New Releases by Annie Dillard

‘De overvloed’, een essaybundel van Annie Dillard. ‘Annie Dillard is een schrijver die nooit moe wordt, nooit op een pagina of een zin lijkt te hoeven zwoegen. Dillard kan daarom alleen worden genoten door klaarwakkere lezers’, waarschuwt de Britse criticus en schrijver Geoff Dyer. De overvloed bevat het beste van Annie Dillards essays, streng geselecteerd door de auteur zelf. In dit boek vind je haar beroemdste stukken, waaronder Totale zonsverduistering, een meesterlijke beschrijving van een zoneclips. Ze schrijft onder andere over haar kinderjaren en over American football; ze beeldt zich in hoe het is om een wezel te zijn en geeft fantastische schrijftips. Waar ze ook over schrijft, haar proza is altijd intens, levendig, woest en gespierd en nooit zonder humor.

Mit ebenso scharfem Blick wie Verstand, einer Vorliebe für das Wider- und Hintersinnige und einer unbändigen Sehnsucht nach Wahrheit wagt sich Annie Dillard an Fragen kosmischen Ausmaßes wie: Woher kommen wir? Wohin gehen wir? Und was zum Himmel machen wir hier überhaupt? Auf der Suche nach Antworten folgt sie dem jesuitischen Paläontologen Teilhard de Chardin in die chinesische Wüste, beschreibt die ekstatischen Gotteserfahrungen des chassidischen Judentums, die regelhafte Bandbreite menschlicher Geburtsfehler, die Heerschar von Terrakotta-Soldaten, die das Grab des chinesischen Kaisers Shihuangdi bewachen, das schwindelerregende Schauspiel der Wolken ebenso wie das epische Drama bei der Entstehung von Sand. So entlegen die Schauplätze und so disparat die Themen auf den ersten Blick scheinen, beschwört Annie Dillard nichts Geringeres als die gewaltig-gewalttätige Großartigkeit all dessen herauf, was sich unserem Verständnis auf verstörende Weise entzieht. In der Zwischenzeit ist ein Buch wie ein langes Gebet, eine unerschrockene Meditation über Leben und Tod, Gut und Böse, Glauben und Wissen, ein Buch, das unsere Fähigkeit schult, Wunder in den abgelegensten – und oft auch abgründigsten – Winkeln der Welt zu entdecken.

"On n''entre pas dans un livre d''Annie Dillard ; on y est accueilli. Avec simplicité, avec courtoisie, avec chaleur, avec le plus grand respect pour l''intelligence de "l''hôte de passage" qu''est le lecteur. Annie Dillard nous parle d''égale à égal. Sans affectation ni condescendance, mais sans compromission ; sans hauteur, mais sans concession. Voyez comme est traitée la petite fille du dernier texte de ce recueil : c''est un peu vous. Vous étiez inconnu, vous devenez ami ; vous étiez loin, vous voici proche ; dites, et l''on vous écoutera ; la distance régnait, vous voici dans l''intime ; vous ignoriez, peut-être, et vous allez savoir ; si vous saviez déjà, vous allez mieux comprendre ; et si vous compreniez, renaîtra le mystère."

In recognition of her long and lauded career as a master essayist, a landmark collection including her most beloved pieces and some rarely seen work, rigorously curated by the Pulitzer Prize-winning author herself. With a foreword by Geoff Dyer. “A writer who never seems tired, who has never plodded her way through a page or sentence, Dillard can only be enjoyed by a wide-awake reader,” warns Geoff Dyer in his foreword to this stellar collection. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate both admiring fans and a new generation of readers, having been “re-framed and re-hung,” with fresh editing and reordering by the author, to situate these now seminal works within her larger canon. The Abundance reminds us that Dillard’s brand of “novelized nonfiction” pioneered the form long before it came to be widely appreciated. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through neighborhood streets, a teenager memorizes Rimbaud’s poetry—with beauty and irony, inviting readers onto sweeping landscapes, to join her in exploring the complexities of time and death, with a sense of humor: on one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar. Including such classic essays as "Total Eclipse," "A Writer in the World" and "On Foot in Virginia''s Roanoke Valley," The Abundance exquisitely showcases Annie Dillard’s enigmatic, enduring genius, as Dillard herself wishes it to be marked.

This winner of the Pulitzer Prize in 1975, and listed by the New York Times as one of the best 100 non-fiction books of the century, gives timeless reflections on solitude, writing and faith amid the beautiful though sometimes brutal world of nature on the author''s doorstep in Virginia''s Blue Ridge Mountains.

