Best Selling Books by Arundhati Roy

Two decades of commentary by the New York Times–bestselling author: “An electrifying political essayist . . . uplifting . . . galvanizing.” —Booklist From the Booker Prize-winning author of such works as The God of Small Things and The Ministry of Utmost Happiness, My Seditious Heart collects nonfiction spanning over twenty years and chronicles a battle for justice, rights, and freedoms in an increasingly hostile world. Taken together, these essays are told in a voice of unique spirit, marked by compassion, clarity, and courage. Radical and superbly readable, they speak always in defense of the collective, of the individual, and of the land, in the face of the destructive logic of financial, social, religious, military, and governmental elites. “Her lucid and probing essays offer sharp insights on a range of matters, from crony capitalism and environmental depredation to the perils of nationalism and, in her most recent work, the insidiousness of the Hindu caste system. In an age of intellectual logrolling and mass-manufactured infotainment, she continues to offer bracing ways of seeing, thinking and feeling.” —Pankaj Mishra, Time Magazine Praise for Arundhati Roy: “Arundhati Roy combines her brilliant style as a novelist with her powerful commitment to social justice in producing these eloquent, penetrating essays.” —Howard Zinn “One of the most confident and original thinkers of our time.” —Naomi Klein “The scale of what Roy surveys is staggering. Her pointed indictment is devastating.” —The New York Times Book Review

Collected speeches and essays.

In her major address to the 99th annual meeting of the American Sociological Association on August 16, 2004, "Public Power in the Age of Empire," broadcast nationally on C-Span Book TV and on Democracy Now! and Alternative Radio, writer Arundhati Roy brilliantly examines the limits to democracy in the world today. Bringing the same care to her prose that she brought to her Booker Prize-winning novel The God of Small Things, Roy discusses the need for social movements to contest the occupation of Iraq and the reduction of "democracy" to elections with no meaningful alternatives allowed. She explores the dangers of the "NGO-ization of resistance," shows how governments that block nonviolent dissent in fact encourage terrorism, and examines the role of the corporate media in marginalizing oppositional voices.

Five books of essays in one volume from the Booker Prize–winner and “one of the most ambitious and divisive political essayists of her generation” (The Washington Post). With a new introduction by Arundhati Roy, this new collection begins with her pathbreaking book The Cost of Living—published soon after she won the Booker Prize for her novel The God of Small Things—in which she forcefully condemned India’s nuclear tests and its construction of enormous dam projects that continue to displace countless people from their homes and communities. The End of Imagination also includes her nonfiction works Power Politics, War Talk, Public Power in the Age of Empire, and An Ordinary Person’s Guide to Empire, which include her widely circulated and inspiring writings on the US invasions of Afghanistan and Iraq, the need to confront corporate power, and the hollowing out of democratic institutions globally. Praise for Arundhati Roy “The fierceness with which Arundhati Roy loves humanity moves my heart.” —Alice Walker, Pulitzer Prize–winning author and recipient of the LennonOno Grant for Peace Award “Arundhati Roy combines her brilliant style as a novelist with her powerful commitment to social justice in producing these eloquent, penetrating essays.” —Howard Zinn, author of Political Awakenings and Indispensable Zinn “Arundhati Roy is incandescent in her brilliance and her fearlessness. And in these extraordinary essays—which are clarions for justice, for witness, for a true humanity—Roy is at her absolute best.” —Junot Díaz, author of the Pulitzer Prize–winning The Brief Wondrous Life of Oscar Wao “One of the most confident and original thinkers of our time.” —Naomi Klein, author of No Is Not Enough and The Battle For Paradise “Arundhati Roy calls for ‘factual precision’ alongside of the ‘real precision of poetry.’ Remarkably, she combines those achievements to a degree that few can hope to approach.” —Noam Chomsky, leading public intellectual and author of Hopes and Prospects “India’s most impassioned critic of globalization and American influence.” —The New York Times

