Best Selling Books by Fyodor Dostoevsky

Devils, also known in English as The Possessed and The Demons, was first published in 1871-2. The third of Dostoevsky''s five major novels, it is at once a powerful political tract and a profound study of atheism, depicting the disarray which follows the appearance of a band of modish radicals in a small provincial town. Dostoevsky compares infectious radicalism to the devils that drove the Gadarene swine over the precipice in his vision of a society possessed by demonic creatures that produce devastating delusions of rationality. Dostoevsky is at his most imaginatively humorous in Devils: the novel is full of buffoonery and grotesque comedy. The plot is loosely based on the details of a notorious case of political murder, but Dostoevsky weaves suicide, rape, and a multiplicity of scandals into a compelling story of political evil. This new translation also includes the chapter `Stavrogin''s Confession'', which was initially considered to be too shocking to print. In this edition it appears where the author originally intended it.

The Gambler was written under the pressure of crushing debt. It is a stunning psychological portrait of a young man''s exhilarating and destructive addiction, a compulsion that Dostoevsky-who once gambled away his young wife''s wedding ring-knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

Poor Folk, Dostoevsky’s first novel, released in 1846, occupies a position of particular interest and importance in the history of Russian literature, as it represents the confluence of important literary traditions, especially the influence of Gogol. While a natural starting point for anyone who reads Dostoevsky, the author made a point of saying that the style of the novel was not his. Robert Dessaix’s introduction to this edition focuses on the history of styles that Dostoevsky used in this very self-consciously literary debut.

Crime and Punishment by Fyodor Mikhailovich Dostoyevsky Unabridged 1866

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Crime and Punishmentis a novel by the Russian author Fyodor Dostoevsky. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who formulates a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with the money he could liberate himself from poverty and go on to perform great deeds. However, once it is done he finds himself racked with confusion, paranoia, and disgust for what he has done. His ethical justifications disintegrate completely as he struggles with guilt and horror and confronts the real-world moral consequences of his deed.

A Classic Russian Novella that has influenced Kafka''s The Metamorphosis, Ralph Ellison''s Invisible Man, Brett Easton Ellis'' novel American Psycho, and Martin Scorsese''s Taxi Driver. Notes from Underground, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man''s diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky''s What Is to Be Done? The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.

The Brothers Karamazov by Fyodor Mikhailovich Dostoyevsky

The Idiot is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-69.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man."[1] The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.