New Releases by Doris Lessing

Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality.Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

"Doris Lessing has a powerful voice and a particular one. It speaks in anger at the distortion of personal relations ion a unsound society, but speaks it with a wit that manages to be both pitiless and compassionate." — Richard Eder, Los Angeles Times The stories and sketches in this collection penetrate to the heart of human experience with the passion and intelligence readers have come to expect of Doris Lessing. Most of the pieces are set in contemporary London, a city the author loves for its variety, its diversity, the way it connects the life of animals and birds in the parks to the streets. Lessing's fiction also explores the darker corners of relationships between women and men, as in the rich and emotionally complex title story, in which she uncovers a more parlous reality behind the façade of the most conventional relationship between the sexes.

"One of the most authentic books ever written about the English....Funny, touching and so real that the smell and taste of London seem to rise from its pages." — San Francisco Chronicle In Pursuit of the English is a novelist's account of a lusty, quarrelsome, unscrupulous, funny, pathetic, full-blooded life in a working-class rooming house. It is a shrewd and unsentimental picture of Londoners you've probably never met or even read about--though they are the real English. The cast of characters — if that term can be applied to real people — includes: Bobby Brent, a con man; Mrs. Skeffington, a genteel woman who bullies her small child and flings herself down two flights of stairs to avoid having another; and Miss Priest, a prostitute, who replies to Lessing's question "Don't you ever like sex?" with "If you're going to talk dirty, I'm not interested." In swift, barbed style, in high, hard, farcical writing that is eruptively funny, Doris Lessing records the joys and terrors of everyday life. The truth of her perception shines through the pages of a work that is a brilliant piece of cultural interpretation, an intriguing memoir and a thoroughly engaging read.

Love, Again tells the story of a 65-year-old woman who falls in love and struggles to maintain her sanity. Widowed for many years, with grown children, Sarah is a writer who works in the theater in London. During the production of a play, she falls in love with a seductive young actor, the beautiful and androgynous 28-year-old Bill, and then with the more mature 35-year-old director Henry. Finding herself in a state of longing and desire that she had thought was the province of younger women, Sarah is compelled to explore and examine her own personal history of love, from her earliest childhood desires to her most recent obsessions. The result is a brilliant anatomy of love from a master of human psychology who remains one of the most daring writers of fiction at work today.

Shocking, intimate, often uncomfortably honest, these stories reaffirm Doris Lessing’s unequalled ability to capture the truth of the human condition In the title novel, two friends fall in love with each other's teenage sons, and these passions last for years, until the women end them, vowing a respectable old age. In Victoria and the Staveneys, a young woman gives birth to a child of mixed race and struggles with feelings of estrangement as her daughter gets drawn into a world of white privilege. The Reason for It traces the birth, faltering, and decline of an ancient culture, with enlightening modern resonances. A Love Child features a World War II soldier who believes he has fathered a love child during a fleeting wartime romance and cannot be convinced otherwise.

From Doris Lessing, "one of the most important writers of the past hundred years" (Times of London), comes a brilliant, darkly provocative alternative history of humankind's beginnings. In this fascinating and beguiling novel, Lessing confronts the themes that inspired much of her early writing: how men and women manage to live side by side in the world and how the troublesome particulars of gender affect every aspect of our existence. In the last years of his life, a Roman senator retells the history of human creation and reveals the little-known story of the Clefts, an ancient community of women living in an Edenic coastal wilderness. The Clefts have neither need nor knowledge of men; childbirth is controlled through the cycles of the moon, and they bear only female children. But with the unheralded birth of a strange new child—a boy—the harmony of their community is suddenly thrown into jeopardy.

I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness. In this extraordinary book, the 2007 Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in the trenches, and thereafter he had to wear a wooden leg. Her mother, Emily, spent the war nursing the wounded in the Royal Free Hospital after her great love, a doctor, drowned in the Channel. In the fictional first half of Alfred and Emily, Doris Lessing imagines the happier lives her parents might have made for themselves had there been no war; a story that begins with their meeting at a village cricket match outside Colchester. This is followed by a piercing examination of their relationship as it actually was in the shadow of the Great War, of the family's move to Africa, and of the impact of her parents' marriage on a young woman growing up in a strange land. "Here I still am," says Doris Lessing, "trying to get out from under that monstrous legacy, trying to get free." Triumphantly, with the publication of Alfred and Emily, she has done just that.

Far from resting on her laurels, Lessing goes from strength to strength. Ben's half-human ignorance, paranoia, and rage are magnificently imagined and vividly present on every page. The condition of the outsider has hardly ever before in fiction been portrayed with such raw power and righteous anger. Few, if any, living writers can have explored so many forbidding fictional worlds with such passion and conviction. — Kirkus Reviews The poignant and tragic sequel to Doris Lessing's bestselling novel, THE FIFTH CHILD. At eighteen, Ben is in the world, but not of it. He is too large, too awkward, too inhumanly made. Now estranged from his family, he must find his own path in life. From London and the south of France to Brazil and the mountains of the Andes. Ben is tossed about in a tumultuous search for his people, a reason for his being. How the world receives him, and, he fares in it will horrify and captivate until the novel's dramatic finale.

