New Releases by Georges Simenon

Brooding and propulsive, Georges Simenon’s indictment of American suburbia follows a Connecticut lawyer who, after years of jealousy and rage, finally tears down the facade of his perfect life. Donald Dodd has always envied Ray Sanders. A Madison Avenue adman with an actress wife and a gift for womanizing, Ray grabs anything he wants from life. Donald, his best friend from Yale, has chosen a safer, more circumspect path. Respected in his job as a small-town lawyer, he’s faithfully married to the serene Isabel, a Mayflower descendant, while their two daughters attend a prestigious Connecticut boarding school. It’s an irreproachable existence indeed. But everything changes one winter night at a party, when Donald catches Ray with the host’s beautiful young wife. Suddenly, Donald’s years of jealousy boil over into rage. But is he actually capable of murder? Under Georges Simenon’s unsparing gaze, the psychological fault lines of 1960s American suburbia are exposed as never before.

The story of how it all began: an investigation into a dynastic family pulls a young Maigret away from his desk and into a web of fame, money, and corruption. At age twenty-six, Maigret is a secretary at the Saint-Georges district police station: a lowly, mostly deskbound job. Late one night, a young musician comes in. He had been walking home, he says, when he saw a woman at the window of a mansion, shouting for help. Then a gunshot rang out. The mansion belongs to the Gendreau-Balthazar family, Maigret realizes, whose coffee brand is a household name. Such a high-profile case could be his big break—except this family has powerful friends, among them Maigret’s boss. Can the ambitious young officer conduct an honest investigation? Or must he choose between his idealism and his hopes of promotion? A taut and unpredictable thriller, Maigret’s First Case is also a finely shaded psychological portrait of the fledgling genius who will—one day—become France’s most famous detective.

“Dark, disturbing . . . Simenon discovered something fundamental about the soul.” —The Guardian A string of murders has the small French town of La Rochelle in its grip. The victims, all elderly women, have been found strangled with cello string—in cafés, over card games, near the canal. As the winter rain gives cover to the killer stalking the streets with impunity, we watch as he deliberates over and justifies his heinous acts to himself, unaware that the quiet, unassuming tailor, Kachoudas, has discovered his secret. In this chilling game of cat and mouse we follow along in the steps of the killer, unsure if his crimes will be brought to light by the one man who knows his secret, or if Kachoudas will end up being the next of his victims in this masterful tale of murder and intrigue.

“Simenon has concentrated noir into a darkness as solid and heavy as the interior of a dwarf star.” —William T. Vollmann What happens to everyday morality in a time of political deceit and betrayal? In an unnamed city under military occupation, nineteen-year-old Frank—a low-level thug and thief—should be content enough with his warm home and full stomach, even against the dreariness of an endless winter. Instead, though, he’s inexorably drawn to commit a string of brutal, senseless acts of violence. Set against the backdrop of a bleak, pitiless world, Georges Simenon’s The Snow Was Dirty is a peerless indictment and examination of the chilling banality of evil.

“The Blue Room is a wondrous achievement, brief, inexorable, pared to, and agonizingly close to, the bone, and utterly compelling; in short, a true and luminous work of art.” —John Banville He felt no resentment toward Andrée for biting his lip. In the context of their lovemaking, it had its place. For Tony and Andrée, there are no rules when they meet in the blue room at the Hôtel des Voyageurs. Their adulterous affair is intoxicating, passionate—and dangerous. It soon turns into a nightmare from which there can be no escape. Heart-pounding and high-stakes, The Blue Room is a stylish and sensual psychological thriller that weaves a story of cruelty, reckless lust, and relentless guilt.

“I’ve read a lot of Simenon, who’s a favorite writer of mine.” —Sigrid Nunez In a run-down Paris suburb, housebound widow Juliette Boynet is strangled. For Inspector Maigret, this murder hits home more than most: he’s well acquainted with Juliette’s live-in carer, her selfless niece Cécile. For months, the frightened young woman has complained of an unseen nocturnal intruder. And less than twenty-four hours after her aunt’s murder, Cécile is also found dead. She didn’t have an overactive imagination after all, Maigret reflects guiltily. Focusing his investigation on Cécile and Juliette’s apartment building, with its eccentric concierge and motley assortment of tenants, Maigret ponders how the two murders are linked. Does the wealthy Juliette’s criminal activity hold the answer? Did an heir kill for an inheritance? Or is the truth stranger than even Maigret can foresee? With deft care, Maigret untwists an astonishing tale of greed and treachery in Cécile Is Dead.

