New Releases by Constance Garnett

Explore the poignant depths of the human condition with "A Lear of the Steppes, etc.," a collection of short stories and a novella by the master of Russian literature, Ivan Sergeevich Turgenev. This volume brings together "A Lear of the Steppes," "Faust," and "Acia," showcasing Turgenev's signature blend of insightful character studies and evocative prose. Dive into timeless tales that explore themes of love, loss, and the complexities of human relationships, all set against the backdrop of 19th-century Russia. Celebrated for his literary contributions and keen observations, Turgenev offers a glimpse into the hearts and minds of individuals navigating life's challenges. A must-read for enthusiasts of classic literature and short stories, this meticulously prepared edition preserves the original text for readers to enjoy. Experience the enduring appeal of Turgenev's work in this essential collection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Aleksandr Nicolaevich Ostrovsky's "The Storm" is a powerful work of 19th-century Russian drama, offering a stark and unflinching social commentary on provincial life and the oppression prevalent within traditional family structures. This meticulously prepared print edition brings to life a timeless story of societal constraints and individual rebellion. Set against the backdrop of 19th-century Russia, the play explores the complexities of social conditions through compelling dramatic narrative. "The Storm" remains a relevant exploration of human relationships and the struggles against injustice. Its themes of social constraints, family dynamics, and the yearning for freedom resonate deeply, making it a significant contribution to Russian literature. A cornerstone of Russian drama, "The Storm" continues to captivate readers with its poignant portrayal of human experience. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Experience a vibrant portrait of 19th-century Russian life with Ivan Turgenev's "A Sportsman's Sketches," the first volume of his collected works. Through a series of interconnected short stories, Turgenev offers insightful social commentary on the lives of peasants and the realities of rural Russia. A keen observer, Turgenev masterfully captures the nuances of peasant culture, revealing their resilience, humor, and humanity. His evocative prose paints a vivid picture of the Russian countryside, making this collection a cornerstone of Russian literature and a timeless classic. Discover why Turgenev's work remains relevant and compelling, offering a window into a bygone era with enduring appeal. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Delve into the poignant world of Anton Chekhov with "The Bishop and Other Stories," a collection of short stories from one of Russia's most celebrated writers. This meticulously prepared edition presents classic works of literary fiction, showcasing Chekhov's masterful storytelling and profound understanding of the human condition. Explore themes of life, death, faith, and societal expectations through the eyes of characters facing everyday struggles and existential dilemmas. A cornerstone of Russian literature and a testament to Chekhov's enduring legacy, these stories offer a glimpse into the complexities of late 19th-century Russian society while resonating with readers across time. "The Bishop and Other Stories" exemplifies the power of short fiction, demonstrating Chekhov's ability to create vivid, memorable narratives within concise and impactful prose. Experience the timeless beauty and emotional depth of these classic stories. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explore the complexities of human nature in "The Lady with the Dog and Other Stories," a collection of short stories by the master of Russian literature, Anton Chekhov. This meticulously prepared print edition showcases Chekhov's signature blend of realism and subtle psychological insight. Delve into tales of love, loss, and the everyday struggles of 19th-century Russian society. A cornerstone of classic literature, Chekhov's short stories are celebrated for their nuanced characters, evocative settings, and profound observations on the human condition. This collection offers a window into the timeless themes that continue to resonate with readers today. Experience the enduring power of Chekhov's storytelling in this essential volume of translated works. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

-THE DOUBLE- centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist.The motif of the novella is a doppelganger (Russian "dvoynik"), known throughout the world in various guises such as the fetch.* * *It was a little before eight oclock in the morning when Yakov Petrovitch Golyadkin, a titular councillor, woke up from a long sleep. He yawned, stretched, and at last opened his eyes completely.For two minutes, however, he lay in his bed without moving, as though he were not yet quite certain whether he were awake or still asleep, whether all that was going on around him were real and actual, or the continuation of his confused dreams.Very soon, however, Mr. Golyadkins senses began more clearly and more distinctly to receive their habitual and everyday impressions. The dirty green, smoke-begrimed, dusty walls of his little room, with the mahogany chest of drawers and chairs, the table painted red, the sofa covered with American leather of a reddish colour with little green flowers on it, and the clothes taken off in haste overnight and flung in a crumpled heap on the sofa, looked at him familiarly. At last the damp autumn day, muggy and dirty, peeped into the room through the dingy window pane with such a hostile, sour grimace that Mr. Golyadkin could not possibly doubt that he was not in the land of Nod, but in the city of Petersburg, in his own flat on the fourth storey of a huge block of buildings in Shestilavotchny Street.

