New Releases by Hans Christian

"We fly over the shores of Denmark, to far-off foreign countries and arrive in the south, in Greece with its beautiful turquoise sea" In Greece, two boys had, for a long time, been bound in a bond of friendship. They were now adults and each had a family, but one day, one of them was killed by the Turks, as was his wife. His daughter was therefore welcomed by his old friend who decided to raise little Anastasia with his own son. The two children quickly grew very close, but the Turks were not far off. Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

One day, a great meeting of noble children was held in the merchant’s house. Two little girls boasted about the fame and wealth of their parents. A poor boy, was peaking in through the open door and was vexed... If only he know what was waiting for him! Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

Hans Christian Andersen was a Danish prolific writer of plays, travelogues, novels, and poems. But he is best remembered for his fairy tales. Andersen's fairy tales have become culturally embedded in the West's collective consciousness. These spellbinding tales have enchanted adults and children for almost 200 years, featuring quirky characters, poignant plots and a range of important morals. In this book collected some of the best and most popular Hans Christian Andersen fairy tales: “Little Thumbelina”, “The fir tree”, “The steadfast tin-soldier”, “Little Tuk”, “The Ugly Duckling” “The Snow-queen”, “The Little Mermaid”, “Little Ida's flowers”, “Sunshine stories”, “The Darning-needle”, “The little match girl”, “The loving pair and oth-ers”. Andersen’s tales in this collection are illustrated by famous artist Nataly Ger.

In every peasant dwelling, lives a goblin, a small invisible creature, who plays all kinds of tricks on the inhabitants. At least, that is what the peasants believe, but one woman, the gardener’s wife, did not believe this. Yet, they really do exist, and the little goblin who lived in the gardener’s house was very angry that the woman did not believe in him! Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

When I was a child, my godfather offered me a picture book for Christmas every year. He made the books himself and the best part was when he looked at the pictures with us and told us the stories associated with them. The most beautiful picture book I received from him was inspired by an oil lamp the evening when, for the last time, oil lamps lit Copenhagen before gas lamps took over. The oil lamp had plenty of tales to tell! Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

Johanne and Knud lived close to the town of Kjöge, where there are many gardens that extend as far as the river. There is not much else, but it is charming in summer! It was under the willow-tree in one of these gardens that Johanne and Knud spent a great deal of their time and theirs was a beautiful friendship. But everything would change when Johanne had to leave for Copenhagen with her father! Would they remain friends? Or even, as Knud hoped, could they become more than friends? Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

