New Releases by Chinua Achebe

"Okonkwo es un gran guerrero, cuya fama se extiende por toda el África Occidental, pero cuando mata accidentalmente a un prohombre de su clan es obligado a expiar su culpa con el sacrificio de su hijastro y el exilio. Cuando por fin puede regresar a su aldea, la encuentra repleta de misioneros y gobernadores británicos; su mundo se desintegra, y él no puede más que precipitarse hacia la tragedia. Publicada por vez primera en 1958, y desde entonces ha vendido más de diez millones de ejemplares en cuarenta y cinco idiomas"--Page 4 of cover.

Obi Okonkwo è un giovane uomo colto e ricco di ideali, grazie al privilegio di un''educazione ricevuta in Gran Bretagna. Ora è tornato in Nigeria per ricoprire un incarico nei servizi civili. In questo ruolo, viene a stretto contatto con la corruzione dilagante nel governo del paese, unico sistema che sembra davvero amministrare le cose. Obi riesce a resistere alle mazzette che gli vengono offerte, ma quando si innamora di una ragazza di un ceto sociale inferiore - con la disapprovazione dei suoi genitori - affonda in un subbuglio emotivo e finanziario sempre più profondo. Diventa improvvisamente difficile resistere alla tentazione per i soldi facili e Obi si infila in una trappola da cui non riesce a scappare. Attraverso il ritratto di un uomo perduto nella disillusione e nel limbo culturale che contraddistingue questa nuova era della Nigeria, «Non più tranquilli» è il secondo volume della trilogia di Chinua Achebe, dedicata a tre generazioni africane colte sotto l''impatto del colonialismo e inaugurata da «Le cose crollano».

Chinua Achebe is considered the father of modern African literature, the writer who "opened the magic casements of African fiction." The African Trilogy--comprised of Things Fall Apart, Arrow of God, and No Longer at Ease--is his magnum opus. In these masterly novels, Achebe brilliantly imagines the lives of three generations of an African community as their world is upended by the forces of colonialism from the first arrival of the British to the waning days of empire. The trilogy opens with the groundbreaking Things Fall Apart, the tale of Okonkwo, a hero in his village, whose clashes with missionaries--coupled with his own tragic pride--lead to his fall from grace. Arrow of God takes up the ongoing conflict between continuity and change as Ezeulu, the headstrong chief priest, finds his authority is under threat from rivals and colonial functionaries. But he believes himself to be untouchable and is determined to lead his people, even if it is towards their own destruction. Finally, in No Longer at Ease, Okonkwo''s grandson, educated in England, returns to a civil-service job in Lagos, only to see his morality erode as he clings to his membership in the ruling elite. Drawing on the traditional Igbo tales of Achebe''s youth, The African Trilogy is a literary landmark, a mythic and universal tale of modern Africa. As Toni Morrison wrote, "African literature is incomplete and unthinkable without the works of Chinua Achebe. For passion, intellect and crystalline prose, he is unsurpassed."

Okonkwo è un guerriero, un lottatore, un uomo ambizioso e rispettato che sogna di divenire leader indiscusso del suo clan. Dal suo villaggio Ibo, in Nigeria, la fama di Okonkwo si è diffusa come un incendio in tutto il continente. Ma Okonkwo ha anche un carattere fiero, ostinato: non vuole essere come suo padre, molle e sentimentale, lui è deciso a non mostrare mai alcuna debolezza, alcuna emozione, se non attraverso l’uso della forza. Quando la sua comunità è costretta a fronteggiare l’irruzione degli europei, l’ordine delle cose in cui Okonkwo è nato e cresciuto comincia a crollare, e la sua reazione sarà solo il principio di una parabola che lo porterà nella polvere: da guerriero temuto e venerato, a eroe sconfitto, oltraggiato. Le cose crollano, il primo libro della trilogia che ha consegnato Chinua Achebe alla fama internazionale – in corso di pubblicazione presso La nave di Teseo in una nuova traduzione – è unanimemente considerato il suo capolavoro, capace di intrecciare nella stessa vicenda due storie diverse: quella personale di Okonkwo e quella più ampia dello scontro fra due religioni e civiltà. Nella scrittura di Achebe, interprete di una grande tradizione letteraria, i conflitti ancestrali fra individuo e comunità dialogano con i percorsi accidentati della storia, le cui conseguenze investono ancora il mondo in cui viviamo.