When a drowned man comes back to life, Georges Simenon’s detective must figure out who might have wanted him dead—before they try again. Emile Ducrau, the kingpin of a small town on the outskirts of Paris, is stabbed and left for dead in the harbor one night. When he’s pulled from the water and miraculously revived, he enlists the help of Maigret to figure out who was behind the attempted murder. As Maigret sorts through the complex web of deceit, abuse, money, and power that darken Emile’s many dealings in the town, he must also deal with the specter of his own looming retirement. But even as Maigret navigates the domineering Ducrau’s attempts to control his investigation, and contemplates his offer of a job, he’s jolted out of his reverie by two more deaths and must solve the case before the killer can strike again.

A moody, rain-swept mystery from Georges Simenon that unfolds in a border town haunted by floods and deep secrets. In The Flemish House, Maigret arrives in the rainy, flood-prone town of Givet on the Belgian border to solve the case of a missing young woman. He has been hired by the wealthy Peeters family, who are suspected of being responsible, to clear their name. As he plumbs the mysteries, prejudices, and hidden dramas of this town caught between two worlds, he has to decide whether there was foul play involved in the vanishing of the young woman, or if she has simply been chased away by the oppressive air of this benighted and fraught no-man’s-land. As he investigates, he finds himself becoming increasingly fascinated by Anna Peeters, the daughter of the family, who, stoic and unemotional, seems to be the linchpin in the strange compact that keeps the family together.

An eerie mystery in which a local wine dealer is shot and a strange yellow dog starts to circle the town—Inspector Maigret must navigate small-town dynamics to find the elusive culprit. Late at night in a small seaside town, not a single light is on, and everyone is asleep. Or almost everyone: a man, drunk, departs for home after another evening at a hotel bar, where he and a few others regularly gather. Suddenly, he collapses—struck by a gunshot. The victim turns out to be the town’s most successful wine dealer, and the event soon leads to a series of other curiosities: poisoned drinks at the bar, another man found missing, and a dirty yellow dog haunting the neighborhood, accompanied by large, unfamiliar boot tracks. Detective Chief Inspector Maigret, who happens to be nearby heading up a mobile unit, arrives swiftly to resolve the growing confusion. Though a chill sets over town, with townspeople remaining tight-lipped, Maigret’s pursuit of the truth in Georges Simenon’s The Yellow Dog makes for a thrilling, breathless adventure.

Another riveting tale from Georges Simenon, in which two siblings, living in isolation, are suspects in a tale of deception, theft, and murder. It’s been seventeen hours of interrogation, yet Carl Andersen’s air of elegance remains unruffled. Inspector Maigret is bewildered by the behavior exhibited by the only probable suspect of the case at Three Widows Crossroads, the location of Carl’s isolated mansion where he lives with his sister Else. The Saturday evening prior, Carl and Else go to sleep, after Carl has locked her away in her bedroom as usual—a curious habit, notes Maigret, but stranger things soon arise. Carl’s faraway neighbor Monsieur Michonnet discovers that his flashy new automobile has swapped places with Carl’s run-down vehicle; what’s more, in the front seat of Michonnet’s car sits a dead man, a Belgian diamond merchant no one purports to know, shot point-blank in the chest. Hours later, Carl and Else are caught trying to embark on a train to Paris. It’s bizarre business, but Maigret is determined to shake off the unease and find out what the residents of Three Widows Crossroads are covering up in The Night at the Crossroads, an exciting, unnerving story from the inimitable Georges Simenon.