You must attend to the commencement of this story, for when we get to the end we shall know more than we do now about a very wicked hobgoblin; he was one of the very worst, for he was a real demon. One day, when he was in a merry mood, he made a looking-glass which had the power of making everything good or beautiful that was reflected in it almost shrink to nothing, while everything that was worthless and bad looked increased in size and worse than ever. The most lovely landscapes appeared like boiled spinach, and the people became hideous, and looked as if they stood on their heads and had no bodies. Their countenances were so distorted that no one could recognize them, and even one freckle on the face appeared to spread over the whole of the nose and mouth. The demon said this was very amusing. When a good or pious thought passed through the mind of any one it was misrepresented in the glass; and then how the demon laughed at his cunning invention. All who went to the demon's school- for he kept a school- talked everywhere of the wonders they had seen, and declared that people could now, for the first time, see what the world and mankind were really like. They carried the glass about everywhere, till at last there was not a land nor a people who had not been looked at through this distorted mirror. They wanted even to fly with it up to heaven to see the angels, but the higher they flew the more slippery the glass became, and they could scarcely hold it, till at last it slipped from their hands, fell to the earth, and was broken into millions of pieces. But now the looking-glass caused more unhappiness than ever, for some of the fragments were not so large as a grain of sand, and they flew about the world into every country. When one of these tiny atoms flew into a person's eye, it stuck there unknown to him, and from that moment he saw everything through a distorted medium, or could see only the worst side of what he looked at, for even the smallest fragment retained the same power which had belonged to the whole mirror. Some few persons even got a fragment of the looking-glass in their hearts, and this was very terrible, for their hearts became cold like a lump of ice. A few of the pieces were so large that they could be used as window-panes; it would have been a sad thing to look at our friends through them. Other pieces were made into spectacles; this was dreadful for those who wore them, for they could see nothing either rightly or justly. At all this the wicked demon laughed till his sides shook- it tickled him so to see the mischief he had done. There were still a number of these little fragments of glass floating about in the air, and now you shall hear what happened with one of them. In a large town, full of houses and people, there is not room for everybody to have even a little garden, therefore they are obliged to be satisfied with a few flowers in flower-pots. In one of these large towns lived two poor children who had a garden something larger and better than a few flower-pots. They were not brother and sister, but they loved each other almost as much as if they had been. Their parents lived opposite to each other in two garrets, where the roofs of neighboring houses projected out towards each other and the water-pipe ran between them. In each house was a little window, so that any one could step across the gutter from one window to the other. The parents of these children had each a large wooden box in which they cultivated kitchen herbs for their own use, and a little rose-bush in each box, which grew splendidly. Now after a while the parents decided to place these two boxes across the water-pipe, so that they reached from one window to the other and looked like two banks of flowers. Sweet-peas drooped over the boxes, and the rose-bushes shot forth long branches, which were trained round the windows and clustered together almost like a triumphal arch of leaves and flowers. The boxes were very high, and the children knew they must not climb upon them, without permission, but they were often, however, allowed to step out together and sit upon their little stools under the rose-bushes, or play quietly. In winter all this pleasure came to an end, for the windows were sometimes quite frozen over. But then they would warm copper pennies on the stove, and hold the warm pennies against the frozen pane; there would be very soon a little round hole through which they could peep, and the soft bright eyes of the little boy and girl would beam through the hole at each window as they looked at each other. Their names were Kay and Gerda. In summer they could be together with one jump from the window, but in winter they had to go up and down the long staircase, and out through the snow before they could meet. "See there are the white bees swarming," said Kay's old grandmother one day when it was snowing. "Have they a queen bee?" asked the little boy, for he knew that the real bees had a queen. "To be sure they have," said the grandmother. "She is flying there where the swarm is thickest. She is the largest of them all, and never remains on the earth, but flies up to the dark clouds. Often at midnight she flies through the streets of the town, and looks in at the windows, then the ice freezes on the panes into wonderful shapes, that look like flowers and castles." "Yes, I have seen them," said both the children, and they knew it must be true. "Can the Snow Queen come in here?" asked the little girl. "Only let her come," said the boy, "I'll set her on the stove and then she'll melt." Then the grandmother smoothed his hair and told him some more tales. One evening, when little Kay was at home, half undressed, he climbed on a chair by the window and peeped out through the little hole. A few flakes of snow were falling, and one of them, rather larger than the rest, alighted on the edge of one of the flower boxes. This snow-flake grew larger and larger, till at last it became the figure of a woman, dressed in garments of white gauze, which looked like millions of starry snow-flakes linked together. She was fair and beautiful, but made of ice- shining and glittering ice. Still she was alive and her eyes sparkled like bright stars, but there was neither peace nor rest in their glance. She nodded towards the window and waved her hand. The little boy was frightened and sprang from the chair; at the same moment it seemed as if a large bird flew by the window. On the following day there was a clear frost, and very soon came the spring. The sun shone; the young green leaves burst forth; the swallows built their nests; windows were opened, and the children sat once more in the garden on the roof, high above all the other rooms. How beautiful the roses blossomed this summer. The little girl had learnt a hymn in which roses were spoken of, and then she thought