New Releases by Dorothy Parker

In Just a Little One, Dorothy Parker distills a lifetime of wit, despair, and defiance into a single, unsteady cocktail-hour monologue. A woman, armed with charm and self-deprecation, insists she's "not really drinking", as her voice wavers between irony and heartbreak. Beneath the sparkling surface of repartee, Parker exposes the loneliness of modern urban life and the tragicomedy of self-awareness. This miniature masterpiece captures her gift for compressing a social world--its manners, hypocrisies, and private humiliations--into a single, devastating confession.

What can you say, when a man asks you to dance with him? I most certainly will not dance with you. I'll see you in hell first. Why, thank you, I'd like to awfully, but I'm having labor pains. Acerbic, pithy and vibrant, Dorothy Parker's writings capture the dizzying decadence of Jazz Age New York. Though Parker refuses to be swept along: she gleefully deconstructs its hypocrisy, prejudice and taboos with style and precision.

Explore the humorous side of relationships with "Men I'm Not Married To, with Women I'm Not Married To," a collection of witty essays by Dorothy Parker and Franklin Pierce Adams. This volume offers a satirical look at the complexities of human connection, dissecting the dynamics between men and women with sharp wit and insightful observations. Delving into the world of courtship, companionship, and the ever-elusive ideal partner, these essays provide a timeless commentary on the joys and tribulations of navigating the social landscape. Parker and Adams' work offers a delightful blend of humor and social commentary, making it an enduring reflection on the search for love and understanding. A carefully prepared republication of this classic work, inviting readers to enjoy these humorous reflections on men, women, and the relationships between them. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"I believe in the flapper as an artist in her particular field, the art of being – being young, being lovely." -- Zelda Fitzgerald A sparkling new collection of "flapper fiction": stories featuring the iconic women who defined the Jazz Age Edited and introduced by David M. Earle Vivacious, charming, irreverent, the flapper is a girl who knows how to have a roaring good time. In this collection of short stories, she’s a partygoer, a socialite, a student, a shopgirl, and an acrobat. She bobs her hair, shortens her skirt, searches for a husband and scandalises her mother. She’s a glittering object of delight, and a woman embracing a newfound independence. Bringing together stories from widely adored writers and newly discovered gems, principally sourced from the magazines of the period, this collection is a celebration of the outrageous charm of an iconic figure of the Jazz Age. This fabulous collection includes: Zelda Fitzgerald “What Became of the Flapper” Dana Ames “The Clever Little Fool” F. Scott Fitzgerald “Bernice Bobs her Hair” Rudolph Fisher “Common Meter” John Watts “Something For Nothing” Dorothy Parker “The Mantle of Whistler” Katherine Brush “Night Club” Gertrude Schalk “The Chicago Kid” Dawn Powell “Not the Marrying Kind” Vina Delmar “Thou Shalt Not Killjoy” Guy Gilpatric “The Bride of Ballyhoo” Anita Loos “Why Girls Go South” Zora Neale Hurston “Monkey Junk”

An excellent sampling of Dorothy Parker’s acerbity rooted in intimate realism and subtle feminism, this collection of twelve short stories includes “Arrangement in Black and White,” “Mr. Durant,” “Such a Pretty Little Picture,” and “The Last Tea.”

Self-depricating, bitingly satirical, and surprisingly thought-provoking, Dorothy Parker’s first collection of poetry comments on love and the relations between men and women with quick wit and lyrical verse. First published as a collection in 1926, the poetry featured in Enough Rope reflects the famous wit that Dorothy Parker is so widely loved for. A founding member of the Algonquin Round Table writers’ group, Parker often presents a cynical analysis of love, which entertains as much as her verse captivates. This volume features many of Parker’s best-known poetry, including: -‘Threnody’ - ‘The Small Hours’ - ‘The False Friends’ - ‘The Trifler’ - ‘A Very Short Song’ - ‘A Well-Worn Story’ - ‘Convalescent’ - ‘The Dark Girl’s Rhyme’ Specialist poetry imprint Ragged Hand has proudly republished Enough Rope in this beautiful new volume and will make the perfect addition to the bookshelves of Dorothy Parker fans and those interested in Jazz Age poetry.