The Shape Of The Beast Is Our World Laid Bare, With Great Courage, Passion And Eloquence, By A Mind That Has Engaged Unhesitatingly With Its Changing Realities, Often Anticipating The Way Things Have Moved In The Last Decade. In The Fourteen Interviews Collected Here, Conducted Between January 2001 And March 2008, Arundhati Roy Examines The Nature Of State And Corporate Power As It Has Emerged During This Period, And The Shape That Resistance Movements Are Taking. As She Speaks, Among Other Things, About People Displaced By Dams And Industry, The Genocide In Gujarat, Maoist Rebels, The War In Kashmir And The Global War On Terror, She Raises Fundamental Questions About Democracy, Justice And Non-Violent Protest. Unabashedly Political, This Is Also A Deeply Personal Collection. Through The Conversations, Arundhati Talks About The Necessity Of Taking A Stand, As Also The Dilemma Of Guarding The Private Space Necessary For Writing In A World That Demands Urgent, Unequivocal Intervention. And In The Final Interview, She Discusses With Uncommon Candour Her Ambiguous Feelings About Success And Both The Pressures And The Freedom That Come With It.

Essays.

New York Times Best Seller Longlisted for the Man Booker Prize Named a Best Book of 2017 by NPR, Amazon, Kirkus, The Washington Post, Newsday, and the Hudson Group A dazzling, richly moving new novel by the internationally celebrated author of The God of Small Things The Ministry of Utmost Happiness takes us on an intimate journey of many years across the Indian subcontinent—from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war. It is an aching love story and a decisive remonstration, a story told in a whisper, in a shout, through unsentimental tears and sometimes with a bitter laugh. Each of its characters is indelibly, tenderly rendered. Its heroes are people who have been broken by the world they live in and then rescued, patched together by acts of love—and by hope. The tale begins with Anjum—who used to be Aftab—unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her—including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo’s landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs’ Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi. As this ravishing, deeply humane novel braids these lives together, it reinvents what a novel can do and can be. The Ministry of Utmost Happiness demonstrates on every page the miracle of Arundhati Roy’s storytelling gifts.

From the award-winning author of The Ministry of Utmost Happiness and The God of Small Things comes a searing frontline exposé of brutal repression in India In this fiercely reported work of nonfiction, internationally renowned author Arundhati Roy draws on her unprecedented access to a little-known rebel movement in India to pen a work full of earth-shattering revelations. Deep in the forests, under the pretense of battling Maoist guerillas, the Indian government is waging a vicious total war against its own citizens-a war undocumented by a weak domestic press and fostered by corporations eager to exploit the rare minerals buried in tribal lands. Roy takes readers to the unseen front lines of this ongoing battle, chronicling her months spent living with the rebel guerillas in the forests. In documenting their local struggles, Roy addresses the much larger question of whether global capitalism will tolerate any societies existing outside of its colossal control. "A riveting account . . . a necessary book by one of India’s most distinctive voices." -Washington Post

From the bestselling author of The God of Small Things comes a scathing and passionate indictment of big government''s disregard for the individual. In her Booker Prize-winning novel, The God of Small Things, Arundhati Roy turned a compassionate but unrelenting eye on one family in India. Now she lavishes the same acrobatic language and fierce humanity on the future of her beloved country. In this spirited polemic, Roy dares to take on two of the great illusions of India''s progress: the massive dam projects that were supposed to haul this sprawling subcontinent into the modern age--but which instead have displaced untold millions--and the detonation of India''s first nuclear bomb, with all its attendant Faustian bargains. Merging her inimitable voice with a great moral outrage and imaginative sweep, Roy peels away the mask of democracy and prosperity to show the true costs hidden beneath. For those who have been mesmerized by her vision of India, here is a sketch, traced in fire, of its topsy-turvy society, where the lives of the many are sacrificed for the comforts of the few. From the Trade Paperback edition.

The internationally acclaimed author of "The God of Small Things" explores the politics of writing and the human and environmental price of "development".

On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair''s "War on Terror." Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion. Published in conjunction with Stop the War coalition and United for Peace and Justice, War With No End provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.

