Best Selling Books by Barry Moser

" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium''s properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you''ll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it''s a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher''s website.

“We Were Brothers, Barry Moser''s beautiful--and beautifully illustrated--new book, tells the wrenching and redeeming story of brothers who take different paths and yet ultimately find their ways back to each other . . . Their careful reconciliation after decades of strife and avoidance is sad, moving, and joyful all at the same time." —Andrew Hudgins, author ofThe Joker Preeminent illustrator Barry Moser and his brother, Tommy, were born of the same parents, were raised in the same small Tennessee community, and were poisoned by their family''s deep racism and anti-Semitism. But as they grew older, their perspectives and their paths grew further and further apart. From attitudes about race, to food, politics, and money, the brothers began to think so differently that they could no longer find common ground, no longer knew how to talk to each other, and for years there was more strife between them than affection. When Barry was in his late fifties and Tommy in his early sixties, their fragile brotherhood reached a tipping point and blew apart. From that day forward they did not speak. But fortunately, their story does not end there. With the raw emotions that so often surface when we talk of our siblings, Barry recalls why and how they were finally able to traverse that great divide and reconcile their kinship before it was too late. Including fifteen of Moser''s stunning drawings, this powerful true story captures the essence of sibling relationships--their complexities, contradictions, and mixed blessings.

The Master Illustrator Series celebrates Scripture through the vivid compositions of acclaimed contemporary artists commissioned specifically for this series. Each artist''s exquisite interpretation of selected Bible verses is both unique and expressive. The vividly expressive watercolor compositions of acclaimed illustrator Barry Moser combine with the NIV''s translation of Psalm 23, resulting in a unique and endearing interpretation of Scripture. Part of The Master Illustrator Series, Psalm 23 will surely become a classic, delighting readers young and old for years to come. About the Series:

This is the popular story of three little pigs who set out to seek their fortunes in the wide, wide world. Each pig in turn builds a house of straw, sticks and bricks, only to be visited by a hungry wolf determined to eat them up!

Essays by the illustrator and artist.

?Summer has gone by so fast, ? we often say?the only season for which we say that. Summer does seem to make us keenly aware of time. In our vacations we step out of time. Watching our gardens, we see the progress of time. Seeing the geese come honking back, we are aware of the passing of time. In essays, poems and meditations organized around themes of time and our responses to it, twenty-five writers consider summer and its spiritual meanings. Contributors include Anne LaMott, Luci Shaw, Ray Bradbury, Mary Gordon, Richard Selzer, Thomas Lynch, Celia Thaxter, Robert Clark, Michael Pollan, Francis Bacon, Jim Heynen and Emily Dickinson.

From 1983 to 1998, poets Donald Hall and Jane Kenyon sent out a letterpress broadside poem each Christmas, printed by William Ewert of Concord New Hampshire. They were illustrated by Mary Azarian and Barry Moser, with calligraphy by R.P. Hale. In 1999, Wings Press collected these broadside poems and published them in a limited edition chapbook printed on linen paper. The cover stock--handmade by Austin, Texas, papermaker Kristin Kavanagh--incorporated red maple leaves from Eagle Pond, gathered by Donald Hall''s grandchildren on an autumn day in 1997. The cover was printed by Dr. Paul Christensen of College Station, Texas, using a 12x18 Chandler & Price sheet-fed letterpress; illustrations include wood cuts by Barry Moser and leaf prints made from leaves collected at Eagle Pond. Three hundred copies of Winter Poems from Eagle Pond were numbered, signed, and dated by the author. The book was designed and hand sewn by Wings Press publisher, Bryce Milligan, a long-time friend and correspondent of Hall''s. This is truly the perfect Christmas gift for any serious lover of poetry.

Virtuoso book designer and illustrator Barry Moser, many of whose masterpieces are already museum-housed modern classics, devoted nearly five years to the greatest book project of all-a hand-crafted, designed, and illustrated Bible to be published in a special 400-copy limited edition. Now, Viking Studio is proud to make this work of art and devotion available to a broader public in a paperback edition. The Pennyroyal Caxton edition of The Holy Bible is lovingly designed and simply set in black type, subtly accented with red. But its revolutionary impact lies in its illustrations-haunting, sometimes dark but always luminous, described by Newsweekas "engravings with the brooding power of magical realism." No connoisseur of great art or spiritual reader will want to be without this edition. It is a rich heirloom gift for holidays, holy days, and every day.

Based on the classic story in which a husband and wife sacrifice treasured possessions in order to buy each other Christmas presents.

Barry Moser is generally and justly regarded as the most important book artist of the past quarter-century, a tradition begun in this country by N.C. Wyeth, extended by Rockwell Kent, and furthered by artists as diverse as Jim Dine and Leonard Baskin. Moser''s watercolors, woodcuts, and wood engravings have informed and adorned more than a hundred books, many of them central to the English-speaking canon, by writers such as Melville, Shelley, Welty, and Twain. In all his efforts, it is his preoccupation with the character of the creator that is manifest and dominant. Here, in a selection of one hundred portraits, fifty of them created especially for this book, we see the full range of his genius in portrayals of writers (Dante, Dickens, O''Connor, Willard, Oates), musicians and composers (Chopin, Handel, Wagner), artists (Whistler, Rembrandt, Shahn), and even politicians (Lincoln, King, Webster).

The Arion Press Moby-Dick, published in 1979 in a limited edition of 250 copies, has been hailed as a modern masterpiece of bookmaking. It was hand set under the supervision of one of America''s finest book designers and printers. The initial letters that begin each chapter were designed especially for this book and christened "Leviathan." The illustrations, of places, creatures, objects or tools, and processes connected with nineteenth-century whaling, are original boxwood engravings by Massachusetts artist Barry Moser. The text of Moby-Dick used in this edition is based on that used in the critical edition of Melville''s works published by the Northwestern University Press and the Newberry Library. Now this magnificently typeset and illustrated edition of the great American novel is available for all lovers of beautiful books. This luxurious edition of Moby Dick is limited to 750 numbered copies. It is bound in cloth and slipcased in a cloth-covered box. The text is printed in two colors throughout on a 75-pound beautifully textured paper. The Arion Press Moby-Dick, published in 1979 in a limited edition of 250 copies, has been hailed as a modern masterpiece of bookmaking. It was hand set under the supervision of one of America''s finest book designers and printers. The initial letters that begin each chapter were designed especially for this book and christened "Leviathan." The illustrations, of places, creatures, objects or tools, and processes connected with nineteenth-century whaling, are original boxwood engravings by Massachusetts artist Barry Moser. The text of Moby-Dick used in this edition is based on that used in the critical edition of Melville''s works published by the Northwestern University Press and the Newberry Library. Now this magnificently typeset and illustrated edition of the great American novel is available for all lovers of beautiful books. This luxurious edition of Moby Dick is limited to 750 numbered copies. It is bound in cloth and slipcased in a cloth-covered box. The text is printed in two colors throughout on a 75-pound beautifully textured paper.

Each year, children try to steal ripe pomegranates off a tree and are chased away by the Pomegranate Witch but on Halloween, while the witch is away, the Kindly Lady has a surprise for every child.

Highlights sixteen episodes in the development of aviation ranging from balloons to the space shuttle. Also includes a time line and historical notes.

Contains Bourbeau''s holograph production journal, bound as the dummy for the edition, publisher''s prospectus, drawings, and notes (two signed from Barry Moser).