Best Selling Books by Arthur Miller

In his long career, Arthur Miller has charted some of the most hidden aspects of the American character, and made us recognize ourselves. With Homely Girl, A Life, he turns his attention to a smaller, more intimate, canvas, but one that in its deceptive delicacy still encompasses a vast range of human fears, ambitions, and desires. Janice—the eponymous homely girl—has hated her face ever since she was a child and her mother held up Ivory Snow advertisements to her, saying, "Now that is beauty." Homely she is, but also fiercely herself. Still,it is not until she falls in love with a blind musician that she feels her full nature unfold in this exquisite portrait of a woman finding a language to describe herself. Flanked by two stories also set in Manhattan, "Fame" and "Fitter''s Night," Homely Girl, A Life pays homage to a city constantly reinventing itself—and to the classic Miller themes of work, honor, and identity. "Chekhovian . . . deserves praising to the top of the highest skyscraper for its humanity, wit, depth" —A.N. Wilson

This comprehensive volume brings together essays by one of the most influential literary, cultural and intellectual voices of our time: Arthur Miller. Arranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history alongside offering a remarkable record of Miller''s views on theater. They give eloquent expression to his belief in ''the theater as a serious business, one that makes or should make man more human, which is to say, less alone''. Published with the essays are articles that Miller had written and in-depth interviews he has given. This collection features material from two earlier publications: Echoes Down the Corridor and The Theater Essays of Arthur Miller. It is edited and features a new introduction by Matthew Roudané, Regents Professor of American Drama at Georgia State University. ''Arthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer''s work and his actions should be of the same cloth, after all. His plays and his conscience are a cold burning force.'' Edward Albee

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time

THE STORY: As outlined in Variety: ...the conflict, the basic jealousy and the lifetime of, if not hatred, at least corrosive, though unacknowledged anger, is between two brothers, as well as resentment against a selfish, child-devouring father. The siblin

Interviews with Miller and his essays provide an insight into his dramatic works and the man behind the works.

A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller''s edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post

Written in 1945, "Focus" was Arthur Miller''s first novel and one of the first books to directly confront American anti-Semitism. It remains as chilling and incisive today as it was at the time of its controversial debut. As World War II draws to a close, anti-Semitism is alive and well in Brooklyn, New York. Here, Newman, an American of English descent, floats through a world of multiethnic neighborhoods indifferent to the racism around him. That is, until he begins wearing glasses that render him "Jewish" in the eyes of others, making him the target of anti-Semitic persecution. As he and his wife find friendship and support from a Jewish immigrant, Newman slowly begins to understand the racial hatreds that surround him. "A strong, sincere book bursting with indignation." ("The New York Times Book Review")

Repertory Theater of Lincoln Center for the Performing Arts, directors: Elia Kazan and Robert Whitehead, "After the Fall," by Arthur Miller, directed by Elia Kazan, "Marco Millions," by Eugene O''Neill, directed by Jose Quintero, "But For Whom Charlie" by S.N. Behrman, directed by Elia Kazan. "After the Fall," by Arthur Miller, directed by Elia Kazan, production and lighting designed by Jo Mielziner, music composed by David Amram, costumes by Anna Hill Johnstone

A Penguin Classic When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann''s good deed has the potential to ruin the town''s reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller''s adaptation of Henrik Ibsen''s classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller’s preface and an introduction by John Guare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

An unforgettable collection of a master storyteller?s final works Throughout his life, Arthur Miller, one of the foremost dramatists of the twentieth century, wrote highly regarded fiction?from his early novel Focus to two collections, I Don?t Need You Anymore and Homely Girl. In Presence, a posthumous gathering of his last published stories, he reveals the same profound insight, humanism, and empathy that characterized his great dramatic works. The six stories included here have all appeared in major publications and each displays all the assuredness of an artist in his autumnal prime. Presence is a gift that all fans of Miller?s work, as well as readers of contemporary fiction, will applaud.

A Penguin Classic This classic collection—the only one-volume selection of Arthur Miller''s work available—presents a rich cross section of writing from one of our most influential and humane playwrights, containing in full his masterpieces The Crucible and Death of a Salesman. This essential collection also includes the complete texts of After the Fall, The American Clock, The Last Yankee, and Broken Glass, winner of the Olivier Award for Best Play of 1995, as well as excerpts from Miller''s memoir Timebends. An essay by Harold Clurman and Christopher Bigsby''s introduction discuss Miller''s standing as one of the greatest American playwrights of all time and his importance to twentieth-century literature. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A new Penguin Plays edition of the forgotten classic that launched the career of one of America’s greatest playwrights It took more than fifty years for The Man Who Had All the Luck to be appreciated for what it truly is: the first stirrings of a genius that would go on to blossom in such masterpieces as Death of a Salesman and The Crucible. This striking new edition finally adds Miller’s first major play to the Penguin Plays series—now in beautifully redesigned covers. Infused with the moral malaise of the Depression era, this parable-like drama centers on David Beeves, a man before whom every obstacle to personal and professional success seems to crumble with ease. But his good fortune merely serves to reveal the tragedies of those around him in greater relief, offering what David believes to be evidence of a capricious god or, worse, a godless, arbitrary universe. David’s journey toward fulfillment becomes a nightmare of existential doubts, a desperate grasp for reason in a cosmos seemingly devoid of any, and a struggle that will take him to the brink of madness.

''It is Mr. Miller''s notion, potentially a great one, that the Baums'' story can help tell the story of America itself during that traumatic era.'' NEW YORK TIMES When the stock market crashes, the once-financially comfortable Baum family lose everything and are forced to leave their lofty home in Manhattan to live with relatives in Brooklyn: how can their pride, purpose and artistic endeavours survive such a sudden and shocking reversal of fortune? A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was performed on Broadway in 1980. This Methuen Drama Student Edition is edited by Jane K. Dominik, with commentary and notes that explore the play''s production history (including excerpts from interviews with designers of the 1980 Broadway production) as well as the dramatic, thematic and academic debates that surround it.

A car wreck on the slopes of Mt. Morgan puts poet and insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women--the prim, cultured Theo and the restless, ambitious Leah--at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan reveals the struggle between honesty with others and honesty with oneself. This new edition incorporates the revisions Miller wrote for the acclaimed 1998 Public Theatre production starring Patrick Stewart.

Arthur Miller’s penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event have been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age.