New Releases by David Womersley

A superb new edition of the essays of one of the greatest prose writers in English David Hume reshaped, redirected, and re-energised the English essay. His sceptical, rational, self-questioning persona created what amounted to a new intellectual arena, in which it was possible to think afresh about the world and the self. When he famously wrote that ‘the life of man is of no greater importance to the universe than that of an oyster’, something had changed. David Womersley has spent a lifetime studying the literature of the eighteenth century. This definitive new two-volume edition of the essays follows Hume’s division of his essays into two parts, and allows the modern reader to enjoy this extraordinary writer in all his moods, from benign optimism to gloomy foreboding. The editorial apparatus supplies indispensable intellectual and bibliographical context for these rewarding, humane, and yet also subtly provocative writings. Volume 2 is published simultaneously.

A superb new edition of the essays of one of the greatest prose writers in English David Hume reshaped, redirected, and re-energised the English essay. His sceptical, rational, self-questioning persona created what amounted to a new intellectual arena, in which it was possible to think afresh about the world and the self. When he famously wrote that ‘the life of man is of no greater importance to the universe than that of an oyster’, something had changed. David Womersley has spent a lifetime studying the literature of the eighteenth century. This definitive new two-volume edition of the essays follows Hume’s division of his essays into two parts, and allows the modern reader to enjoy this extraordinary writer in all his moods, from benign optimism to gloomy foreboding. The editorial apparatus supplies indispensable intellectual and bibliographical context for these rewarding, humane, and yet also subtly provocative writings. Volume 1 is published simultaneously.

How Shakespeare’s exploration of central human questions—about identity, politics, religion and right and wrong—explains his lasting power, popularity and relevance In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson’s view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare, eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare’s plays think through—and invite us to think through—deep human questions of lasting importance. Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries. By revealing in new ways how Shakespeare’s plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work.

"An authoritative edition of the most important late seventeenth and early eighteenth century pamphlets on the "Standing Armies" controversy"--

'James was a king tragically trapped by principle. Yet was it wise to attempt to change the national religion?' The short reign of James II is generally seen as one of the most catastrophic in British history, ending in his exile after he unsuccessfully tried to convert England to Catholicism, a crisis that would haunt the monarchy for generations. Ultimately, David Womersley's biography shows, James was a man whose blindness to subtlety and political reality brought about his ruinous downfall.

This book explores how the Reformation's transformation of religious belief into a political statement and the saturation of the national past with religious implications (created by the political developments of the 1530s) was reflected in sixteenth-century English historiography and historical drama, including Shakespeare's history plays.

The subject of this book is the story of the conflict between Gibbon and those he mockingly dubbed the "Watchmen of the Holy City," and it explores the ramifications of an elusive aspect of authorship. By considering the sequence of interactions between the historian and his readership, Womersley makes possible a more intimate understanding of what might be called Gibbon's experience of himself. At the same time he deepens our knowledge of the conditions of English authorship during the late eighteenth and early nineteenth centuries.

David Womersley's book investigates Edward Gibbon's The Decline and Fall of the Roman Empire as both a work of literature and a work of history, examining its style and irony, tracing its classical and French sources, and highlighting the importance of its composition in three instalments over a period of twenty years. Dr Womersley discusses each of these instalments in detail, plotting the work's transformation from conception to completion, and relating this to the achievements and limitations of the philosophic historiography which Gibbon inherited from Montesquieu and Hume, but finally discarded. The Decline and Fall of the Roman Empire emerges from this study as a work more flexible in its sympathies and surprising in its judgements than has hitherto been granted, while the magnitude of Gibbon's achievement as a stylist, historian and thinker is brought into sharper focus.