New Releases by David Lloyd

A gripping collection of speeches by one of the key architects of Allied victory in World War I, offering a unique insight into the politics and strategy of the conflict. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Why was Jesus, who said "I judge no one," put to death for a political crime? Of course, this is a historical question--but it is not only historical. Jesus''s life became a philosophical theme in the first centuries of our era, when "pagan" and Christian philosophers clashed over the meaning of his sayings and the significance of his death. Modern philosophers, too, such as Immanuel Kant and Friedrich Nietzsche, have tried to retrace the arc of Jesus''s life and death. I Judge No One is a philosophical reading of the four memoirs, or "gospels," that were fashioned by early Christ-believers and collected in the New Testament. It offers original ways of seeing a deeply enigmatic figure who calls himself the Son of Man. David Lloyd Dusenbury suggests that Jesus offered his contemporaries a scandalous double claim. First, that human judgements are pervasive and deceptive; and second, that even divine laws can only be fulfilled in the human experience of love. Though his life led inexorably to a grim political death, what Jesus''s sayings revealed--and still reveal--is that our highest desires lie beyond the political.

David Lloyd’s poetry abides in a lineage of poetic modernism, often in dialogue with poets like César Vallejo, Paul Celan, and Mahmoud Darwish. The poems in The Harm Fields are rich in imagery, their language a fluent mix of registers, from colloquial idioms to technical language and literary citation, and replete with multilingual puns and portmanteaux. These poems carry forward the musical values and the questioning project of the modernist lyric, but their concerns are contemporary, haunted by the ongoing brutality of the times, from Ireland to Palestine, and reaching for a language adequate to mourning, persistence, and utopian possibility.

The gospels and ancient historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died ''under Pontius Pilate''. But what exactly does that mean? Within decades of Jesus'' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur''an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he''d done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Dusenbury reveals Pilate''s ''innocence'' as not only a neglected theological question, but a recurring theme in the history of European political thought. He argues that Jesus'' interrogation by Pilate, and Augustine of Hippo''s North African sermon on that trial, led to the concept of secularity and the logic of tolerance emerging in early modern Europe. Without the Roman trial of Jesus, and the arguments over Pilate''s innocence, the history of empire--from the first century to the twenty-first--would have been radically different.

Nemesius of Emesa''s On Human Nature (De Natura Hominis) is the first Christian anthropology. Written in Greek, circa 390 CE, it was read in half a dozen languages—from Baghdad to Oxford—well into the early modern period. Nemesius'' text circulated in two Latin versions in the centuries that saw the rise of European universities, shaping scholastic theories of human nature. During the Renaissance there were numerous print editions helping to inspire a new discourse of human dignity. David Lloyd Dusenbury offers the first monograph in English on Nemesius'' treatise. In the interpretation offered here, the Syrian bishop seeks to define the human qua human. His early Christian anthropology is cosmopolitan. He writes, ''Things that are natural are the same for all.'' In his pages, a host of texts and discourses—biblical and medical, legal and philosophical—are made to converge upon a decisive tenet of Christian late antiquity: humans'' natural freedom. For Nemesius, reason and choice are a divine double-strand of powers. Since he believes that both are a natural human inheritance, he concludes that much is ''in our power''. Nemesius defines humans as the only living beings who are at once ruler (intellect) and ruled (body). Because of this, the human is a ''little world'', binding the rationality of angels to the flux of elements, the tranquillity of plants, and the impulsiveness of animals. This compelling study traces Nemesius'' reasoning through the whole of On Human Nature, as he seeks to give a long-influential image of humankind both philosophical and anatomical proof.

This volume will provide eco-socially-oriented science and environmental educators with a diverse set of examples of how science and environmental learning for students and their co-learner teachers can be enacted in ways which contribute to their understanding of, commitment to and capabilities towards, living for a more eco-socially just and, therefore, more sustainable world. Science and environmental learning is set within a challenging framework, one that entails critical, transdisciplinary learning and acting, and values all the human and other-than-human beings sharing Earth’s rich, but finite, resources. The text asserts that ethical contemporary science and environmental education, which practitioners might find within science, technology, engineering, and mathematics (STEM), will have at centre-stage not merely more factual knowledge, but also the development of learners’ affect and behaviour towards acting for eco-social justice. This will demand that learners more fully appreciate not only the necessity to transition swiftly to living within planetary boundaries, but also the requirements of ethical living—that humans share health and well-being more equally with their own and all other species. Further, the book proposes that eco-socially responsible science and environmental education must be set within a transdisciplinary and integral framework, one in which curriculum and pedagogy are embedded in everyday practice. In this transition project from unsustainable inequities to eco-social justice, teachers and community leaders need to work with their students/citizens in envisioning preferable futures, and developing shared knowledge, values, dispositions, courage and capabilities to work towards such futures, and in genuine attempts at affecting them.

