Best Selling Books by David Finch

A DARK KNIGHT IN GOTHAM CITY A kidnapped socialite, a jilted Penguin, the inscrutable Court of Owls and an army of Arkham’s most notorious inmates—all drawn in comics master David Finch’s singular style. In his celebrated run as artist and author of BATMAN: THE DARK KNIGHT, Finch added his own take on the caped crusader and his classic villains, bringing them to new life with his incredible artwork. Collected here in Finch’s original pencils, BATMAN THE DARK KNIGHT UNWRAPPED showcases Finch’s work on the series as never before.

Traces the author''s battle with Asperger Syndrome, describing his adult diagnosis and the painstaking and often whimsical exercises he uses to preserve his family and build social skills.

BATMAN-ACTION DER SUPERLATIVE David Finch ist einer der größten Superhelden-Comic-Zeichner seiner Generation. 2011 startete DC Comics eigens für den modernen Meister die Serie Batman: The Dark Knight, deren Inkarnationen er nicht nur als Zeichner, sondern auch als Autor betreute. In den düsteren, actiongeladenen Geschichten, muss Batman gegen gefährliche Schurken wie Bane, Scarecrow, den Pinguin und Killer Croc antreten. Außerdem will der Dunkle Ritter das Verschwinden seiner Jugendfreundin Dawn Golden aufklären, was ihn nicht nur mit dem Dämon Etrigan, sondern auch mit allerlei Horror konfrontiert. Die spektakulären Batman-Comics des preisgekrönten Zeichner-Superstars David Finch aus der New 52-Ära gesammelt in einer hochwertigen Deluxe-Ausgabe, geschrieben von den Bestseller-Autoren Paul Jenkins (Wolverine: Origin), Greg Hurwitz (Moon Knight) und anderen. ENTHÄLT: BATMAN: THE DARK KNIGHT (2010) 1-5, BATMAN: THE DARK KNIGHT (2011) 1- 15 & 0

In a world that equates productivity with worth, where the clock becomes a tyrant and the calendar a prison, the call to rest sounds almost heretical. Yet, in the quiet of a Sunday morning, when the air is still and the world has paused, something stirs in the soul—a longing for something more than busyness. This is the heartbeat of *Sabbath Is Not Optional: Rest as a Christian Discipline*. The book begins not with a theological argument or a historical survey, but with a story. That of Miriam, a nurse working 60-hour weeks, who found herself exhausted not by the labor itself, but by the absence of rest. She discovered that her spiritual life was fraying at the edges, and it wasn’t until she began to reclaim one day a week for God, family, and reflection that she began to heal. Her story is a microcosm of a larger truth: in a culture that glorifies constant motion, rest is not a luxury—it is a necessity. The biblical foundation of Sabbath is often misunderstood, reduced to a rule of law or an obligation of faith. But a deeper look reveals that it is an act of worship, a divine invitation to align with the rhythm of creation. In the Genesis account, God sets the pattern: six days of work, one day of rest. But this is not merely a schedule—it is a revelation. The Sabbath is God’s gift to humanity, a day to step away from the machinery of life and reorient toward the sacred. It is not about idleness, but about intentionality, about creating space for God to speak. This is why the Israelites were commanded to observe the Sabbath not just for personal renewal, but for the integrity of their community. A people without rest becomes a people without vision, without discernment, without the capacity to love. The ancient rabbis understood this. In the Talmud, they wrote that the Sabbath is the first gift God gave to Israel, a sign of their covenant. But beyond the Jewish tradition, the concept of Sabbath shaped Christian practice from the earliest centuries. The early Church, while not always in conflict with the Roman calendar, found in the weekly cycle a way to model Christ’s rest after His work. The apostle Paul, though a man on the move, understood the necessity of retreat. In 1 Corinthians 16:1-4, he refers to a collection taken on the first day of the week, but this was not a day of work—it was a day of communal worship and shared rest. The idea of the Lord''s Day as a day of remembrance and renewal was not an afterthought but a foundational practice. Yet, in modern times, this rhythm has eroded. The rise of industrialization, the acceleration of technology, and the commodification of time have all conspired to make rest seem indulgent. We live in an age where even our leisure is scheduled, consumed, and sold back to us. The result is a spiritual exhaustion that goes beyond fatigue—it is a disconnection from the very God we claim to follow. The book does not shy away from this reality. Instead, it confronts it with a question: What if the busyness we embrace is not a sign of faith but a symptom of spiritual confusion? This book is not a call to laziness or idleness. It is a call to radical faithfulness. Through the stories of everyday Christians, the historical lens of sacred rest, and the scriptural foundation of the Sabbath, readers will see that rest is not the opposite of work—it is its complement. The book explores how the early Church navigated the tension between work and rest, how monastic traditions preserved the discipline of Sabbath, and how modern Christians might reclaim it in a world that resists it. Each chapter unfolds with a personal narrative, a historical reflection, and a practical insight, drawing the reader into a deeper understanding of what it means to rest in God. Take the story of Elijah, for example. After a fierce confrontation with the prophets of Baal, he flees into the wilderness, weary and discouraged. On Mount Horeb, he hears a still, small voice—not in the wind, the earthquake, or the fire, but in the silence. This moment is not just a divine encounter—it is an invitation to rest. Elijah had been in relentless motion, fighting battles, confronting false prophets, and leading a people in crisis. Yet only in the stillness did he find clarity. This is a pattern that echoes through Scripture: God often meets us not in the storm, but in the stillness. The Sabbath is the space where that stillness can be cultivated. But the Sabbath is not only a personal discipline—it is a social one. In the Old Testament, the Sabbath was not just for individuals but for the community. Slaves, animals, and even the land were to rest. This was a radical idea in the ancient world, where labor was often exploited and the poor were left without respite. The Sabbath challenged the systems of oppression and called for a society where all could breathe, reflect, and be renewed. This is a powerful message for today, where inequality and overwork are rampant. The book argues that our obsession with productivity not only harms us individually but also widens the chasm between the privileged and the marginalized. To reclaim the Sabbath is to begin to heal not only ourselves but the world around us. As the book develops, it draws on the wisdom of theologians and mystics, from Augustine to John Calvin, who saw rest as a form of spiritual discipline. Augustine, in his *Confessions*, speaks of the soul’s need to find its rest in God. Calvin, in his *Institutes of the Christian Religion*, emphasized the Sabbath as a means of keeping the church focused on spiritual priorities rather than worldly distractions. These voices, though centuries apart, echo the same truth: without rest, we cannot truly engage with the divine. The book also delves into the practical challenges of implementing a Sabbath in modern life. It acknowledges that for many, the idea of a full day of rest seems unattainable. But it is not about perfection; it is about intention. The authors offer strategies for creating a rhythm of rest that fits individual circumstances—whether through a single day of disconnection, an hour of prayer, or a mindful pause in the midst of chaos. It is not a call to remove oneself from the world, but to find a way to engage it more fully, with a rested spirit and a clear mind. One such case is that of Marcus, a software developer who, after years of burnout, chose to observe a Sabbath by turning off all work-related devices and dedicating one day to his family, gardening, and reading. Initially, it felt like a loss, but over time, he felt a renewed sense of purpose. His creativity returned, his relationships deepened, and his work became more meaningful. His story is not unique; it is a testament to the transformative power of rest. The book also explores the cultural implications of Sabbath. In a society that rewards busyness, how can we begin to shift the narrative? By modeling a different way of living—where rest is valued, where time is held loosely, and where the divine presence is sought not in the rush of tasks but in the stillness of a day set apart. It is a radical act, one that challenges the very structures of our culture. As the final chapters unfold, the reader is invited to see the Sabbath not as an old tradition but as a living discipline, one that is not only relevant but essential. It is a way of being in the world that honors the rhythms of creation, the wisdom of the past, and the needs of the present. It is a way to reclaim our time, our energy, and our relationship with God. In the end, *Sabbath Is Not Optional* is not just a book about rest. It is a call to live with intention, to honor the sacred in the everyday, and to find in the act of resting a deep communion with the divine. It is a reminder that we are not defined by our productivity, but by our relationship with the One who created us. And in that relationship, rest is not a luxury—it is the very foundation of a life well-lived.

