New Releases by Gustave Dore

THE DORE GALLERY OF BIBLE ILLUSTRATIONS, Complete With Classic and Antique ILLUSTRATIONSBible illustrations with engravings by Gustave Doré, published in 1866. This is one of the most popular sets of Bible illustrations.

Hello!, please be aware these illustrations are scans and not engravings. The Dover's illustrations are better than these, this is just a cheaper alternative with more of Gustave Dore's Biblical illustrations. 246 of these prints are from the Dore Bible Gallery and his work for the Holy Bible. 20 prints come from Gustave Dore's work for the epic poem Paradise Lost. The remaining 9 prints are rare, independent works of Gustave Dore. Thank you all.

Welcome to Gustave Dore Remastered, presented by Studio 57. 246 of these prints are from the Dore Bible Gallery and his work for the Holy Bible. Twenty prints come from Gustave Dore's work for the epic poem Paradise Lost. The remaining 7 prints are rare, independent works of Gustave Dore. Thank you all and I hope you enjoy these illustrations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Samuel Taylor Coleridge's "The Rime of the Ancient Mariner (Illustrated Edition)" is a masterful exploration of nature, sin, and redemption framed within a haunting narrative poem. Composed in 1798 during the Romantic period, this work employs vivid imagery and rich symbolism, drawing readers into the mariner's harrowing journey across tempestuous seas. The text intricately weaves themes of isolation and the supernatural, as the mariner encounters various allegorical figures, battling both external forces and his internal guilt. The illustrations accompanying this edition enhance the eerie ambiance of the poem, providing visual depth to Coleridge's contemplative verses, which reflect a deep engagement with the human psyche and the natural world. Coleridge, a pivotal figure in English Romanticism, was profoundly influenced by his own tumultuous experiences and philosophical inquiries into nature and spirituality. His friendships with contemporaries such as William Wordsworth fostered creative exchanges that informed his work, encouraging him to delve into the complexities of human emotion and moral reflection. "The Rime of the Ancient Mariner" stands as a testament to Coleridge's innovative use of language and structure, capturing the essence of his era while paving the way for future literary explorations. This illustrated edition of Coleridge's seminal work is essential for anyone intrigued by the intersections of nature and humanity, morality, and adventure. Readers will find themselves entranced by the mariner's tale, a richly layered narrative that resonates on both emotional and intellectual levels. Whether a newcomer to Romantic literature or a seasoned scholar, this edition offers invaluable insights into one of the most revered poems in the English canon.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Two Hundred Sketches Humorous and Grotesque Gustave Dore These drawings are, indeed, outrageously grotesque. We feel ourselves in the plight of the lover of old, "Perhaps it was right to dissemble your love, but-why did you kick me down-stairs?" So here-any queer contortions of the human face or form may pass muster: but-why all these monsters? We own to a sort of revulsion from the big-head-and-little-body kind of caricature. Respected prelates do not look well thus put into two foci: nor do imaginary beings such as those with which this book is filled. Such a preponderance of the pure grotesque seems to us to swamp genuine humour. The one natural group of "doggies," on p. 12, strikes our fancy more than most things in the book. When M. Dore' conies to the caricature of real life, he does not seem to us to shine. E.g., "M. Berniquet's Visit to the Country" is not for a moment to be compared with the M. Jabot and M. Pipon of our younger days. The likenesses are not at all well kept up, and the humour is sometimes of the flattest. But there are some very clever things. Among them are the sketches called "Consequences of the London Exhibition of 1862." The boat full of Chinese on p. 42, and the triple groups sleeping on a roof at 300 francs each, are the best of these. Here and there we have some broad humour: but never, either in drawing or humour, does M. Dore rise to the level of our best English caricaturists. The fun is torn to rags, not quiet and lurking, as in their drawings. And four out of five of the jokes are, at least in their English dress, not worth having, to begin with. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The tales of Mother Goose Illustrations By Gustave Doré

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Illustrations to History of the Crusades Gustave Dore This glorious collection includes 60 of Gustave Doré illustrations relating to the crusdaes, plates include: 1. The Ottomans Penetrate Hungary 2. Blondel Hears the Voice of Richard 3. The Massacre of Antioch 4. The Discovery of the True Cross 5. A Celestial Light 6. Glorious Death of de Maille 7. Gerard of Avesnes Exposed on the Walls of Asur 8. Apparition of Saint George on the Mount of Olives 9. Celestial Phenomena 10. Death of Baldwin I 11. An Enemy of the Crusaders 12. Godfrey Enters Jerusalem 13. Edward III Kills his Attempted Assassin 14. Ilghazy Gives Gauthier his Life 15. A Friendly Tournament 16. Florine of Burgundy 17. Death of Frederick of Germany 18. Assassination of Henry of Germany 19. Crusade Against the Moors of Granada 20. Christian Chevaliers Captive at Cairo 21. For the Defense of Christ 22. Louis VII 23. Dandolo Preaching the Crusade 24. Crusaders Surrounded by Saladin's Army 25. Gaining Converts 26. Prayers for the Dead 27. Godfrey Imposes Tributes upon Emirs 28. Hospitality of Barbarians to Pilgrims 29. Mourzoufle Parlaying with Dandolo 30. Muhammad II before Constantinople

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a collection of illustrations by Gustave Dore of scenes from the Bible. He worked from about 1845-1870. His works are dramatic, demonstrating his keen ability to capture human emotion and passion related to the events depicted. He is a true master of wood cuts and engravings. His illustrations of Cervantes' novel Don Quixote are renowned.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection includes 103 illustrations of Miguel de Cervantes' classic book "Don Quixote." They were done in England by 19th Century artist Gustave Dore. He was a master of engraving and painting. He worked with immense skill from about 1850 to 1875, mostly in London. He is famous for a collection of illustrations of the English Bible, and of sites in London.

This Is A New Release Of The Original 1903 Edition.

This Is A New Release Of The Original 1890 Edition.

“O human race, born to fly upward, wherefore at a little wind dost thou so fall?” Inferno, Purgatorio, and Paradiso--the three fates of the deceased become the three pillars of an epic poem. The Divine Comedy, written by Italian poet Dante Alighieri in the fourteenth century, is considered the foremost work in Italian literature. The journey begins with Dante’s descent into the depths of Hell where he witnesses those eternally separated from God. Then he climbs the mountain of Purgatory where Christian souls undergo final purification, before finally touring the celestial circles of Heaven where he is filled with the image of God. An allegorical work, the comedy is representative of the soul’s journey towards God. Influential for seven centuries, this classic is a must have for lovers of great literature.

1866. A collection of the favorite old tales. Illustrated by the pencil of Gustave Doré. Told in verse by Tom Hood. Includes: The Sleeping Beauty -- Little Red Riding Hood -- Puss in Boots -- Cinderella -- Hop O' my Thumb.