Under Representation shows how the founding texts of aesthetic philosophy ground the racial order of the modern world in our concepts of universality, freedom, and humanity. In taking on the relation of aesthetics to race, Lloyd challenges the absence of sustained thought about race in postcolonial studies, as well as the lack of sustained attention to aesthetics in critical race theory. Late Enlightenment discourse on aesthetic experience proposes a decisive account of the conditions of possibility for universal human subjecthood. The aesthetic forges a powerful “racial regime of representation” whose genealogy runs from enlightenment thinkers like Kant and Schiller to late modernist critics like Adorno and Benjamin. For aesthetic philosophy, representation is not just about depiction of diverse humans or inclusion in political or cultural institutions. It is an activity that undergirds the various spheres of human practice and theory, from the most fundamental acts of perception and reflection to the relation of the subject to the political, the economic, and the social. Representation regulates the distribution of racial identifications along a developmental trajectory: The racialized remain “under representation,” on the threshold of humanity and not yet capable of freedom and civility as aesthetic thought defines those attributes. To ignore the aesthetic is thus to overlook its continuing force in the formation of the racial and political structures down to the present. Across five chapters, Under Representation investigates the aesthetic foundations of modern political subjectivity; race and the sublime; the logic of assimilation and the stereotype; the subaltern critique of representation; and the place of magic and the primitive in modernist concepts of art, aura and representation. Both a genealogy and an account of our present, Under Representation ultimately helps show how a political reading of aesthetics can help us build a racial politics adequate for the problems we face today, one that stakes claims more radical than multicultural demands for representation.

Anchored in the community of first-, second-, and third-generation Welsh Americans in Utica, New York, during the 1960s, the stories in David Lloyd''s The Moving of the Water delve into universal concerns: identity, home, religion, language, culture, belonging, personal and national histories, mortality. Unflinching in their portrayal of the traumas and conflicts of fictional Welsh Americans, these stories also embrace multiple communities and diverse experiences in linked, innovative narratives: soldiers fighting in World War I and in Vietnam, the criminal underworld, the poignant struggles of children and adults caught between old and new worlds. The complexly damaged characters of these surprising and affecting stories seek transformation and revelation, healing and regeneration: a sometimes traumatic "moving of the water."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett''s visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett''s fascination with these painters illuminates the ''painterly'' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett''s highly visual dramatic work.

Learn everything you need to know to create beautiful floral works of art in oil and acrylic! This comprehensive book opens with a guide to essential information on the necessary tools and materials for both sketching and painting, including pencils, paints and brushes, palettes, supports, and mediums. In addition to learning about basic drawing and painting techniques and color theory, readers will learn how to create compelling compositions, achieve depth, and render realistic textures. In The Art of Painting Flowers in Oil & Acrylic, several talented and experienced artists guide readers through easy-to-follow lessons covering a variety of floral and plant life, including tulips, dahlias, hibiscus, roses, daisies, freesia, water lilies, bird of paradise, and more. With sections devoted to both mediums, readers will learn everything they need to know to create beautiful floral works of art in oil and acrylic. Along the way, aspiring artists will discover helpful tips and tricks for mixing vibrant colors, working from photographs, working outdoors, and creating volume and dimension.

Start the Clock and Cue the Band - A Life in Television is the autobiography of David Lloyd who spent his career as the director of television programmes. His career took him to many places, from Aberystwyth to London, from Norwich to Aberdeen, from Cardiff to Europe, America, Israel, Africa and Japan. He is now settled in his retirement back home in Ceredigion.

Color Mixing inAcrylic features a range of techniques and valuable instruction for working with and mixing color in this classic medium.

"Oil & Acrylic: Pastoral Landscapes" provides essential information for aspiring artists who want to develop their oil and acrylic painting skills by learning to paint stunning, colorful landscapes.

From the end of the eighteenth century to the late nineteenth century, a remarkable convergence takes place in Europe between theories of the modern state and theories of culture. Culture and the State explores that theoretical convergence in relation to the social functions of state and cultural institutions, showing how cultural education comes to play the role of forming citizens for the modern state. It critiques the way in which materialistic thinking has largely taken the concept of culture for granted and failed to grasp its relation to the idea of the state.