An activist and an actor reflect on Edward Snowden and the surveillance state in this collection that “reads like a whistleblower’s travel diary” (Disorient). In late 2014, Arundhati Roy, John Cusack, and Daniel Ellsberg traveled to Moscow to meet with NSA whistleblower Edward Snowden. The result was a series of essays and dialogues in which Roy and Cusack reflect on their conversations with Snowden. In these provocative and penetrating discussions, Roy and Cusack discuss the nature of the state, empire, and surveillance in an era of perpetual war, the meaning of flags and patriotism, the role of foundations and NGOs in limiting dissent, and the ways in which capital —but not people—can freely cross borders. “Things That Can and Cannot Be Said is not a book with solutions, nor even a comprehensive framing of the problem. Its charm and potential lies in its disarming conversational approach, offering insights-in-passing; ideas and thoughts to spark further conversations and just maybe inspire other acts of moral courage. While the book channels a palpable sense of rage—rage at imperialism, at the surveillance state, at ‘Washington’s ability to destroy countries and its inability to win a war’—it concludes on the topic of love.” —PopMatters “It asks questions—a lot of them. It connects dots from Kashmir to Palestine to Vietnam to Virginia—leaving no one spared from scrutiny––not even themselves, as Arundhati asserts.” —Disorient “The freewheeling conversations between all the participants will bring up many Eureka moments for a lot of readers. Insights that can only be gained if you are researching these topics in exhausting detail.” —Firstpost

आज़ादी—कश्मीर में आज़ादी के संघर्ष का नारा है, जिससे कश्मीरी उस चीज़ की मुख़ालफ़त करते हैं जिसे वे भारतीय क़ब्ज़े के रूप में देखते हैं। विडम्बना ही है कि यह भारत की सड़कों पर हिन्दू राष्ट्रवाद की परियोजना की मुख़ालफ़त करनेवाले लाखों अवाम का नारा भी बन गया। आज़ादी की इन दोनों पुकारों के बीच क्या है–क्या यह एक दरार है या एक पुल है? इस सवाल के जवाब पर ग़ौर करने का वक़्त अभी आया ही था कि सड़कें ख़ामोश हो गईं। सिर्फ़ भारत ही नहीं, पूरी दुनिया की सड़कें। कोविड–19 के साथ आई आज़ादी की एक और समझ, जो कहीं ख़ौफ़नाक थी। इसने मुल्कों के बीच सरहदों को बेमानी बना दिया, सारी की सारी आबादियों को क़ैद कर दिया और आधुनिक दुनिया को इस तरह ठहराव पर ला दिया जैसा कभी नहीं देखा गया था। रोमांचित कर देनेवाले इन लेखों में अरुंधति रॉय एक चुनौती देती हैं कि हम दुनिया में बढ़ती जा रही तानाशाही के दौर में आज़ादी के मायनों पर ग़ौर करें। इन लेखों में, हमारे बेचैन कर देनेवाले इस वक़्त में निजी और सार्वजनिक ज़ुबानों पर बात की गई है, बात की गई है क़िस्सागोई और नए सपनों की ज़रूरत की। रॉय के मुताबिक़, महामारी एक नई दुनिया की दहलीज़ है। जहाँ आज यह महामारी बीमारियाँ और तबाही लेकर आई है, वहीं यह एक नई क़िस्म की इंसानियत के लिए दावत भी है। यह एक मौक़ा है कि हम एक नई दुनिया का सपना देख सकें।

