New Releases by Bell Hooks

Feminist icon bell hooks reminds us of the full spectrum of feeling we spend in love through her inspiring collection of love poetry, with a new introduction by Cole Arthur Riley, author of Black Liturgies. Written from the heart, When Angels Speak of Love is a book of fifty love poems by bell hooks, one our most beloved public intellectuals, and author of over twenty books, including the bestselling All About Love. Poem after poem, hooks challenges our views and experiences with love--tracing the links between seduction and surrender, the intensity of desire, and the anguish of death. "Love must clean house, choose memories to keep, and memories to let go," she writes. These verses are expansive yet accessible--encompassing romantic love, to love of family, friends, or oneself. In any iteration, these poems remind us of both the beauty and possibility of love.

The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas “Sharp and persuasive.” —The New York Times Book Review on the original publication of Art on My Mind In Art on My Mind, “one of the country’s most influential feminist thinkers“ (Artforum) offers a tender yet potent suite of writings for a world increasingly concerned with art and identity politics. This collection of bell hooks’s essays, each with art at its center, explores both the obvious and obscure: from ruminations on the fraught representation of Black bodies, to reflections on the creative processes of women artists, to analysis of the use of blood in visual art. bell hooks has been “instrumental in cracking open the white, western canon for Black artists” (Artnet), with searing essays complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie. Featuring full-color artwork from giants such as Jean-Michel Basquiat, Lorna Simpson, and Alison Saar, Art on My Mind “examines the way race, sex and class shape who makes art, how it sells and who values it” (The New York Times), while questioning how art can be instrumental for Black liberation. In doing so, hooks urges us to unravel the forces of oppression that colonize our imaginations. With a new foreword from acclaimed contemporary artist Mickalene Thomas, this thirtieth-anniversary edition passes the torch to a new generation of artists, capturing hooks’s simple yet evergreen affirmation: art matters—it is a life force in the struggle for freedom. Art on My Mind is essential reading for anyone looking to find lessons on liberation and creativity in the world of color—the free world of art.

"With a thoughtful introduction by Mikki Kendall, it will remind you why she was loved, honored, challenged and respected." - Ms. Magazine “This new collection is essential reading for both longtime readers of hooks and new fans seeking to learn more about her groundbreaking contributions to cultural and intellectual movements.” - Electric Lit "Wide-ranging and insightful, this makes for a solid primer on hooks’s ideas." --Publishers Weekly "I will not have my life narrowed down. I will not bow down to somebody else''s whim or to someone else''s ignorance." —bell hooks bell hooks was a prolific, trailblazing author, feminist, social activist, cultural critic, and professor. Born Gloria Jean Watkins, bell used her pen name to center attention on her ideas and to honor her courageous great-grandmother, Bell Blair Hooks. hooks’s unflinching dedication to her work carved deep grooves for the feminist and anti-racist movements. In this collection of 7 interviews, stretching from early in her career until her last interview, she discusses feminism, the complexity of rap music and masculinity, her relationship to Buddhism, the “politic of domination,” sexuality, and love and the importance of communication across cultural borders. Whether she was sparking controversy on campuses or facing criticism from contemporaries, hooks relentlessly challenged herself and those around her, inserted herself into the tensions of the cultural moment, and anchored herself with love.

A New York Times bestseller and enduring classic, All About Love is the acclaimed first volume in feminist icon bell hooks'' "Love Song to the Nation" trilogy. All About Love reveals what causes a polarized society, and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces. “The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks speaks to society stricken with lovelessness—not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. In this landmark book, bell hooks explores the question “What is love?” Disputing that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. All About Love is a powerful, timely affirmation of just how profoundly love and community can change hearts and minds for the better. Part of the groundbreaking "Love Song to the Nation" trilogy that includes Communion and Salvation On the New York Times bestseller list for over a year. Speaks to the mind and the heart about the transformational power of love to heal society.