Chinese and U.S. writers try to bridge the culture gap in this "splendid little book" from the Pulitzer Prize–winning author of Pilgrim at Tinker Creek ( The Washington Post Book World). Winner of the New England Book Show Award It''s been a pilgrimage for Annie Dillard: from Tinker Creek to the Galapagos Islands, the high Arctic, the Pacific Northwest, the Amazon Jungle—and now, China. This informative narrative is full of fascinating people: Chinese people, mostly writers, who encounter American writers in various bizarre circumstances in both China and the U.S. There is a toasting scene at a Chinese banquet; a portrait of a bitter, flirtatious diplomat at a dance hall; a formal meeting with Chinese writers; a conversation with an American businessman in a hotel lobby; an evening with long-suffering Chinese intellectuals in their house; a scene in the Beijing foreigners'' compound with an excited European journalist; and a scene of unwarranted hilarity at the Beijing Library. In the U.S., there is Allen Ginsberg having a bewildering conversation in Disneyland with a Chinese journalist; there is the lovely and controversial writer Zhang Jie suiting abrupt mood changes to a variety of actions; and there is the fiercely spirited Jiange Zilong singing in a Connecticut dining room, eyes closed. These are real stories told with a warm and lively humor, with a keen eye for paradox, and with fresh insight into the human drama. "Engrossing and thought-provoking." —Irving Yucheng Lo, author of Sunflower Splendor ''Keenly observed, often comic encounters." — The New York Times Book Review "Dillard distills her encounters in lively anecdotes, sketches and vignettes. Her charm lies in the simplicity of her storytelling." — Publishers Weekly

"Found poems are to their poet what no-fault insurance is to beneficiaries: payoffs waiting to happen where everyone wins and no one is blamed. Dillard culls about 40 such happy accidents from sources as diverse as a The American Boys Handy Book (1882) and the letters of Van Gogh. . . . the poet aims for a lucky, loaded symbolism that catapults the reader into an epiphany never imagined by the original authors." — Publishers Weekly In Mornings Like This, beloved author Annie Dillard has given us a witty and moving collection of poems in a wholly original form, sure to charm her fans, both old and new. Extracting and rearranging sentences from old and odd books—From D.C. Beard''s "The American Boys Handy Book" in 1882 to Van Gogh''s letters to David Greyson''s "The Countryman''s Year" in 1936—Dillard has composed poems on poetry’s most heartfelt themes of love, nature, nostalgia, and death. A unique, clever, and original collection, Dillard’s characteristic voice sounds throughout the pages.

National Bestseller "Beautifully written and delightfully strange...as earthy as it is sublime...in the truest sense, an eye-opener." --Daily News From Annie Dillard, the Pulitzer Prize-winning author of Pilgrim at Tinker Creek and one of the most compelling writers of our time, comes For the Time Being, her most profound narrative to date. With her keen eye, penchant for paradox, and yearning for truth, Dillard renews our ability to discover wonder in life''s smallest--and often darkest--corners. Why do we exist? Where did we come from? How can one person matter? Dillard searches for answers in a powerful array of images: pictures of bird-headed dwarfs in the standard reference of human birth defects; ten thousand terra-cotta figures fashioned for a Chinese emperor in place of the human court that might have followed him into death; the paleontologist and theologian Teilhard de Chardin crossing the Gobi Desert; the dizzying variety of clouds. Vivid, eloquent, haunting, For the Time Being evokes no less than the terrifying grandeur of all that remains tantalizingly and troublingly beyond our understanding. "Stimulating, humbling, original--. [Dillard] illuminate[s] the human perspective of the world, past, present and future, and the individual''s relatively inconsequential but ever so unique place in it."--Rocky Mountain News

The author of the Pulitzer Prize-winning Pilgrim at Tinker Creek illuminates what the writing process has been like for her. “For nonwriters, it is a glimpse into the trials and satisfactions of a life spent with words. For writers, it is a warm, rambling, conversation with a stimulating and extraordinarily talented colleague.”— Chicago Tribune

"An American Childhood more than takes the reader''s breath away. It consumes you as you consume it, so that, when you have put down this book, you''re a different person, one who has virtually experienced another childhood." — Chicago Tribune A book that instantly captured the hearts of readers across the country, An American Childhood is Pulitzer Prize-winning author Annie Dillard''s poignant, vivid memoir of growing up in Pittsburgh in the 1950s and 60s. Dedicated to her parents—from whom she learned a love of language and the importance of following your deepest passions—Dillard''s brilliant memoir will resonate with anyone who has ever recalled with longing playing baseball on an endless summer afternoon, caring for a pristine rock collection, or knowing in your heart that a book was written just for you.

