New Releases by Elie Wiesel

Elie Wiesel, winner of the Nobel Peace Prize, studies four different rebbes in eighteenth-century Eastern Europe, delving into their lives, their work, and their impact on the Hasidic movement and beyond. In Four Hasidic Masters and Their Struggle against Melancholy, Jewish author, philosopher, and humanist Elie Wiesel presents the stories of four Hasidic masters, framing their biographies in the context of his own life, with direct attention to their premonitions of the tragedy of the Holocaust. These four leaders—Rebbe Pinhas of Koretz, Rebbe Barukh of Medzebozh, the Holy Seer of Lublin, and Rebbe Naphtali of Ropshitz—are each charismatic and important figures in Eastern European Hasidism. Through careful study and consideration, Wiesel shows how each of these men were human, fallible, and susceptible to anger, melancholy, and despair. We are invited to truly understand their work both as religious figures studying and pursuing the divine and as humans trying their best to survive in a world rampant with pain and suffering. This new edition of Four Hasidic Masters, originally published in 1978, includes a new text design, cover, the original foreword by Theodore M. Hesburgh, C.S.C., and a new introduction by Rabbi Irving Greenberg, introducing Wiesel’s work to a new generation of readers.

Historiens viktigaste vittnesmål ELIE var 11 år när andra världskriget bröt ut. Ett par år senare tvingades han och hans familj från sitt hem, innan de tillfångatogs och transporterades till Auschwitz. På smärtsamt återhållsam prosa beskriver Elie Wiesel nazisternas hänsynslösa övergrepp och den fruktansvärda vardagen i koncentrationsläger. NATTEN konfronterar läsaren med mänsklighetens lägsta egenskaper, och de fasansfulla konsekvenser som kan bli resultatet av att makten hamnar i fel händer. Det är en självbiografi som bör läsas av alla generationer. Alice Bah Kuhnke har skrivit ett förord som belyser bokens betydelse för vår samtid och översättningen innehåller text som saknats i äldre utgåvor. Boken är även kompletterad med ett efterord av författaren.

A profoundly and unexpectedly intimate, deeply affecting summing up of life so far, from one of the most cherished moral voices of our time. Eighty-two years old, facing emergency heart surgery and his own mortality, Elie Wiesel reflects back on his life. Emotions, images, faces, and questions flash through his mind. His family before and during the unspeakable Event. The gifts of marriage, children, and grandchildren that followed. In his writing, in his teaching, in his public life, has he done enough for memory and for the survivors? His ongoing questioning of God—where has it led? Is there hope for mankind? The world’s tireless ambassador of tolerance and justice gives us a luminous account of hope and despair, an exploration of the love, regrets, and abiding faith of a remarkable man. Translated from the French by Marion Wiesel

"If you do not take up this text to pray, take it as a book to be studied. Once you have read these stories, they will not leave you, for they are part of human history." (From the Introduction by Albert Friedlander). The Six Days of Destruction is a religious text for use in both Jewish and interfaith services for Yom Ha-Shoah; it also stands on its own as a work of great poignancy. The six stories were written by Nobel Peace Prize Winner, Elie Wiesel, with liturgies by Rabbi Albert Friedlander. The book opens with prefaces by Cardinal Basil Hume, Bishop Richard Harries and Lord Jakobovits, and is illustrated with a collection of drawings by inmates of the Nazi concentration camps, introduced by Elisabeth Maxwell and Roman Halter.