of their own roses, and she sang the hymn to the little boy, and he sang too:- "Roses bloom and cease to be, But we shall the Christ-child see." Then the little ones held each other by the hand, and kissed the roses, and looked at the bright sunshine, and spoke to it as if the Christ-child were there. Those were splendid summer days. How beautiful and fresh it was out among the rose-bushes, which seemed as if they would never leave off blooming. One day Kay and Gerda sat looking at a book full of pictures of animals and birds, and then just as the clock in the church tower struck twelve, Kay said, "Oh, something has struck my heart!" and soon after, "There is something in my eye." The little girl put her arm round his neck, and looked into his eye, but she could see nothing. "I think it is gone," he said. But it was not gone; it was one of those bits of the looking-glass- that magic mirror, of which we have spoken- the ugly glass which made everything great and good appear small and ugly, while all that was wicked and bad became more visible, and every little fault could be plainly seen. Poor little Kay had also received a small grain in his heart, which very quickly turned to a lump of ice. He felt no more pain, but the glass was there still. "Why do you cry?" said he at last; "it makes you look ugly. There is nothing the matter with me now. Oh, see!" he cried suddenly, "that rose is worm-eaten, and this one is quite crooked. After all they are ugly roses, just like the box in which they stand," and then he kicked the boxes with his foot, and pulled off the two roses. "Kay, what are you doing?" cried the little girl; and then, when he saw how frightened she was, he tore off another rose, and jumped through his own window away from little Gerda. When she afterwards brought out the picture book, he said, "It was only fit for babies in long clothes," and when grandmother told any stories, he would interrupt her with "but;" or, when he could manage it, he would get behind her chair, put on a pair of spectacles, and imitate her very cleverly, to make people laugh. By-and-by he began to mimic the speech and gait of persons in the street. All that was peculiar or disagreeable in a person he would imitate directly, and people said, "That boy will be very clever; he has a remarkable genius." But it was the piece of glass in his eye, and the coldness in his heart, that made him act like this. He would even tease little Gerda, who loved him with all her heart. His games, too, were quite different; they were not so childish. One winter's day, when it snowed, he brought out a burning-glass, then he held out the tail of his blue coat, and let the snow-flakes fall upon it. "Look in this glass, Gerda," said he; and she saw how every flake of snow was magnified, and looked like a beautiful flower or a glittering star. "Is it not clever?" said Kay, "and much more interesting than looking at real flowers. There is not a single fault in it, and the snow-flakes are quite perfect till they begin to melt." Soon after Kay made his appearance in large thick gloves, and with his sledge at his back. He called up stairs to Gerda, "I've got to leave to go into the great square, where the other boys play and ride." And away he went. In the great square, the boldest among the boys would often tie their sledges to the country people's carts, and go with them a good way. This was capital. But while they were all amusing themselves, and Kay with them, a great sledge came by; it was painted white, and in it sat some one wrapped in a rough white fur, and wearing a white cap. The sledge drove twice round the square, and Kay fastened his own little sledge to it, so that when it went away, he followed with it. It went faster and faster right through the next street, and then the person who drove turned round and nodded pleasantly to Kay, just as if they were acquainted with each other, but whenever Kay wished to loosen his little sledge the driver nodded again, so Kay sat still, and they drove out through the town gate. Then the snow began to fall so heavily that the little boy could not see a hand's breadth before him, but still they drove on; then he suddenly loosened the cord so that the large sled might go on without him, but it was of no use, his little carriage held fast, and away they went like the wind. Then he called out loudly, but nobody heard him, while the snow beat upon him, and the sledge flew onwards. Every now and then it gave a jump as if it were going over hedges and ditches. The boy was frightened, and tried to say a prayer, but he could remember nothing but the multiplication table. The snow-flakes became larger and larger, till they appeared like great white chickens. All at once they sprang on one side, the great sledge stopped, and the person who had driven it rose up. The fur and the cap, which were made entirely of snow, fell off, and he saw a lady, tall and white, it was the Snow Queen. "We have driven well," said she, "but why do you tremble? here, creep into my warm fur." Then she seated him beside her in the sledge, and as she wrapped the fur round him he felt as if he were sinking into a snow drift. "Are you still cold," she asked, as she kissed him on the forehead. The kiss was colder than ice; it went quite through to his heart, which was already almost a lump of ice; he felt as if he were going to die, but only for a moment; he soon seemed quite well again, and did not notice the cold around him. "My sledge! don't forget my sledge," was his first thought, and then he looked and saw that it was bound fast to one of the white chickens, which flew behind him with the sledge at its back. The Snow Queen kissed little Kay again, and by this time he had forgotten little Gerda, his grandmother, and all at home. "Now you must have no more kisses," she said, "or I should kiss you to death." Kay looked at her, and saw that she was so beautiful, he could not imagine a more lovely and intelligent face; she did not now seem to be made of ice, as when he had seen her through his window, and she had nodded to him. In his eyes she was perfect, and she did not feel at all afraid. He told her he could do mental arithmetic, as far as fractions, and that he knew the number of square miles and the number of inhabitants in the country. And she always smiled so that he thought he did not know enough yet, and she looked round the vast expanse as she flew higher and higher with him upon a black cloud, while the storm blew and howled as if it were singing old songs. They flew over woods and lakes, over sea and land; below them roared the wild wind; the wolves howled and the snow crackled; over them flew the black screaming crows, and above all shone the moon, clear and bright,- and so Kay passed through the long winter's night, and by day he slept at the feet of the Snow Queen.