Arrow of God reverts to the tribal world. Ezeulu, the head priest of Ube,faces an erosion of values both from within his tribe and from without. On the one hand are the men of his tribe who align with and abet the European missionaries and on the other are the colonial invaders who are impinging on the old African way of life.

As Minister for Culture, the Honourable M. A. Nanga is ''a man of the people'', as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the ''eat-and-let-eat'' atmosphere, Odili''s idealism soon collides with his lusts - and the two men''s personal and political tauntings threaten to send their country into chaos. Published, prophetically, just days before Nigeria''s first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.

From the legendary author of Things Fall Apart comes a longawaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war The defining experience of Chinua Achebe’s life was the Nigerian civil war, also known as the Biafran War, of 1967–1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe’s people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war’s full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa’s most fateful events, from a writer whose words and courage have left an enduring stamp on world literature. Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria’s birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country’s promise, which turned to horror when the hot winds of hatred began to stir. To read There Was a Country is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers—they should speak for their history, their beliefs, and their people. Marrying history and memoir, poetry and prose, There Was a Country is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe’s place as one of the most vital literary and moral voices of our age.

Obi Okonkwo regresa a Lagos lleno de ideas y nobles principios tras estudiar en Gran Bretaña. Pero pronto se verá forzado a moderar sus valores morales y sucumbir a las presiones de la sociedad corrupta de su país. Obi Okonkwo es un joven idealista que, gracias a los privilegios de haberse formado en Inglaterra, regresa a Nigeria para trabajar en la administración pública. Sin embargo, se encuentra con un gobierno que opera con maniobras sucias y sobornos. Cuando, para disgusto de sus padres, se enamora de la muchacha equivocada, se sumerge en un caos emocional y económico. El dinero fácil es ahora irrechazable, y Obi cae en una trampa de la que le resultará muy difícil escapar. Reseña: «La literatura africana sería impensable y estaría incompleta sin las obras de Chinua Achebe. En pasión, intelecto y prosa cristalina, no hay escritor que lo haya superado». Toni Morrison

Der Afrika-Roman, der die moderne afrikanische Literatur begründete und die Weltliteratur prägte – endlich in neuer Übersetzung! Chinua Achebe erzählt von Verrat und Rache, von Leidenschaften, die keine Ruhe finden, und von Sehnsüchten, die keine Zukunft haben. Okonkwo, stark und jähzornig, stösst sich an den strengen Stammesregeln und zerbricht an dem Regime der britischen Kolonialherren. In seinem Meisterwerk beschreibt Achebe den Konflikt einer archaischen Kultur in einer Sprache, die rituell-sprichwörtlich, dokumentarisch und elementar poetisch ist: Mit diesem Roman erhielt der Kontinent eine Stimme.

Twelve stories by the internationally renowned novelist which recreate with energy and authenticity the major social and political issues that confront contemporary Africans on a daily basis.

Achebe’s first new book in more than twenty years — a new collection of autobiographical essays from the world-renowned author of Things Fall Apart. Chinua Achebe’s characteristically measured and subtle voice is ever-present in these seventeen, beautifully nuanced pieces. The Education of a British-Protected Child offers a vivid portrait of growing up in colonial Nigeria. Achebe recalls both his happy memories of reading novels in secondary school and the harsher truths of imperial rule. In “African-American Visitations,” he allows us to witness the terrifying nature of the African diaspora and what it means not to know “from whence he came.” Politics and history figure in “What is Nigeria to Me?,” “Africa’s Tarnished Name,” and “Politics of the Politicians of Language.” And Achebe’s extraordinary family comes into view in “My Dad and Me” and “My Daughters.” Charmingly personal, intellectually disciplined, and immensely wise, The Education of a British-Protected Child is an indispensable addition to the remarkable Achebe oeuvre.