The “courageous and clarion” Booker Prize–winner “continues her analysis and documentation of the disastrous consequences of unchecked global capitalism” (Booklist). From the poisoned rivers, barren wells, and clear-cut forests, to the hundreds of thousands of farmers who have committed suicide to escape punishing debt, to the hundreds of millions of people who live on less than two dollars a day, there are ghosts nearly everywhere you look in India. India is a nation of 1.2 billion, but the country’s one hundred richest people own assets equivalent to one-fourth of India’s gross domestic product. Capitalism: A Ghost Story examines the dark side of democracy in contemporary India and shows how the demands of globalized capitalism have subjugated billions of people to the highest and most intense forms of racism and exploitation. “A highly readable and characteristically trenchant mapping of early-twenty-first-century India’s impassioned love affair with money, technology, weaponry and the ‘privatization of everything,’ and—because these must not be impeded no matter what—generous doses of state violence.” —The Nation “A vehement broadside against capitalism in general and American cultural imperialism in particular . . . an impassioned manifesto.” —Kirkus Reviews “Roy’s central concern is the effect on her own country, and she shows how Indian politics have taken on the same model, leading to the ghosts of her book’s title: 250,000 farmers have committed suicide, 800 million impoverished and dispossessed Indians, environmental destruction, colonial-like rule in Kashmir, and brutal treatment of activists and journalists. In this dark tale, Roy gives rays of hope that illuminate cracks in the nightmare she evokes.” —Publishers Weekly

A skillful interviewer can reveal aspects of a writer''s voice in simple yet telling ways. As a novelist, Arundhati Roy is known for her lush language and intricate structure. As a political essayist, her prose is searching and fierce. All of these qualities shine through in the interviews collected by David Barsamian for Globalizing Dissent: Converations with Arundhati Roy. New and devoted readers will find that these exchanges, recorded between 2001 and 2003, add to their appreciation of Roy''s previous work. Whether discussing her childhood or the problems of translation in a multilingual society, Roy and Barsamian, the producer and host of Alternative Radio, engage in a lively and accessible manner. Speaking candidly and casually, Roy describes her participation in a demonstration against the Indian dam program as, "absolutely fantastic." She jokes that her Supreme Court charge for "corrupting public morality"--in the case of her novel The God of Small Things--should have been changed to "further corrupting public morality." She calls on her training as an architect to explain what she means by the "physics of power." Like a house of cards, she argues that "unfettered power . . . cannot go berserk like this and expect to hold it all together." Roy has been acclaimed for her courage (Salman Rushdie) and her eloquence (Kirkus Reviews), and her writing has been described as "a banquet for the senses" (Newsweek). She has found a readership among fiction enthusiasts and political activists. Globalizing Dissent captures Roy speaking one-on-one to her audience, revealing her intense and wide-ranging intellect, her very personal voice, and her opinion on momentous political events. Arundhati Roy''s novel The God of Small Things was awarded the Booker Prize in 1997. She is the recipient of the 2002 Lannan Foundation Prize for Cultural Freedom.

In “gorgeously wrought” essays, the New York Times-bestselling author of The God of Small Things takes a critical look at India’s political climate (Time Magazine). These “powerful” essays (Kirkus Reviews) examine the dark side of contemporary India, looking closely at how religious majoritarianism, cultural nationalism, and neo-fascism simmer just under the surface of a country that projects itself as the world’s largest democracy. Booker Prize winner Arundhati Roy writes about how the combination of Hindu nationalism and India’s neo-liberal economic reforms, which began their journey together in the early 1990s, are turning India into a police state. She describes the systematic marginalization of religious and ethnic minorities, the rise of terrorism, and the massive scale of displacement and dispossession of the poor by predatory corporations. She also offers a brilliant account of the August 2008 uprising of the people of Kashmir against India''s military occupation and an analysis of the November 2008 attacks on Mumbai. Field Notes on Democracy tracks the fault-lines that threaten to destroy India''s precarious democracy and send shockwaves through the region and beyond. “Genocide, denial, and truth-as-a-victim are just a few of the big subjects dealt with by Booker prize-winning Indian author and activist Roy . . . [a] vivid inside look at India''s turbulent growth.” —Publishers Weekly (starred review) “Takes aim at India''s self-image—and reputation—as the world’s largest and most vibrant democracy.” —The Washington Post “After so much celebratory salesmanship about India the ‘emerging market,’ Roy draws us into India the actual country . . . one of the most confident and original thinkers of our time.” —Naomi Klein, New York Times-bestselling author of No is Not Enough

A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

From the best-selling author of My Seditious Heart and The Ministry of Utmost Happiness, a new and pressing dispatch from the heart of the crowd and the solitude of the writer''s desk.

