Best Selling Books by David Mamet

Winner of the 1984 Pulitzer Prize, David Mamet''s scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.

In David Mamet''s latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the meechanisms of power, censorship, and abuse.

One of America''s most provocative dramatists conquers new territory with this droll comedy of errors set in a Victorian drawing room. Anna and Claire are two bantering, scheming "women of fashion" who live together on the fringes of society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald. Claire, meanwhile, is infatuated with a young girl and wants to enlist the jealous Anna''s help for an assignation. As the two women exchange barbs and taunt their hapless maid, Claire''s inamorata arrives and sets off a crisis that puts both the valuable emerald and the women''s future at risk. Mamet brings his trademark tart dialogue and impeccable plotting, spiced with Wildean wit, to this wickedly funny comedy.

David Mamet Full Length Comedy Characters: 3 male (1 non-speaking) Bare stage The Pulitzer Prize-winning author of Glengarry Glen Ross and Speed-The-Plow takes us into the lives of two actors: John young and rising into the first flush of his success; the other Robert older anxious and beginning to wane. In a series of short spare and increasingly raw exchanges we see the estrangement of youth from age and the wider inevitable and

Charlie Fox has a terrific vehicle for a hot male movie star, and he has brought it to his friend Bobby Gould, head of production for a major film company. Both see the script as a ticket to the really big table where the power is. The star wants to do it; all they have to do is pitch it to their boss in the morning. Meanwhile, Bobby bets Charlie that he can seduce the secretary temp. As a ruse, he has given her a novel "by some Eastern sissy writer" that he is supposed to read before saying "thanks but no thanks." She is determined that the novel, not the trite vehicle, should be the company''s next project. When she does sleep with Bobby, he finds the experience is so transmogrifying that Charlie must plead with Bobby not to pitch the sissy film. - Publisher''s note.

One of our most brilliantly iconoclastic playwrights takes on the art of profession of acting with these words: invent nothing, deny nothing, speak up, stand up, stay out of school. Acting schools, “interpretation,” “sense memory,” “The Method”—David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring.

Two neighborhood punks and the owner of a junk shop plot to burglarize a coin collector''s apartment. They fail because of inertia, ineptitude and mutual distrust, but remain bound together by their helpless frustration. 2 acts, 3 men, 1 interior.

"Essays in direct line from Stanislavsky, Chekhov, Shaw, and Brecht" —Mike Nichols A collection of essays from Pulitzer Prize winning playwright David Mamet adressing many issues in contemporary American theater Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today''s actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet''s concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it.

Jeffrey Richards [and others] ... present James Spader, David Alan Grier, Kerry Washington and Richard Thomas in Race, written and directed by David Mamet.

David Mamet''s Oval Office satire depicts one day in the life of a beleaguered American commander-in-chief. It''s November in a Presidential election year, and incumbent Charles Smith''s chances for reelection are looking grim. Approval ratings are down, his money''s running out, and nuclear war might be imminent. Though his staff has thrown in the towel and his wife has begun to prepare for her post-White House life, Chuck isn''t ready to give up just yet. Amidst the biggest fight of his political career, the President has to find time to pardon a couple of turkeys—saving them from the slaughter before Thanksgiving—and this simple PR event inspires Smith to risk it all in attempt to win back public support. With Mamet''s characteristic no-holds-barred style, November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win.

David Mamet is one of America’s most celebrated playwrights. The author of plays, screenplays, poetry, essays, and children’s books, he has won many awards, including the Pulitzer Prize for Glengarry Glen Ross. The Obie award-winning Sexual Perversity in Chicago is about two office workers, Danny and Bernie, on the make in the swinging singles scene of the early 1970s. Danny meets Deborah in a library and soon they are not only lovers but roommates, and their story quickly evolves into a modern romance in all its sticky details. The Duck Variations is a dialogue between two old men sitting on a park bench. The conversation turns to the mating habits of ducks, but soon begins to reveal their feelings about natural law, friendship, and death. New York magazine has called The Duck Variations “a gorgeously written, wonderfully observant piece whose timing and atmosphere are close to flawless.”

Two comic short plays by one of the theatre''s most celebrated and compelling writers: Keep Your Pantheon is a rousing farce that follows the fortunes and misfortunes of an impoverished acting troupe in ancient Rome. Featuring an over-the-hill acting guru who lusts after both his toga-clad protégé and a spot in the Sicilian Cork Festival, Mamet’s play returns to the roots of comedy, paying homage to the Roman playwright Plautus, whose works also inspired Shakespeare’s The Comedy of Errors and the musical A Funny Thing Happened on the Way to the Forum. “With Keep Your Pantheon, David Mamet, who’s been crowned the heavyweight playwriting champion of trash-talking masculinity, showcases what is perhaps his most underrated gift: his Houdini-like ability to slip out of pigeonholes. Mamet, one of the undeniably great playwrights of the baby boomer generation, is a literary conglomerate all his own, a writer too street-smart to let artistic success suffocate him. Give him a genre—in any medium—and he’ll be more than happy to show you what he can do. Mamet is like a shark shooting through the ocean, his very survival dependent on moving forward.” –Charles McNulty, Los Angeles Times Also included in this volume, School is a crackling curtain-raiser in which two teachers shoot back-and-forth on topics ranging from pedophilia to recycling. “School offers a textbook example of the style that made its author famous. This merry little sketch moves with the show-off alacrity of a calculus prodigy whizzing through equations at the blackboard. The characters’ words bounce and click like the soles of virtuoso tap dances, riffing with their feet. This is verbal vaudeville as only Mr. Mamet can deliver it.” –Ben Brantley, New York Times

THE STORY: A young boy, John, comes downstairs to tell about his upcoming trip with his dad to the family friend, Dell. Mother, Donnie, is in the kitchen making tea. Soon the three are discussing the excitement of the trip, why John can''t sleep, an

Olga, Masha and Irina are left stranded in a provincial backwater after the death of their father, an army general. While tension mounts between the sisters and Natalya, their sister-in-law, the women focus their dreams on returning to Moscow, a city remembered through the eyes of childhood as a place where happiness is possible. | Adaptation of: Tri sestry.