Fifteen-year-old Justin Lyle does not see in himself the qualities he admires in heroes like his paternal grandfather, awarded a medal of honor during World War II, or in the fictional heroes of television and comic books. Growing up in the declining manufacturing town of East Liberty, New York—beset by unemployment, rising crime, and an influx of drugs, and encircled by struggling dairy farms—Justin feels isolated and decidedly unheroic. These feelings are intensified by his parents’ divorce, his longing for an unattainable girl, and the death, eight years previous but still a potent memory, of his infant brother. When Justin steps "over the line" one afternoon, attempting to help the drug-addled girlfriend of an unstable bully, he triggers a series of increasingly perilous encounters. By week’s end, Justin has been drawn into his community’s sinister underworld and compelled to unexpected action and a fresh understanding of the complexities of heroism. The author of Boys: Stories and a Novella, Lloyd again illustrates his pitch-perfect ear for capturing the detached vernacular and emotional angst of adolescence. Lloyd brings to life the trials of a small, Upstate New York town, creating a story that is as real as it is fictional.

Oliver thought he was just an average fellow, living an ordinary life. In the twilight days of a dystopian society, Oliver is just trying to make it through the day before it all falls apart. But when he crosses the border of life and death, his simple life and that of every man, woman and child takes on a whole new perspective. Desperate and alone, all he wants is to find the gateway back to his world. But evil is everywhere, and has its own plans for Oliver. Deep within the city, an unknown force is amassing a great legion for a dark purpose. At some point, these two will meet and only one can enter the gateway. Oliver enlists the help of some odd travelling companions, including Alison, a woman who could be his sister, and the wild and enigmatic Towel, a small girl who is wise beyond her apparent years. Together they must embark upon an epic journey, one that will bring them face to face with what it means to be human. Souls of the living past are at war, causing the world to spiral towards an impending cataclysm that may bring life and death together for eternity. Will there be an end of graves for us all?

Written by JAMIE DELANO Art by RICHARD PIERS RAYNER, BRYAN TALBOT, DAVID LLOYD and others Cover by JOHN CASSADAY In these tales from issue #10-13, THE HORRORIST #1-2 and ANNUAL #1, Constantine wins his first victory in the war with Nergal and encounters a woman who is the embodiment of the world''s horrors.

From the Famine to political hunger strikes, from telling tales in the pub to Beckett''s tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that sustained Ireland''s oral culture, this book explains why Irish culture has been both so creative and so resistant to modernization. David Lloyd brings together manifestations of oral culture in the nineteenth and twentieth centuries, showing how the survival of orality was central both to resistance against colonial rule and to Ireland''s modern definition as a postcolonial culture. Specific to Ireland as these histories are, they resonate with postcolonial cultures globally. This study is an important and provocative new interpretation of Irish national culture and how it came into being.

Big Hills A boy succeeds through hard work and imaginative violence. Young Anson Kerrigan begins his tale atop a tall red horse, leading an elderly mule, starving and alone in country both strange to him and full of hostiles. His possessions are minimal, and long worn. While the boy copes, sometimes at great effort and in tremendous danger, there is a reality to how he copes that makes this little western a gripping read. David Lloyd Sutton is moving into full novel work from a long history of short stories and fact articles, the articles largely in equestrian, martial arts, and firearms magazines. He says, "Every technique in this book is real, and I''ve either done it or seen it done." The author''s experience set goes a long way toward explaining the immediacy and clarity of this read. Also some of its humor. The author adds, "I''ve come hard off a big chestnut just as often as my character." Anson meets remote dwellers in New Mexico''s outlands, and both hostile and friendly folk along his trail. Eventually he decides that since he can''t buy what he needs, he will simply have to make it. In the high reaches of the Sangre De Christos Mountains, he hunts for hides and meat, crafts an outfit, and at one point has a house guest. This proves to be trying and crowded. In Las Cruces, where he has gone to barter for necessities, ruffians insult the lad. His response is so fast it startles him ... too. After capturing the gang, which involves busting a cap and breaking some bones, Anson marches them out of town, and then discovers that they''ve been a local nuisance. His trading is more successful for having done the locals a service. Unfortunately for the newly equipped trader, one of the locals is a beautiful girl. That introduces a complication to his plans. After a trip to Deming Anson finds himself back in Las Cruces, where that lovely complication tells him the gang he kicked out has come back and exacted revenge for his good treatment. Those broken bones had belonged to the gang''s leader. The townsfolk ask him to replace the sheriff that gang had chased off. Accepting, most eagerly, since he will be boarding in the same house as the complication, the boy embarks on town life, finding that being a sheriff is something he can do well. Then the vengeful bandits stage a night raid, and the battle is an explosive one. Anson is unhurt, through prior planning and a good deal of luck.He and the complication are planning a marriage by this time, and, the gang repulsed, the sheriff takes a vacation in his old hunting grounds to make wedding presents. That turns out to be where the defeated gang fled. A battle of maneuver and ambush stretches over long days of agony.The ending is obscured in gun smoke.