In 'The Collected Stories of Dorothy Parker,' readers are presented with a masterful compendium of tales that encapsulate the wit, sarcasm, and keen observations of early 20th-century society. Parker's literary style is characterized by her sharp dialogue and poignant insights into the lives of her characters, often exposing the complexities of love, loss, and the existential struggles of the American experience. Set against the backdrop of the Jazz Age, these stories reflect the cultural shifts of the 1920s and 1930s, delivering a potent cocktail of humor and melancholy that remains strikingly relevant to contemporary audiences. Dorothy Parker, an influential member of the Algonquin Round Table, was known for her brilliant commentary on social norms and gender roles. Her experiences as a journalist, critic, and poet undoubtedly informed her fiction, enabling her to weave compelling narratives that challenge societal expectations. Driven by her own tumultuous personal life and a fierce intellect, Parker crafted stories that resonated with the discontent and aspirations of her era, establishing her as a literary icon. For readers seeking a rich literary experience infused with both humor and heartfelt depth, 'The Collected Stories of Dorothy Parker' is an essential addition to any bookshelf. Parker's unparalleled voice offers profound commentary on the human condition, inviting readers to reflect on the complexities of life with both laughter and introspection.

Now available as a stand-alone edition, the famous humorist’s debut collection—a runaway bestseller in 1926—ranges from lighthearted self-deprecation to acid-tongued satire, all the while gleefully puncturing sentimental clichés about relations between men and women. Known as the wittiest woman in America and a founder of the fabled Algonquin Round Table, Dorothy Parker was also one of the Jazz Age’s most beloved poets. Her verbal dexterity and cynical humor were on full display in the many poems she published in Vanity Fair, The New Yorker, and Life and collected in her first book in 1926. The poems in Enough Rope range from lighthearted self-deprecation to acid-tongued satire, all the while gleefully puncturing sentimental clichés about the relations between men and women. Unfortunate Coincidence By the time you swear you’re his, Shivering and sighing, And he vows his passion is Infinite, undying— Lady, make a note of this: One of you is lying.

Short story, winner of the 1929 O. Henry Award. The big blonde in question is Hazel Morse, who, when we meet her, is "a model in a wholesale dress establishment", whose thoughts are largely devoted to men. Then she meets Herbie Morse, an attractive man and a heavy drinker. Where will events now take her?

Entre lassitude et neurasthénie, ironie et fausse douceur féminine, les nouvelles de Dorothy Parker narre avec causticité des tranches de vie quotidiennes. Un vrai régal. " Je suis le seul être vivant réveillé pendant que le reste de l'humanité est en train de dormir ", constate la narratrice d'Heures blêmes, première nouvelle du livre. D'emblée, l'auteur donne le la : ses monologues et pas de deux oscillent entre ivresse et neurasthénie. Belle, célèbre, puis oubliée, Dorothy Parker (1893-1967) n'ignore rien des "petites ironies de la vie". En quatre, dix pages ou quelques mots, ses personnages deviennent plus réels que votre voisine de palier ; on n'est pas près d'oublier Madge et Annabel, qui jouent à "et si un millionnaire nous léguait un million de dollars ?", ni Lolita, morne fille d'une mère survoltée, que Miss Parker décrit ainsi : " À chaque fois que Madame Ewing entrait quelque part, toute tranquillité paraissait déserter la pièce. "

Dorothy Parker verkörpert alles, was man gemeinhin mit New York in Verbindung bringt: Rastlosigkeit und Moderne, Esprit und Erfolg, aber auch Härte, Grausamkeit und Einsamkeit. Dorothy Parker ist die New Yorker Schriftstellerin schlechthin.Dorothy Parkers Gedichte sind stets ein Zusammenspiel aus Witz und Melancholie, aus Trauer und Scherz, aus Pathos und Spott. Ebenso wie ihre Erzählungen zeichnet sich ihre Lyrik durch einen charakteristischen Mix aus Selbstmitleid und Zynismus aus. Ein Abgleiten in Kitsch vermeidet sie durch Schnoddrigkeit und Ironie.

