Best Selling Books by David James

When Humphrey drifts into sleep, the dreamlands open once more—this time leading him into Starfen Hollow, a realm where starlight grows from the ground, roots hum with hidden life, and even the smallest creatures shine with quiet magic. Humphrey and Starfen Hollow gathers a collection of stories in verse that follow his gentle wanderings through this glowing, otherworldly landscape. Each poem reveals a new corner of the Hollow. Humphrey follows drifting Starseeds that float like tiny lanterns through the night, meets cheerful Glow‑Frogs who light the marshes with their soft green shimmer, and discovers delicate Crystal‑Blooms that chime when touched by the breeze. In the whispering Echo‑Caves, voices return not as echoes but as answers. At the Starfen Pools, reflections ripple into stories of what might be. Beneath the earth, the ancient Hollow‑Roots twist into warm, hidden passageways. Even the smallest dream‑creatures—the quick Star‑Mites, drifting Lantern‑Bugs, and gentle Moon‑Moths—carry their own wisdom, guiding Humphrey through starlit mist and soft‑shadowed paths. Told in flowing, musical verse, these tales celebrate curiosity, kindness, and the quiet courage it takes to explore the unknown. Each adventure stands alone, yet together they form a tapestry of glowing dreamlands where wonder grows in unexpected places and every creature has a story worth hearing. Humphrey and Starfen Hollow invites readers to wander softly, listen closely, and discover the gentle magic that lives in the spaces between waking and sleep.

This final volume in Lord Windlesham's magnificent collection contains detailed commentaries on the controversy over access to jury trial, the not yet completed reform of criminal legal aid, and the policy imperative of strengthening the enforcement of community penalties. It also includes a comparative study of the development of public defender systems for indigent persons charged with criminal offenses in the United States.

This book is suitable for children age 4 to 7. "King of the Jungle" is a story about animals in the jungle that gather together to choose their king. Problem arises when all the animals think that they are fit to be the king of the jungle. This results in an argument among themselves. Will the animals eventually choose their king?

In this important new book, David James offers an innovative interpretation of a key element of Hegel's political thought. James seeks to identify the basic aims of Hegel's philosophy of right through an analysis of his approach to subjectivity. He argues that the basic aim of Hegel's philosophy of right is to accommodate subjectivity within a framework of universally valid ethical norms and that an analysis of how Hegel attempts to do this provides a key to understanding his philosophy of right. This in turn makes possible a highly unified interpretation of the project that determines the shape and structure of his theory of modern ethical life. The ways in which Hegel uses the term subjectivity have never before been analysed in sufficient detail. James shows that Hegel's understanding of this term depends very much on the context in which he is using it and by analysing this carefully shows that this concept is essentially related to his theory of freedom. This fascinating book offers a unified interpretation of Hegel's philosophy of right and will make an important contribution to the study of Hegel's political thought.

Art, Myth and Society in Hegel's Aesthetics returns to the student transcripts of Hegel's lectures on aesthetics, which have yet to be translated into English and in some cases remain unpublished. David James develops the idea that these transcripts show that Hegel was primarily interested in understanding art as an historical phenomenon and, more specifically, in terms of its role in the ethical life of various peoples. This involves relating Hegel's aesthetics to his philosophies of right and history, rather than to his logic or metaphysics. The book thus offers a thorough re-evaluation of Hegel's aesthetics and its relation to his theory of objective spirit, exposing the ways in which Hegel's views on this subject are anchored in his reflections on history and on different forms of ethical life.

The official companion book featuring essays exploring the production of the film, Michael Bennett's legendary Broadway musical, and the historic Motown revolution that inspired both. Illustrated with more than 200 color stills, concept paintings, costume designs, album art, and archival photographs. Twenty-five years after first bringing Broadway audiences to their feet, the Tony Award-winning musical sensation Dreamgirls comes to the big screen, starring Academy Award® winner Jamie Foxx (Ray), BeyoncÉ Knowles (Austin Powers in Goldmember), Eddie Murphy (The Nutty Professor, Dr. Dolittle), Danny Glover (Lethal Weapon), Jennifer Hudson (American Idol), and Tony Award winner Anika Noni Rose (Broadway's Caroline or Change). Set in the turbulent 1960s to mid-70s, Dreamgirls follows the rise of a trio of women-Deena (BeyoncÉ Knowles), Effie (Jennifer Hudson), and Lorrell (Anika Noni Rose)-who have formed a promising singing group called The Dreamettes. At a talent competition, they are discovered by an ambitious manager named Curtis Taylor Jr. (Jamie Foxx), who offers them the opportunity of a lifetime: to become the back-up singers for headliner James "Thunder" Early (Eddie Murphy). Curtis gradually takes control of the girls' look and sound, eventually giving them their own shot in the spotlight as The Dreams. That spotlight, however, begins to narrow in on Deena, finally pushing the less attractive Effie out altogether. Though The Dreams become a crossover phenomenon, they soon realize that the cost of fame and fortune may be higher than they ever imagined. Capturing the extraordinary visual style and power of the movie, the book features more than 200 color stills, drawings, concept paintings, costume designs, storyboards, album art, and archival photos about the cast, music, choreography, costumes, production, set design, and historical foundation for the period when the story occurs. The text, including extensive interviews with Bill Condon and others in the cast and crew, is written exclusively for the Newmarket book by distinguished writers Martin Gottfried (author of Broadway Musicals and All His Jazz: The Life and Death of Bob Fosse) and Cheo Hodari Coker (journalist and author of Unbelievable: The Life, Death, and Afterlife of the Notorious B.I.G.).

