Best Selling Books by Harlan Ellison

“An enjoyable, irascible collection” of smart and sometimes-scathing film criticism from a famously candid author (Library Journal). Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism. It’s pure, raw, unapologetic opinion. Star Wars? “Luke Skywalker is a nerd and Darth Vader sucks runny eggs.” Big Trouble in Little China? “A cheerfully blathering live-action cartoon that will give you release from the real pressures of your basically dreary lives.” Despite working within the industry himself, Ellison never learned how to lie. So punches go unpulled, the impersonal becomes personal, and sometimes even the critics get critiqued, as he shares his views on Pauline Kael or Siskel and Ebert. Ultimately, it’s a wild journey through the cinematic landscape, touching on everything from Fellini to the Friday the 13th franchise. As Leonard Maltin writes in his preface, “I don’t know how valuable it is to learn Harlan Ellison’s opinion of this film or that, but I do know that reading an Ellison essay is gong to be provocative, infuriating, hilarious, or often a combination of the above. It is never time wasted. . . . Let me assure you, Harlan Ellison is never dull.”

Fifteen masterpieces of speculative short fiction, including Hugo and Nebula Award–winning stories from the acclaimed author of Shatterday. “These are not stories that should be forgotten; and some of you are about to read them for the first time . . . I envy you.” —Neil Gaiman, #1 New York Times–bestselling author of American Gods, from his Foreword In a post-apocalyptic future, fifteen-year-old Vic wanders the wasteland with Blood, his genetically-altered telepathic dog, in a struggle for survival against violent marauders, deadly radioactive insects, and an underground community desperate to restore the human race in the Hugo Award–nominated and Nebula Award–winning novella, “A Boy and His Dog,”—the basis of the cult classic film. An intergalactic conspiracy infects the minds of the most powerful politicians in the Republican Party—and only one jolly old elf can save them in “Santa Claus vs. S.P.I.D.E.R.” And in the Hugo Award–winning title story, disparate threads of violence, conflict, and conversation weave an intricate tapestry across worlds and times in an experimental tour-de-force of the imagination. This groundbreaking collection brings together some of Harlan Ellison’s most innovative and intriguing stories, frightening and funny visions of human nature that can only come from the peerless Grand Master of Science Fiction. “One of the great living American short story writers.” —The Washington Post Includes: “The Beast That Shouted Love at the Heart of the World,” “Along the Scenic Route,” “Phoenix,” “Asleep: With Still Hands,” “Santa Claus vs. S.P.I.D.E.R.,” “Try a Dull Knife,” “The Pitll Pawob Division,” “The Place With No Name,” “White on White,” “Run For the Stars,” “Are You Listening?,” “S.R.O.,” “Worlds to Kill,” “Shattered Like a Glass Goblin,” “A Boy and His Dog”

Includes the Nebula and Hugo Award–winning story, “ ‘Repent, Harlequin!’ Said the Ticktockman.” A special new collection of Ellison’s short stories, selected especially for this volume by the author, including the newly revised and expanded tale “Never Send to Know for Whom the Lettuce Wilts.” In a career spanning more than fifty years, Harlan Ellison has written or edited seventy-five books, more than seventeen hundred stories, essays, articles, and newspaper columns, two dozen teleplays, and a dozen movies. Now, for the first time anywhere, Troublemakers presents a collection of Ellison’s classic stories that will introduce new readers to a writer described by the New York Times as having “the spellbinding quality of a great nonstop talker, with a cultural warehouse for a mind.” Includes the award‐winning stories “‘Repent, Harlequin!’ Said the Ticktockman” and “Deeper Than the Darkness.”

Harlan Ellison’s Dangerous Visions made history on its release, receiving a special citation at the World Science Fiction Convention as that year’s “most significant and controversial SF book published.” A landmark short story collection that put New Wave Science Fiction on the literary map, Dangerous Visions won several prestigious awards and was nominated for many others. This now-classic anthology includes thirty-three stories by thirty-two award-winning authors, over half of whom have won multiple Hugo and Nebula Awards. Contributing authors include: Robert Silverberg, Frederik Pohl, Brian W. Aldiss, Philip K. Dick, Larry Niven, Fritz Leiber, Poul Anderson, Theodore Sturgeon, J.G. Ballard, Samuel R. Delany, and Ellison himself. As relevant now as it was when first published, Dangerous Visions is a phenomenal collection that deserves a place on every bookshelf.