A revelatory and wide-ranging series of interviews with award-winning writer Arundhati Roy, touching on US empire, Indian nationalism, a writer’s work, and more. As a novelist, Arundhati Roy is known for her lush language and intricate structure. As a political essayist, her prose is searching and fierce. All of these qualities shine through in the interviews collected here by David Barsamian. This newly reissued and expanded edition, featuring interviews from 2001 to 2022 and a moving foreword by Naomi Klein, explores Roy’s evolving political thought and commitments across the tumultuous twenty-first entry. The Architecture of Modern Empire is a searing reckoning with the mechanics of power, in all its forms, and the role of imagination and creative expression in envisioning a radically different world.

The chant of ''Azadi!'' - Urdu for ''Freedom''-is the slogan of the freedom struggle in Kashmir against what the Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu nationalism. Even as Arundhati Roy began to ask what lay between these two calls for freedom-a chasm or a bridge?-the streets fell silent. Not only in India but all over the world. Covid-19 brought with it another, more terrible, understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could. In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism. The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times. The pandemic, Roy says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

On Naxalite movement and Indian state''s counter insurgency methods and other policies.

''What happens once democracy has been used up? When it has been hollowed out and emptied of meaning?'' Combining brilliant political insight and razor-sharp prose, Listening to Grasshoppers is the essential new book from Arundhati Roy. In these essays, she takes a hard look at the underbelly of the world''s largest democracy, and shows how the journey that Hindu nationalism and neo-liberal economic reforms began together in the early 1990s is unravelling in dangerous ways. Beginning with the state-backed pogrom against Muslims in Gujarat in 2002, she writes about how ''progrees'' and genocide have historically gone hand in hand; about the murky investigations into the 2001 attack on the Indian Parliament; about the dangers of an increasingly powerful and entirely unaccountable judiciary; and about the collusion between large corporations, the government and the mainstream media. The collection ends with an account of the August 2001 uprising in Kashmir and an analysis of the November 2008 attacks on Mumbai. ''The Briefing'', included as an appendix, is a fictional text that brings together many of the issues central to the collection. As it tracks the fault lines that threaten to destroy India''s precarious future, Listening to Grasshoppers asks fundamental questions about democracy itself - a political system that has, by virtue of being considered ''the best available option'', been put beyond doubt and correction.

Arundhati Roy welcomes readers and writers alike to reflect on the meaning of freedom in her latest collection of essays.

The little-known story of Gandhi’s reluctance to challenge the caste system, and the man who fought fiercely for India’s downtrodden. Democracy hasn’t eradicated caste, argues bestselling author and Booker Prize–winner Arundhati Roy—it has entrenched and modernized it. To understand caste today in India, Roy insists we must examine the influence of Gandhi in shaping what India ultimately became: independent of British rule, globally powerful, and marked to this day by the caste system. Roy states that for more than a half century, Gandhi’s pronouncements on the inherent qualities of black Africans, Dalit “untouchables,” and the laboring classes remained consistently insulting, and he also refused to allow lower castes to create their own political organizations and elect their own representatives. But there was someone else who had a larger vision of justice—a founding father of the republic and the chief architect of its constitution. In The Doctor and the Saint, Roy introduces us to this contemporary of Gandhi, B.R. Ambedkar, who challenged the thinking of the time and fought to promote not merely formal democracy, but liberation from the oppression, shame, and poverty imposed on millions of Indians by an archaic caste system. This is a fascinating and surprising look at two men—one of whom has become a worldwide symbol and the other of whom remains unfamiliar to most outside his native country. Praise for Arundhati Roy “Arundhati Roy is incandescent in her brilliance and her fearlessness.” —Junot Díaz “The fierceness with which Arundhati Roy loves humanity moves my heart.” —Alice Walker

On 13 December 2001, the Indian Parliament was attacked by a few heavily armed men. Eleven years later, we still do not know who was behind the attack, nor the identity of the attackers. Both the Delhi high court and the Supreme Court of India have noted that the police violated legal safeguards, fabricated evidence and extracted false confessions. Yet, on 9 February 2013, one man, Mohammad Afzal Guru, was hanged to ‘satisfy’ the ‘collective conscience’ of society. This updated reader brings together essays by lawyers, academics, journalists and writers who have looked closely at the available facts and who have raised serious questions about the investigations and the trial. This new version examines the implications of Mohammad Afzal Guru’s hanging and what it says about the Indian government’s relationship with Kashmir.

