New Releases by Fyodor Dostoevsky

"Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. Crime and Punishment is considered the first great novel of his mature period of writing. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex student in Saint Petersburg who formulates a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with the money he could liberate himself from poverty and go on to perform great deeds. However, once it is done he finds himself racked with confusion, paranoia, and disgust for what he has done. His ethical justifications disintegrate completely as he struggles with guilt and horror and confronts the real-world moral consequences of his deed."

The Idiot is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-69.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man."[1] The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.

Completed only a few months before the author's death, The Brothers Karamazov is Dostoyevsky's largest, most expansive, most life-embracing work. Filled with human passions ― lust, greed, love, jealousy, sorrow, and humor ― the book is also infused with moral issues and the issue of collective guilt. As in many of Dostoyevsky's novels, the plot centers on a murder. Three brothers, different in character but bound by their ancestry, are drawn into the crime's vortex: Dmitri, a young officer utterly unrestrained in love, hatred, jealousy, and generosity; Ivan, an intellectual capable of delivering impromptu disquisitions about good and evil, God, and the devil; and Alyosha, the youngest brother, preternaturally patient, kind, and loving. Part mystery, part profound philosophical and theological debate, The Brothers Karamazov represents the culmination of Dostoyevsky's life's work and ranks among the greatest novels of all time.

The Gambler is a short novel by Fyodor Dostoevsky about a young tutor in the employment of a formerly wealthy Russian general. The novella reflects Dostoevsky's own addiction to roulette, which was in more ways than one the inspiration for the book. Dostoevsky completed the novella in 1866 under a strict deadline to pay off gambling debts.The Gambler treated a subject Fyodor Dostoevsky himself was familiar with gambling. Fyodor Dostoevsky gambled for the first time at the tables at Wiesbaden in 1862. From that time till 1871, when his passion for gambling subsided, he played at Baden-Baden, Homburg, and Saxon-les-Bains frequently, often beginning by winning a small amount of money and losing far more in the end.

A Classic Russian Novella that has influenced Kafka's The Metamorphosis, Ralph Ellison's Invisible Man, Brett Easton Ellis' novel American Psycho, and Martin Scorsese's Taxi Driver. Notes from Underground, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done? The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.

Crime and Punishmentis a novel by the Russian author Fyodor Dostoevsky. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who formulates a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with the money he could liberate himself from poverty and go on to perform great deeds. However, once it is done he finds himself racked with confusion, paranoia, and disgust for what he has done. His ethical justifications disintegrate completely as he struggles with guilt and horror and confronts the real-world moral consequences of his deed.

Fyodor Mikhailovich Dostoevsky (11 November 1821 - 9 February 1881), sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. Dostoevsky's oeuvre consists of 11 novels, three novellas, 17 short stories and numerous other works. Many literary critics rate him as one of the greatest psychologists in world literature.

"A Gentle Creature" is a 1876 short story by Fyodor Dostoyevsky. Inspired by a real story of a seamstress who committed suicide in 1876, it chronicles the relationship between a girl and a pawnbroker whose shop she visits frequently. When a 16-year-old girl frequently pawns her belongings so that she can advertise as a governess in the newspaper, her dire financial situation is made apparent to the shop owner and narrator, who resolves to give her as much as he can for the things she brings. After some investigating, our narrator learns that she answers to two greedy aunts who have arranged a marriage for her that promises to be abusive. In an attempt to save her from that fate, he himself proposes to the young woman, who accepts. However, perhaps things would have gone better if he had never proposed at all. Fyodor Mikhailovich Dostoevsky (1821 – 881) was a Russian novelist, essayist, short story writer, journalist, and philosopher. His literature examines human psychology during the turbulent social, spiritual and political atmosphere of 19th-century Russia, and he is considered one of the greatest psychologists in world literature. A prolific writer, Dostoevsky produced 11 novels, three novellas, 17 short stories and numerous other works. This volume is not to be missed by fans of Russian literature and lovers of Dostoevsky's seminal work. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

In "Notes from Underground" by Fyodor Dostoevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries.The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological. Almost always he is alone, betrayed by unrestrained "dreaming", explores his own consciousness and his own soul. The purpose of his confession is "to test whether is it possible at all to be completely frank with oneself and not to be afraid of all the truth".

The Brothers Karamazov by Fyodor Mikhailovich Dostoyevsky

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Crime and Punishment by Fyodor Mikhailovich Dostoyevsky Unabridged 1866

The Idiot a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868-9. The title is an ironic reference to the central character of the novel, Prince Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest.

The Gambler was written under the pressure of crushing debt. It is a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky-who once gambled away his young wife's wedding ring-knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

Fyodor Dostoevsky’s classic tale of one man’s pure innocence in the face of a society obsessed with power, money, and manipulation The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this “positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature. Richard Pevear and Larissa Volokhonsky’s masterful translation of The Idiot is destined to stand with their versions of Crime and Punishment, The Brothers Karamazov, and Demons as the definitive Dostoevsky in English.

Inspired by the true story of a political murder that horried Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

Poor Folk, Dostoevsky’s first novel, released in 1846, occupies a position of particular interest and importance in the history of Russian literature, as it represents the confluence of important literary traditions, especially the influence of Gogol. While a natural starting point for anyone who reads Dostoevsky, the author made a point of saying that the style of the novel was not his. Robert Dessaix’s introduction to this edition focuses on the history of styles that Dostoevsky used in this very self-consciously literary debut.

Devils, also known in English as The Possessed and The Demons, was first published in 1871-2. The third of Dostoevsky's five major novels, it is at once a powerful political tract and a profound study of atheism, depicting the disarray which follows the appearance of a band of modish radicals in a small provincial town. Dostoevsky compares infectious radicalism to the devils that drove the Gadarene swine over the precipice in his vision of a society possessed by demonic creatures that produce devastating delusions of rationality. Dostoevsky is at his most imaginatively humorous in Devils: the novel is full of buffoonery and grotesque comedy. The plot is loosely based on the details of a notorious case of political murder, but Dostoevsky weaves suicide, rape, and a multiplicity of scandals into a compelling story of political evil. This new translation also includes the chapter `Stavrogin's Confession', which was initially considered to be too shocking to print. In this edition it appears where the author originally intended it.

A collection of articles, sketches, and letters spanning 33 years in Fyodor Dostoevsky's writing career, from 1847, just after the successful publication of his first novel, until 1880, a year before his death. This volume allows the reader to measure the broad scope of his artistic development and the changes that occurred as a result of such cataclysmic events as Dostoevsky's arrest and trial for treason and his subsequent imprisonment and exile in Siberia.

Award-winning translators Richard Pevear and Larissa Volokhonsky give us a brilliantly faithful rendition of this classic novel, in all its tragedy and tormented comedy. In this second edition, they have updated their translation in honor of the 200th anniversary of Dostoevsky’s birth. One of the most remarkable characters in literature, the unnamed narrator of Dostoevsky's most revolutionary novel is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.