A collection of award-winning short stories by Harlan Ellison, an eight-time Hugo Award winner, five-time Bram Stoker Award winner, and four-time Nebula Award winner. As one of the great writers of speculative fiction of the twentieth century, Harlan Ellison shaped the science fiction, fantasy, and horror genres. This inventive and provocative collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as readers discovering this zany, polyphonic writer for the first time. Featuring these stories and many more: “‘Repent, Harlequin,’ Said the Ticktockman” — Hugo Award winner “I Have No Mouth, and I Must Scream” — Bram Stoker Award winner “Mefisto in Onyx” — Bram Stoker Award winner “Jeffty Is Five” — British Fantasy Award winner “Shatterday” — Twilight Zone episode “The Whimper of Whipped Dogs” — Edgar Allan Poe Award winner “Paladin of the Lost Hour” — Hugo Award winner, Twilight Zone episode A must-read for sci-fi book lovers and fans of Ray Bradbury, Ursula K. Le Guin, and Isaac Asimov, this career-spanning compilation of classic short stories is also perfect for readers who enjoyed Dangerous Visions, A Boy and His Dog, or other Harlan Ellison books.

In 1977, film producers approached Harlan Ellison with a view to producing a screenplay based on Asimov''s story-cycle, ''I, Robot''. The screenplay that Ellison produced is here presented in book format and brought to life by the illustrations of Mark Zug.

The late, multi-award-winning author of The Glass Teat continues his critical assault on television in this second collection of classic criticism. In the late 1960s and early 1970s, there were only three major television networks broadcasting original programs and news. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep.” For nearly four years, he channel surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers. The Other Glass Teat: Further Essays of Opinion on the Subject of Television collects Ellison’s final fifty columns, presenting his thoughts on everything from dramas and sitcoms to game shows and roundtable discussions, unleashing his fury against sponsors, the nightly news, and the broadcasts of President Nixon—warning readers about the commander-in-chief’s war against the media long before the Watergate scandal broke. As television has evolved into wireless streaming services and digital interactions on portable devices, Ellison’s timeless rage against the machine has become prophecy. His plea to unplug is an even more necessary call to action in the face of the twenty-first century’s media onslaught. Also available: The Glass Teat: Essays of Opinion on the Subject of Television

Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.

Herein lies in written form Harlan Ellison’s Movie, the full‐length feature film Ellison created when a producer at 20th Century‐Fox said, “If we gave you the money, and no interference, what sort of movie would you write?” Well, that producer is no longer at the studio; he left the entire venue of moviemaking after Harlan Ellison’s Movie was seen by the Suits. There is no use even trying to describe what the film is about, except to confirm the long‐standing rumor that it contains a scene in which a 70‐foot‐tall boll weevil chews and swallows an entire farmhouse and silo on‐camera. (It is Scene 33C.)

A follow-up to the original groundbreaking collection, Again, Dangerous Visions features forty-six short stories from giants of the science fiction genre. Grand Master of the Science Fiction Writers of America and winner of countless awards—including the Hugo, Nebula, Edgar Allan Poe, and Bram Stoker—Harlan Ellison proved once more that he was both unpredictable and irrepressible in this second collection of innovative science fiction. Again, Dangerous Visions—the middle installment in a planned three anthology series—includes award-winning stories from incomparable writers such as Ursula K. Le Guin, Gene Wolfe, Ray Bradbury, Kurt Vonnegut, Piers Anthony, Dean Koontz, and James Tiptree, among many others. Unprecedented and electrifying, Again, Dangerous Visions cemented Harlan Ellison’s legacy as the ultimate sci-fi anthologist.