La narrativa completa de Dorothy Parker, una mujer que supo vivir y escribir a la altura de su talento. Dorothy Parker escribió una vez que lo suyo era tomarse un martini, dos como mucho. Después del tercero, ya estaba debajo de la mesa, y al cuarto..., debajo de su anfitrión. Con esas premisas, y haciendo gala de un humor que arañaba los buenos hábitos de la burguesía de entonces, cabe entender que la misma Dorothy se convirtiese en personaje, y que su obra se leyera a menudo como la alegre guarnición de una vida dedicada al chiste ingenioso. Los años fueron pasando, y el tiempo ha revelado que esta protagonista indiscutible de las tertulias más animadas del Nueva York de entreguerras, esposa infiel y amante solícita, fue además una escritora de primer orden, capaz de resumir en pocas páginas la hipocresía de una sociedad que crecía a la sombra de un dinero recién estrenado y de unas costumbres que se caían de viejas. Así lo muestran las mujeres y los hombres que deambulan por sus cuentos, seres patéticos que lloran en habitaciones exquisitamente decoradas, flirtean con un empeño digno de mejores causas, o ríen sin ganas en la barra de un bar para olvidar que alguna vez fueron felices. Hoy, la prosa de Dorothy Parker es más actual que nunca, su amor por Nueva York cala hondo y su ironía es el mejor de los regalos en una época de tanta perplejidad. La crítica ha dicho: «Un acontecimiento literario. [...] Dorothy Parker percibió como ninguna otra escritora antes el poder letal del engaño, de la mentira, de las palabras que no dicen lo que dicen, y lo contó, con humor y sarcasmo en su juventud, con dolor y compasión en su madurez.» Ana Becciu, Babelia «El alcohol está tan presente en los relatos que una tiene la impresión de acabar intoxicada tras la lectura de algunos de ellos. [...] Su prodigioso oído para la lengua sigue siendo eficaz para el lector de hoy: [...] ella define un Nueva York ya extinguido que de vez en cuando revive fantasmal en la barra de algunos bares.» Elvira Lindo, El País «La escritora neoyorquina por antonomasia, la primera mujer en contar, con ironía y refinamiento, la vida de esa ciudad que se iba convirtiendo en la capital del mundo, [...] cuyo ingenio, sarcasmo y humor cáustico no perdonaban nada ni a nadie.» Lourdes Ventura, El Cultural «[...] Tenía una pulsión tanática que jamás escondió en su obra. Muchos de sus relatos albergan pistas de esa desesperanza íntima y ese anhelo de muerte: [...] Parker no solo está radiografiando a una sociedad sin rumbo, sino a su infierno personal, también en entreguerras.» Bárbara Ayuso, Jot Down «Tanto en sus escritos como en persona, la señorita Parker brillaba con una palabra o una frase. [...] Su ingenio era agudo como un estoque.» Alden Whitman, The New York Times «La posterioridad ha obrado en favor de una autora que, al menos en lo que a la sensibilidad femenina se refiere, fue una auténtica visionaria.» El Mundo «Los cuentos de Dorothy Parker no caducan nunca.» Lluís Moral, Cataluña Radio

The blackly comic play about the oppressed lives of women in 1950s New York One of literature's leading humorists, Dorothy Parker drew from the dark side of her imagination to pen The Ladies of the Corridor, a searing drama about women living on their own in a New York residence hotel. Loosely based on Parker's life, and co-written with famed Hollywood playwright Arnaud d'Usseau, The Ladies of the Corridor exposes the limitations of a woman's life in a drama teeming with Parker's signature wit. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

1922 collaboration. "At current bootliquor quotations, Haig & Haig costs twelve dollars a quart, while any dependable booklegger can unearth a copy of "Jurgen" for about fifteen dollars. Which indicates, at least, an economic application of Nonsenseorship."

Contains 122 forgotten pieces by Dorothy Parker that can only be read in this unique edition During the early years of her literary career Dorothy Parker wrote more than 300 poems and verses for a variety of popular magazines and newspapers. Many of these were collected in three volumes of poetry. It is the remainder, which she failed to collect and whose very existence has been unknown to most people for more than half a century, that comprise this volume. These 122 forgotten pieces display the raw talent and dexterity of America's most renowned cynic. Here is the distinctive wit, irony and precision that continues to attract succeeding generations of readers. Stuart Y Silverstein's authoritative and entertaining introduction recounts Parker's career, showing her to be a pioneer in modern English colloquial usage, and offers the most complete compilation of her witticisms and anecdotes ever assembled.

