Most Popular Books by Ford Madox Ford

Romance is a novel written by Joseph Conrad and Ford Madox Ford. It was the second of their three collaborations. Romance was eventually published by George Bell and Sons in London in 1903 and by McClure, Phillips in New York in March 1904.According to Max Saunders, Conrad, in his quest to obtain a literary collaborator, had been recommended by several literary figures. W. E. Henley pointed to Ford as a suitable choice for Conrad. Literary collaboration was not particularly uncommon when Conrad proposed it to Ford, but neither was it considered the proper way for serious novelists, as Ford was aware: "The critics of our favoured land do not believe in collaboration." The novel was adapted into the film The Road to Romance...Ford Madox Ford (born Ford Hermann Hueffer ( 17 December 1873 - 26 June 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature.Ford is now remembered for his novels The Good Soldier (1915), the Parade''s End tetralogy (1924-28) and The Fifth Queen trilogy (1906-08). The Good Soldier is frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, The Observer''s "100 Greatest Novels of All Time," and The Guardian''s "1000 novels everyone must read."Early lifeFord was born in Wimbledon in London, to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer. Ford''s father, who became music critic for The Times, was German and his mother English. His paternal grandfather Johann Hermann Hüffer was first to publish Westphalian poet and author Annette von Droste-Hülshoff. He was named after his maternal grandfather, the Pre-Raphaelite painter Ford Madox Brown, whose biography he would eventually write.In 1889, after the death of his father, Ford and Oliver went to live with their grandfather in London. Ford graduated from the University College School in London, but never attended university...Joseph Conrad ( born Józef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.Conrad is considered an early modernist, [note 3] though his works contain elements of 19th-century realism. His narrative style and anti-heroic characters have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad''s fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.Writing near the peak of the British Empire, Conrad drew, among other things, on his native Poland''s national experiences and on his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world-including imperialism and colonialism-and that profoundly explore the human psyche...

The Good Soldier: A Tale of Passion is a 1915 novel by the British writer Ford Madox Ford. It is set just before World War I, and chronicles the tragedy of Edward Ashburnham, the soldier to whom the title refers, and his seemingly perfect marriage, along with that of his two American friends. The novel is told using a series of flashbacks in non-chronological order, a literary technique that formed part of Ford''s pioneering view of literary impressionism. Ford employs the device of the unreliable narrator[1] to great effect, as the main character gradually reveals a version of events that is quite different from what the introduction leads the reader to believe. The novel was loosely based on two incidents of adultery and on Ford''s messy personal life.The novel''s original title was The Saddest Story, but after the onset of World War I the publishers asked Ford for a new title. Ford suggested (sarcastically) The Good Soldier, and the name stuck. In 1998, the Modern Library ranked The Good Soldier 30th on its list of the 100 best English-language novels of the 20th century. In 2015, the BBC ranked The Good Soldier 13th on its list of the 100 greatest British novels.

In recent times Ford Madox Ford has become one of the neglected figures of modernist literature, although he was a leading writer of his time, producing innovative novels, whilst promoting the works of struggling fellow writers. This comprehensive eBook presents the most complete edition possible of Ford’s works in the US, allowing readers to enjoy masterpieces that have suffered obscurity for decades. Containing 20 novels, beautiful illustrations, informative introductions and the usual Delphi bonus material, this collection is a must for all readers interested in modernist literature. (14MB Version 1) * Beautifully illustrated with images relating to Ford''s life and works * Concise introductions to the novels and other works * Images of how the books were first printed, giving your eReader a taste of the original texts * ALL 20 novels published before 1923 – most complete American edition possible, with many rare works appearing for the first time in digital print * Excellent formatting of the texts * Includes Ford’s children’s books, appearing for the first time in digital print * Ford’s collected poetry, with individual contents table * Even includes Ford''s first literary success – the non-fiction study of his beloved city THE SOUL OF LONDON * Features Ford’s memoir ANCIENT LIGHTS, charting his literary beginnings in his grandfather’s Pre-Raphaelite circle * Scholarly ordering of texts into chronological order and literary genres Please note: due to US copyright laws, eleven later novels cannot appear in this volume. However, once they enter the US public domain, they will be added to the eBook as a free upgrade for all of our customers. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Children’s Fiction THE BROWN OWL THE FEATHER THE QUEEN WHO FLEW The Novels THE SHIFTING OF THE FIRE THE INHERITORS ROMANCE THE BENEFACTOR THE FIFTH QUEEN THE PRIVY SEAL AN ENGLISH GIRL THE FIFTH QUEEN CROWNED MR. APOLLO THE ‘HALF MOON’ A CALL THE PORTRAIT THE SIMPLE LIFE LIMITED LADIES WHOSE BRIGHT EYES THE PANEL THE NEW HUMPTY-DUMPTY MR. FLEIGHT THE YOUNG LOVELL THE GOOD SOLDIER THE MARSDEN CASE The Poetry THE COLLECTED POEMS Non-Fiction THE SOUL OF LONDON THE HEART OF THE COUNTRY ROSSETTI: A CRITICAL ESSAY ON HIS ART THE SPIRIT OF THE PEOPLE HENRY JAMES: A CRITICAL STUDY JOSEPH CONRAD: A PERSONAL REMEMBRANCE The Memoir ANCIENT LIGHTS Please visit www.delphiclassics.com to browse through our range of exciting titles

