced by acclaimed Camus scholar Alice Kaplan. Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Personal Writings brings together, for the first time, thematically-linked essays from across Camus''s writing career that reflect the scope and depth of his interior life. Grappling with an indifferent mother and an impoverished childhood in Algeria, an ever-present sense of exile, and an ongoing search for equilibrium, Camus''s personal essays shed new light on the emotional and experiential foundations of his philosophical thought and humanize his most celebrated works.

NOBEL PRIZE WINNER • An internationally acclaimed author delivers one of the most influential works of the twentieth century, showing a way out of despair and reaffirming the value of existence. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide—the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly presents a crucial exposition of existentialist thought.

l se trouve dans Le Mythe de Sisyphe o� l''auteur fran�ais Albert Camus pr�sente sa philosophie de l''absurde: l''id�e que l''humanit� dans son ensemble est bloqu� dans une boucle perp�tuelle en vains efforts pour essayer de trouver un sens dans un monde absurde. Il illustre son point avec un personnage c�l�bre de la mythologie grecque: Sisyphe a �t� condamn� par les dieux � rouler un rocher jusqu''au sommet d''une montagne, seulement pour retomber � l''endroit o� le premier commenc� et r�p�ter le processus un nombre infini de fois. -De Goodread

The Outsider or The Stranger (French: L''Etranger) is a novel by Albert Camus published in 1942. Its theme and outlook are often cited as exemplars of Camus''s philosophy of the absurd and existentialism, though Camus personally rejected the latter label. The titular character is Meursault, an indifferent French Algerian ("a citizen of France domiciled in North Africa, a man of the Mediterranean, an homme du midi yet one who hardly partakes of the traditional Mediterranean culture"), who, after attending his mother''s funeral, apathetically kills an Arab man whom he recognises in French Algiers. The story is divided into two parts, presenting Meursault''s first-person narrative view before and after the murder, respectively. In January 1955, Camus wrote: "I summarized The Stranger a long time ago, with a remark I admit was highly paradoxical: ''In our society any man who does not weep at his mother''s funeral runs the risk of being sentenced to death.'' I only meant that the hero of my book is condemned because he does not play the game."

Keskin bir gözlem gücünün desteklediği arı bir bilinçle yazılmış olan Veba, yalnızca XX. yüzyılın değil, bütün bir insanlık tarihinin ortak bir sorununa değinir: felaketin yazgıya dönüşmesi. Çağının önde gelen düşünürlerinden Nobel ödüllü yazar Albert Camus''nün hiçbir yapıtında böylesine acı bir yazgı, böylesine şiirsel bir dille ele alınmamıştır. Veba, insanın ve aydınlığın şiiridir. Bu şiirde renkler alabildiğine koyu, ancak yazarın sesi o denli umut doludur. Beklenmedik bir boyuta ulaşan veba salgını, tüm Oran kenti sakinlerini önce umutsuzluğa boğar, ardından Doktor Rieux, Tarron ve Grand''ın gösterdikleri dayanışma örneği, başta yetkililer olmak üzere, herkes için güç ve umut kaynağı olur. İşte Albert Camus''nün insana bakışı ve inancı, bu noktada karşımıza çıkar. Camus, okurlarını, ortadan kaldıramayacağını bile bile vebayla savaşan Doktor Rieux''ün kişiliğinde, dünyanın saçmalığını, yenilginin sonu gelmeyeceğini bile bile kötülüklere karşı çıkmaya, yaşama anlam katmaya çağırır.