In this ambitious novel of madness and release, shortlisted for the Booker Prize, Doris Lessing imagines the fantastical "inner-space" life of an amnesiac.Charles Watkins, a Professor of Classics at Cambridge University, has suffered a breakdown, confined to a mental hospital as his friends and doctors attempt to bring him back to reality. But Watkins has embarked on a tremendous pyschological adventure that takes him from a spinning raft in the Atlantic to a ruined stone city on a tropical island to an outer-space journey through singing planets. As he travels in his mind through memory and the farther reaches of imagination, his doctors try to subdue him with ever more powerful drugs in a competition for his soul. In this provocative novel, Lessing takes us on a harrowing voyage into the rarely glimpsed territory of the inner mind.

This story of a family, spanning most of the twentieth century, has its fulcrum in the Sixties, that contradictory and embattled decade about which argument becomes louder each day. The youth of that time, bursting old bonds and demanding freedoms, were seen by some of their elders in a manner not at all as they saw themselves, as romantic idealists, but as deeply damaged people. Old Julia, the clan's matriarch, knows why. "You can't have two dreadful wars and then say 'That's it, and now everything will go back to normal.' They're screwed up, our children, they are the children of war." Remarkable women, Julia and Frances, grandmother and mother, fight for "the kids" against obstacles, the worst being Comrade Johnny. Here is a memorable picture of a character only recently departed from our scene. "The revolution comes before personal matters" is his dictum, as he deposits discarded wives and hurt children in the accommodating house whose emotional center is always the extendable kitchen table, that essential prop of the Sixties, around which the family sits through the evenings, eating, joking, boasting about their shoplifting, debating the violent ideologies of the time that take some of them out to the Third World, another to a South African village dying of AIDS. This novel reflects our recent history like a many-faceted mirror, and is full of people not easily forgotten, each -- for worse or for better, directly or indirectly -- made by war.

This is the first volume of Doris Lessing's Collected African Stories. A classic work of twentieth-century literature.

Here Doris Lessing recounts the cats that have moved and amused her, from her childhood home overrun with kittens, to the wrenching decline of El Magnifico, whose story unfolds in a new essay, appearing here for the first time.

A story from Doris Lessing about an awkwardly loveable old cat.

Martha Quest is a passionate and intelligent young woman living on a farm in Africa, feeling her way through the torments of adolescence and early womanhood to marriage. She is a romantic idealist in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct bared to experience. For her, this is a time of solidarity reading, daydreams, dancing--and the first disturbing encounters with sex. Martha Quest is the first novel in Doris Lessing's classic Children of Violence sequence of novels, each a masterpiece in its own right, and, taken together, an incisive, all-encompassing vision of our world in the twentieth century.

Like the author's Canopus in Argos novels, this graphic novel is an exercise in speculative imagination. It marks a venture into new creative territory for Lessing, and is illustrated by the young British artist Daniel Vallely.

In a series of captivating, interconnected vignettes, Lessing writes about the cats that have slinked, bullied, and charmed their way into her life. Their exploits, rivalries, terrors, affections, ancient features, and learned behaviors are recounted with vivid simplicity in this humorous, entertaining look at the world of cats. 10 watercolors.

"Planet 8, a prosperous world with intelligent, vital inhabitants, is transformed by an Ice Age, a change that causes a critical variation in lifestyle and a drastic reappraisal of the meaning and value of life." --

A detailed sociopolitical portrait of everyday life within a terrorist group in contemporary London. Alice Mellings mothers a collection of squatters in an abandoned house. The group evolves from radicals in spirit to revolutionaries in practice.

An interplanetary agent on leave from service on Earth (Shikasta) reports to his superior from an Earth-like planet called Volyen.

A fascinating look inside the mind of a man who is supposedly “mad.” Professor Charles Watkins of Cambridge University is a patient at a mental hospital where the doctors try with increasing drugs to bring his mind under control. But Watkins has embarked on a tremendous psychological adventure where, after spinning endlessly on a raft in the Atlantic, he lands on a tropical island inhabited by strange creatures with strange customs. Later, he is carried off on a cosmic journey into space…

This murder story features a Rhodesian farmer's wife and her houseboy.

The story of the inner and outer life of Anna, a young writer, single mother and member of the Communist Party, struggling with crises both in her domestic and political life, this book was hailed as a landmark by the Women's Movement.

The fifth book in the Children of Violence series, a quintet of novels tracing the life of Martha Quest from her childhood in colonial Africa through to old age in a post-nuclear Britain. The other books are Martha Quest, A Proper Marriage, A Ripple from the Storm and Landlocked.