Kashmir is one of the most protracted and bloody occupations in the world-and one of the most ignored. Under an Indian military rule that, at half a million strong, exceeds the total number of US forces in Iraq and Afghanistan, freedom of speech is non-existent, and human- rights abuses and atrocities are routinely visited on its Muslim-majority population. In the last two decades alone, over seventy thousand people have died. Ignored by its own corrupt politicians, abandoned by Pakistan and the West, which refuses to bring pressure to bear on its regional ally, India, the Kashmiri people''s ongoing quest for justice and self- determination continues to be brutally suppressed. Exploring the causes and consequences of the occupation, Kashmir: The Case for Freedom is a passionate call for the end of occupation, and for the right of self- determination for the Kashmiri people.

Azadi signifie "liberté" en ourdou. Il s''agit, à l''origine, d''un cri de ralliement cachemiri contre le gouvernement indien qui a été repris par le peuple lui-même pour protester contre ses dirigeants. Dans ce recueil d''essais brûlants d''actualité, Arundhati Roy nous met au défi de réfléchir sur le sens de la liberté dans un monde où l''autoritarisme va croissant. À travers ces textes, et ces temps troublés, elle explore l''importance du langage, le rôle de la fiction et de l''imagination, ainsi que les répercussions de la crise sanitaire sur la société indienne. Pour Arundhati Roy, la pandémie que nous traversons fait figure de portail entre un monde et un autre. En dépit de la maladie et de la dévastation qu''elle produit dans son sillage, elle représente peut-être aussi une chance pour l''humanité d''inventer un monde différent.

In 1988, Arundhati Roy Wrote The Story And Screenplay For In Which Annie Gives It Those Ones, A Low-Budget Production Produced And Directed By Pradip Krishen. The Film Had Almost No Big Names, And Was Shown Just Once On National Television In A Late-Night Slot, When Few People Saw It. Despite This It Acquired Near Cult Status, Especially Among Young English-Speaking Urban Indians. Set In A Not-So-Fictional School Of Architecture In The Year 1974, It Is The Story Of Dope-Smoking, Bellbottom-Wearing, Vaguely Idealistic Final-Year Students In The Run Up To The Submission Of Their Architectural Theses. The Main Character, Annie Anand Grover Doing His Ninth Year In College, Is A Misguided Visionary Who Breeds Chickens In His Hostel Room And Is In Love With A Small-Time Cabaret Dancer. There Are Also Radha, A Bright, Brash And Not-So-Sweet Young Thing, And Her Boyfriend Arjun; Mankind, And His Ugandan Roommate Kasozi, Who Grinds His Teeth When He Dreams Of Idi Amin; Lekha, Who Doesn''T Hesitate To Trade Coyness For Marks; And Professor Y.D. Bilimoria, Whom The Students Call Yamdoot The Messenger Of The God Of Death. Also A Character In The Film, Perhaps The Most Important, Is English As She Is Spoken By Students In Delhi University An Alloy, Melted Down And Then Re-Fashioned, Soldered Together With Hindi (Occasionally Even A Little Punjabi). The Screenplay Of This Moving, Funny And Unusual Film Is Published Here For The First Time. Over Thirty Stills. A Witty, Nostalgic Preface In Which Arundhati Roy Writes About The Making Of The Film, Its Relevance Today And Its Significance In The Development Of Her Art And Her Politics.

Revised traditional Chinese edition of The God of Small Things, winner of the 1997 Booker Prize. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.

This Anthology Brings Together All Of Arundhati Roy`S Political Writings So Far. Carefully Researched And Closely Argued It Is A Profound And Deeply Concerned Work That Deserves To Be Widely Read In These Troubled Times.