With Thomas Cromwell fallen and her rival’s schemes in ruins, Katharine Howard stands at the summit of Tudor power as Henry VIII’s crowned queen. Yet the court she now presides over is no less treacherous for the removal of its greatest schemer. Around her, Protestant and Catholic factions maneuver ceaselessly for mastery of the king’s conscience, and the very virtues that won Katharine Henry’s devotion—her candor, her learning, her uncompromising piety—make her enemies as readily as they make her friends. Ford Madox Ford’s concluding volume of The Fifth Queen trilogy traces the arc of Katharine’s brief reign with the impressionistic intensity that distinguishes the previous books. Henry himself is rendered with remarkable ambivalence: a man of genuine intelligence and feeling whose will is at the mercy of his moods and of the whispers that reach him through layers of courtly deception. Katharine, idealistic to the last, believes she can restore the old faith and reform the king’s court by the force of moral example alone, a conviction that her adversaries, from Archbishop Cranmer to the spy Lascelles, find easier to exploit than to refute. Praised by Joseph Conrad as “a noble conception,” the trilogy concludes here with an inevitability that feels both tragic and dignified.

The Nature of a Crime explores the delicate intricacies of moral responsibility and human perversity through a rich assortment of narratives that traverse psychological depth and existential musings. With diverse literary styles ranging from impressionistic to naturalistic, the anthology captures a timeless contemplation of guilt, complicity, and conscience. Each piece in this collection epitomizes the complexities of the human condition and its intertwinement with the societal constructs that govern behavior and thought, presenting an arresting kaleidoscope of ambiguities and truths. Highlighting these ideals, the anthology''s thematic cohesion invites readers into a reflective journey, while its rich narrative diversity provides a compelling tapestry of voices and visions. Compiled under the discerning editorship of Joseph Conrad and Ford Madox Ford, both pioneers in the literary modernism movement, this collection embodies the era''s innovative narrative approaches and complex character development. The contributing voices, each a luminary in their right, deftly capture the period''s philosophical undercurrents and psychological insights, offering a panoramic view of turn-of-the-century consciousness. This coming together of literary giants not only enriches the theme but also reflects the broader cultural and historical transitions influencing the era. Together, the works create a dialogue that bridges personal introspection with universal dilemmas. This anthology is an indispensable resource for anyone eager to traverse the multifaceted domains of early 20th-century existential inquiry and narrative craft. Engage with this collection to experience the profound dialogical interplay among authors whose diverse perspectives and artistry illuminate the complexities of human nature and morality. These compelling narratives offer an educational treasure trove, stimulating introspection and critique of ethical assumptions, making it an essential read for those seeking to deepen their understanding of literature''s capacity to mirror and question society''s evolving norms and values. In this enriched edition, we have carefully created added value for your reading experience: - A succinct Introduction situates the work''s timeless appeal and themes. - The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists. - A detailed Historical Context immerses you in the era''s events and influences that shaped the writing. - An Author Biography reveals milestones in the author''s life, illuminating the personal insights behind the text. - A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings. - Reflection questions prompt you to engage personally with the work''s messages, connecting them to modern life. - Hand‐picked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

The Inheritors: An Extravagant Story (1901) is a quasi-science fiction novel on which Ford Madox Ford and Joseph Conrad collaborated. It looks at society''s mental evolution and what is gained and lost in the process. Written before the first World War, its themes of corruption and the effect of the 20th Century on British aristocracy appeared to predict history. It was first published in London by William Heinemann and later the same year in New York by McClure, Phillips & Co. In the novel, the metaphor of the "fourth dimension" is used to explain a societal shift from a generation of people who have traditional values of interdependence, being overtaken by a modern generation who believe in expediency, callously using political power to bring down the old order. Its narrator is an aspiring writer who himself makes a similar transition at a personal level only to feel he has lost everything.