“One of the great . . . American short-story writers” exposes the darkness of the human heart in these speculative tales of terror and tragedy (George R. R. Martin). A five-year-old boy never ages, living as an immortal in a past that no longer exists while the world encroaches upon his innocence, in the Hugo and Nebula Award–winning “Jeffty Is Five.” An alien attack leaves Earth on the brink of Armageddon, as humans find themselves unable to resist the sexual allure of their invaders in “How’s the Night Life on Cissalda?” In the Nebula Award–nominated “Shatterday” (subsequently adapted into the pilot episode of the second Twilight Zone series), a man fights for his life against a relentless enemy who knows his darkest secrets—his own doppelganger. In these and other thought-provoking stories, legendary author Harlan Ellison dissects the primal fears and inherent frailties common to all people and gives voice to the thoughts and feelings human beings bury deep within their souls. Unflinching and unapologetic, Ellison depicts men and women in all their ugliness and beauty, and humanity in all its fury and glory. Stories include “Introduction: Mortal Dreads,” “Jeffty Is Five,” “How’s the Night Life on Cissalda?,” “Flop Sweat,” “Would You Do it For a Penny?” (written in collaboration with Haskell Barkin), “The Man Who Was Heavily Into Revenge,” “Shoppe Keeper,” “All the Lies That Are My Life,” “Django,” “Count the Clock That Tells the Time,” “In the Fourth Year of the War,” “Alive and Well on a Friendless Voyage,” “All the Birds Come Home to Roost,” “Opium,” “The Other Eye of Polyphemus,” “The Executioner of the Malformed Children,” and “Shatterday.”

With a foreword by Stephen King: Provocative and entertaining pieces from the multiple award-winning author. Pure, hundred‐proof distillation of Ellison. A righteous verbal high. Here you will find twenty of his very best stories and essays, including the four‐part ‘Scenes from the Real World,” an anecdotal history of the doomed TV series, The Starlost, that he created for NBC; “Tales from the Mountains of Madness”; and his hilariously brutal reportage on the three most important things in life, sex, violence, and labor relations. With an absolutely killer foreword by Stephen King.

Stories of fear in all its forms, from “the leading craftsman in the literature of terror and dread” (Louisville Courier Journal & Times). You have nothing to fear but fear itself. The only trouble is, fear comes in so many different shapes and sizes these days—the rejection by a beautiful woman, the threat of impending nuclear holocaust, the erratic behavior of wackos walking the streets who only need a wrong word and there they go to the top of an apartment building with a sniperscope’d rifle. Fear is all around you, and the minute you get all the rational fears taken care of, all battened down and secure, here comes something new. Like the special fears generated in these sixteen incredible stories. Fear described as it has never been described before, by the startling imagination of Harlan Ellison, master fantasist, tour guide through the land of dreadful visions, unerring observer of human folly and supernatural diabolism.

Twenty-one works from “one of the most brilliant, innovative, and eloquent writers on earth,” including the award-nominated novella Mefisto in Onyx (Publishers Weekly). Harlan Ellison celebrates four decades of writing and publishes his seventieth book, this critically acclaimed, wildly imaginative, and outrageously creative collection. The Edgar Award–nominated novella Mefisto in Onyx is the centerpiece, surrounded by screenplays, an introduction by the author, interspersed segments of autobiographical narrative, and such provocatively titled entries as “The Man Who Rowed Columbus Ashore,” “Anywhere But Here, With Anybody But You,” “Crazy As a Soup Sandwich,” “Chatting With Anubis,” “The Dragon on the Bookshelf,” (written in collaboration with Robert Silverberg), “The Dreams a Nightmare Dreams,” “Pulling Hard Time,” and “Midnight in the Sunken Cathedral.”

Tales of love, sex, and relationships as only “one of the great . . . American short story writers” can tell them (The Washington Post Book World). A one-night stand begins a tragic journey that consumes a man’s soul in “Neither Your Jenny Nor Mine.” Afraid to interact with men who would condemn her as ugly, a young woman imagines herself living the love lives of every woman she sees until one daydream becomes a nightmare in “Mona at Her Windows.” On “A Path Through the Darkness,” a man struggles to understand his attraction to a cruel, morbid woman. Multi-award-winning author Harlan Ellison shatters the rose-colored glasses view of romance in these and other stories, coming to understand the elusive power of love about in terms of the primal passions and emotional onslaughts human beings engage. Insightful and devastating, these are realistic depictions of men and women desperate to connect and communicate, only to discover that love doesn’t conquer all. Includes: “The Resurgence of Miss Ankle-Strap Wedgie,” “The Universe of Robert Blake,” “G.B.K.—A Many Flavored Bird,” “Neither Your Jenny Nor Mine,” “Riding the Dark,” “Train Out,” “Moonlighting,” “What I Did on My Vacation this Summer by Little Bobby,” “Hirschhorn, Age 27,” “Mona at Her Windows,” “Blind Bird, Blind Bird, Go Away from Me!,” “Passport,” “I Curse the Lesson and Bless the Knowledge,” “Battle Without Banners,” “A Path,” “Through the Darkness,” “A Prayer for No One’s Enemy,” “Punky & the Yale Men”

Five stories by master speculative-fiction author Harlan Ellison, adapted to graphic novel format and fully painted in full color by illustrator Ken Steacy. Out of print since 1987, the tales recount mankind''s war with an alien race. Suggested for mature readers.

