New Releases by Cormac McCarthy

Cormac McCarthy's tenth novel, The Road, is his most harrowing yet deeply personal work. Some unnamed catastrophe has scourged the world to a burnt-out cinder, inhabited by the last remnants of mankind and a very few surviving dogs and fungi. The sky is perpetually shrouded by dust and toxic particulates; the seasons are merely varied intensities of cold and dampness. Bands of cannibals roam the roads and inhabit what few dwellings remain intact in the woods. Through this nightmarish residue of America a haggard father and his young son attempt to flee the oncoming Appalachian winter and head towards the southern coast along carefully chosen back roads. Mummified corpses are their only benign companions, sitting in doorways and automobiles, variously impaled or displayed on pikes and tables and in cake bells, or they rise in frozen poses of horror and agony out of congealed asphalt. The boy and his father hope to avoid the marauders, reach a milder climate, and perhaps locate some remnants of civilization still worthy of that name. They possess only what they can scavenge to eat, and the rags they wear and the heat of their own bodies are all the shelter they have. A pistol with only a few bullets is their only defense besides flight. Before them the father pushes a shopping cart filled with blankets, cans of food and a few other assets, like jars of lamp oil or gasoline siphoned from the tanks of abandoned vehicles—the cart is equipped with a bicycle mirror so that they will not be surprised from behind. Through encounters with other survivors brutal, desperate or pathetic, the father and son are both hardened and sustained by their will, their hard-won survivalist savvy, and most of all by their love for each other. They struggle over mountains, navigate perilous roads and forests reduced to ash and cinders, endure killing cold and freezing rainfall. Passing through charred ghost towns and ransacking abandoned markets for meager provisions, the pair battle to remain hopeful. They seek the most rudimentary sort of salvation. However, in The Road, such redemption as might be permitted by their circumstances depends on the boy’s ability to sustain his own instincts for compassion and empathy in opposition to his father’s insistence upon their mutual self-interest and survival at all physical and moral costs. The Road was the winner of the 2006 Pulitzer Prize for Literature. ([source][1]) [1]: https://www.cormacmccarthy.com/works/the-road/

An epic novel of the violence and depravity that attended America's westward expansion, Blood Meridian brilliantly subverts the conventions of the Western novel and the mythology of the "wild west." Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving.

*All the Pretty Horses* is a novel by American author Cormac McCarthy published by Alfred A. Knopf in 1992. Its romanticism (in contrast to the bleakness of McCarthy's earlier work) brought the writer much public attention. It was a bestseller, and it won both the U.S. National Book Award and the National Book Critics Circle Award. Along with *The Crossing* (1994), and C*ities of the Plain* (1998), it constitues McCarthy's "Border Trilogy", an elegy for the American Frontier, written in an unconventional format which omits traditional Western punctuation (such as quotation marks) and makes use of polysyndetic syntax in a manner similar to that of Ernest Hemingway. The book was adapted as a 2000 eponymous film, starring Matt Damon and Penélope Cruz, and directed by Billy Bob Thornton. (Main source: Wikipedia)

In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, setting of his famed *Border Trilogy.* The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law--in the person of aging, disillusioned Sheriff Bell--can contain. As Moss tries to evade his pursuers--in particular a mysterious mastermind who flips coins for human lives--McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning's headlines. *No Country for Old Men* is a triumph. (From the Trade Paperback edition)