Best Selling Books by Constance Garnett

Few literary works have been so variously interpreted as Nikolai Gogol''s enduring comic masterpiece, Dead Souls.

The Kingdom of God is Within You, penned by Constance Garnett, is a thought-provoking exploration of Christianity, advocating for a practical interpretation of the faith as a transformative way of life rather than a mystical or dogmatic belief system. Garnett draws upon the teachings of Jesus, emphasizing the internal spiritual journey and the idea that true divinity resides within each individual. She argues that understanding and embracing this inner kingdom can lead to profound personal and societal change. Through her eloquent prose, Garnett critiques traditional religious institutions and encourages readers to seek a direct and personal relationship with the divine. The book posits that Christianity should be seen not merely as a religion but as a new framework for living, prioritizing love, compassion, and self-awareness. The emphasis on the individual’s responsibility to cultivate their spiritual life resonates throughout the text, making it relevant for contemporary readers. The Kingdom of God is Within You is celebrated for its deep philosophical insights and its challenge to conventional religious norms. Garnett’s interpretations encourage readers to re-evaluate their understanding of faith and spirituality, advocating for a more introspective and action-oriented approach to Christianity. Readers are drawn to The Kingdom of God is Within You for its inspirational message and its call for a personal journey toward understanding spirituality. Garnett''s work serves as a guide for those seeking to navigate their faith in a modern context, making this book an essential read for anyone interested in the intersection of spirituality and daily life.

This XpressRead Cram Edition of A House of Gentlefolk pairs the complete original text with carefully prepared study materials, designed for deeper engagement with this classic. Experience 19th-century Russian society in Ivan Turgenev''s "A House Of Gentlefolk," a classic of Russian literature. This meticulously prepared edition offers a glimpse into the intricate tapestry of family life and social customs in historical Russia. Turgenev''s masterful storytelling explores the complexities of human relationships against the backdrop of a changing society. Delve into a world where romance and societal expectations collide, shaping the destinies of those who navigate its delicate balance. This enduring tale, a cornerstone of literary fiction, examines universal themes of love, loss, and the search for meaning. A poignant portrayal of a bygone era, "A House Of Gentlefolk" remains a powerful and relevant read for anyone interested in historical fiction and the timeless nuances of the human heart.

Ivan Turgenev''s "Fathers and Children" stands as a cornerstone of 19th-century Russian literature, exploring the complex and often turbulent relationship between generations during a period of immense social change. This literary classic delves into the burgeoning philosophy of nihilism, examining its impact on traditional values and societal norms. Through its characters and their interactions, the novel grapples with fundamental questions of belief, purpose, and the individual''s role in a rapidly evolving world. "Fathers and Children" offers a powerful and enduring portrayal of generational conflict, making it a relevant and thought-provoking read. This carefully prepared print edition ensures the preservation of Turgenev''s timeless work, inviting readers to contemplate the philosophical and social undercurrents that continue to resonate today. A must-read for those interested in Russian literature, classic fiction, and the enduring exploration of social philosophy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Superb introductions to Turgenev''ssocial perception, rich characterization, and narrative command: "First Love" (1860), a semi-autobiographical novella, and "The Diary of a Superfluous Man" (1850), the fascinating tale of a Russian Hamlet."

Underground* *The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.- -AUTHOR''S NOTE. I am a sick man.... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don''t consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can''t explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot "pay out" the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don''t consult a doctor it is from spite. My liver is bad, well--let it get worse! I have been going on like that for a long time--twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!) When petitioners used to come for information to the table at which I sat, I used to grind my teeth at them, and felt intense enjoyment when I succeeded in making anybody unhappy. I almost did succeed. For the most part they were all timid people--of course, they were petitioners. But of the uppish ones there was one officer in particular I could not endure. He simply would not be humble, and clanked his sword in a disgusting way. I carried on a feud with him for eighteen months over that sword. At last I got the better of him. He left off clanking it. That happened in my youth, though. But do you know, gentlemen, what was the chief point about my spite? Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not only not a spiteful but not even an embittered man, that I was simply scaring sparrows at random and amusing myself by it. I might foam at the mouth, but bring me a doll to play with, give me a cup of tea with sugar in it, and maybe I should be appeased. I might even be genuinely touched, though probably I should grind my teeth at myself afterwards and lie awake at night with shame for months after. That was my way.

Crime and Punishment (pre-reform Russian: Преступленіе и наказаніе; post-reform Russian: Преступление и наказание, tr. Prestupléniye i nakazániye, IPA: [prʲɪstʊˈplʲenʲɪje ɪ nəkɐˈzanʲɪje]) is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky''s full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.

Crime and Punishment'' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker''s money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of ''Crime and Punishment''. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment'' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker''s money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of ''Crime and Punishment''. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.