"Rudy Pairis, an educated African American, is telepathic. His friend and one-time lover, deputy district attorney Allison Roche, wants him to slip into the mind of serial killer Henry Lake "Spanky" Spanning because after successfully damning Spanning to the electric chair for 29 murders, she has fallen in love with him and wants to be sure of his innocence. "--Goodreads.com.

"Get it straight right now: these aren''t kids playing games of war. They mean business. They are junior-grade killers and public enemies one through five thousand..." In Rusty Santoro''s neighborhood, the kids carry knives, chains, bricks. Broken glass. And when they fight, they fight dirty, leaving the streets littered with the bodies of the injured and the dead. Rusty wants out - but you can''t just walk away from a New York street gang. And his decision may leave his family to pay a terrible price. First published more than half a century ago and inspired by the author''s real-life experience going undercover inside a street gang, Web of the City was Harlan Ellison''s first novel and marked the long-form debut of one of the most electrifying, unforgettable, and controversial voices of 20th century letters. Appearing here for the first time together with three thematically related short stories Ellison wrote for the pulp magazines of the 1950s, Web of the City offers both a snapshot of a lost era and a portrait of violence and grief as timely as today''s most brutal headlines.

A unique anthology of stories written by Harlan Ellison in collaboration with the sci-fi masters of his time. Robert Bloch, Ben Bova, Algis Budrys, Avram Davidson, Samuel R. Delany, Joe L. Hensley, Keith Laumer, William Rotsler, Robert Sheckley, Robert Silverberg, Henry Slesar, Theodore Sturgeon, A. E. Van Vogt, Roger Zelazny, and Harlan Ellison, unassisted. If you mix Ellison with wild talents like those names listed above, you have got a book as unique as the Abominable Snowperson. Here is the first collection of collaborative stories ever created, each deranged vision complete with introduction (in the patented Ellison manner) explaining how the story was written and who gets the blame. The lunatic mind of Harlan Ellison strikes again.

Seven stunning stories of speculative fiction by the author of A Boy and His Dog. In a post-apocalyptic world, four men and one woman are all that remain of the human race, brought to near extinction by an artificial intelligence. Programmed to wage war on behalf of its creators, the AI became self-aware and turned against humanity. The five survivors are prisoners, kept alive and subjected to brutal torture by the hateful and sadistic machine in an endless cycle of violence. This story and six more groundbreaking and inventive tales that probe the depths of mortal experience prove why Grand Master of Science Fiction Harlan Ellison has earned the many accolades to his credit and remains one of the most original voices in American literature. I Have No Mouth and I Must Scream also includes “Big Sam Was My Friend,” “Eyes of Dust,” “World of the Myth,” “Lonelyache,” Hugo Award finalist “Delusion for a Dragon Slayer,” and Hugo and Nebula Award finalist “Pretty Maggie Moneyeyes.”

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan''s Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as A Boy and His Dog, Xenogenesis, and Mefisto in Onyx. Includes black-and-white photos.

An essential collection of short stories and essays from the multi-award-winning author of Deathbird Stories. “Arguably the best and most prolific author of novellas and novelettes that Anglophone letters has produced.” —Norman Spinrad, author of Bug Jack Barron, from his Foreword Despite the awards and accolades that categorize Harlan Ellison as a science fiction writer, his canon of work spans a diverse range of categories across fiction and nonfiction. He is, first and foremost, a writer of the human condition, whether he’s richly imagining characters’ experiences and adventures or commenting on the foibles and follies of those he had the misfortune to meet and observe. Over the Edge brings together ten of Ellison’s stories and three of his essays. From a sheriff’s ignoble end in an Old West town to a conspiracy on the steel beams of a construction site and an astronaut’s lonely existence and descent into madness, Ellison’s fiction resides in a genre of his own creation. Meanwhile, his commentary about topics such as writing for Star Trek and interactions with fans captures real human behavior more bizarre and horrifying than anything his imagination can conjure. Includes: “Pennies, Off a Dead Man’s Eyes,” “The End of the Time of Leinard,” “3,” “Faces of Fear: An Essay,” “Blind Lightning,” “Walk the High Steel,” “Shadow Play,” “The Words in Spock’s Mouth: An Essay,” “From a Great Height,” “Night Vigil,” “Xenogenesis: An Essay,” “Rock God,” “Ah-Wegh Thogha,” “Ernest and the Machine God”