''Cultivating the Masses'' examines the Russian Communist Party''s pursuit of pronatal policies to boost the population, whilst at the same time ruthlessly executing, incarcerating and deporting.

Worship Space Acoustics is a unique guide to the design, construction, and use of religious facilities for optimum acoustics. The book is divided into two parts: Part 1 discusses methods and techniques of room optimization – how the acoustics of large and small spaces are designed, implemented, and adjusted, and how acoustical privacy is attained; noise and its control as well as sound reinforcement and numerical and physical modeling techniques. Part 2 provides the architect, student, and lay-person a review of the characteristics of the religious services pertinent to various beliefs and how these are provided for in the acoustic design of spaces in synagogues, churches, and mosques.Key Features • Covers the design, construction, and use of religious facilities for optimum acoustics • Presents the historical background to existing practice, problems, and solutions, to deepen understanding for those involved in design, construction and use • Illustrates both the similarities and differences between facilities for different religious groups • Offers a unique reference for those who teach and study, both in architecture and in religious education

Welcome to the weird and wonderful world of "Bumble", the legendary SkySports cricket commentator who''s one ball short of an over and delivers madcap moments galore in this ebullient, endearing and hilarious book.

Ventilator Management for the Cardiac Patient; Management of Post-Operative Complications in the Cardiac Surgery Patient; Guidelines Relevant to Care in the Cardiac Intensive Care Unit--to keep the book and you up to date. yPresents the text in a new, full-color design and layout for a more visually-appealing and accessible format that makes finding the information you need quick and easy.

“A very engaging and fine tribute to a small band of men whose impact on the North African campaign in particular was quite immense.” —Pegasus Archive This splendid record takes the reader behind enemy lines not only in North Africa but in Italy, the Aegean and the Balkans. The author, who commanded the LRDG, paints a vivid picture of the unit’s colorful characters: for example, Ralph Bagnold who put to good use the knowledge he gained from his pre-war desert travels. The LRDG was truly international with New Zealanders and Rhodesians playing key roles. This classic book won acclaim from the critics on its first publication by virtue of the author’s unique knowledge, experience and narrative skills. “This superb account, written by one of their former commanders, examines the formation of the unit, the very diverse personalities which shaped it, the North African operations, and their subsequent role in Italy and the Balkans . . . Filled with detailed descriptions of individual operations and the remarkable characters who carried them out.” —Pegasus Archive

"Art for ''Vincent'' and additional art for ''Valerie'' and ''The Vacation'' by Tony Weare."

5. 1. 1 Biological Rhythms and Clocks From an evolutionary perspective, the adaptation of an organism’s behavior to its environment has depended on one of life’s fundamental traits: biological rhythm generation. In virtually all light-sensitive organisms from cyanobacteria to humans, biological clocks adapt cyclic physiology to geophysical time with time-keeping properties in the circadian (24 h), ultradian (24 h) domains (Edmunds, 1988; Lloyd, 1998; Lloyd et al. , 2001; Lloyd and Murray, 2006; Lloyd, 2007; Pittendrigh, 1993; Sweeney and Hastings, 1960) By definition, all rhythms exhibit regular periodicities since they constitute a mechanism of timing. Timing exerted by oscillatory mechanisms are found throughout the biological world and their periods span a wide range from milliseconds, as in the action potential of n- rons and the myocytes, to the slow evolutionary changes that require thousands of generations. In this context, to understand the synchronization of a population of coupled oscillators is an important problem for the dynamics of physiology in living systems (Aon et al. , 2007a, b; Kuramoto, 1984; Strogatz, 2003; Winfree, 1967). Circadian rhythms, the most intensively studied, are devoted to measuring daily 24 h cycles. A variety of physiological processes in a wide range of eukaryotic organisms display circadian rhythmicity which is characterized by the following major properties (Anderson et al. , 1985; Edmunds, 1988): (i) stable, autonomous (self-sustaining) oscillations having a free-running period under constant envir- mental conditions of ca.

Set in 1966, these stories re-create the world of lower-middle-class adolescent boys coming of age in upstate New York.