New Releases by Charles Carter

Reprint of the original, first published in 1839. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.

This book is a firsthand account of the experiences of Southern soldiers who fought for the Union during the American Civil War. Written by a Union officer who recruited and commanded several regiments of Southern volunteers, the book provides a unique perspective on the complex social and political dynamics of the Civil War era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The World Transformed: Modern Civilization Since 1648 is an innovative text that combines key topics in world history and western civilization. Rather than approaching history and civilization as a purely chronological study, the book considers the differing approaches to life and politics that prevailed at various times and in various places. Beginning with the rise of the sovereign state, the 12 chapters explore intellectual transformation in 17th and 18th Century Europe, globalization and war in the early modern period, traditional East Asian states, Muslim empires, and the emergence of the nation-state. Students learn about political transformation and modernizing forces in the 19th Century, the modernization of warfare, and challenges to western modernity and the developing world. The second edition features a greater focus on world history and new material that addresses contemporary issues and modern health crises such as the Ebola epidemic, AIDS crisis, and coronavirus pandemic. The text includes a new index to assist students with referencing materials and a redesigned interior. Helping students better understand what it means to be a part of modern civilization and have a modern worldview, The World Transformed is well-suited to classes in world history, western or modern civilization, and the history of globalization.

This is a Writing Journal or Notebook. It is perfect for writing poetry, notes, lists, or ideas for your next book. Each lined page has the same inspirational message across the top to remind you to BELIEVE You Could.100 pages, 7 x 10 inches

The World Transformed: Modern Civilization Since 1648 is an innovative text that combines world history and western civilization. Rather than approaching history and civilization as a purely chronological study, the book considers the differing approaches to life and politics that prevailed at various times and in various places. Beginning with the rise of the sovereign state, the twelve chapters explore intellectual transformation in 17th and 18th Century Europe, globalization and war in the early modern period, traditional East Asian states, Muslim empires, and the emergence of the nation-state. Students also learn about political transformation and modernizing forces in the 19th Century, the modernization of warfare, and challenges to western modernity and the developing world. Helping students what it actually means to be a part of modern civilization and have a modern world view, The World Transformed is well-suited to classes in world history, western or modern civilization, and the history of globalization.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Music Has Gone Out of the Movement: Civil Rights and the Johnson Administration, 1965-1968

Agreements between nations constitute the fundamental framework for the ordering of international affairs; and their successes and failures have led to some of the great turning points in modern history. The result of a unique collaboration by historians and political scientists, this book delineates, defines and assesses the idea of pacts and alliances as a key model of political organisation. Anchored by leading academics in the field, it presents numerous case studies covering a broad chronological sweep. Through theoretical and empirical methodology, the contributors address pacts and alliances from the fifteenth century onwards including, among others, the Korean-American and Moscow-Cairo alliances, the Sevres Pact, Turkey''s accession to NATO and US alliances around the world. Through a close reading of these historical diplomatic relationships, fundamental yet relatively unaddressed research questions are developed and explored. First, what are the common denominators shared by successful alliances? Second, why do pacts and alliances disintegrate? Third, is the eventual demise of pacts and alliances inevitable? Finally, what are the implications of these issues on pact and alliance making today? This is the first volume to address this wide range of issues, and to bring together researchers and theorists from the historical and political disciplines to provide original and groundbreaking theories of diplomacy. Together, these case studies explore why alliances succeed, why they fail and why it matters. Pacts and Alliances in History is therefore not only important reading for the next generation of policymakers, but will also help frame scholars'' enquiries as they try to understand key events in international relations and history.

This volume brings together twenty-one articles, all dealing with the languages, literatures and cultures of Asia Minor. The essays are preceded by a tribute to the late Charles William Carter (1928-1988), a specialist of Hittite, whose bibliography has been compiled by the editor of the volume. The articles, ranging from discussions of problems of etymology, epigraphy, lexicography, and syntax to investigations on the cultural and social history of Asia Minor, are written by specialists in the field (Y.L. Arbeitman, F. Bader, A.R. Bomhard, I.M. Diakonoff, J. Faucounau, C.H. Gordon, J.A.C. Greppin, E.P. Hamp, M. Hutter, W. Jenniges, B.D. Joseph, S.E. Kimball, J. Klinger, H.C. Melchert, N. Oettinger, T. Oshiro, L.E. Roller, V. Shevoroshkin, K. Shields, I. Singer, P. Swiggers, P. Taracha).

James McBey was born at Newburgh, a little fishing village on the Aberdeenshire coast, on December 23, 1883. Educated in the village school, he passed, at the age of fifteen, into the North of Scotland Bank, Aberdeen. He was seventeen when he first fell under the spell of what Samuel Palmer called the "teasing, temper-trying, yet fascinating art" of etching. The years 1902 to 1909 form the first phase of the artist''s career. To that , period- with a gap of two years (1906-7), when he gave all his spare time to painting - belong sixty prints. In July, 1910, McBey cut his cables, and embarked on his great adventure. With a few pounds in his pocket, he left the Bank, and sailed for Holland, to fling his hat to the windmills. "No man who is instinctively an etcher," Sir Frederick Wedmote once wrote, "can keep himself for ever absent from the great flat lands that inspired Rembrandt." No man was ever: more instinctively an etcher than McBey, and the result of his visit to the land of low-lying distances, and big skies, of canals and mills, was a Dutch Set of twenty-one plates. The work of 191 0 and 1911 forms a distinct second phase in McBey''s career, culminating with the first exhibition of his work, held at the gallery of Goupil & Co., in November, 1911. Well-known critics - notably Mr. James Greig of the Morning Post and Mr. Malcolm Salaman were quick to appreciate the newcomer, and wrote with enthusiasm of his work. In 1914, ''the inspiration of London''s river-not Whistler''s Thames, but a river of , bustling activity and movement--caused a new revelation of the artist''s power. In January, 1916, McBey'' war service began in France. There, though thwarted by rain, mud, and difficulties of transport, he found the material for five plates, etchings that will have lasting value as records of our Western Front and of all the grim tragedy of war. They show us the devastating activity of great howitzers; the pathos of the cemetery where crosses,'' row on row, marked the graves of unknown soldiers. The War over, and his "First Palestine Set" issued, McBey enjoyed the study of portraiture and character in the peaceful surroundings of his new studio in Bolland Park Avenue.The "Second Palestine Set;'' published in 1920, consists of eight plates giving a vivid, historic record of the march over Sinai in 1918, the crossing of the border, the Australian Camel Corps pushing on to the attack of Beersheba in an encircling cloud of dust, the first sight of Jerusalem, and that dramatic moment when the surrender of the Holy City was received by two sergeants of the London Division. At last McBey was free from all official obligations of the War, and at liberty to make what etchings he chose. He promptly translated a drawing he had made seven years before into that pregnant dry-point, A Flood in the Fens. . . .