The classic collection of criticism about television and American culture from the late, multi-award-winning legend. From 1968 through 1972, Harlan Ellison penned a series of weekly columns, sharing his uncompromising thoughts about contemporary television programming for the Los Angeles Free Press, a.k.a. “The Freep,” a countercultural, underground newspaper. Sitcoms and variety shows, westerns and cop dramas, newscasts and commercials, Ellison left no pixilated stone unturned, expounding on the insipidness, hypocrisy, and malaise found in the glowing images projected into the faces of American audiences. The Glass Teat: Essays of Opinion on the Subject of Television collects fifty-two of Ellison’s columns—including his 2011 introduction “Welcome to the Gulag,” his unapologetic commentary about how cellphones and the internet have extended television’s reach, eroding intelligence and freedom and creating a legion of bloodshot eyed zombies unable to communicate beyond their screens or think for themselves. Provocative and prescient, irreverent and insightful, Ellison’s critical analyses of the glowing box that became the center of American life are even more relevant in the twenty-first century. Also available: The Other Glass Teat: Further Essays of Opinion on the Subject of Television

Over the course of his legendary career, Harlan Ellison has defied-and sometimes defined-modern fantasy literature, all while refusing to allow any genre to claim him. A Grand Master of the Science Fiction Writers of America, winner of the Lifetime Achievement Award from the Horror Writers Association, as well as winner of countless awards, including the Hugo, Nebula, Edgar Allan Poe, and Bram Stoker, Ellison is as unpredictable as he is unique, irrepressible as he is infuriating. Over thirty titles in Ellison''s brilliant catalog are now available in an elegant new package featuring Ellison himself. Genius never felt so combustible. The New York Times called him "relentlessly honest" and then used him as the subject of its famous Sunday Acrostic. People said there was no one like him, then cursed him for preventing easy sleep. But in these stories, Harlan Ellison outdoes himself, rampaging like a mad thing through love ("Cold Friend," "Kiss of Fire," "Paulie Charmed the Sleeping Woman"), hate ("Knox," "Silent in Gehenna"), sex ("Catman," "Erotophobia"), lost childhood ("One Life, Furnished in Early Poverty"), and into such bizarre subjects as the problems of blue skinned, eleven armed Yiddish aliens, what it is like to witness the end of the world, and what happens on the day the planet Earth swallows Barbra Streisand. Oh yeah, this one is a doozy Harlan Ellison has been called "one of the great living American short story writers" by the Washington Post. In a career spanning more than fifty years, he has won more awards than any other living fantasist. Ellison has written or edited seventy-four books; more than seventeen hundred stories, essays, articles, and newspaper columns; two dozen teleplays; and one dozen motion pictures. He has won the Hugo Award eight and a half times (shared once); the Nebula Award three times; the Bram Stoker Award, presented by the Horror Writers Association, five times (including the Lifetime Achievement Award in 1996); the Edgar Allan Poe Award of the Mystery Writers of America twice; the Georges Melies Fantasy Film Award twice; two Audie Awards (for the best in audio recordings); and he was awarded the Silver Pen for Journalism by PEN, the international writers'' union. He was presented with the first Living Legend Award by the International Horror Critics at the 1995 World Horror Convention. Ellison is the only author in Hollywood ever to win the Writers Guild of America award for Outstanding Teleplay (solo work) four times, most recently for "Paladin of the Lost Hour," his Twilight Zone episode that was Danny Kaye''s final role, in 1987. In 2006, Ellison was awarded the prestigious title of Grand Master by the Science Fiction and Fantasy Writers of America. Dreams With Sharp Teeth, the documentary chronicling his life and works, was released on DVD in May 2009."

