Best Selling Books by BRUCE SPRINGSTEEN

There was something inside the bag, squeaking and squealing in terror. Patrick didn't think about it. He leaped into the canal." For Best Mate, being rescued is only the start of his adventures. From unwanted burden to favourite companion, and from pet to champion race dog, this remarkable greyhound proves that it's not just cats who have more than one life. Cast aside, kidnapped, or living rough on the streets, Best Mate can always find a way to survive. But will he ever find a real home?

Bruce Springsteen Like a Killer in the Sun, originally published in Italian, is the definitive book on the work of Bruce Springsteen, showing his unique narrative talent and offering an accurate critical examination of his poetics. It presents 117 among his best lyrics, expounded and annotated with the philological care used for the classics of literature. In his introduction, Leonardo Colombati draws the attention to the fact that Springsteen is an author grafted on the line that goes from Whitman to Steinbeck, from Flannery O'Connor to Raymond Carver. The book also contains Springsteen's biography and discography, plus an exclusive interview with Bruce Springsteen. With forewords by Academy Award-winner Ennio Morricone and music critic Dave Marsh, a committee member of the Rock and Roll Hall of Fame and Springsteen's biographer.

The Rising is the first book in a new Left Behind series, The Young Trib Force. It's the story of four kids--Buck, Judd, Vicki, and Lionel--who get caught up in the Tribulation after the Rapture of the Church. They have to learn to survive in a world where the Antichrist is in control and Christians are being hunted down. They also have to learn to trust each other and God if they're going to make it through.

This book is about perspectives, in many ways challenging stereotypical views of working-class culture and art with the authentic accounts of those who live and work there ... The conflict between what is said and what we know, what we hear about our culture and what we experience creates a tension that many seek to remedy through expression. We found the prime motivator of most working-class writing is the drive to bridge the perceptual gap with the truth (from the Introduction).