Best Selling Books by Arthur Miller

A car wreck on the slopes of Mt. Morgan puts poet and insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women--the prim, cultured Theo and the restless, ambitious Leah--at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan reveals the struggle between honesty with others and honesty with oneself. This new edition incorporates the revisions Miller wrote for the acclaimed 1998 Public Theatre production starring Patrick Stewart.

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream, presented here with enlightening commentary and criticism Willy Loman, the protagonist of Death of a Salesman, has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age 63, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith. Willy lives in a fragile world of elaborate excuses and daydreams, conflating past and present in a desperate attempt to make sense of himself and of a world that once promised so much. Since it was first performed in 1949, Arthur Miller's Pulitzer Prize-winning drama about the tragic shortcomings of an American dreamer has been recognized as a milestone of the theater. This Viking Critical Library edition of Death of a Salesman contains the complete text of the play, typescript facsimiles, and extensive critical and contextual material including: Conflicting reviews about its opening night by Robert Garland, Harold Clurman, Eleanor Clark, and others Five articles by Miller on his play, including "Tragedy and the Common Man" and his "Introduction to Collected Plays" Critical essays by John Gassner, Ivor Brown, Joseph A. Hynes, and others General essays on Miller by William Weigand, Allan Seager, and others Analogous works by Eudora Welty, Walter D. Moody, Tennessee Williams, and Irwin Shaw The stage designer's account, presented in selections from Designing for the Theatre by Jo Mielziner An in-depth introduction by the editor, a chronology, a list of topics for discussion and papers, and a bibliography

Arthur Miller’s penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event have been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age.

The forgotten classic that launched the career of one of America's greatest playwrights A Penguin Classic It took more than fifty years for The Man Who Had All the Luck to be appreciated for what it truly is: the first stirrings of a genius that would go on to blossom in such masterpieces as Death of a Salesman and The Crucible. Infused with the moral malaise of the Depression era, the parable-like drama centers on David Beeves, a man whose every obstacle to personal and professional success seems to crumble before him with ease. But his good fortune merely serves to reveal the tragedies of those around him in greater relief, offering what David believes to be evidence of a capricious god or, worse, a godless, arbitrary universe. David’s journey toward fulfillment becomes a nightmare of existential doubts, a desperate grasp for reason in a cosmos seemingly devoid of any, and a struggle that will take him to the brink of madness. This Penguin Classics edition includes an introduction by Christopher Bigsby. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A play revealing the Salem witch trials of the late seventeenth century and the problem of guilt by association.

"The Price is one of the most engrossing and entertaining plays that Miller has ever written." - The New Uork Times When patriarch of the Franz family dies, his two sons return home to dispose of the furniture crammed in his attic: one is a successful surgeon, the other gave up everything to support their father following the Great Depression. As the pair sort through these abandoned belongings, frustrations, secrets and surprise guests are uncovered. With its touching and farcical presentation of American life beyond the Vietnam War and Great Depression, The Price is widely recognised as one of Miller's major works, earning him a Tony Award nomination in 1968. This Methuen Drama Student Edition is edited by Yuko Kurahashi, with commentary and notes that explore the play's production history (including excerpts from interviews with the director and designers of the 2017 Arena Stage production) as well as the dramatic, thematic and academic debates that surround it.

THE STORY: Angela, a hard-bitten call-girl, is visited by Tom, a private detective of long acquaintance, who is convinced that she can supply information about a murder case which, some years earlier, resulted in a miscarriage of justice. As Tom plays on their former closeness, trying to draw out the facts he seeks, Angela withdraws behind a schizophrenic screen of multiple personalities ranging from a brazen creature named Leontyne, to a shrinking violet called Emily, to a haughty English-woman named Renata. Doggedly persistent, Tom does, in the end, break through the fears which have driven Angela to hide the truth within herself. With chilling intensity she pours through a tale of duplicity and corruption and recounts how an innocent man ended up paying for the crimes of others. As the play ends Tom offers to drive Angela to her next assignation-relieved that his quest has ended but, at the same time, disturbed by the knowledge that his worst fears have been borne out.

When his wife's cousins seek refuge as illegal immigrants in New York, Eddie Carbone agrees to shelter them. Trouble begins when her niece is attracted to his glamorous younger brother, Rodolpho. 13 parts: 10 male, 3 female plus extras

This comprehensive volume brings together essays by one of the most influential literary, cultural and intellectual voices of our time: Arthur Miller. Arranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history alongside offering a remarkable record of Miller's views on theater. They give eloquent expression to his belief in 'the theater as a serious business, one that makes or should make man more human, which is to say, less alone'. Published with the essays are articles that Miller had written and in-depth interviews he has given.This collection features material from two earlier publications: Echoes Down the Corridor and The Theater Essays of Arthur Miller. It is edited and features a new introduction by Matthew Roudan�, Regents Professor of American Drama at Georgia State University. 'Arthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer's work and his actions should be of the same cloth, after all. His plays and his conscience are a cold burning force.' Edward Albee

A Penguin Classic When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller’s preface and an introduction by John Guare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

THE STORY: As Howard Taubman outlines the play: At the outset Quentin emerges, moves forward and seats himself on the edge of the stage and begins to talk, like a man confiding in a friend. In the background are key figures in his life, and they m

“one of the most important plays of our time” --Howard Taubman, The New York Times In Vichy France in 1942, eight men and a boy are seized by the collaborationist authorities and made to wait in a building that may be a police station. Some of them are Jews. All of them have something to hide—if not from the Nazis, then from their fellow detainees and, inevitably, from themselves. For in this claustrophobic antechamber to the death camps, everyone is guilty. And perhaps none more so than those who can walk away alive. In Incident at Vichy, Arthur Miller re-creates Dante's hell inside the gaping pit that is our history and populates it with sinners whose crimes are all the more fearful because they are so recognizable.

'A beautifully structured narrative: tough, very moving, a political testimony of considerable force' - Harold Pinter 'As wise and witty and funny and brave as any of his plays' - Louis Auchincloss 'Wholly admirable' - Anthony Burgess ______________ Arthur Miller's plays have held the world's stages for almost half a century. Among them are Death of a Salesman, The Crucible, and All My Sons, which have been read and performed countless times across the world. His memoir, Timebends, shows that the life of the man is as compelling as his plays. With passion, wit and candour, Miller recalls his childhood in Harlem and Brooklyn in the 1920s and the Depression; his successes and failures in the theatre and in Hollywood; the formation of his political beliefs that, two decades later, brought him into confrontations with the House Committee of Un-American Activities; and his later work on behalf of human rights as the president of PEN International. He writes with astonishing perception and tenderness of Marilyn Monroe, his second wife, as well as the host of famous and infamous characters that have intersected with his adventurous life. Revealing and deeply moving, Timebends is Miller's love letter to the twentieth century: its energy, its humour, its chaos and moral struggles.