From legendary author and critic bell hooks and multi-Caldecott Medalist Chris Raschka comes a fresh look at bad moods, perfect for fans of Grumpy Monkey and The Pout Pout Fish. Here''s a positive way to face our bad, grumpy, and wild moods! Acclaimed writer bell hooks offers a vision of calm with a soothingly rhythmic text, while award-winning artist Chris Raschka''s vibrant art adds a healthy dose of compassion and humor, reminding readers that sometimes you just have to go inside and let it slide.

In Homegrown, cultural critics bell hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, hooks and Mesa-Bains invite readers to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication. This new edition includes a new afterword, in which Mesa-Bains reflects on the changes, conflicts, and criticisms of the last decade.

In childhood, bell hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that''s exactly what these pieces do.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks''s classic and early pieces of cultural criticism from the ''80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee''s film Do the Right Thing and Wim Wenders''s film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison. The result is a poignant collection of essays which, like all of hooks''s work, is above all else concerned with transforming oppressive structures of domination.

In Sisters of the Yam, bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

In Teaching to Transgress bell hooks—writer, teacher, and insurgent black intellectual—writes about a new kind of education, *education as the practice of freedom*. Teaching students to "transgress" against racial, sexual and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal.

Ten years ago, bell hooks astonished readers with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites readers to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. bell hooks writes candidly about her own experiences. Teaching, she explains, can happen anywhere, any time - not just in college classrooms but in churches, in bookstores, in homes where people get together to share ideas that affect their daily lives. In Teaching Community bell hooks seeks to theorize from the place of the positive, looking at what works. Writing about struggles to end racism and white supremacy, she makes the useful point that "No one is born a racist. Everyone makes a choice." Teaching Community tells us how we can choose to end racism and create a beloved community. hooks looks at many issues-among them, spirituality in the classroom, white people looking to end racism, and erotic relationships between professors and students. Spirit, struggle, service, love, the ideals of shared knowledge and shared learning - these values motivate progressive social change. Teachers of vision know that democratic education can never be confined to a classroom. Teaching - so often undervalued in our society -- can be a joyous and inclusive activity. bell hooks shows the way. "When teachers teach with love, combining care, commitment, knowledge, responsibility, respect, and trust, we are often able to enter the classroom and go straight to the heart of the matter, which is knowing what to do on any given day to create the best climate for learning."

In Teaching Critical Thinking, renowned cultural critic and progressive educator bell hooks addresses some of the most compelling issues facing teachers in and out of the classroom today. In a series of short, accessible, and enlightening essays, hooks explores the confounding and sometimes controversial topics that teachers and students have urged her to address since the publication of the previous best-selling volumes in her Teaching series, Teaching to Transgress and Teaching Community. The issues are varied and broad, from whether meaningful teaching can take place in a large classroom setting to confronting issues of self-esteem. One professor, for example, asked how black female professors can maintain positive authority in a classroom without being seen through the lens of negative racist, sexist stereotypes. One teacher asked how to handle tears in the classroom, while another wanted to know how to use humor as a tool for learning. Addressing questions of race, gender, and class in this work, hooks discusses the complex balance that allows us to teach, value, and learn from works written by racist and sexist authors. Highlighting the importance of reading, she insists on the primacy of free speech, a democratic education of literacy. Throughout these essays, she celebrates the transformative power of critical thinking. This is provocative, powerful, and joyful intellectual work. It is a must read for anyone who is at all interested in education today.

What are the conditions needed for our nation to bridge cultural and racial divides? By "writing beyond race," noted cultural critic bell hooks models the constructive ways scholars, activists, and readers can challenge and change systems of domination. In the spirit of previous classics like Outlaw Culture and Reel to Real, this new collection of compelling essays interrogates contemporary cultural notions of race, gender, and class. From the films Precious and Crash to recent biographies of Malcolm X and Henrietta Lacks, hooks offers provocative insights into the way race is being talked about in this "post-racial" era.

Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman''s reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation''s leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society. Her poetry, novels, memoirs, and children''s books reflect her Appalachian upbringing and feature her struggles with racially integrated schools and unwelcome authority figures. One of Utne Reader''s "100 Visionaries Who Can Change Your Life," hooks has won wide acclaim from critics and readers alike. In Appalachian Elegy, bell hooks continues her work as an imagist of life''s harsh realities in a collection of poems inspired by her childhood in the isolated hills and hidden hollows of Kentucky. At once meditative, confessional, and political, this poignant volume draws the reader deep into the experience of living in Appalachia. Touching on such topics as the marginalization of its people and the environmental degradation it has suffered over the years, hooks''s poetry quietly elegizes the slow loss of an identity while also celebrating that which is constant, firmly rooted in a place that is no longer whole.

What does it mean to call a place home? Who is allowed to become a member of a community? How do we create community? When can we say that we truly belong? The issues of place and belonging are the subject of this book. Moving from past to present, the author charts a journey in which she moves from place to place, from country to city and back again, only to end where she began in her native place, Kentucky. She explores a geography of the heart, focusing on issues of homeplace, of land, and land stewardship, linking the issues to global environmentalism and sustainability. She writes about family and the ties that bind. And she focuses on the experience of black farmers, past and present who celebrate local organic food production. This work offers a vision of a world where all people, wherever they call home, can live fully and well, and where everyone can belong.

"Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As hooks herself notes, interrogations of popular culture can be a ''powerful site for intervention, challenge and change''. And intervene, challenge and change is what hooks does best."--Publisher''s website.

Everyone needs to love and be loved -- even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are -- whatever their age, marital status, ethnicity, or sexual orientation. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves -- and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. A brave and astonishing work, The Will to Change is designed to help men reclaim the best part of themselves.

The skin I''m in is just a covering. It cannot tell my story. The skin I''m in is just a covering. If you want to know who i am You have got to come inside And open your heart way wide. Celebrating all that makes us unique and different, Skin Again offers new ways to talk about race and identity. Race matters, but only so much-what''s most important is who we are on the inside. Looking beyond skin, going straight to the heart, we find in each other the treasures stored down deep. Learning to cherish those treasures, to be all we imagine ourselves to be, makes us free. Skin Again celebrates this freedom.

"When women get together and talk about men, the news is almost always bad news," writes bell hooks. "If the topic gets specific and the focus is on black men, the news is even worse." In this powerful new book, bell hooks arrests our attention from the first page. Her title--WeReal Cool; her subject--the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: "this is a culture that does not love black males:" "they are not loved by white men, white women, black women, girls or boys. And especially, black men do not love themselves. How could they? How could they be expected to love, surrounded by so much envy, desire, and hate?"

From the late feminist icon and New York Times bestselling author of All About Love, an in-depth look at one of the most critical issues facing Black Americans: a collective wounded self-esteem that has prevailed from slavery to the present day, with a new introduction by Tressie McMillan Cottom, author of Thick. Why do so many Black Americans—whether privileged or poor, urban or suburban, young or old—live in a state of chronic anxiety, fear, and shame? Rock My Soul: Black People and Self-Esteem breaks through collective denial and dares to imagine a more liberatory framework for understanding “self and identity in a world where loss is commonplace.” With visionary insight, hooks exposes the underlying reality that it has been difficult—if not impossible—for our nation to create a culture that promotes and sustains healthy self-esteem. Without self-esteem people begin to lose their sense of agency. They feel powerless. But it is never too late for any of us to acquire the healthy self-esteem that is needed for a fulfilling life. While originally written in 2002, hooks’ insights into the heart and soul of the Black American identity crisis continue to ring true. Through history, pop culture criticism, and hard-won wisdom, hooks writes about what it takes to heal the scars of the past, promote and maintain self-esteem, and lay down the roots for a truly grounded sense of community and collectivity. Moving beyond the ways historical racial justice movements have failed, hooks also identifies diverse psychological barriers and collective traumas keeping us from well-being. In highlighting the roles of desegregation, education, the absence of progressive parenting, spiritual crisis, or fundamental breakdowns in communication between Black women and men, bell hooks identifies mental health as a revolutionary frontier—and provides guidance for healing within the Black community.