Once upon a time there was an honest piece of silver who passed from hand to hand and happily discovered his country. One day, his current owner travelled abroad, taking the piece of silver by accident – he only intended to take money from the country he was going to. And this is when the real adventures of the piece of silver began... Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

In the rose bush in the middle of the garden lived a tiny elf, she was so small that it was impossible to see her with the naked eye. Behind each rose petal hides a room and the elf spent her days exploring the garden. At the bottom of the garden was a house where one day she saw a charming young woman, her lover and her evil brother. The tiny elf then found herself in the front row of a drama that would leave no one indifferent. Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

Next to a long-abandoned castle, grows a jungle of burdock. Under the great green leaves live two old snails, descended from a long lineage, whose ancestors were served on silver platters to the inhabitants of the castle. The couple are waiting for just one thing, to be cooked as well... Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

A prince wanted to find a real princess, but although he travelled the world, which is full of princesses, he could not find a real princess. So, he returned home, sad and empty-handed. But one stormy night, a soaking wet princess knocked on his door and asked for shelter for the night. The prince’s mother was not convinced that she was a real princess and decided to find out the truth. Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

Rare edition with unique illustrations. Hans Christian Andersen was a Danish author best known for writing children's stories including "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that.

Rare edition with unique illustrations. Hans Christian Andersen was a Danish author best known for writing children's stories including "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. "The Steadfast Tin Soldier" is a literary fairy tale by Hans Christian Andersen about a tin soldier's love for a paper ballerina. After several adventures, the tin soldier perishes in a fire with the ballerina.

Rare edition with unique illustrations. Hans Christian Andersen was a Danish author best known for writing children's stories including "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. The Princess and the Pea is a literary fairy tale by Hans Christian Andersen about a young woman whose royal identity is established by a test of her physical sensitivity. The story tells of a prince who wants to marry a princess, but is having difficulty finding a suitable wife. Something is always wrong with those he meets, and he cannot be certain they are real princesses. One stormy night a young woman drenched with rain seeks shelter in the prince's castle. She claims to be a princess, so the prince's mother decides to test their unexpected unwitting guest by placing a pea in the bed she is offered for the night, covered by 20 mattresses and 20 feather-beds. In the morning, the guest tells her hosts that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her. The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum.

Rare edition with unique illustrations. Hans Christian Andersen was a Danish author best known for writing children's stories including "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. "The Wild Swans" is a literary fairy tale by Hans Christian Andersen about a princess who rescues her eleven brothers from a spell cast by an evil queen.

Hans Christian Andersen was a Danish author best known for writing children's storiesincluding "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. "The Wild Swans" is a literary fairy tale by Hans Christian Andersen about a princesswho rescues her eleven brothers from a spell cast by an evil queen. Includes vintage illustration!

Some of our most well-known tales were originated by the pen of Hans Christian Andersen. A prolific writer, Andersen’s oeuvre includes plays, novels, and poems but he is most well-regarded for his fairy tales. Stories such as “The Princess and the Pea”,” “The Ugly Duckling,” and “The Emperor’s New Clothes” are incredibly well-known and all from the mind of this illustrious fairy tale author. This lovely edition features color and black and white illustrations by Danish artist Kay Nielsen as well as all new foreword by Joan D. Vinge. There is an otherworldly quality in Nielsen’s art-deco styled pieces that provide adventurous and vibrant versions of these sixteen stories. The art still feels completely fresh and unique in this collection of masterworks featuring including “The Nightingale,” “The Red Shoes,” “The Snow Queen,” and others. These enchanting stories are wonderful for children, and collectors of fine art alike. Experience these classics again, and pick up this beautiful edition of Hans Christian Andersen’s Fairy Tales.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A retelling of Hans Christian Andersen's classic fairy tale about a girl who is only one inch tall.