In this first installment in Georges Simenon’s legendary Inspector Maigret series, M. Maigret hunts down an elusive and notorious confidence man, but finds that identifying him is a game of doubles, intrigue, and hidden crimes. When Detective Chief Inspector Maigret receives notice from Interpol that Pietr the Latvian, an infamous con man, is on his way to Paris, he rushes to intercept him at the train station. But when he arrives he is confounded to find two men who fit the description of the wanted man. One is alive, the other dead. So who is Pietr? A businessman or a bootlegger? Is he Latvian, American, or Russian? In order to find out, Maigret must use his keen understanding of human nature, his gift for observation, and his famous instincts to track down the true suspect in Pietr the Latvian, the first mystery in Georges Simenon’s iconic series.

Inspector Maigret believes a man he convicted may not be guilty after all—and so hatches an audacious plan to save him before he is condemned to death. A man escapes out of the High Surveillance wing of the most infamous penitentiary in Paris. Members of the Police Judiciaire see him, but no one moves a muscle. In fact, it’s part of a daring plan concocted by Inspector Maigret, who thinks Joseph Heurtin may not be guilty of the murder of Madame Henderson and her maid—despite Maigret’s having convicted Joseph himself months before. Once on the loose, Joseph is the subject of careful surveillance: will the accused return to his ring of criminal masterminds, or is he indeed as unknowing as he maintained in every interrogation? With his career hanging in the balance, and a search for the escapee ongoing, Maigret must prove Joseph’s innocence before it’s too late, before an execution comes to pass. Georges Simenon’s A Man’s Head is a suspenseful, thrilling tale of a desperate quest for the truth.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Investigating the murder of one of Paris's elite, the detective Maigret finds the list of suspects is longer than anyone could have imagined When a wealthy wine merchant is shot and killed in Paris, Inspector Maigret must investigate a long list of family, colleagues and lovers to uncover just who could have committed the crime. Delving into the depths of the man's personality, Maigret discovers that the victim may have made one too many enemies on his way to the top. Breathlessly paced and psychologically astute, Maigret and the Wine Merchant is a thrilling mystery from the master Georges Simenon.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré When a familiar face from Maigret's past brings him word of a mysterious killing, the Inspector jumps on the case When a long lost friend pays a visit to Maigret's office, he is shocked to learn that the man's roommate has been murdered. With the help of his old friend, Maigret delves into the life of the victim and finds a complex web of relationships that leads him to the culprit. Absorbing and impossible to predict, Maigret's Childhood Friend is a riveting mystery that reveals a new shade to the iconic detective.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré When his relaxing vacation is interrupted by a small-town murder, Inspector Maigret can't resist lending his investigative powers to the case Inspector Maigret and his wife take a much needed holiday to Vichy, where they quickly become used to the slower pace of life. But when a woman who they regularly pass by on their daily strolls is murdered, Maigret can't help but offer his assistance to the local Inspector, a former colleague of his. Set against a backdrop of gorgeous French countryside, Maigret in Vichy shows that even when our trusty detective is outside his jurisdiction, he is still very much in his element.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré During a high-profile hunt for the latest criminal gang to hit Paris, Maigret is determined to track down the murderer of a quiet crook whom he cannot help but respect When the body of Honoré Cuendot, an old burglar acquaintance of Maigret’s, is found in the Bois de Boulogne with his face bashed in, Maigret is appalled that his superiors consider it a mere gangland killing. And there’s a personal element to this case as well: Maigret rather liked Cuendot. Instead of concentrating on the flashy bank robberies occupying the rest of his department, Maigret decides to inquire into Cuendot’s life—and finds himself tied up in the bank robberies, too, along the way. A deliberate, involving murder mystery that only the likes of our trusty Inspector could solve, Maigret and the Lazy Burglar reveals that Maigret’s famous intuition is only one of his skills, and that his incredible empathy is just as important for bringing about justice.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré When a wealthy aristocrat is found murdered in his home, Inspector Maigret must navigate a high-stakes case in the moneyed world of Paris’s upper crust Maigret is called to the home of Armand de Saint-Hilaire, a highly respected diplomat who has been found by his housekeeper, shot dead in his study. Maigret is urged to be discrete in his investigation, but after interviewing everyone concerned, the inspector is at a loss to the identity of the perpetrator—until he comes across a series of letters spanning decades between the victim and a widowed woman. As Maigret uncovers the details behind the pair’s relationship, he gets closer to discovering the tragic truth behind the official’s demise. With the pressure mounting, the inspector must navigate class divides and his own position in society to uncover the killer. Maigret and the Old People is an absorbing mystery and a thoughtful examination of the different worlds money creates.

