New Releases by Eric Linklater

Mafalda este o fetiță de aproape zece ani, căreia îi place să meargă la școală, să joace fotbal și să aibă grijă de pisică. Vederea ei însă slăbește pe zi ce trece. Mafalda trebuie să descopere toate lucrurile care vor deveni importante când își va pierde în cele din urmă lumina ochilor. Mă opresc să salut cireșul... reușesc să-l văd de departe (nu prea departe). Mă forțez cu ochii foarte mijiți și, în sfârșit, iată-l: o pată roșie, galbenă și portocalie precum perucile clovnilor – neclară, dar e acolo.

The Northern Garrisons visits the soldiers of WWII in some of the most barren and inhospitable of outposts. Eric Linklater, in his mission to document the lives, trials and achievements of these men, travelled to Shetland, Orkney, the Faeroes and Iceland. In Iceland Linklater notes how quickly the soldiers must adapt to their surroundings whilst trying to engage a local population that is somewhat indignant at being 'occupied'. But when taking a closer look, we see the resilience of the new troops in training as they endure the arctic conditions of Iceland, the taut waiting of the soldiers as they yearn to engage an unseen underwater enemy, and the good humour these men share, both with each other, and the locals that they must live alongside. First published in 1941 as part of The Army at War Series, The Northern Garrisons is a portrait of the vigilance, patience and ingenuity of the men who defended these Northern Isles, and protected the shipping lines that delivered vital supplies to England.

Are the people of Britain capable of serving the new world, of writing with honour a new chapter of history? The answer, conclusively, is Yes.... But Socrates, in the third of the pieces, has still to be satisfied that the Allies are truly conscious of their purpose. A four-fold rule of law is not enough: the peace within that rule must not be an idle peace, but creative. If that is not explicitly our intention and desire, then why are we fighting? The Raft and Socrates Asks Why are imaginary conversations revolving around the political and military problems of WWII. The Raft is set in the mid-Atlantic, where six survivors from a torpedoed ship discuss the position of Britain and the difficulties and moral dilemmas of a soldier life. Socrates Asks Why is a conversation between Socrates, Voltaire, Johnson and Lincoln where the Allies' aim of peace and ending of the war is discussed and questioned. These conversations were first published in 1942.

In the early years of the Second World War an army officer is sent to the Faroe Islands to investigate rumours of a collaboration with the Nazi regime in Norway. What he finds changes lives, not least his own. No one who reads this book will forget the frozen corpse tied to a chair in an icehouse guarded by two drunken seamen, or the raging storm which batters their, ship as they carry the body to Shetland. That's just the beginning. As the tale takes grip, the reader becomes haunted, just as the characters are haunted by a sense of guilt and betrayal. One of the finest of Linklater's later, deeper, darker novels, The Dark of Summer combines national and family histories as it sets out to understand the past, redeem the corrosion of memory and find meaning in a world of divided loyalties.

"When the giants fell, old bones revived" - there is the rubric for Eric Linklater's new story, first published in 1949. There may be no historical foundation for his tale of a fantastic war, in the First century A.D., between the giant Furbister and the abominable Od McGammon, his neighbour in the south-west of Scotland; but their quarrel - which provides a background to the engaging love-story of the willful poet Albyn and the delightful Princess Liss - has a real enough interest and no small significance in our equally strange world of today. Would love cure all our troubles? Love indeed has a power that is almost infinite. But man (especially if he is a willful poet) has the habit of dissatisfaction, an eye that looks critically at love itself. And here, in this tale of some very modern primitives, love makes the running but fails to win the race. A new departure for Linklater? Well, he often makes new departures, and here, though he is serious at bottom, his seriousness is nicely garnished with wit, and sometimes at the mercy of humour. The fascination of the story carries its outlandishness as lightly as a feather.

