New Releases by E.L. Doctorow

Bine aţi venit în America începutului de secol XX, unde ragtime-ul stabileşte ritmul. Harry Houdini uimeşte publicul cu eliberările lui spectaculoase, J.P. Morgan domină lumea finanţelor, iar Henry Ford construieşte automobile, transformând oamenii în maşini. Emma Goldman predică amorul liber şi feminismul, iar o fostă dansatoare în musicaluri, Evelyn Nesbit, este scânteia care declanşează asasinarea unui mare arhitect de către un milionar nebun. Vieţile acestor personaje reale se întrepătrund cu cele ale unui negustor ambulant evreu, unui muzician de culoare şi unui tânăr rebel din clasa de mijloc, pentru a crea un mozaic literar fascinant. „Un roman extraordinar de intens, liric şi pătrunzător, ce surprinde spiritul american... într-un fel muzical şi fluid care este pe cât de original, pe atât de plăcut.” The New Yorker Carte inclusă de Modern Library printre cele mai bune 100 de romane ale secolului XX Clasici moderni Litera pune laolalta scriitori moderni ale caror opere au devenit deja repere clasice. Cele mai importante, mai provocatoare, mai emotionante, mai revolutionare opere din ultimii 125 de ani – ci care vor continua sa fie citite de la o generatie la alta.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ST. LOUIS POST-DISPATCH, SLATE, AND THE TELEGRAPH This brilliant novel by the author of Ragtime, The Book of Daniel, Billy Bathgate, and The March takes us on a radical trip into the mind of a man who, more than once, has been the inadvertent agent of disaster. Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. As he peels back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Probing, mischievous, and profound, Andrew’s Brain is a singular achievement in the canon of an American master. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow’s remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.”—USA Today “Andrew’s Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he’s both maddeningly self-delusive and scarily self-aware: He’s a fool, but he’s no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character’s whirligig consciousness, can.”—The New York Times Book Review “A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [Andrew’s Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.”—The Sunday Times (London) “Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.”—San Francisco Chronicle “Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they’ve never imagined.”—The Plain Dealer “Andrew’s ruminations can be funny, and his descriptions gorgeous.”—Associated Press “[An] evocative, suspenseful novel about the deceptive nature of human consciousness.”—More “A quick and acutely intelligent read.”—Entertainment Weekly

NEW YORK TIMES BESTSELLER With brilliant and audacious strokes, E. L. Doctorow creates a breathtaking collage of memories, events, visions, and provocative thought, all centered on an idea of the modern reality of God. At the heart of this stylistically daring tour de force is a detective story about a cross that vanishes from a rundown Episcopal church in lower Manhattan only to reappear on the roof of an Upper West Side synagogue. Intrigued by the mystery—and by the maverick rector and the young rabbi investigating the strange act of desecration—is a well-known novelist, whose capacious brain is a virtual repository for the ideas and disasters of the age. Daringly poised at the junction of the sacred and the profane, filled with the sights and sounds of New York, and encompassing a large cast of vividly drawn characters including theologians, scientists, Holocaust survivors, and war veterans, City of God is a monumental work of spiritual reflection, philosophy, and history by America’s preeminent novelist and chronicler of our time. Praise for City of God “A grander perspective on the universe . . . a novel that sets its sights on God.”—The Wall Street Journal “Dazzling . . . The true miracle of City of God is the way its disparate parts fuse into a consistently enthralling and suspenseful whole.”—Time “Blooms with humor, and a humanity that carries triumphant as intelligent a novel as one might hope to find these days.”—Los Angeles Times “Radiates [with] panoramic ambition and spiritual incandescence.”—Chicago Tribune “One of the greatest American novels of the past fifty years . . . Reading City of God restores one’s faith in literature.”—The Houston Chronicle

Doctorow ci racconta, declinato in cinque modi diversi, il fallimento del sogno americano: i cinque racconti compresi nel volume, finora inediti in Italia, esplorano il senso dell''identità e dello stile di vita americani all''alba del ventunesimo secolo.

Andrew denkt. Andrew praat. Andrew vertelt het verhaal van zijn leven, zijn liefdes en de grote tragedie die hem naar dit moment in zijn bestaan heeft geleid. Terwijl hij zijn bekentenis doet, wordt de lezer gedwongen na te denken over waarheid en geheugen, over de hersenen en de geest, over persoonlijkheid en lot, en over de ander en zichzelf. Andrews hersenen is geschreven met groot psychologisch inzicht en stilistisch vernuft, een volstrekt originele reis door de hersenen van een man die keer op keer onbedoeld ongelukken veroorzaakt. Een spannende en originele roman en een verrassend nieuw boek in het oeuvre van een auteur die heeft bewezen met iedere roman een nieuw landschap te kunnen creëren. E.L. Doctorow (New York, 1931) wordt met Saul Bellow, John Updike en Philip Roth gerekend tot de belangrijkste Amerikaanse auteurs van de twintigste eeuw. Hij won diverse prijzen, waaronder de National Book Award, driemaal de National Book Critics Circle Award en tweemaal de PEN/Faulkner Award. De American Academy of Arts and Letters onderscheidde hem met de Gold Medal for Fiction. Doctorow woont en werkt in New York.

"Follemos. Peleémos. Hagamos saltar por los aires el Pentágono. Un revolucionario es aquél que hace la revolución. Si quieres quedarte en casa cascándotela, vale, pero no lo llames revolución.""La novela versa sobre un tema muy comprometido: ¿qué...