'Compelling, remorseless, brilliant' John Gray For the first time in his career Inspector Maigret receives written summons to the Prefect's office where he learns that he has been accused of assaulting a young woman. With his career and reputation on the line, Maigret must fight to prove his innocence. This novel has been published in a previous translation as Maigret on the Defensive. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'His artistry is supreme' John Banville 'Why all of a sudden did this shock him? He was annoyed with himself for being shocked. He felt as if he had been sucked into the bourgeois, almost edifying, atmosphere that surrounded those epeople, 'good people' so everyone kept telling him.' A retired manufacturer has been shot dead by his own pistol, last seen alive by his son-in-law. In this seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth. This novel has been published in a previous translation as Maigret and the Black Sheep. 'One of the greatest writers of the twentieth century ' Guardian

'His artistry is supreme' John Banville Certain details of the case were etched more sharply than others in Maigret's memory. Even years later he could recall the particular taste and smell of the rain shower in Rue Caulaincourt as keenly as a childhood memory. At a dinner party, Maigret recounts an old case in which Adrien Josset is found guilty and executed for the murder of his wife, Christine. As the case develops under the controlling hand of the magistrate, all clues point to Josset's guilt yet Maigret is left unconvinced following his one interview with him. Years after the case, Maigret still doubts the true identity of the murderer. This novel has been published in a previous translation as Maigret Has Doubts. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré When a young woman with a dark past is found dead on the streets of Paris, Inspector Maigret is on the case A young woman named Lulu, who has a history of brushes with the law and once lived on the streets of the 18th arrondissement, is found murdered in Paris. Maigret is called to the scene and soon learns that her boyfriend, a musician, has gone into hiding upon reading the news of her death. And when the Inspector learns that the young victim was pregnant, he begins to suspect the case might be more sinister than he imagined.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Maigret stumbles upon a series of murders in Fontenay-le-Comte while visiting an old school friend On his way home from a conference, Maigret stops to visit an old school friend in Fontenay-le-Comte. A man in the same train car introduces himself and asks if Maigret has come to help solve the murder case. In fact, the man’s brother-in-law had been murdered four days earlier, followed by the murder of a local widow in the same way, a blow to the head with a pipe. While Maigret is in town, a third murder is reported. Maigret soon discovers that there are two warring factions in the town, a clear class separation, and an air of suspicion that only he can put to rest.

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Inspector Maigret takes a case from a lively old widow whose maid has been poisoned The inexplicable murder of the wealthy Valentine Besson’s maid leads the older woman to believe that she herself was the intended target. Inspector Maigret undertakes the investigation, meeting Mrs. Besson’s dysfunctional family and a cavalcade of suspects. As he delves into the case, Maigret must unravel a tangled web of family politics—and confront Valentine’s stepsons, who may be harboring dark secrets of their own.

The city of Simenon's youth comes to life in this new translation of this disturbing novel set in Liège, book ten in the new Penguin Maigret series. In the darkness, the main room is as vast as a cathedral. A great empty space. Some warmth is still seeps from the radiators. Delfosse strikes a match. They stop a moment to catch their breath, and work out how far they have still to go. And suddenly the match falls to the ground, as Delfosse gives a sharp cry and rushes back towards the washroom door. In the dark, he loses his way, returns and bumps into Chabot. Maigret observes from a distance as two boys are accused of killing a rich foreigner in Liège. Their loyalty, which binds them together through their adventures, is put to the test, and seemingly irrelevant social differences threaten their friendship and their freedom. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret at the "Gai-Moulin". 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'Powerful . . . unputdownably gripping' Guardian 'The island itself. Its throbbing heat as if in a belljar under the sun, the scorpion in his son's bed, the deafening sound of cicadas' During his first holiday on the island of Porquerolles Dr Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence - or may destroy him. This is the first English translation of The Mahé Circle, Simenon's dark, malevolent depiction of an ordinary man trapped in mundanity and consumed by obsession. 'Extraordinary . . . Simenon is one of the most important writers of the 20th century' Independent

