New Releases by August Wilson

NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes the extraordinary Ma Rainey''s Black Bottom—winner of the New York Drama Critics'' Circle Award for Best Play. The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her Black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is more than music. It is a riveting portrayal of black rage, of racism, of the self-hate that racism breeds, and of racial exploitation.

In Ma Rainey''s Black Bottom, the great blues diva Ma Rainey is due to arrive at a run-down Chicago recording studio with her entourage to cut new sides of old favourites. Waiting for her are the black musicians in her band, and the white owners of the record company. A tense, searing account of racism in jazz-era America that the New Yorker called ''a genuine work of art''. Fences centres on Troy Maxson, a garbage collector, an embittered former baseball player and a proud, dominating father. When college athletic recruiters scout his teenage son, Troy struggles against his young son''s ambition, his wife, who he understands less and less, and his own frustrated dreams.

August Wilson''s extraordinary memory play about his early life in Pittsburgh.

From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes a “vivid and uplifting” (Time) play about unsung men and women who are anything but ordinary. August Wilson established himself as one of our most distinguished playwrights with his insightful, probing, and evocative portraits of Black America and the African American experience in the twentieth century. With the mesmerizing Two Trains Running, he crafted what Time magazine called “his most mature work to date.” It is Pittsburgh, 1969, and the regulars of Memphis Lee’s restaurant are struggling to cope with the turbulence of a world that is changing rapidly around them and fighting back when they can. The diner is scheduled to be torn down, a casualty of the city’s renovation project that is sweeping away the buildings of a community, but not its spirit. For just as sure as an inexorable future looms right around the corner, these people of “loud voices and big hearts” continue to search, to father, to persevere, to hope. With compassion, humor, and a superb sense of place and time, Wilson paints a vivid portrait of everyday lives in the shadow of great events.

From the Pulitzer Prize-winning author of Fences comes Joe Turner''s Come and Gone—Winner of the New York Drama Critics Circle Award for Best Play. “The glow accompanying August Wilson’s place in contemporary American theater is fixed.”—Toni Morrison When Harold Loomis arrives at a black Pittsburgh boardinghouse after seven years'' impressed labor on Joe Turner''s chain gang, he is a free man—in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters with the other residents he begins to realize that what he really seeks is his rightful place in a new world—and it will take more than the skill of the local “People Finder” to discover it. This jazz-influenced drama is a moving narrative of African-American experience in the 20th century.

Set in 1904, August Wilson''s Gem of the Ocean begins on the eve of Aunt Esther''s 287th birthday. When Citizen Barlow comes to her Pittsburgh''s Hill District home seeking asylum, she sets him off on a spiritual journey to find a city in the middle of the Atlantic Ocean. Gem of the Ocean is the ninth work in Wilson''s ten-play cycle that has recorded the American Black experience and helped to define generations. The Broadway run starred Tony Award winner Phylicia Rashad as Aunt Esther.

Peddling stolen refrigerators in the feeble hope of making enough money to open a video store, King Hedley, a man whose self worth is built on self delusion, is scraping in the dirt of an urban backyard trying to plant seeds where nothing will grow. Getting, spending, killing and dying in a world where getting is hard and killing is commonplace are threads woven into this 1980''s installment in the author''s renowned cycle of plays about the black experience in America. Drawing on characters established in Seven Guitars, King Hedley II shows the shadows of the past reaching into the present as King seeks retribution for a lie perpetrated by his mother regarding the identity of his father.

Finalist! 1992 Pulitzer Prize in Drama This is the 1960s chapter of the Pulitzer Prize winning playwright''s decade by decade saga of ordinary African Americans in this turbulent century. It takes place in Memphis Lee''s coffee shop in a Pittsburgh neighborhood that is on the brink of economic development. Focus is on the characters who hang out there: a local sage, an elderly man who imparts the secrets of life as learned from a 322 year old sage, an ex con, a numbers runner, a laconic waitress who slashed her legs to keep men away, and a retarded man who was once cheated out of a ham. With Chekhovian obliqueness, the author reveals simple truths, hopes and dreams, creating a microcosm of an era and a community on the brink of change.

It is 1936, and Boy Willie arrives in Pittsburgh from the South in a battered truck loaded with watermelons to sell. He has an opportunity to buy some land down home, but he has to come up with the money right quick. He wants to sell an old piano that has been in his family for generations, but he shares ownership with his sister and it sits in her living room. She has already rejected several offers because the antique piano is covered with incredible carvings detailing the family’s rise from slavery. Boy Willie tries to persuade his stubborn sister that the past is past, but she is more formidable than he anticipated.

The crowning achievement of August Wilson''s Century Cycle.

A cycle of 10 plays written between 1904 and 1997, with one play "for every roiling decade of the African-American experience in the twentieth century."--J. Lahr, Introduction, page vii, Gem of The Ocean

King Hedley II is the eighth work in playwright August Wilson''s 10-play cycle chronicling the history of the African American experience in each decade of the twentieth century. It''s set in 1985 and tells the story of an ex-con in post-Reagan Pittsburgh trying to rebuild his life.

"Regular cabs will not travel to the Pittsburgh Hill District of the 1970s, and so the residents turn to each other. Jitney dramatizes the lives of men hustling to make a living as jitneys--unofficial, unlicensed taxi cab drivers. When the boss Becker''s son returns from prison, violence threatens to erupt. What makes this play remarkable is not the plot; Jitney is Wilson at his most real--the words these men use and the stories they tell form a true slice of life."--The Wikipedia entry, accessed 5/22/2014.

August Wilson''s radical and provocative call to arms.

Pulitzer Prize-winning author of Fences and The Piano Lesson Winner of the New York Drama Critics Circle Award for Best Play It is the spring of 1948. In the still cool evenings of Pittsburgh''s Hill district, familiar sounds fill the air. A rooster crows. Screen doors slam. The laughter of friends gathered for a backyard card game rises just above the wail of a mother who has lost her son. And there''s the sound of the blues, played and sung by young men and women with little more than a guitar in their hands and a dream in their hearts. August Wilson''s Seven Guitars is the sixth chapter in his continuing theatrical saga that explores the hope, heartbreak, and heritage of the African-American experience in the twentieth century. The story follows a small group of friends who gather following the untimely death of Floyd "Schoolboy" Barton, a local blues guitarist on the edge of stardom. Together, they reminisce about his short life and discover the unspoken passions and undying spirit that live within each of them.

Winner of the 1990 Pulitzer Prize for Drama.

Contains three plays about twentieth century African-American lives.

Recording session by black blues great Ma Rainey for white-owned studio, setting for exploration of racial relations and conflicts.