Best Selling Books by Brad Freeman

These wanderers and outlanders are both hated and feared by their Kindred -- and for good reason.

"Conceived at the National Air and Space Museum, in Washington D.C., in December 1990, and printed at Nexus Press in Atlanta, in October 1992"--Colophon.

Werewolf: The Apocalypse is about anger over the loss of what the shapeshifting Garou hold dearest: Gaia, the Earth itself. Corruption from without and within has caused the destruction not only of the Garou''s environment, but also of their families, friends and culture, which extends in an unbroken line to the very dawn of life. No matter how righteously the Garou hold themselves, no matter how they prey on their destroyers, the corruption spreads. Now the time for reconciliation is past. This grave insult against Gaia can end in only one way: blood, betrayal... and rage. Combines Ways of the Wolf and Monkeywrench! Pentex.

"Brad Freeman: ''The title is a play on words from the expression ''one size fits all'' and the implication is that nothing is perfect, that in life there is always some unexpected issue that presents itself to change things. What is the book about? It''s about a lot things but basically about the deaths of my sister and dad within a two year period. One of the joys of my life was to visit my sister, who had been a great influence on me as is reflected at the beginning of chapter one. The book, through the brief poetic writing, does not refer specifically to her death rather to the feelings I experienced thinking of her and how she influenced me. The chapters'' beginnings and endings are determined by the signatures. In other words, chapter one is the first signature, etc. The conceptual leaps between the chapters, rather than being subtle segues, reflect the abrupt changes in thoughts that we have that are sometimes incomprehensible at first. One thing that the writing about my dad is meant to convey was my inability to come to terms in a sympathetic way to his decline. During the printing I used the specific creative potential of offset lithography to make some of the images. In other words a lot of the images were created by various combinatory and chance operations while printing, while I maintained strict curatorial control. I am inspired by the layering and flow and structure of music and tried to reflect this in the dense layering of imagery that occurs in the book. I chose the exposed spine binding because it allows the pages to lie as flat as possible. The book should be placed on a table for viewing, rather than held up in the hands.''"--Vamp & Tramp website.

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