Trois millions de citoyens soviétiques portent sur leurs papiers d'identité la mention " nationalité juive ". Même s'ils le désiraient, aucun changement de statut ne leur est possible. Ne pouvant s'assimiler, ils se trouvent de surplus privés, non seulement des droits et privilèges garantis par la Constitution aux autres nationalités de l'URSS, mais encore de la simple possibilité de transmettre à leurs enfants leur langue, leurs coutumes et leurs traditions. Victimes posthumes du stalinisme, lancinante et insoluble énigme pour les dirigeants de la Russie d'aujourd'hui, trois millions d'hommes (la seconde communauté juive du monde) posent un problème à la conscience universelle qui s'interroge et ne comprend pas. Les autorités soviétiques ne nient plus l'existence d'un problème juif. Il est présent partout. Numerus clausus dans les universités et les entreprises économiques, discrimination, propagande calomnieuse, humiliations... Des voix s'élèvent dans le monde : des partis communistes, des intellectuels sympathisants. Moscou reste muet, comme restent silencieux les juifs d'URSS murés dans leur peur et leur solitude, à l'heure même où un vent de tolérance libératrice souffle sur le monde soviétique. Pourquoi ? Né en Roumanie en 1928, rescapé d'Auschwitz, Élie Wiesel a reçu le prix Nobel de la paix en 1986. Philosophe et écrivain, il est notamment l'auteur de La Nuit et d' Un désir fou de danser. Elie Wiesel se contente d'être un témoin. Il dit ce qu'il a vu, répète ce qu'on lui a dit, ou plutôt ce qu'on lui a chuchoté dans l'ombre. Lui non plus n'explique rien. Il interroge et s'interroge, en quête de vérité dans les arcanes d'un monde kafkaïen. Et peu à peu ce monde oppressant nous devient familier et l'image s'impose d'un peuple dont rien n'entame l'indestructible vitalité, un peuple qui ne veut pas mourir. Voyageur sans complaisance ni préjugés, Elie Wiesel a réussi ce miracle : il prête une voix aux juifs du silence. Né en Roumanie en 1928, rescapé d'Auschwitz, Elie Wiesel a reçu le prix Nobel de la paix en 1986. Philosophe et écrivain, il est notamment l'auteur de La Nuit et d'Un désir fou de danser.

Enfance heureuse à Sighet, petite ville des Carpates longtemps épargnée par la guerre. Fureur et ténèbres d’Auschwitz et de Buchenwald : l’adolescent en sort exsangue, l’esprit muet, sans patrie. Mais il conserve en lui ses rêves messianiques, le sourire de Tsipouka, la petite sœur aux cheveux d’or, le regard et les ultimes paroles de son père – secrets qui hantent toute l'œuvre d’Elie Wiesel et qu’il révèle ici. Quarante ans plus tard, consécration de l’écrivain lorsqu’il reçoit le prix Nobel de la paix.Ce sont là trois repères dans une vie fertile en bouleversements, ruptures et découvertes.Elie Wiesel a 17 ans. Le voici à Paris, balloté dans un univers inconnu. Apprendre le français lui paraît alors moins ardu que de séduire toutes les jeunes filles dont il tombe amoureux. La naissance d’Israël l’exalte, mais comment aider le jeune État ? Le voici apprenti journaliste, un métier qui lui fera parcourir le monde, traquer les scoops, se lier d’amitié avec François Mauriac et Golda Meir, côtoyer personnalités et chefs d’État.A 30 ans, Elie Wiesel parvient à décrire son expérience de La Nuit, à témoigner pour les martyrs de l’Holocauste. Ainsi commence une œuvre vouée au souvenir des victimes, à la défense des survivants et de tous les opprimés. Avec les armes de la compassion, de l’amour et parfois de la colère, cette œuvre et cette vie vont devenir un combat entre le doute et la foi, le désespoir et la confiance, l’oubli et la mémoire. Combat d’un inlassable témoin de la violence des hommes et de leur rêve d’une Jérusalem pacifiée, idéale.

The Trial of God (as it was held on February 25, 1649, in Shamgorod) A Play by Elie Wiesel Translated by Marion Wiesel Introduction by Robert McAfee Brown Afterword by Matthew Fox Where is God when innocent human beings suffer? This drama lays bare the most vexing questions confronting the moral imagination. Set in a Ukranian village in the year 1649, this haunting play takes place in the aftermath of a pogrom. Only two Jews, Berish the innkeeper and his daughter Hannah, have survived the brutal Cossack raids. When three itinerant actors arrive in town to perform a Purim play, Berish demands that they stage a mock trial of God instead, indicting Him for His silence in the face of evil. Berish, a latter-day Job, is ready to take on the role of prosecutor. But who will defend God? A mysterious stranger named Sam, who seems oddly familiar to everyone present, shows up just in time to volunteer. The idea for this play came from an event that Elie Wiesel witnessed as a boy in Auschwitz: “Three rabbis—all erudite and pious men—decided one evening to indict God for allowing His children to be massacred. I remember: I was there, and I felt like crying. But there nobody cried.” Inspired and challenged by this play, Christian theologians Robert McAfee Brown and Matthew Fox, in a new Introduction and Afterword, join Elie Wiesel in the search for faith in a world where God is silent.