'Compelling, remorseless, brilliant' John Gray A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging. On the edge of a forest: a man hanging from every branch. A church steeple: beneath the weathercock, a human body dangling from each arm of the cross. . . Below another sketch were written four lines from François Villon's Ballade of the Hanged Men. On a trip to Brussels, Maigret unwittingly causes a man's suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself. This novel has been published in previous translations as Maigret and the Hundred Gibbets and The Crime of Inspector Maigret. 'One of the greatest writers of the twentieth century' Guardian

Newly translated for this edition. A young Frenchman, Joseph Timar, travels to Gabon carrying a letter of introduction from an influential uncle. He wants work experience; he wants to see the world. But in the oppressive heat and glare of the equator, Timar doesn’t know what to do with himself, and no one seems inclined to help except Adèle, the hotel owner’s wife, who takes him to bed one day and rebuffs him the next, leaving him sick with desire. But then, in the course of a single night, Adèle’s husband dies and a black servant is shot, and Timar is sure that Adèle is involved. He’ll cover for the crime if she’ll do what he wants. The fix is in. But Timar can’t even begin to imagine how deep. In Tropic Moon, Simenon, the master of the psychological novel, offers an incomparable picture of degeneracy and corruption in a colonial outpost.

Pedigree is Georges Simenon’s longest, most unlikely, and most adventurous novel, the book that is increasingly seen to lie at the heart of his outsize achievement as a chronicler of modern self and society. In the early 1940s, Simenon began work on a memoir of his Belgian childhood. He showed the initial pages to André Gide, who urged him to turn them into a novel. The result was, Simenon later quipped, a book in which everything is true but nothing is accurate. Spanning the years from the beginning of the century, with its political instability and terrorist threats, to the end of the First World War in 1918, Pedigree is an epic of everyday existence in all its messy unfinished intensity and density, a story about the coming-of-age of a precocious and curious boy and the coming to be of the modern world.

Restored to print for the first time in more than forty years, The President was hailed by the New York Times as a “tour de force” At 82, the former premier lives in alert and suspicious retirement—self exile—on the Normandy coast, writing his anxiously anticipated memoirs and receiving visits from statesman and biographers. In his library is the self-condemning, handwritten confession of the premier’s former attaché, Chalamont, hidden between the pages of a sumptuously produced work of privately printed pornography—a confession that the premier himself had dictated and forced Chalamont to sign. Now the long-thwarted Chalamont has been summoned to form a new coalition in the wake of the government’s collapse. The premier alone possesses the secret of Chalamont’s guilt, of his true character—and has publicly vowed: “He’ll never be Premier as long as I’m alive... Nor when I’m dead, either.” Inspired by French Premier Georges Clemenceau, The President is a masterpiece of psychological suspense and a probing account of the decline of power.

Against all expectations Marcel Féron has made a “normal” life in a bucolic French suburb in the Ardennes. But on May 10, 1940, as Nazi tanks approach, this timid, happy man must abandon his home and confront the “Fate” that he has secretly awaited. Separated from his pregnant wife and young daughter in the chaos of flight, he joins a freight car of refugees hurtling southward ahead of the pursuing invaders. There, he meets Anna, a sad-looking, dark- haired girl, whose accent is “neither Belgian nor German,” and who “seemed foreign to everything around her.” As the mystery of Anna’s identity is gradually revealed, Marcel leaps from the heights of an exhilarating freedom to the depths of a terrifying responsibility—one that will lead him to a blood-chilling choice. When it first appeared in English in 1964, British novelist and critic Brigid Brophy declared The Train to be “the novel his admirers had been expecting all along from Simenon.” Until The Train, she wrote, the dazzlingly prolific novelist had been “a master without a masterpiece.”