First published in 1966, Eric Linklater's brilliant novel tells the story of a double existence. Evan Gaffikin, sixtyish, grumpy and bored with his dull commercial success, discovers and develops his power to dream: to dream in such depth and in such glowing reality that he is able to escape his extraordinary existence. We learn of his double life as scenes from Gaffikin's real life alternate with his surrealistic, vivid, and often hilariously bawdy forays into the world of unreality. As his dream-world and its remarkable characters, gradually get the upper hand, the tension of the novel rises and the climactic sequence - in a yacht off the Hebrides - is mysterious and exciting. A Terrible Freedom could, perhaps, be described as an idiosyncratic venture into the realm of science fiction; but it may be preferable to see it as a conventional novel built with classical composure of unconventional material. Either way it is a tour de force of imagination and narrative skills.

A hitherto unknown pornographic manuscript of Robert Burns is found in the effects of a dead schoolmaster of impeccable reputation. Max Arbuthnot, an Edinburgh lawyer and a rich man, who at the age of sixty has a rampant appetite for the pleasures of the flesh, takes charge of it. As the manuscript is lost, found again, stolen, and variously shuttles back and forth, the infection of its bawdiness creates havoc in Edinburgh.It's ultimate fate is only decided after a series of bizarre adventures. Part farce, part satire on manners and social attitudes, The Merry Muse sparkles from beginning to end. It is the work of a master, written at the height of his powers. "[Linklater] has created one of his most memorable characters in that solid and yet strangely vulnerable citizen, the inimitable Max. - The New York Times "This is one of those rare books of comedy in which the humor depends solidly on situation and character and not merely on wisecrack" - Chicago Daily Tribune

The Next Great War begins, and soon all Europe is involved. The war lasts a year - and then the women, robbed of husbands and sweethearts and sons, grow doubtful of the benefits of military policy, and begin to think that victory will come too late to do them any good. But what can they do? A remedy was discovered by Aristophanes about 2350 years ago. It is re-discovered and re-applied. And it is again successful. This is an Aristophanic comedy, and takes some Aristophanic liberties. It is satirical when the author pleases and when he cares to be serious he is very serious indeed. There is no monotony. The story shifts from realism to wild burlesque; from earnest appeal to uproarious extravagance. The final scenes are in Edinburgh. Aristophanes made his insurgent women seize the Acropolis - here they take possession of Edinburgh Castle, as tall an eminence, and hold it against the infuriated men. The fight for the Castle is the culminating incident in a vigorous and many-sided novel.

Eric Linklater was one of the most respected and prolific Scottish writers of this century, yet more than twenty-five years have passed since his last collection of short stories was published. This selection covers Linklater's entire writing life. The settings are as various as the places where he lived - Orkney, India, California, Edinburgh and the Highlands - the events that take place, both fantastic and sensual in their depiction. A strong seam of Scottish history and culture runs through much of Linklater's work. The short stories include classics of the form, such as The Goose Girl and Kind Kitty, and wild variations on fairy stories, medieval myths, bawdy folktales, Viking sagas and 1920s crime reports. They derive from the magic of the world - love, beauty, ambition, drink and language. Their exuberant invention and comic verve provide glorious evidence for George Mackay Brown's assertion that 'Linklater is one of Scotland's best story-tellers ever'.

In the English village of Midmeddlecum, sisters Dinah and Dorinda struggle to keep their promise to try to be good when their father goes off to war, but they soon get into a great deal of mischief.

Story of the flight of Bonnie Prince Charlie after his defeat at Culloden, when his freedom depended on the loyalty of the Highlanders.

A thirty-eight year old Englishman blames the state of his affairs, financial, marital, and extra-martial--on seven generations of ancestors.

A story of His Highness Zafrullah bin Ismail bin Said, Sultan of Namua, Lord of the Island Sea, who retained also his grandfather's title of honour: Faithful Ally of Queen Victoria.

Scotch novelist stops at a lonely house on the moor and is almost surprised by his villainous host.