A Passover Haggadah, enhanced with more than fifty original drawings, Elie Wiesel and his friend Mark Podwal invite you to join them for the Passover Seder—the most festive event of the Jewish calendar. Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel''s poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel''s commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.

Raphael Lipkin is a man obsessed. He hears voices. He talks to ghosts. He is spending the summer at the Mountain Clinic, a psychiatric hospital in upstate New York—not as a patient, but as a visiting professional with a secret, personal quest. A professor of literature and a Holocaust survivor, Raphael, having rebuilt his life since the war, sees it on the verge of coming apart once more. He longs to talk to Pedro, the man who rescued him as a fifteen-year-old orphan from postwar Poland and brought him to Paris, becoming his friend, mentor, hero, and savior. But Pedro disappeared inside the prisons of Stalin’s Russia shortly after the war. Where is Pedro now, and how can Raphael discern what is true and what is false without him? A mysterious nighttime caller directs Raphael’s search to the Mountain Clinic, a unique asylum for patients whose delusions spring from the Bible. Amid patients calling themselves Adam, Cain, Abraham, Joseph, Jeremiah, and God, Raphael searches for Pedro’s truth and the meaning of his own survival in a novel that penetrated the mysteries of good, evil, and madness.

From Elie Wiesel, Nobel laureate and author of Night, a charged, deeply moving novel about the legacy of the Holocaust in today’s troubled world and the ongoing Israeli-Palestinian conflict. It’s 1975, and Shaltiel Feigenberg—professional storyteller, writer and beloved husband—has been taken hostage: abducted from his home in Brooklyn, blindfolded and tied to a chair in a dark basement. His captors, an Arab and an Italian, don’t explain why the innocent Shaltiel has been chosen, just that his life will be bartered for the freedom of three Palestinian prisoners. As his days of waiting commence, Shaltiel resorts to what he does best, telling stories—to himself and to the men who hold his fate in their hands. With beauty and sensitivity, Wiesel builds the world of Shaltiel’s memories, haunted by the Holocaust and a Europe in the midst of radical change. A Communist brother, a childhood spent hiding from the Nazis in a cellar, the kindness of liberating Russian soldiers, the unrest of the 1960s—these are the stories that unfold in Shaltiel’s captivity, as the outside world breathlessly follows his disappearance and the police move toward a final confrontation with his captors. Impassioned, provocative and insistently humane, Hostage is both a masterly thriller and a profoundly wise meditation on the power of memory to connect us to the past and our shared need for resolution.

The compassion of Reb Moshe-Leib, the vision of the Seer of Lublin, the wisdom of Reb Pinhas, the warmth of the Ba’al Shem Tov, the humor of Reb Naphtali–to their followers these sages appeared as kings, judges, and prophets. They communicated joy and wonder and fervor to the men and women who came to them in the depths of despair. They brought love and compassion to the persecuted Jews of Russia, Ukraine, Poland, and Lithuania. For Jews who felt abandoned and forsaken by God, these Hasidic masters incarnated an irresistible call to help and salvation. The Rebbe combats sorrow with exuberance. He defeats resignation by exalting belief. He creates happiness so as not to yield to the sadness around him. He tells stories to escape the temptations of irreducible silence. It is Elie Wiesel’s unique gift to make the lives and tales of these great teachers as compelling now as they were in a different time and place. In the tradition of Hasidism itself, he leaves others to struggle with questions of justice, mercy, and vengeance, providing us instead with eternal truths and unshakable faith.

A collection of tales immortalizing the heroic deeds and visions of people Wiesel knew during and after World War II.

Reuven Tamiroff, a Holocaust survivor, has never been able to speak about his past to his son, a young man who yearns to understand his father’s silence. As campuses burn amidst the unrest of the Sixties and his own generation rebels, the son is drawn to his father’s circle of wartime friends in search of clues to the past. Finally discovering that his brooding father has been haunted for years by his role in the murder of a brutal SS officer just after the war, young Tamiroff learns that the Nazi is still alive. Haunting, poetic, and very contemporary, The Fifth Son builds to an unforgettable climax as the son sets out to complete his father’s act of revenge.