The summation of the existentialist philosophy threaded throughout all his writing, Albert Camus'' The Myth of Sisyphus is translated by Justin O''Brien with an introduction by James Wood in Penguin Classics. In this profound and moving philosophical statement, Camus poses the fundamental question: is life worth living? If human existence holds no significance, what can keep us from suicide? As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our ''absurd'' task, like Sisyphus forever rolling his rock up a hill, as the inevitability of death constantly overshadows us. Written during the bleakest days of the Second World War, The Myth of Sisyphus (Le Mythe de Sisyphe) argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty. This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague. Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international. If you enjoyed The Myth of Sisyphus, you might like Camus'' The Outsider, also available in Penguin Modern Classics. ''Camus could never cease to be one of the principal forces in our domain, nor to represent, in his own way, the history of France and of this century'' Jean-Paul Sartre

The Plague is Albert Camus''s world-renowned fable of fear and courage The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror. An immediate triumph when it was published in 1947, The Plague is in part an allegory of France''s suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence. ''A matchless fable of fear, courage and cowardice'' Independent ''Magnificent''The Times Albert Camus was born in Algeria in 1913. He studied philosophy in Algiers and then worked in Paris as a journalist. He was one of the intellectual leaders of the Resistance movement and, after the War, established his international reputation as a writer. His books include The Plague, The Just and The Fall, and he won the Nobel Prize for Literature in 1957. Camus was killed in a road accident in 1960.

Is it possible to die a happy death? This is the central question of Camus''s astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society''s rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus''s memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die ''without anger, without hatred, without regret''.

More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation. “Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form. In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.

Part of the Penguin Classics campaign celebrating 100 years of Albert Camus, A Sea Close Byreveals the writer as a sensual witness of landscapes, the sea and sailing. It is a light, summery day-dream. Accompanying The Sea Close Byis the essay Summer in Algiers, a lovesong to his Mediterranean childhood. ''The bay, the sun, the red and white games on the seaward terraces, the flowers and sports stadiums, the cool-legged girls.''

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

Edited by Philip Thody, translated by Ellen Conroy Kennedy. "Here now, for the first time in a complete English translation, we have Camus'' three little volumes of essays, plus a selection of his critical comments on literature and his own place in it. As might be expected, the main interest of these writings is that they illuminate new facets of his usual subject matter."--The New York Times Book Review "...a new single work for American readers that stands among the very finest."--The Nation

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution that resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man''s timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny. Translated from the French by Anthony Bower.

Set in North Africa, Paris, and Brazil, the six stories in this masterful collection reveal probing portraits of spiritual exile, and man’s perpetual search for an inner kingdom in which to be reborn. From a variety of masterfully rendered perspectives, these six stories depict people at painful odds with the world around them. A wife can only surrender to a desert night by betraying her husband. An artist struggles to honor his own aspirations as well as society''s expectations of him. A missionary brutally converted to the worship of a tribal fetish is left with but an echo of his identity. They display Camus at the height of his powers. Now, on the 50th anniversary of the book’s publication, Carol Cosman’s new translation recovers a literary treasure for our time. Albert Camus won the Nobel Prize for Literature in 1957.

With the intrigue of a psychological thriller, Camus''s masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.

From the Nobel Prize-winning author comes the story of Jacques Cormery, a boy who lived a life much like his own, with the sights, sounds and textures of a childhood steeped in poverty and a father''s death yet redeemed by the beauty of Algeria and the boy''s attachment to his mother. "A work of genius." —The New Yorker Published thirty-five years after its discovery amid the wreckage of the car accident that killed Camus, The First Man is the brilliant consummation of the life and work of one of the 20th century''s greatest novelists. Translated from the French by David Hapgood. "The First Man is perhaps the most honest book Camus ever wrote, and the most sensual...Camus is...writing at the depth of his powers...It is "Fascinating...The First Man helps put all of Camus''s work into a clearer perspective and brings into relief what separates him from the more militant literary personalities of his day...Camus''s voice has never been more personal." —The New York Times Book Review

The first novel from the Nobel Prize-winning author lays the foundation for The Stranger, telling the story of an Algerian clerk who kills a man in cold blood. In A Happy Death, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in 1960, revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim''s house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard

The Outsider is an enduring classic of existential writing by Albert Camus ''Mother died today. Or maybe yesterday, I don''t know'' Meursault is different. He will not lie. He will not pretend. He is true to himself. So when his mother dies and he is unmoved, he refuses to do the proper thing and grieve. Returning to Algiers after the funeral, he carries on life as usual until he becomes involved in a violent murder. In court, it is clear that Meursault''s guilt or innocence will not be determined by what he did or did not do. He is on trial for being different - an outsider. ''The story of a beach murder, one of the century''s classic novels. Blood and sand'' J.G. Ballard ''A compelling, dreamlike fable'' Guardian Albert Camus was born in Algeria in 1913. He studied philosophy in Algiers and then worked in Paris as a journalist. He was one of the intellectual leaders of the Resistance movement and, after the War, established his international reputation as a writer. His books include The Plague, The Just and The Fall, and he won the Nobel Prize for Literature in 1957. Camus was killed in a road accident in 1960.

Endorsements: "The reissue of Camus'' seminal essay, ''Neither Victims nor Executioners, '' could hardly be more timely. In Iraq and Afghanistan, the hideous march to oblivion goes on apace. America is ironically reversing the ethic proposed by Camus'' title. American adventuring, playing the part of omnipotent executioner, is creating multitudes of victims. No search is undertaken for a ''third way.'' Indeed, were the Camus thesis proposed, it would evoke only wide-eyed innocent arrogance. Kennedy and Klotz-Chamberlin have dedicated a lifetime to the ''third way'' commended by Camus. Our gratitude to our mentors for a prescient, timely introduction." --Fr. Daniel Berrigan, SJ "Pacifists are not looking for a Utopian outlook nor unrealistic expectations. Many said, ''South Africa will not change.'' But it did. Others looked at Northern Ireland and, it took years, but it also changed. The Soviet Union changed. The Middle East will change but not through violence or murder. We still think of ourselves within borders, protecting ourselves from others, Europe took its borders away and they are better. South, Central, and North America should take away their borders, as well as people in the Middle East. . . . We should build a culture of nonviolence through an understanding of human rights without regard to race, religion, and nationality." --Mubarak Awad, founder of Nonviolence International "If we spontaneously approve of nuclear terrorism, if we become apologists for the uninhibited use of naked power, we are thinking like Communists, we are behaving like Nazis, and we are well on the way to becoming either one or the other. In that event we had better face the fact that we are destroying our own Christian heritage." --Thomas Merton Author Biography: Albert Camus (November 7, 1913 - January 4, 1960) was a French author and philosopher and one of the principal luminaries (with Jean-Paul Sartre) of existentialism. He was awarded the Nobel Prize for Literature in 1957.

This final volume, recorded over the last nine years of his life, takes on the characteristics of a personal diary.--[book jacket].

Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity \"the true and only turning point in history.\" For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy. Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, it has remained one of Camus'' least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine''s \"second revelation\" of the Christian faith. Ronald Srigley''s translation of this seminal document helps illuminate these aspects of Camus'' work. His freestanding English edition exposes readers to an important part of Camus'' thought that is often overlooked by those concerned primarily with the book''s literary value and supersedes the extant McBride translation by retaining a greater degree of literalness. Srigley has fully annotated Christian Metaphysics to include nearly all of Camus'' original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus'' better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books. Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus'' oeuvre. As the only stand-alone English version of this important work-and a long-overdue critical edition-his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought.

For the first time in English, \"Camus at Combat\" presents all of Camus'' World War II resistance and early postwar writings published in \"Combat,\" the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947.

From one of the most brilliant and influential thinkers of the twentieth century and a Nobel Prize-winning author: two novels, six short stories, and a pair of essays in a single volume that deploy his lyric eloquence in defense against despair. In both his essays and his fiction, Albert Camus (1913—1960) provides an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning. The Plague—written in 1947 and still profoundly relevant—is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters—from a renegade missionary to an adulterous wife—at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought.