New Releases by Elie Wiesel

Atemlos, bewusst karg im Stil erzählt der Friedensnobelpreisträger seine Erfahrung als Kind in Auschwitz. Jede Zeile spricht uns unmittelbar an.

The Trial of God (as it was held on February 25, 1649, in Shamgorod) A Play by Elie Wiesel Translated by Marion Wiesel Introduction by Robert McAfee Brown Afterword by Matthew Fox Where is God when innocent human beings suffer? This drama lays bare the most vexing questions confronting the moral imagination. Set in a Ukranian village in the year 1649, this haunting play takes place in the aftermath of a pogrom. Only two Jews, Berish the innkeeper and his daughter Hannah, have survived the brutal Cossack raids. When three itinerant actors arrive in town to perform a Purim play, Berish demands that they stage a mock trial of God instead, indicting Him for His silence in the face of evil. Berish, a latter-day Job, is ready to take on the role of prosecutor. But who will defend God? A mysterious stranger named Sam, who seems oddly familiar to everyone present, shows up just in time to volunteer. The idea for this play came from an event that Elie Wiesel witnessed as a boy in Auschwitz: “Three rabbis—all erudite and pious men—decided one evening to indict God for allowing His children to be massacred. I remember: I was there, and I felt like crying. But there nobody cried.” Inspired and challenged by this play, Christian theologians Robert McAfee Brown and Matthew Fox, in a new Introduction and Afterword, join Elie Wiesel in the search for faith in a world where God is silent.

Michael—a young man in his thirties, a concentration camp survivor—makes the difficult trip behind the Iron Curtain to the town of his birth in Hungary. He returns to find and confront “the face in the window”—the real and symbolic faces of all those who stood by and never interfered when the Jews of his town were deported. In an ironic turn of events, he is arrested and imprisoned by secret police as a foreign agent. Here he must confront his own links to humanity in a world still resistant to the lessons of the Holocaust.

Distinguished psychotherapist and survivor Elhanan Rosenbaum is losing his memory to an incurable disease. Never having spoken of the war years before, he resolves to tell his son about his past—the heroic parts as well as the parts that fill him with shame—before it is too late. Elhanan''s story compels his son to go to the Romanian village where the crime that continues to haunt his father was committed. There he encounters the improbable wisdom of a gravedigger who leads him to the grave of his grandfather and to the truths that bind one generation to another.

In this "powerful" (New York Times Book review) collection of personal essays and landmark speeches by "one of the great writers of our generation" (New Republic), Elie Wiesel weaves together reminiscences of his life before the Holocaust, his struggle to find meaning afterward, and the actions he has taken on behalf of others that have defined him as a leading advocate of humanity and have earned him the Nobel Peace Prize. Here, too, as a tribute to the dead and an exhortation to the living are landmark speeches, among them his powerful testimony at the Klaus Barbie trial, his impassioned plea to President Reagan not to visit a German S.S. cemetery, and the speech he gave in Oslo in acceptance of the Nobel Peace Prize, in which he voices his hope that "the memory of evil will serve as a shield against evil."

With this Passover Haggadah, Elie Wiesel and his friend Mark Podwal invite you to join them for the Passover Seder - the most festive event of the Jewish calendar. Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel''s poetic interpretations, reminiscences, and instructive retelling of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel''s commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.

Reflections by the Nobel-winning philosopher and novelist on the prophets, scribes, and rebbes who comprise the histories and myths of Jewish folklore. Most of these essays were originally given as lectures at the 92nd Street Y in New York, and even in written form they preserve the tone and tempo of extemporary speech. The style is anecdotal rather than scholarly, and Wiesel does not hesitate to bring his opinions to bear.

Elie Wiesel, Lucy Dawidowicz, Dorothy Rabinowitz, and Robert McAfee Brown explore society''s inability to comprehend the horrors of the Holocaust, and its unwillingness to remember. Annotated by Elliot Lefkovitz, educational consultant for the Holocaust Memorial Foundation of Illinois, this edition contains extensive documentation of ideas and facts that have surfaced since the book''s first appearance in 1977.

Moderated by Gabe Pressman, Wiesel and Cardinal O''Connor discuss several issues, including the religious meaning of the Holocaust; the Vatican''s position during the Holocaust; the moral aspect of the phenomenon of Holocaust denial; antisemitism and Jewish-Catholic relations; anti-Zionism; Arab-Israeli relations; and whether it was proper for the Pope to meet with Arafat and Waldheim.

In the fall of 1965 the Israeli newspaper Haaretz sent a young journalist named Elie Wiesel to the Soviet Union to report on the lives of Jews trapped behind the Iron Curtain. “I would approach Jews who had never been placed in the Soviet show window by Soviet authorities,” wrote Wiesel. “They alone, in their anonymity, could describe the conditions under which they live; they alone could tell whether the reports I had heard were true or false—and whether their children and their grandchildren, despite everything, still wish to remain Jews. From them I would learn what we must do to help . . . or if they want our help at all.” What he discovered astonished him: Jewish men and women, young and old, in Moscow, Kiev, Leningrad, Vilna, Minsk, and Tbilisi, completely cut off from the outside world, overcoming their fear of the ever-present KGB to ask Wiesel about the lives of Jews in America, in Western Europe, and, most of all, in Israel. They have scant knowledge of Jewish history or current events; they celebrate Jewish holidays at considerable risk and with only the vaguest ideas of what these days commemorate. “Most of them come [to synagogue] not to pray,” Wiesel writes, “but out of a desire to identify with the Jewish people—about whom they know next to nothing.” Wiesel promises to bring the stories of these people to the outside world. And in the home of one dissident, he is given a gift—a Russian-language translation of Night, published illegally by the underground. “‘My God,’ I thought, ‘this man risked arrest and prison just to make my writing available to people here!’ I embraced him with tears in my eyes.”

When a Christian boy disappears in a fictional Eastern European town in the 1920s, the local Jews are quickly accused of ritual murder. There is tension in the air and a pogrom threatens to erupt. Suddenly, an extraordinary man—Moshe the dreamer, a madman and mystic—steps forward and confesses to a crime he did not commit, in a vain attempt to save his people from certain death. The community gathers to hear his last words—a plea for silence—and everyone present takes an oath: whoever survives the impending tragedy must never speak of the town’s last days and nights of terror. For fifty years the sole survivor keeps his oath—until he meets a man whose life depends on hearing the story, and one man’s loyalty to the dead confronts head-on another’s reason to go on living. One of Wiesel’s strongest early novels, this timeless parable about the Jews and their enemies, about hate, family, friendship, and silence, is as powerful, haunting, and significant as it was when first published in 1973.

In this volume, Nobel Prize-winning author Elie Wiesel retells stories from the hasidic masters.

Features the author''s personal Holocaust memoir--Night, and two novels--Dawn and Day (originally published in English as The Accident).

Volume 1 of an anthology of works - lectures, reviews, interviews, dialogues, forewords, essays, etc.

"For centuries, Jews have remembered the Golem, a creature of clay said to have been given life by the mystical incantations of the mysterious Maharal, Rabbi Yehuda Loew, leader of the Jewish community of 16th-century Prague. Some versions have the Golem as a lovable, clumsy mute; others as a monster like Frankenstein''s who turned against his creator, giving a vivid warning against magic and the occult. In this beautiful book, Elie Wiesel has collected many of the legends associated with this enigmatic and elusive figure and retold them as seen through the eyes of a wizened gravedigger who claims to have witnessed as a child the numerous miracles that legend attributes to the Golem. ''I, Reuven, son of Yaakov,'' he begins, ''declare under oath that "Yossel the mute," the "Golem made of clay," deserves to be remembered by our people, our persecuted and assassinated, and yet immortal people. We owe it to him to evoke his fate with love and gratitude .... He was a savior, I tell you.'' Reuven''s Golem is no fool or monster, but a figure of intuition, intelligence, and compassion who may yet return, perhaps in our own generation, to protect the Jews from their enemies. Mark Podwal''s highly imaginative drawings recapture the mystery of Gothic Prague, and the elusive Golem is given a shape as the shadow of the Maharal. Thus, two remarkable artists have come together in the creation of a work of rare spiritual beauty which is also a triumph of the bookmaker''s art."--Dust jacket.

In this volume, Nobel Prize-winning author Elie Wiesel retells stories from the hasidic masters.

A powerful and wide-ranging collection of essays, letters, and diary entries that weave together all the periods of the author''s life from his childhood in Transylvania to Auschwitz and Buchenwald, Paris, and New York. • "One of the great writers of our generation addresses himself to the question of what it means to be a Jew." —The New Republic Elie Wiesel, acclaimed as one of the most gifted and sensitive writers of our time, probes, from the particular point of view of his Jewishness, such central moral and political issues as Zionism and the Middle East conflict, Solzhenitsyn and Soviet anti-Semitism, the obligations of American Jews toward Israel, the Holocaust and its cheapening in the media. "Rich in autobiographical, philosophical, moral and historical implications." —Chicago Tribune

Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This book offers his account of that atrocity: the horrors he endured, the loss of his family and his struggle to survive.

When a Christian boy disappears in Kolvillag, a fictional town in the Carpathian Mountains of Eastern Europe in the 1920s, fanatics are quick to point a finger at the Jews, accusing them of tire age-old myth of ritual murder. There is tension in the air, and a pogrom threatens to surface. Suddenly, someone steps forward and confesses to a crime he did not commit in order to save his people from certain death. Moshe is a dreamer, a madman and a mystic, a man both revered and misunderstood by those around him. The community gathers to hear his last words, a plea for silence. Everyone present takes an oath: should anyone survive the impending tragedy, he is never to speak of the town''s last clays and nights of error. Only one man survives. For fifty years Azriel keeps Iris oath to be silent about these horrific events, until he meets a man whose life depends on hearing the story. Copyright © Libri GmbH. All rights reserved.