Now in paperback, Wiesel’s newest novel “reminds us, with force, that his writing is alive and strong. The master has once again found a startling freshness.”—Le Monde des Livres A European expatriate living in New York, Doriel suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die soon after in France in an accident, together with his father. Doriel was a hidden child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books. Doriel’s parents and their secrets haunt him, leaving him filled with longing but unable to experience the most basic joys in life. He plunges into an intense study of Judaism, but instead of finding solace, he comes to believe that he is possessed by a dybbuk. Surrounded by ghosts, spurred on by demons, Doriel finally turns to Dr. Thérèse Goldschmidt, a psychoanalyst who finds herself particularly intrigued by her patient. The two enter into an uneasy relationship based on exchange: of dreams, histories, and secrets. And despite Doriel’s initial resistance, Dr. Goldschmidt helps bring him to a crossroads—and to a shocking denouement. “In its own high-stepping yet paradoxically heart-wracking way, [Wiesel’s novel] can most assuredly be considered beautiful (almost beyond belief).”—The Philadelphia Inquirer

Conversations with Elie Wiesel is a far-ranging dialogue with the Nobel Peace Prize-winner on the major issues of our time and on life’s timeless questions. In open and lively responses to the probing questions and provocative comments of Richard D. Heffner—American historian, noted public television moderator/producer, and Rutgers University professor—Elie Wiesel covers fascinating and often perilous political and spiritual ground, expounding on issues global and local, individual and universal, often drawing anecdotally on his own life experience. We hear from Wiesel on subjects that include the moral responsibility of both individuals and governments; the role of the state in our lives; the anatomy of hate; the threat of technology; religion, politics, and tolerance; nationalism; capital punishment, compassion, and mercy; and the essential role of historical memory. These conversations present a valuable and thought-provoking distillation of the thinking of one of the world’s most important and respected figures—a man who has become a moral beacon for our time.

Part of the Jewish Encounter series From Elie Wiesel, winner of the Nobel Peace Prize, comes a magical book that introduces us to the towering figure of Rashi—Rabbi Shlomo Yitzchaki—the great biblical and Talmudic commentator of the Middle Ages. Wiesel brilliantly evokes the world of medieval European Jewry, a world of profound scholars and closed communities ravaged by outbursts of anti-Semitism and decimated by the Crusades. The incomparable scholar Rashi, whose phrase-by-phrase explication of the oral law has been included in every printing of the Talmud since the fifteenth century, was also a spiritual and religious leader: His perspective, encompassing both the mundane and the profound, is timeless. Wiesel’s Rashi is a heartbroken witness to the suffering of his people, and through his responses to major religious questions of the day we see still another side of this greatest of all interpreters of the sacred writings. Both beginners and advanced students of the Bible rely on Rashi’s groundbreaking commentary for simple text explanations and Midrashic interpretations. Wiesel, a descendant of Rashi, proves an incomparable guide who enables us to appreciate both the lucidity of Rashi’s writings and the milieu in which they were formed.

In Wise Men and Their Tales, a master teacher gives us his fascinating insights into the lives of a wide range of biblical figures, Talmudic scholars, and Hasidic rabbis. The matriarch Sarah, fiercely guarding her son, Isaac, against the negative influence of his half-brother Ishmael; Samson, the solitary hero and protector of his people, whose singular weakness brought about his tragic end; Isaiah, caught in the middle of the struggle between God and man, his messages of anger and sorrow counterbalanced by his timeless, eloquent vision of a world at peace; the saintly Rabbi Yehoshua ben Levi, who by virtue of a lifetime of good deeds was permitted to enter heaven while still alive and who tried to ensure a similar fate for all humanity by stealing the sword of the Angel of Death. Elie Wiesel tells the stories of these and other men and women who have been sent by God to help us find the godliness within our own lives. And what interests him most about these people is their humanity, in all its glorious complexity. They get angry—at God for demanding so much, and at people, for doing so little. They make mistakes. They get frustrated. But through it all one constant remains—their love for the people they have been charged to teach and their devotion to the Supreme Being who has sent them. In these tales of battles won and lost, of exile and redemption, of despair and renewal, we learn not only by listening to what they have come to tell us, but by watching as they live lives that are both grounded in earthly reality and that soar upward to the heavens.

La noche es un relato goyesco situado en Auschwitz que trata de la muerte de Dios en el alma de un niño. La víctima sobrevive para llevar consigo la vergüenza de haber soñado un día con volverse verdugo a su vez. En El alba, tensa meditación situada en la Palestina bajo mandato inglés, la víctima se ha vuelto verdugo y debe hacer frente a su sueño hecho realidad. Con El día, historia de amor situada en Nueva York, nace la certidumbre de que la herida no se cerrará y de que lo único que cabe es la mentira piadosa. Trilogía esencial dentro de la literatura del holocausto, publicada por primera vez en castellano en 1975. Esta trilogía, junto con la Trilogía de Auschwitz y El diario de Anna Frank, son los títulos universales y esenciales para entender ese momento histórico.

Roman historique. Roman initiatique.

Deals with the conflicts and thoughts of a young Jewish concentration-camp veteran as he prepares to assassinate a British hostage in occupied Palestine.

Elie Wiesel has given hundreds of interviews. Yet his fame as a human rights advocate often directs such conversations toward non-literary issues. Indeed, many of Wiesel''s questioners barely address the writer''s role that has defined him since the 1950s. Unlike previous volumes in which he speaks with interviewers, Elie Wiesel: Conversations collects interviews which set in relief the writer at work. This book focuses on Wiesel the literary artist instead of Wiesel the Holocaust survivor or the 1986 Nobel Peace Prize laureate. Beyond highlighting Wiesel''s literary significance, these interviews also correct many faulty assumptions about his achievement. Few American readers know that he writes in French, that he has been favorably compared to Andr Malraux and Albert Camus. Not many realize that the Holocaust has been the subject of only a few of his forty books. Particularly in his nonfiction, Wiesel''s scope is wide, addressing Jewish life in all its religious and historical complexity. Though most of Wiesel''s books do not focus on the Holocaust, they are written against the backdrop of what he has come to term "The Event." Always, the presence of Auschwitz can be felt, always the author "lives in the shadows of the flames that once illuminated and blinded him." These interviews are reminders that the writing life is both solitary and public, interior and social. The writer must venture beyond his study and speak out against the world''s traumas and outrages. Robert Franciosi is an associate professor of English at Grand Valley State University in Allendale, Mich. He is the editor of Good Morning: A Holocaust Memoir. His work has appeared in American Poetry, Contemporary Literature, Modern Jewish Studies, and the William Carlos Williams Review.

There are probably no two men of such stature who can speak to the Holocaust as Christian theologian Johann Baptist Metz, author of A Passion for God and Jewish writer, Nobel laureate and human rights activist, Elie Wiesel, author of Night. One was drafted into the German army at the age of fifteen; the other was interned at Auschwitz. Both came from upbringings of deep faith, only to have their lives broken by the horrors they witnessed during the war. Both share the sense that the Holocaust is a rift in history itself, after which nothing could ever be seen in the same way as before. Yet for both, there is hope ... "nonetheless."

When their plane from New York to Tel Aviv is forced down by bad weather, five passengers seek refuge at a nearby house where they encounter their enigmatic host, known only as the Judge, who forces them to confront the reality and meaning of their lives.

Atemlos, bewusst karg im Stil erzählt der Friedensnobelpreisträger seine Erfahrung als Kind in Auschwitz. Jede Zeile spricht uns unmittelbar an.

The Nobel Prize laureate chronicles his childhood, suffering at Auschwitz, religious doubts, and literary career.

Ce que j'affirme, c'est que ce témoignage, qui vient après tant d'autres et qui décrit une abomination dont nous pourrions croire que plus rien ne nous demeure inconnu, est cependant différent, singulier, unique... L'enfant qui nous raconte ici son histoire était un élu de Dieu. Il ne vivait, depuis l'éveil de sa conscience, que pour Dieu, nourri du Talmud, ambitieux d'être initié à la Kabbale, voué à l'Eternel. Avions-nous jamais pensé à cette conséquence d'une horreur moins visible, moins frappante que d'autres abominations, - la pire de toutes, pourtant, pour nous qui possédons la foi : la mort de Dieu dans cette âme d'enfant qui découvre d'un seul coup le mal absolu ? François Mauriac