Best Selling Books by David Morton

How did one of the great inventions of the nineteenth century—Thomas Edison''s phonograph—eventually lead to one of the most culturally and economically significant technologies of the twentieth and twenty-first centuries? Sound Recording traces the history of the business boom and the cultural revolution that Edison''s invention made possible. Recorded sound has pervaded nearly every facet of modern life—not just popular music, but also mundane office dictation machines, radio and television programs, and even telephone answering machines. Just as styles of music have evolved, so too have the formats through which sound has been captured—from 78s to LPs, LPs to cassette tapes, tapes to CDs, and on to electronic formats. The quest for better sound has certainly driven technological change, but according to David L. Morton, so have business strategies, patent battles, and a host of other factors.

Electronics relates the fascinating stories of how scientists and engineers created and commercialized such devices as the transistor, the Magnetron tube used to power microwave ovens, the CRT (cathode ray tube), the laser, the first integrated circuit, the microprocessor, and memory chips.

‘Powerful and clarifying ... The book’s combination of careful argument and cogent illustration will make this a landmark volume in Gramscian studies.’ John Agnew, University of California, Los Angeles, and author of Hegemony: The New Shape of Global Power ‘Morton draws upon an impressive knowledge of Gramsci’s writings to provide new insights into key processes in today’s world order.’ Anne Showstack Sassoon, Emeritus Professor, Kingston University and Visiting Professor, Birkbeck College, University of London Unravelling Gramsci makes extensive use of Antonio Gramsci’s writings, including his much-overlooked pre-prison journalism, prison letters, as well as his prison notebooks, to provide a fresh approach to understanding his contemporary relevance in the current neoliberal world order. Adam Morton examines in detail the themes of hegemony, passive revolution and uneven development to provide a useful way of analysing the contemporary global political economy, the project of neoliberalism, processes of state formation, and practices of resistance. The book explores the theoretical and practical limitations of how Gramsci’s ideas can be used today, offering a broad insight into state formation and the international factors shaping hegemony within a capitalist framework.

Highlighting Florida’s essential, often overlooked role in shaping American film and television ufeff Motion Picture Paradise is a sweeping story of filmmaking in Florida, featuring the activities of studios and filmmakers across the peninsula by looking at the many iconic films and television shows shot in the state. In the early years of the American film industry, Florida was a favorite location for pioneer movie makers, and David Morton chronicles the state’s importance to producers throughout the next 125 years. Often overshadowed by the well-known entertainment industries of Hollywood and New York, Florida has over time had several major film production centers. Morton follows the rise and fall of filmmaking destinations across the state, including Jacksonville, St. Augustine, Tampa Bay, Orlando, and Miami, as well as pioneering underwater and location-based films shot at Florida’s unique natural springs. He argues that conflicting policies set by Florida politicians have, at various times, enticed or pushed away movie and television companies, a pattern that has hampered serious investment. Using a wealth of source materials, Morton offers a comprehensive history that demonstrates how films and television shows made in Florida have influenced the state’s sense of identity, drawing attention to Florida’s underacknowledged role as the “third coast” in American film history. Motion Picture Paradise adds new insights into the state’s dramatic social and economic transformations during the twentieth century.

This book assesses the forces of social struggle shaping the past and present of the global political economy from the perspective of historical materialism. Based on the philosophy of internal relations, the character of capital is understood in such a way that the ties between the relations of production, state-civil society, and conditions of class struggle can be realised. By conceiving the internal relationship of global capitalism, global war, global crisis as a struggle-driven process, the book provides a novel intervention on debates within theories of ''the international''. Through a set of conceptual reflections, on agency, structure and the role of discourses embedded in the economy, class struggle is established as our point of departure. This involves analysing historical and contemporary themes on the expansion of capitalism through uneven and combined development, the role of the state and geopolitics, and conditions of exploitation and resistance. These conceptual reflections and thematic considerations are then extended in a series of empirical interventions, including a focus on the ''rising powers'' of the BRICS, conditions of the ''new imperialism'', and the ongoing financial crisis. The book delivers a radically open-ended dialectical consideration of ruptures of resistance within the global political economy.

With this collection of hundreds of accurate, full-color photographs, you can recapture - and retain - what you''ve seen in your anatomy and physiology lab. Use this atlas side by side with your lab manual. These excellent photos have been chosen for their ability to clarify the anatomical structure of the specimens. Away from the lab, the atlas becomes a valuable tool for learning terms and studying for exams. Whether your goal is to better your test scores or to increase your grasp of the material you learn in the lab setting, Morton and Perry''s Photo Atlas for Anatomy and Physiology is key to a successful and understandable lab experience.

David Morton examines the process of invention, innovation, and diffusion of communications technology, using the history of sound recording as the focus. Recording culture in America emerged, Morton writes, not through the dictates of the technology alone but in complex ways that were contingent upon the actions of users.

In this new edition of a user-friendly laboratory manual for an entry- level course in biology, James W. and Joy B. Perry (U. of Wisconsin- Fox Valley), and David Morton (Frostburg State U.) provide numerous inquiry-oriented experiments, increased emphasis on hypothesis generation and testing, and new exercises on homeostasis, biological macromolecules, biotechnology, human senses, alleopathy and interspecific interactions, stream ecology and sampling, and animal behavior. Each exercise includes objectives, an introduction, materials, procedures, and pre-and post-lab questions. Contains color and b&w photographs and drawings.

Now in an updated edition, this groundbreaking study develops a new approach to understanding the formation of the postrevolutionary state in Mexico. In a shift away from dominant interpretations, Adam David Morton considers the construction of the revolution and the modern Mexican state through a fresh analysis of the Mexican Revolution, the era of import substitution industrialization, and neoliberalism. Throughout, the author makes interdisciplinary links among geography, political economy, postcolonialism, and Latin American studies in order to provide a new framework for analyzing the development of state power in Mexico. He also explores key processes in the contestation of the modern state, specifically through studies of the role of intellectuals, democratization and democratic transition, and spaces of resistance. As Morton argues, all these themes can only be fully understood through the lens of uneven development in Latin America. Centrally, the book shows how the history of modern state formation and uneven development in Mexico is best understood as a form of passive revolution, referring to the ongoing class strategies that have shaped relations between state and civil society. As such, Morton makes an important interdisciplinary contribution to debates on state formation relevant to Mexican studies, postcolonial and development studies, historical sociology, and international political economy by revitalizing the debate on the uneven and combined character of development in Mexico and throughout Latin America. In so doing, he convincingly contends that uneven development can once again become a tool for radical political economy analysis in and beyond the region. A substantive new epilogue engages the main theoretical debates that have emerged since the book was first published, while also exploring the dominant geographies of power and resistance that are shaping state space in Mexico in the twenty-first century. And now a Spanish edition, Revolución y Estado en México moderno (México, D.F.: Siglo XXI, 2017), is available as well. Click here to see the book trailer.

Depicts structures in the same colours as they would appear in real life. Covers animals and plants

Written by James Perry and David Morton, the full-color atlas includes photos of botanical specimens, utilizing light, transmission, and electron microscopy. It also contains macro photography of whole specimens, microscope parts and techniques, and biological tests commonly used in the laboratory.

Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical “slums,” these neighborhoods are in fact an open-air archive that reveals some of people’s highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious. Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being. Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa’s cities.