"[This] is a book of great richness, beauty and power and thus very difficult to do justice to in a brief review. . . . The violence is sometimes unbearable, the language rarely less than superb. Dillard''s description of the moth''s death makes Virginia Woolf''s go dim and Edwardian. . . . Nature seen so clear and hard that the eyes tear. . . . A rare and precious book." — Frederick Buechner, New York Times Book Review A profound book about the natural world—both its beauty and its cruelty—from Pulitzer Prize-winning author Annie Dillard In 1975 Dillard took up residence on an island in Puget Sound, in a wooden room furnished with "one enormous window, one cat, one spider, and one person." For the next two years she asked herself questions about time, reality, sacrifice, death, and the will of God. In Holy the Firm, she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things—rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire. Here is a lyrical gift to any reader who has ever wondered how best to live with grace and wonder in the natural world.

"Everyone who timidly, bombastically, reverently, scholastically--even fraudulently--essays to ''live the life of the mind'' should read this book. It''s elegant and classy, like caviar and champagne, and like these two items, it''s over much too soon." — Los Angeles Times Pulitzer Prize-winning author Annie Dillard''s classic work of literary criticism Living by Fiction is written for—and dedicated to—people who love literature. Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows how contemporary fiction works and why traditional fiction will always move us. Like Joyce Cary''s Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard''s vivid writing, her humor, and the lively way she tackles the urgent questions of meaning in experience itself.

"A collection of meditations like polished stones--painstakingly worded, tough-minded, yet partial to mystery, and peerless when it comes to injecting larger resonances into the natural world." — Kirkus Reviews Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings. Veering away from the long, meditative studies of Pilgrim at Tinker Creek or Holy the Firm, Annie Dillard explores and celebrates moments of spirituality, dipping into descriptions of encounters with flora and fauna, stars, and more, from Ecuador to Miami.

"One of the most distinctive voices in American letters today" ( Boston Globe) collects her favorite writing selections in The Annie Dillard Reader. This collection of stories, novel excerpts, essays, poetry and more demonstrates the depth and resonance of the writing of Pulitzer Prize-winning author Annie Dillard. Includes chapters from the novel Pilgrim at Tinker Creek, and An American Childhood, the revised Holy the Firm in its entirety, the revised short story "The Living", essays from Teaching a Stone to Talk and more. "She has a strange and wonderful mind, and the ability to speak it with enduring grace." — The New Yorker "A stand up ecstatic . . . Like all great writers, she is fresh, jarring, passionately dedicated to her subject." — Threepenny Review "This sort of sampler approach works well for a writer whose prose-fiction and non-fiction-often reads like a journal; it also suits readers who like to browse. Dillard moves easily from the specific and physical to the theoretical and metaphysical, blending thought-provoking generalizations with images and descriptions of visceral sensuality. Sure to appeal to Dillard devotees, this collection serves admirably as an introduction to the uninitiated." — Publishers Weekly "This selection of writings, chosen by Dillard herself, provides a perfect sampling of her incisive, versatile, and impeccable achievements." — Booklist

Pulitzer-Prize-winning author Dillard''s words are empowering and energizing, making this book the perfect gift for writers or aspiring writers or anyone undertaking a creative endeavor. This gift book features an accordion-book format and slip-cased cover.

Comment l''amour traverse-t-il une vie marquée par une naissance, une séparation et une mort ? A son retour de la Seconde Guerre mondiale, Toby Maytree rencontre Lou, une jeune diplômée, qui se laisse séduire par ce charpentier-poète trentenaire. Ils se marient et s''installent au sein de la communauté d''écrivains et d''artistes non-conformistes qui ont élu domicile à la pointe de Cap Cod. Ils y élèvent leur fils, un temps aidés par Demy, leur amie bohème...Dans une langue économe et élégante, Annie Dillard raconte les décennies d''amour, de rêves et les désillusions de la famille Maytree. Elle fait ainsi de l''histoire de ce mariage à la fois exceptionnelle et universelle, minuscule et monumentale, un roman unique.

In this powerfully moving novel, Pulitzer Prize-winning author Dillard displays penetrating insight into the human condition with a remarkable story about the unknowable, unbreakable bonds of love and family.

Celebrate re-publication of this Pulitzer Prize-winning author''s first book.

For anyone who enjoys reading memoirs—or is thinking about writing one—this collection offers a master class from nine distinguished authors, including Annie Dillard, Frank McCourt, and others. The events, memories, and emotions of the past often resist the orderly structure of a book. Inventing the Truth offers wisdom from nine notable memoirists about their process (Ian Frazier searched through generations of family papers to understand his parents'' lives), the hurdles they faced (Annie Dillard tackles the central dilemma of memoir: what to put in and what to leave out), and the unexpected joys of bringing their pasts to the page. Featured authors include Russell Baker on Growing Up; Jill Ker Conway on The Road from Coorain; Annie Dillard on An American Childhood; Ian Frazier on Family; Henry Louis Gates Jr. on Colored People; Alfred Kazin on A Walker in the City; Frank McCourt on Angela''s Ashes; Toni Morrison on Beloved; and Eileen Simpson on Poets in Their Youth.

The story of Whatcom, Washington and its inhabitants during the nineteenth century.