Istorio gazi-gozoak dakarzkigu Dorothy Parker-ek, andre-gizonen arteko ika-mika tirabiratsuak, inolako harropuzkeria eta lotsarik gabe azalduak, gordin eta garden. Kontakizun bihurri, minbera eta hunkigarriak dira. Istorio zorrotzak, umorez eta atsekabez beteak. Ikara eragiten duten umorez zipriztindutakoak. Suharrak dira, grina biziz idatzitakoak, betiereko gorabehera katramilatsuak dituztenak kontagai: senar ankerren doilorkeria, emazte otzanen mendekotasuna, senitartekoen itxurakeriak, bikote harremanetako gaizki-ulertzeak, jeloskorkeria, bakardadea, egunerokotasunaren ohikeria, txutxu-mutxuen maltzurkeria, jendarteko bereizkeriak, txirotasuna, arrazakeria, amatasuna, abortua, dibortzioa, buruaz beste egitea… Haatik, ez dira istorio sentibera hutsalak. Ez dira kontakizun arinak, inozoak; pisuak eta larriak baizik. Benetakotasun egiazkoa darie. Argi eta garbi islatzen gaituzte. Eta geure buruaz irri eginarazte digute, bihozgabe, basaki.

Using selected and arranged passages Barry Day tells the life of Dorothy Parker.

As this complete collection of her short stories demonstrates, Dorothy Parker’s talents extended far beyond brash one-liners and clever rhymes. Her stories not only bring to life the urban milieu that was her bailiwick but lay bare the uncertainties and disappointments of ordinary people living ordinary lives. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Les personnages de Dorothy Parker ne connaissent pas la soif ! Whisky, champagne et cocktails divers ponctuent leurs journées et leurs nuits, les poussant à se laisser aller à un cynisme bien loin des manières policées qu'ils affichent lorsqu'ils sont sobres. Ces nouvelles, écrites dans les années trente sont autant de petits diamants étincelants et coupants. Que Dorothy Parker se moque du couple Wheelock, qu'elle brosse un portrait sans concession d'un écrivain un peu fat et d'une admiratrice sans retenue, qu'elle rapporte la conversation de deux commères qui passent en revue leurs "amies" ou qu'elle évoque la dégradation d'un mariage, elle ne rate jamais sa cible et ne laisse aucune chance à ses proies. Un régal !

Collects the complete verse of the witty and multi-talented American writer.

Stories in the Travelman Short Stories series take the reader to places of mystery, fantasy, horror, romance, and corners of the universe yet unexplored. In turn, readers take them on the bus or subway, slip them into briefcases and lunchboxes, and send them from Jersey to Juneau. Each classic or original short story is printed on one sheet of paper and folded like a map. This makes it simple to read while commuting, convenient to carry when not, and easy to give or send to a friend. A paper envelope is provided for mailing or gift-giving, and both are packaged in a clear plastic envelope for display. The cost is not much more than a greeting card.

Big loira e outras histórias de Nova York, de Dorothy Parker, reúne pela primeira vez em livro, no Brasil, os contos da escritora americana mais amarga e hilariante dos anos 20 e 30 (um fervilhante coquetel da era do jazz, mais atual do que nunca)."Os contos de Dorothy Parker continuam hoje tão agudos e engraçados como na época em que foram escritos."Edmund Wilson"A melhor escritora de sua geração."F. Scott Fitzgerald "Dorothy é uma mistura de Chapeuzinho Vermelho com lady Macbeth."Alexander Woollcott"O que dá aos seus contos um sabor especial é a capacidade de enxergar algo de engraçado nas mais amargas tragédias do ser humano."W. Somerset Maugham

Since 1973, Storey's Country Wisdom Bulletins have offered practical, hands-on instructions designed to help readers master dozens of country living skills quickly and easily. There are now more than 170 titles in this series, and their remarkable popularity reflects the common desire of country and city dwellers alike to cultivate personal independence in everyday life.