From a master of modern American letters comes an enthralling collection of brilliant short fiction about people who, as E. L. Doctorow notes in his Preface, are somehow “distinct from their surroundings—people in some sort of contest with the prevailing world.” Containing six unforgettable stories that have never appeared in book form, and a selection of previous classics, All the Time in the World is resonant with the mystery, tension, and moral investigation that distinguish the fiction of E. L. Doctorow.

To open this book is to enter the perilous, thrilling world of Billy Bathgate, the brazen boy who is accepted into the inner circle of the notorious Dutch Schultz gang. Like an urban Tom Sawyer, Billy takes us along on his fateful adventures as he becomes good-luck charm, apprentice, and finally protégé to one of the great murdering gangsters of the Depression-era underworld in New York City. The luminous transformation of fact into fiction that is E. L. Doctorow’s trademark comes to triumphant fruition in Billy Bathgate, a peerless coming-of-age tale and one of Doctorow’s boldest and most beloved bestsellers.

Innocence is lost to unforgettable experience in these brilliant stories by E. L. Doctorow, as full of mystery and meaning as any of the longer works by this American master. In “The Writer in the Family,” a young man learns the difference between lying and literature after he is induced into deceiving a relative through letters. In “Wili,” an early-twentieth-century idyll is destroyed by infidelity. In “The Foreign Legation,” a girl and an act of political anarchy collide with devastating results. These and other stories flow into the novella “Lives of the Poets,” in which the images and themes of the earlier stories become part of the narrator’s unsparing confessions about his own mind, offering a rare look at the creative process and its connection to the heart.

First published in 1975, Ragtime changed our very concept of what a novel could be—a singular tapestry hailed as “an extraordinarily deft, lyrical, rich novel that catches the spirit of the country” (The New Yorker) between the turn of the century and the First World War. Selected by the Modern Library and The Guardian as one of the 100 best novels of all time The inspiration for the Tony Award–winning musical! The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow’s imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.

The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.

Winner of the National Book Award • “Marvelous . . . You get lost in World’s Fair as if it were an exotic adventure. You devour it with the avidity usually provoked by a suspense thriller.”—The New York Times Hailed by critics from coast to coast and by readers of all ages, this resonant novel is one of E.L. Doctorow’s greatest works of fiction. It is 1939, and even as the rumbles of progress are being felt worldwide, New York City clings to remnants of the past, with horse-drawn wagons, street peddlers, and hurdy-gurdy men still toiling in its streets. For nine-year-old Edgar Altschuler, life is stoopball and radio serials, idolizing Joe DiMaggio, and enduring the conflicts between his realist mother and his dreamer of a father. The forthcoming Word’s Fair beckons, an amazing vision of American automation, inventiveness, and prosperity—and Edgar Altschuler responds. A marvelous work from a master storyteller, World’s Fair is a book about a boy who must surrender his innocence to come of age, and a generation that must survive great hardship to reach its future. Praise for World’s Fair “Something close to magic.”—Los Angeles Times “World’s Fair is better than a time capsule; it’s an actual slice of a long-ago world, and we emerge from it as dazed as those visitors standing on the corner of the future.”—Anne Tyler “Doctorow has managed to regain the awed perspective of a child in this novel of rare warmth and intimacy. . . . Stony indeed in the heart that cannot be moved by this book.”—People “Fascinating . . . exquisitely rendered details of a lost way of life.”—Newsweek “Wonderful reading.”—USA Today

Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics. Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Praise for Welcome to Hard Times “A forceful, credible story of cowardice and evil.”—The Washington Post “We are caught up with these people as real human beings.”—Chicago Sun-Times “Dramatic and exciting.”—The New York Times “Terse and powerful.”—Newsweek “A taut, bloodthirsty read.”—The Times Literary Supplement “A superb piece of fiction.”—The New Republic

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD WINNER OF THE PEN/FAULKNER AWARD NEW YORK TIMES BESTSELLER In 1864, Union general William Tecumseh Sherman marched his sixty thousand troops through Georgia to the sea, and then up into the Carolinas. The army fought off Confederate forces, demolished cities, and accumulated a borne-along population of freed blacks and white refugees until all that remained was the dangerous transient life of the dispossessed and the triumphant. In E. L. Doctorow’s hands the great march becomes a floating world, a nomadic consciousness, and an unforgettable reading experience with awesome relevance to our own times.

One of America’s premier writers, the bestselling author of Ragtime, Billy Bathgate, The Book of Daniel, and World’s Fair turns his astonishing narrative powers to the short story in five dazzling explorations of who we are as a people and how we live. Ranging over the American continent from Alaska to Washington, D.C., these superb short works are crafted with all the weight and resonance of the novels for which E. L. Doctorow is famous. You will find yourself set down in a mysterious redbrick townhouse in rural Illinois (“A House on the Plains”), working things out with a baby-kidnapping couple in California (“Baby Wilson”), living on a religious-cult commune in Kansas (“Walter John Harmon”), and sharing the heartrending cross-country journey of a young woman navigating her way through three bad marriages to a kind of bruised but resolute independence (“Jolene: A Life”). And in the stunning “Child, Dead, in the Rose Garden,” you will witness a special agent of the FBI finding himself at a personal crossroads while investigating a grave breach of White House security. Two of these stories have already won awards as the best fiction of the year published in American periodicals, and two have been chosen for annual best-story anthologies. Composed in a variety of moods and voices, these remarkable portrayals of the American spiritual landscape show a modern master at the height of his powers.