Alexey Fyodorovitch Karamazov was the third son of Fyodor Pavlovitch Karamazov, a land owner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place. For the present I will only say that this "landowner"--for so we used to call him, although he hardly spent a day of his life on his own estate--was a strange type, yet one pretty frequently to be met with, a type abject and vicious and at the same time senseless. But he was one of those senseless persons who are very well capable of looking after their worldly affairs, and, apparently, after nothing else. Fyodor Pavlovitch, for instance, began with next to nothing; his estate was of the smallest; he ran to dine at other men's tables, and fastened on them as a toady, yet at his death it appeared that he had a hundred thousand roubles in hard cash. At the same time, he was all his life one of the most senseless, fantastical fellows in the whole district. I repeat, it was not stupidity--the majority of these fantastical fellows are shrewd and intelligent enough--but just senselessness, and a peculiar national form of it.

Published in 1866 as Prestupleniye i nakazaniye, Crime and Punishment was the first masterpiece by Russian novelist Fyodor Dostoyevsky. It is a psychological analysis of the poor student Raskolnikov, whose theory that humanitarian ends justify evil means leads him to murder a St. Petersburg pawnbroker. The act produces nightmarish guilt in Raskolnikov.

One of the greatest books ever written. A splendid masterpiece.

Ivan Sergeyevich Turgenev (1818-1883) was a great Russian novelist and playwright. His novel Fathers and Sons is regarded as one of major works of 19th-century fiction. After the standard schooling for a child of a gentleman's family, He studied for one year at the University of Moscow and then moved to the University of St Petersburg, focusing on the classics, Russian literature and philology.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

In the midst of the steppes, of the mountains, of the impenetrable forests of the desert regions of Siberia, one meets from time to time with little towns of a thousand or two inhabitants, built entirely of wood, very ugly, with two churches-one in the centre of the town, the other in the cemetery-in a word, towns which bear much more resemblance to a good-sized village in the suburbs of Moscow than to a town properly so called. In most cases they are abundantly provided with police-master, assessors, and other inferior officials. If it is cold in Siberia, the great advantages of the Government service compensate for it. The inhabitants are simple people, without liberal ideas. Their manners are antique, solid, and unchanged by time. The officials who form, and with reason, the nobility in Siberia, either belong to the country, deeply- rooted Siberians, or they have arrived there from Russia. The latter come straight from the capitals, tempted by the high pay, the extra allowance for travelling expenses, and by hopes not less seductive for the future. Those who know how to resolve the problem of life remain almost always in Siberia; the abundant and richly-flavoured fruit which they gather there recompenses them amply for what they lose. As for the others, light-minded persons who are unable to deal with the problem, they are soon bored in Siberia, and ask themselves with regret why they committed the folly of coming. They impatiently kill the three years which they are obliged by rule to remain, and as soon as their time is up, they beg to be sent back, and return to their original quarters, running down Siberia, and ridiculing it. They are wrong, for it is a happy country, not only as regards the Government service, but also from many other points of view. The climate is excellent, the merchants are rich and hospitable, the Europeans in easy circumstances are numerous; as for the young girls, they are like roses and their morality is irreproachable. Game is to be found in the streets, and throws itself upon the sportsman's gun. People drink champagne in prodigious quantities. The caviare is astonishingly good and most abundant. In a word, it is a blessed land, out of which it is only necessary to be able to make profit; and much profit is really made.

Towards the end of November, during a thaw, at nine o'clock one morning, a train on the Warsaw and Petersburg railway was approaching the latter city at full speed. The morning was so damp and misty that it was only with great difficulty that the day succeeded in breaking; and it was impossible to distinguish anything more than a few yards away from the carriage windows. Some of the passengers by this particular train were returning from abroad; but the third-class carriages were the best filled, chiefly with insignificant persons of various occupations and degrees, picked up at the different stations nearer town. All of them seemed weary, and most of them had sleepy eyes and a shivering expression, while their complexions generally appeared to have taken on the colour of the fog outside. When day dawned, two passengers in one of the third-class carriages found themselves opposite each other. Both were young fellows, both were rather poorly dressed, both had remarkable faces, and both were evidently anxious to start a conversation. If they had but known why, at this particular moment, they were both remarkable persons, they would undoubtedly have wondered at the strange chance which had set them down opposite to one another in a third-class carriage of the Warsaw Railway Company. One of them was a young fellow of about twenty-seven, not tall, with black curling hair, and small, grey, fiery eyes. His nose was broad and flat, and he had high cheek bones; his thin lips were constantly compressed into an impudent, ironical-it might almost be called a malicious-smile; but his forehead was high and well formed, and atoned for a good deal of the ugliness of the lower part of his face. A special feature of this physiognomy was its death-like pallor, which gave to the whole man an indescribably emaciated appearance in spite of his hard look, and at the same time a sort of passionate and suffering expression which did not harmonize with his impudent, sarcastic smile and keen, self-satisfied bearing. He wore a large fur-or rather astrachan-overcoat, which had kept him warm all night, while his neighbour had been obliged to bear the full severity of a Russian November night entirely unprepared. His wide sleeveless mantle with a large cape to it-the sort of cloak one sees upon travellers during the winter months in Switzerland or North Italy-was by no means adapted to the long cold journey through Russia, from Eydkuhnen to St. Petersburg.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Ivan Turgenev collection unites three of his finest stories into a single, compelling, and affordable edition. A lauded member of the Russia's literary avant-garde during the mid-19th century, Turgenev's novels and short stories have been celebrated for their poignant, emotionally striking themes and the deft use of plot twists. In Torrents of Spring, we follow Dmitry Sanin, a young landowner who embarks on travel from his homestead in Russia to the German city of Frankfurt. Having already toured Italy and other places in Europe, Dmitry is en route home, and treats Frankfurt as a last stop. First Love - revered as one of Turgenev's best tales - begins at a party in which three middle-aged men are each telling the tale of their first love. Mumu concerns Gerasim, a deaf and mute serf who has moved to Moscow after a life spent working the country fields.