Illustrated by Shane W. Evans. Famed feminist, social critic and author bell hooks brings us a soothing and reassuring rhythmical text that explores the unique and unconditional bond between parents and their child. Shane Evans''s whimsical illustrations, featuring an exuberant little girl loving and being loved by her parents in a cosy and secure atmosphere, are the perfect partner for Ms. hooks''s words. Ages 4-8.

"I be boy. All bliss boy. All fine beat. All beau boy. Beautiful." Famed author bell hooks infuses a sparse and joyous text with the essence and energy of what it means to be a boy-- all boy. Chris Raschka''s sentient illustrations buzz with a force that is the perfect match for this powerful poetry.

Renowned visionary and theorist bell hooks began her exploration of the meaning of love in American culture with the critically acclaimed All About Love: New Visions. She continued her national dialogue with the bestselling Salvation: Black People and Love. Now hooks culminates her triumphant trilogy of love with Communion: The Female Search for Love. Intimate, revealing, provocative, Communion challenges every female to courageously claim the search for love as the heroic journey we must all choose to be truly free. In her trademark commanding and lucid language, hooks explores the ways ideas about women and love were changed by feminist movement, by women''s full participation in the workforce, and by the culture of self-help. Communion is the heart-to-heart talk every woman -- mother, daughter, friend, and lover -- needs to have.

From famed African American feminist, social critic, and adult author, bell hooks, and award-winning author and illustrator Chris Raschka, comes a new board book edition of Happy to Be Nappy, a celebration of the beauty and joy of "nappy" hair redesigned with block type for easier reading.

''Simply put, feminism is a movement to end sexism, sexist exploitation, and oppression.'' So begins Feminism is for Everybody, a short, accessible introduction to feminist theory by one of its liveliest and most influential practitioners. Designed to be read by all genders, this book provides both a primer to the question ''what is feminism?'' and an argument for the enduring importance of the feminist movement today.Beginning with a broad survey of feminism''s most important themes and concerns, bell hooks demystifies contentious concepts and turns apparent ideology into common sense. Providing a critical evaluation of the successes and failures of contemporary feminism, she looks at a wide variety of topics including reproductive rights, sexual violence, race, class and work. hooks encourages us to demand alternatives to patriarchal, racist and homophobic culture and thereby to seek out a different future.

A sweeping examination of the core issues of sexual politics, bell hooks' new book Feminist Theory: from margin to center argues that the contemporary feminist movement must establish a new direction for the 1980s. Continuing the debates surrounding her controversial first book, Ain't I A Woman, bell hooks suggests that feminists have not succeeded in creating a mass movement against sexist oppression because the very foundation of women's liberation has, until now, not accounted for the complexity and diversity of female experience. In order to fulfill its revolutionary potential, feminist theory must begin by consciously transforming its own definition to encompass the lives and ideas of women on the margin. Hooks' work is a challenge to the women's movement and will have profound impact on all whose lives have been touched by feminism and its insights.

W. E. B. DuBois elegantly dissected the double consciousness of African Americans; with similar insight and vision, Bell Hooks untangles the complex personae of women writers, especially those whose work goes against the grain. Born and raised in the rural South, Hooks learned early the power of the written word and the importance off speaking her mind. This passion for words is the heartbeat of this contemplative collection of essays. Remembered Rapture celebrates literacy, the joys of reading and writing - the lasting power of the book. Once again, these essays reveal Bell Hooks's wide-ranging intellectual scope - a universal writer addressing readers and writers everywhere.