Here's the 2nd Edition of a text outlining and providing evidence for one of the most important epidemiological theories of recent years, the "Barker Hypothesis"*that nutrition in the womb determines susceptibility to diseases in later life.

A comprehensive analysis of the theories of property developed by four key figures in classical German philosophy that explores such central questions as the nature of property, what specific forms of property are justifiable and whether property rights ought to be respected or limited in the name of freedom.

This book examines what innovation means to novelists today by reading their work in dialogue with the modernist tradition.

Edwardian London in 1910, the notorious tale of Dr Crippen and Ethel Le Neve re-investigated by a prizewinning journalist. At a time when Edwardian Britain seemed a golden place, basking in its imperial glory, Dr Hawley Harvey Crippen and his wife Belle lived among the suburban villas of North London, renting a house at 39 Hilldrop Crescent. After supper on 31 January 1910, their friends went home and Crippen killed Belle with poison, dismembered her body and buried some of her remains beneath the brick floor of the coal cellar. Crippen never admitted killing his wife and took the secrets of the crime with him when he was hanged, following his conviction for murder. It is assumed that Crippen killed for the love of his mistress, Ethel le Neve. They began living together as man and wife, but under intense suspicion they fled disguised as father and son. The chase - indeed everything about the murder - was reported in fine detail, in Britain, in America and the rest of the western world. Crippen was finally arrested and with Ethel was brought back to England for trial. David James Smith has investigated afresh this celebrated murder case, and his researches have uncovered unexpected and startling information about 'Chamber of Horrors' stalwart Dr Crippen, Belle and Ethel.

Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear at first sight to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic, one that unravels at the centre of emotionally challenging works of late twentieth- and twenty-first-century fiction and life-writing. The book understands solace as a generative yet conflicted aspect of style, where microelements of diction, rhythm, and syntax capture consolation's alternating desirability and contestation. With a wide-angle lens on the contemporary scene, David James examines writers who are rarely considered in conversation, including Sonali Deraniyagala, Colson Whitehead, Cormac McCarthy, W.G. Sebald, Doris Lessing, Joan Didion, J. M. Coetzee, Marilynne Robinson, Julian Barnes, Helen Macdonald, Ian McEwan, Colm Tóibín, Kazuo Ishiguro, Denise Riley, and David Grossman. These figures overturn critical suppositions about consolation's kinship with ideological complaisance, superficial mitigation, or dubious distraction, producing unsettling perceptions of solace that shape the formal and political contours of their writing. Through intimate readings of novels and memoirs that explore seemingly indescribable experiences of grief, trauma, remorse, and dread, James demonstrates how they turn consolation into a condition of expressional possibility without ever promising us relief. He also supplies vital traction to current conversations about the stakes of thinking with contemporary writing to scrutinize affirmative structures of feeling, revealing unexpected common ground between the operations of literary consolation and the urgencies of cultural critique. Discrepant Solace makes the close reading of emotion crucial to understanding the work literature does in our precarious present.

This is the first detailed analysis of the fate of Lucretius' De rerum natura from its composition in the 50s BC to the creation of our earliest extant manuscripts during the Carolingian Age. Close investigation of the knowledge of Lucretius' poem among writers throughout the Roman and medieval world allows fresh insight into the work's readership and reception, and a clear assessment of the indirect tradition's value for editing the poem. The first extended analysis of the 170+ subject headings (capitula) that intersperse the text reveals the close engagement of its Roman readers. A fresh inspection and assignation of marginal hands in the poem's most important manuscript (the Oblongus) provides new evidence about the work of Carolingian correctors and offers the basis for a new Lucretian stemma codicum. Further clarification of the interrelationship of Lucretius' Renaissance manuscripts gives additional evidence of the poem's reception and circulation in fifteenth-century Italy.