Gerasim is a silent servant who works for an elderly widow surrounded by other servants who work for her. Among the other employees is Tatiana, a woman for whom Gerasim feels captivated. However, her foreman forces her to marry Kapiton Klimov, another servant who, unlike the others, is a compulsive drinker and thinks that in this way he will overcome his alcoholism, however a year goes by and Klimov turns out to be a useless what is banished with Tatiana to a very distant place leaving Gerasim with a broken heart.

This vintage book contains a small collection of stories written by the Russian novelist, Ivan Sergeyevich Turgenev. The stories in this collection include: 'The Diary of a Superfluous Man', 'A Tour in the Forest', 'Yakov Pasinkov', 'Andrei Kolosov', and 'A Correspondence'. Ivan Sergeyevich Turgenev (1818 - 1883) was a Russian novelist who also wrote short stories and plays. His first major book was a collection of short stories entitled 'A Sportsman's Sketches' (1852), which constituted a milestone in Russian Realism. His 1862 novel "Fathers and Sons" is considered to be one of the most important works of nineteenth century fiction. Many antiquarian books such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this volume now in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.

Anna Karenina was the next major novel of Tolstoy after his War and Peace."In order for a work to be good, one must love its main basic idea. In Anna Karenina I love the family idea while in War and Peace I loved the national idea," Tolstoy said once to his wife.The first idea of the plot occurred to Tolstoy as early as seven years before the novel was written. "Yesterday he told me," wrote Tolstoy's wife in her diary, "that he imagined the character of a married woman belonging to the highest circles of society, but having lost herself. He said that his aim would be to make her pitiful but not guilty..."This edition is based on the translation by Constance Garnett, who was inspired with Russian literature after her travel to Russia and meeting with Leo Tolstoy in 1893. She was one of the first English translators of Fyodor Dostoyevsky, Leo Tolstoy and Anton Chekhov. In total, her translations include more than seventy volumes of Russian nineteenth-century literature.

'That night I went home to my lodgings in a state of perfect ecstasy ... I felt supremely happy, and was already making all sorts of plans in my head. If someone had whispered in my ear then: "You're raving, my dear chap! That's not a bit what's in store for you. What's in store for you is to die all alone, in a wretched little cottage, amid the insufferable grumbling of an old hag who will await your death with impatience to sell your boots for a few coppers ... !"' Turgenev's hopeless protagonist, at the end of his life, can only truthfully define himself as 'superfluous,' and relates the tale of the failed romance that confirmed him in that unfortunate opinion. Turgenev's virtuosic account of a man thoroughly undermined by himself, tormented by jealousy and love, but who is, ultimately, nothing more than superfluous. This volume of five tales also includes A Tour in the Forest, Yakov Pasinkov, Andrei Kolosov and A Correspondence, in Constance Garnett's classic 1899 translation.

Superb introductions to Turgenev'ssocial perception, rich characterization, and narrative command: "First Love" (1860), a semi-autobiographical novella, and "The Diary of a Superfluous Man" (1850), the fascinating tale of a Russian Hamlet."

The Kingdom of God is Within You, penned by Constance Garnett, is a thought-provoking exploration of Christianity, advocating for a practical interpretation of the faith as a transformative way of life rather than a mystical or dogmatic belief system. Garnett draws upon the teachings of Jesus, emphasizing the internal spiritual journey and the idea that true divinity resides within each individual. She argues that understanding and embracing this inner kingdom can lead to profound personal and societal change. Through her eloquent prose, Garnett critiques traditional religious institutions and encourages readers to seek a direct and personal relationship with the divine. The book posits that Christianity should be seen not merely as a religion but as a new framework for living, prioritizing love, compassion, and self-awareness. The emphasis on the individual’s responsibility to cultivate their spiritual life resonates throughout the text, making it relevant for contemporary readers. The Kingdom of God is Within You is celebrated for its deep philosophical insights and its challenge to conventional religious norms. Garnett’s interpretations encourage readers to re-evaluate their understanding of faith and spirituality, advocating for a more introspective and action-oriented approach to Christianity. Readers are drawn to The Kingdom of God is Within You for its inspirational message and its call for a personal journey toward understanding spirituality. Garnett's work serves as a guide for those seeking to navigate their faith in a modern context, making this book an essential read for anyone interested in the intersection of spirituality and daily life.