The purpose of theater, like magic, like religion . . . is to inspire cleansing awe. What makes good drama? And why does drama matter in an age that is awash in information and entertainment? David Mamet, one of our greatest living playwrights, tackles these questions with bracing directness and aphoristic authority. He believes that the tendency to dramatize is essential to human nature, that we create drama out of everything from today’s weather to next year’s elections. But the highest expression of this drive remains the theater. With a cultural range that encompasses Shakespeare, Bretcht, and Ibsen, Death of a Salesman and Bad Day at Black Rock, Mamet shows us how to distinguish true drama from its false variants. He considers the impossibly difficult progression between one act and the next and the mysterious function of the soliloquy. The result, in Three Uses of the Knife, is an electrifying treatise on the playwright’s art that is also a strikingly original work of moral and aesthetic philosophy.

A masterclass on the art of directing from the Pulitzer Prize-winning (and Oscar and Tony-nominated) writer of Glengarry Glen Ross, Speed the Plow, The Verdict, and Wag the Dog Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University''s film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking. "Passion, clarity, commitment, intelligence—just what one would expect from Mamet." —Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict

THE STORY: Faustus has it all--fame, success, a loving family, but a careless wager with a beguiling magician threatens everything. In Mamet''s retelling of the Faustus story, a famed philosopher in the prime of life claims to have reduced the secret

These seven imaginative short theatre pieces by one of America''s most inventive and highly regarded playwrights range widely in content, mood and style. The plays offer a stimulating challenge in terms of selecting, arranging, and mounting the diverse com

Award-winning playwright, screenwriter, and director David Mamet shares his “smart, addictive, hilarious, and insightful” (Breitbart) tales from his four decades in Hollywood where he worked with some of the biggest names in movies. David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artists alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet’s best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade. The book is illustrated throughout with three-dozen of Mamet’s pungent cartoons and caricatures. Everywhere an Oink Oink is “nothing but wicked jokes, angry broadsides, and pointed gossip: in other words, the ideal Hollywood book” (The Wall Street Journal).

Lakeboat is a comic play about a grad student who takes a summer job on a Great Lakes freighter and sees life through the eyes of his low-brow crew members.

Unpublished printer''s proof of the title: The old religion.

"The Shawl" is about a small-time mystic out to bilk a bereaved woman of her inheritance. In "Prairie du Chien" a railroad car is the setting for a violent story of obsessive jealousy, murder and suicide punctuated by the camaraderie of a friendly card game exploding into a moment of menace.

When Bobby returns to the old neighbourhood, the people and places of his past cast shadows over the present.

A major new work from the revered playwright of Glengarry Glen Ross.

Pulitzer Prize—winning playwright David Mamet’s Romance is an uproarious, take-no-prisoners courtroom comedy that gleefully lampoons everyone from lawyers and judges, to Arabs and Jews, to gays and chiropractors. It’s hay fever season, and in a courtroom a judge is popping antihistamines. He listens to the testimony of a Jewish chiropractor, who’s a liar, according to his anti-Semitic defense attorney. The prosecutor, a homosexual, is having a domestic squabble with his lover, who shows up in court in a leopard-print thong. And all the while, a Middle East peace conference is taking place. Masterfully wielding the argot of the courtroom, David Mamet creates a world in microcosm in which shameless fawning, petty prejudices, and sheer caprice hold sway, and the noble apparatus of law and order degenerates into riotous profanity.

An ambitious pig overcomes prejudice while following her dream of attending law school.

With this screenplay David Mamet gives the traditional prison-break story his special blend of gripping suspense, slapdash buffoonery, and ingenious plotting. Bob, a vicious killer, cheats the electric chair by shooting his way out of the penitentiary, forcing two reluctant convicts to come along. Desperately dodging the cops, Ned and Jim reach a river that runs along the Canadian border. The bridge across it becomes their only hope of reaching safety, but a checkpoint guards the crossing. Mamet builds the tension to the breaking point with a series of sizzling surprises as time and again the escaped jailbirds fail by a hairsbreadth to slip past the guards. Disguised as priests, Ned and Jim are mistaken for two famous theologians attending the Feast of Our Lady of Sorrows at a local monastery. The wickedly funny Mamet takes his two heroes down a dizzying course of serpentine adventures, demonstrating once again his peerless masu00adtery of the art of cinematic suspense.

From the Pulitzer Prize-winning author of Oleanna and Glengarry Glen Ross: an elegant collection of essays that reveal an autobiography of an internationally acclaimed dramatist that is both mysterious and revealing. The pieces in The Cabin are about places and things: the suburbs of Chicago, where as a boy David Mamet helplessly watched his stepfather terrorize his sister; New York City, where as a young man he had to eat his way through a mountain of fried matzoh to earn a night of sexual bliss. They are about guns, campaign buttons, and a cabin in the Vermont woods that stinks of wood smoke and kerosene—and about their associations of pleasure, menace, and regret. The resulting volume may be compared to the plays that have made Mamet famous: it is finely crafted and deftly timed, and its precise language carries an enormous weight of feeling.

An old man uses an antique watch to teach a young boy facing his first Bar Mitzvah about man and God, about the Holocaust, and about the richness and responsibility of being a Jew, in a wonderful illustrated gift book. 15,000 first printing.