Celebrating the 25th anniversary of Image Comics and the 20th anniversary of THE DARKNESS, this special volume collects THE DARKNESS ORIGINS (Issues one through six and Preview), THE DARKNESS/BATMAN, and THE DARKNESS/SUPERMAN! This is a one-time printing in honor of the anniversaries, so donêt miss out!

The Scarecrow has returned to Gotham City, but he''s no longer the meek punching bag Batman is used to. The villainous genius has always preyed on the worst fears of his victims, but now he has refined his legendary fear toxin to even greater effectiveness and deadlier consequences. As the Scarecrow''s origin is unfurled, Batman must find out not only how to conquer this dangerous psychopath, but how to beat his own worst fear. Written by New York Times best-selling crime thrillernovelist Gregg Hurwitz and art from comics superstar David Finch, BATMAN: THE DARK KNIGHT VOLUME 2: CYCLE OF VIOLENCE is a terrifying look into the dark psyche of one of Gotham''s most twisted villains. Collects from BATMAN: THE DARK KNIGHT #10-15 and #0.

Big dreams, dashed hopes and romance are at the heart of this biography of Norma and George Pocaterra. The story begins in 1903 when George Pocaterra left Italy and came to the Canadian Rockies with hopes of striking it rich. George is best known for establishing the Buffalo Head Ranch in the foothills of Alberta. He developed a close friendship with members of the Stoney Indians, and was one of the first non-Natives to explore much of what is now called Kananaskis Country. In 1933, he returned to Italy, where he met and fell in love with Norma Piper, a young Calgary singer who had moved to Italy to study opera. They eventually married, and George took over the management of Norma''s rising operatic career. World War II forced a return to Canada in 1939. In Calgary, Norma became part of the local music scene, giving concerts and teaching singing at Mount Royal College. In 1955, she started her own studio and over the next 25 years became one of Calgary''s most loved music teachers. George, meanwhile, continued with his coal-mining ventures, although he suffered bitter disappointments. Drawing on personal diaries and correspondence, the authors have created an intimate portrait of these remarkable Albertans who became, each in their own way, legends in their lifetimes.