Thirty of Hans Christian Andersen's most cherished stories in single volumes Illustrator various artists. Known all over the world, these fairytales hold stories of great value and are a source of inspiration for both young and old.

'Little Claus ans Big Claus' by Hans Christian Andersen. (Un-illustrated) First published in 1835.IN a village there once lived two men who had the same name. They were both called Claus. One of them had four horses, but the other had only one; so to distinguish them, people called the owner of the four horses, “Great Claus,” and he who had only one, “Little Claus.” Now we shall hear what happened to them, for this is a true story...

This touching fairy tale is Hans Christian Andersen’s tragic story of a young girl who’s left alone on the snowy streets the night of New Year’s Eve. In the cold and dark of a snowy New Year’s Eve, a young girl desperately tries to sell enough matches so she can return home without facing punishment from her father. But as night draws in, and the child fails to sell her wares, she begins to use the matches as a last attempt to stay warm. As she loses consciousness, she begins to envision the most beautiful things around her. First published in 1824, this classic story is a moral tale, evidencing the result of selfish or uncaring behaviour. As part of the Golden Age of Illustration series, this edition of The Little Match Girl features beautiful artwork from the likes of Arthur Rackham, Mabel Lucie Attwell, Harry Clarke, Honor Appleton, Maxwell Armfield, among others.

Hans Christian Andersen's classic tale of The Ugly Duckling illustrated in colour and black and white by English illustrator John Hassall. Here he shows his wonderful poster style that so suits children's books. Pook Press celebrates the great Golden Age of Illustration in children's literature. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in high quality, colour editions, using the original text and artwork so these works can delight another generation of children.

Hans Christian Andersen was a Danish author, fairy tale writer, and poet noted for his children's stories. These include "The Steadfast Tin Soldier," "The Snow Queen," "The Little Mermaid," "Thumbelina," "The Little Match Girl," and "The Ugly Duckling." During his lifetime he was acclaimed for having delighted children worldwide, and was feted by royalty. His poetry and stories have been translated into more than 150 languages. They have inspired motion pictures, plays, ballets, and animated films. -wikipedia

This volume of the Golden Age of Illustration Series contains Hans Christian Andersen's most famous tale 'The Little Mermaid', first published in May of 1837. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, W. Heath Robinson, Harry Clarke, Honor Appleton, Anne Anderson, Edmund Dulac, Mable Lucie Attwell, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and - most importantly - the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales.

This volume of the Golden Age of Illustration Series contains Hans Christian Andersen's 'The Emperor's New Clothes', first published in May of 1837. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, W. Heath Robinson, Harry Clarke, Milo Winter, Anne Anderson, Edmund Dulac, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and - most importantly - the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales.

The famous Andersen's tale about the adventures of a tiny girl born from a flower.

A fairy tale by Hans Christian Andersen, illustrated by Jordan Tremper.

Stories that have delighted children and fascinated adults for over a century are the heritage of Hans Christian Andersen. This collection has been selected and translated with the growing audience of adults--both students and general readers--in mind, and displays the full range of Andersen’s authorship, from parable to science fiction. In this fresh, contemporary translation Rossel and Conroy have endeavored to “preserve for the English-speaking audience the engaging duplicity of Andersen’s style, the tension of play between his sympathetic conversational tone and his use of the studied effect.” This is a tension between the simplicity of stories intended to be read aloud to children ad the subtlety of the allegory skillfully woven into each for the adults who would be listening and “must have something to think about,” as Andersen said. The introductions provide an overview of Andersen’s life and struggle to become an author, as well as an analysis of his contributions as an artist and storyteller. Each story has also been provided with an endnote giving publication dates, information about the genesis of the tale, and relevant comments by Andersen and other. Readers who remember with nostalgia such tales as “The Ugly Duckling” and “The Little Match Girl” may be surprised to find the biting satire in many of the stories, such as “The Nightingale” and “The Gardener and the Lord and Lady,” the revealing self-portraits of the author in “The Sweethearts,” “The Butterfly,” and “The Shadow,” the mysticism of “The story of a Mother” and “The Bell” the prophetic quality of “In a Thousand Years Time,” and the complexity and charm of “the Snow Queen.” The book contains the drawings of Vilhelm Pedersen and Lorenz Frolich that originally appeared in the first illustrated Danish editions of Andersen’s tales and stories.