A collection of poetry spanning the full range of the African-born author''s acclaimed career has been updated to include seven never-before-published works, as well as much of his early poetry that explores such themes as the African consciousness, the tragedy of Biafra, and the mysteries of human relationships.

In three powerful essays, the acclaimed, Nigerian-born novelist and author of Things Fall Apart explores the complexities of African culture and discusses the devastating impact of European cultural imperialism on the African experience. Reprint. 25,000 first printing.

Photographs and text help profile the culture, economy, social relationships, and people of Africa.

A searing satire of political corruption and social injustice from the celebrated author of Things Fall Apart "Achebe has written a story that sidesteps both ideologies of the African experience and political agendas, in order to lead us to a deeply human universal wisdom." —Washington Post Book World In the fictional West African nation of Kangan, newly independent of British rule, the hopes and dreams of democracy have been quashed by a fierce military dictatorship. Chris Oriko is a member of the president''s cabinet for life, and one of the leader''s oldest friends. When the president is charged with censoring the opportunistic editor of the state-run newspaper--another childhood friend--Chris''s loyalty and ideology are put to the test. The fate of Kangan hangs in the balance as tensions rise and a devious plot is set in motion to silence a firebrand critic. From Chinua Achebe, the legendary author of Things Fall Apart, Anthills of the Savannah is "A vision of social change that strikes us with the force of prophecy." (USA Today)

Chinua Achebe''s books are being read throughout the English-speaking world. They have been translated into more than fifty languages. His publishers estimate that more than eight million copies of his first novel Things Fall Apart (1958) have been sold. As a consequence, he is the best known and most widely studied African author. His distinguished books of fiction and nonfiction include No Longer at Ease, Arrow of God, Morning Yet on Creation Day, Christmas in Biafra, and others. Achebe often has been called the inventor of the African novel. Although he modestly denies the title, it is true that modern African literature would not have flowered so rapidly and spectacularly had he not led the way by telling Africa''s story from a distinctively African point of view. Many other Africans have been inspired to write novels by his example. The interviews collected here span more than thirty years of Achebe''s writing career. The earliest was recorded in 1962, the latest in 1995. Together they offer a representative sample of what he has said to interviewers for newspapers, journals, and books in many different countries. Through his own statements we can see Achebe as a man of letters, a man of ideas, a man of words. As these interviews show, Achebe is an impressive speaker and gifted conversationalist who expresses his ideas in language that is simple yet pungent, moderate yet peppered with colorful images and illustrations. It is this talent for deep and meaningful communication, this intimate way with words, that makes his interviews a delight to read. He has a facility for penetrating to the essence of a question and framing a response that addresses the concerns of the questioner and sometimes goes beyond those concerns to matters of general interest. "People," he says, "are expecting from literature serious comment on their lives. They are not expecting frivolity. They are expecting literature to say something important to help them in their struggle with life. This is what literature, what art, is supposed to do: to give us a second handle on reality so that when it becomes necessary to do so, we can turn to art and find a way out. So it is a serious matter."

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison "A magical writer - one of the greates of the twentieth century." —Margaret Atwood Named one of America''s most-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe''s critically acclaimed African Trilogy. It is a classic narrative about Africa''s cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man''s futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than twenty million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

Belletristik : Nigeria/Ibo : kulturelle Identität - Kolonialismus.

One of the most provocative and original voices in contemporary literature, Chinua Achebe here considers the place of literature and art in our society in a collection of essays spanning his best writing and lectures from the last twenty-three years. For Achebe, overcoming goes hand in hand with eradicating the destructive effects of racism and injustice in Western society. He reveals the impediments that still stand in the way of open, equal dialogue between Africans and Europeans, between blacks and whites, but also instills us with hope that they will soon be overcome.

Set in the Ibo heartland of eastern Nigeria, one of Africa''s best-known writers describes the conflict between old and new in its most poignant aspect--the personal struggle between father and son.

This novel about Nigeria prophesied the 1983 coup.