Most Popular Books by Gustave Dore

“O human race, born to fly upward, wherefore at a little wind dost thou so fall?” Inferno, Purgatorio, and Paradiso--the three fates of the deceased become the three pillars of an epic poem. The Divine Comedy, written by Italian poet Dante Alighieri in the fourteenth century, is considered the foremost work in Italian literature. The journey begins with Dante’s descent into the depths of Hell where he witnesses those eternally separated from God. Then he climbs the mountain of Purgatory where Christian souls undergo final purification, before finally touring the celestial circles of Heaven where he is filled with the image of God. An allegorical work, the comedy is representative of the soul’s journey towards God. Influential for seven centuries, this classic is a must have for lovers of great literature.

This book is a collection of illustrations by Gustave Dore of scenes from the Bible. He worked from about 1845-1870. His works are dramatic, demonstrating his keen ability to capture human emotion and passion related to the events depicted. He is a true master of wood cuts and engravings. His illustrations of Cervantes'' novel Don Quixote are renowned.

The tales of Mother Goose Illustrations By Gustave Doré

1866. A collection of the favorite old tales. Illustrated by the pencil of Gustave Doré. Told in verse by Tom Hood. Includes: The Sleeping Beauty -- Little Red Riding Hood -- Puss in Boots -- Cinderella -- Hop O'' my Thumb.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1903 Edition.

Two Hundred Sketches Humorous and Grotesque Gustave Dore These drawings are, indeed, outrageously grotesque. We feel ourselves in the plight of the lover of old, "Perhaps it was right to dissemble your love, but-why did you kick me down-stairs?" So here-any queer contortions of the human face or form may pass muster: but-why all these monsters? We own to a sort of revulsion from the big-head-and-little-body kind of caricature. Respected prelates do not look well thus put into two foci: nor do imaginary beings such as those with which this book is filled. Such a preponderance of the pure grotesque seems to us to swamp genuine humour. The one natural group of "doggies," on p. 12, strikes our fancy more than most things in the book. When M. Dore'' conies to the caricature of real life, he does not seem to us to shine. E.g., "M. Berniquet''s Visit to the Country" is not for a moment to be compared with the M. Jabot and M. Pipon of our younger days. The likenesses are not at all well kept up, and the humour is sometimes of the flattest. But there are some very clever things. Among them are the sketches called "Consequences of the London Exhibition of 1862." The boat full of Chinese on p. 42, and the triple groups sleeping on a roof at 300 francs each, are the best of these. Here and there we have some broad humour: but never, either in drawing or humour, does M. Dore rise to the level of our best English caricaturists. The fun is torn to rags, not quiet and lurking, as in their drawings. And four out of five of the jokes are, at least in their English dress, not worth having, to begin with. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hello!, please be aware these illustrations are scans and not engravings. The Dover''s illustrations are better than these, this is just a cheaper alternative with more of Gustave Dore''s Biblical illustrations. 246 of these prints are from the Dore Bible Gallery and his work for the Holy Bible. 20 prints come from Gustave Dore''s work for the epic poem Paradise Lost. The remaining 9 prints are rare, independent works of Gustave Dore. Thank you all.

Welcome to Gustave Dore Remastered, presented by Studio 57. 246 of these prints are from the Dore Bible Gallery and his work for the Holy Bible. Twenty prints come from Gustave Dore''s work for the epic poem Paradise Lost. The remaining 7 prints are rare, independent works of Gustave Dore. Thank you all and I hope you enjoy these illustrations.