Eight timeless tales from the master of speculative fiction, featuring the Nebula and Hugo Award–winning story “‘Repent, Harlequin!’ Said the Ticktockman.” Robert Heinlein says, “This book is raw corn liquor—you should serve a whiskbroom with each shot so the customer can brush the sawdust off after he gets up from the floor.” Perhaps a mooring cable might also be added as necessary equipment for reading these eight wonderful stories. They not only knock you down . . . they raise you to the stars. Passion is the keynote as you encounter the Harlequin and his nemesis, the dreaded Tictockman, in one of the most reprinted and widely taught stories in the English language; a pyretic who creates fire merely by willing it; the last surgeon in a world of robot physicians; a spaceship filled with hideous mutants rejected by the world that gave them birth. Touching, gentle, and shocking stories from an incomparable master of impossible dreams and troubling truths.

From “one of the great . . . American short story writers,” comes a collection of dark fantastical fiction (The Washington Post). In the Locus Award–winning “Croatoan,” a man descends into the sewers of New York City to confront the detritus of his irresponsibility. An “Emissary from Hamelin” presents humanity with an ultimatum, or everyone on Earth will have a dear price to pay the piper. And in the title story—famously written by the author in the storefront window of a Santa Monica bookshop—Willis Kaw is convinced that he is an alien trapped inside an Earthman’s body, only to discover his suffering serves a purpose. Strange Wine includes these three stories and a dozen more unique visions from the writer the Washington Post hails as a “lyric poet, satirist, explorer of odd psychological corners, and purveyor of pure horror and black comedy.” Includes: “Croatoan,” “Working With the Little People,” “Killing Bernstein,” “Mom,” “In Fear of K,” “Hitler Painted Roses,” “The Wine Has Been Left Open Too Long and the Memory Has Gone Flat,” “From A to Z, in the Chocolate Alphabet,” “Lonely Women Are the Vessels of Time,” “Emissary from Hamelin,” “The New York Review of Bird Seeing,” “The Boulevard of Broken Dreams,” “Strange Wine,” “The Diagnosis of Dr. D’arqueAngel”

Tales of terror and wonder from a winner of the Nebula, Hugo, Edgar, Bram Stoker, and many other awards. Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland contains sixteen masterful stories from the author’s early career. This collection shows a vibrant young writer with a wide‐ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are “All the Sounds of Fear,” “The Sky Is Burning,” “The Very Last Day of a Good Woman,” and “In Lonely Lands.” Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

From the Hugo and Nebula Award–winning author of Strange Wine: A gritty memoir of life in NYC that became the basis for a Hitchcock TV drama. Hemingway said, “A man should never write what he doesn’t know.” In the mid‐fifties, Harlan Ellison—kicked out of college and hungry to write—went to New York to start his career. It was a time of street gangs, rumbles, kids with switchblades, and zip guns made from car radio antennas. Ellison was barely out of his teens himself, but he took a phony name, moved into Brooklyn’s dangerous Red Hook section, and managed to con his way into a “bopping club.” What he experienced (and the time he spent in jail as a result) was the basis for the violent story that Alfred Hitchcock filmed as the first of his hour‐long TV dramas. This autobiography is a book whose message you will not be able to ignore or forget.

An anthology more than half a century in the making, The Last Dangerous Visions is the third and final installment of the legendary science fiction anthology series. In 1973, celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed. Now, six years after Ellison’s passing, science fiction’s most famous unpublished book is here. And with it, the heartbreaking true story of the troubled genius behind it. Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including David Brin, Max Brooks, Cory Doctorow, Dan Simmons, AE van Vogt, Edward Bryant, and Robert Sheckley, among others. With an introduction and exegesis by J. Michael Straczynski, and a story introduction by Ellison himself, The Last Dangerous Visions is an extraordinary addition to an incredible literary legacy.

The vicious dictator of a future world seeks refuge in the prehistoric past; a fast-gun sheriff refuses to lay up his weapon when his days of power are ended; sharp, small teeth horribly show what can happen to a stoolie; and in the year 2074, a consumer upgrades his mutant housebeast for this year''s model. These are a few of the things Harlan Edison dreams about. Full-color throughout. Graphic novel format.

The Hugo and Nebula Award–winning author probes topics ranging from departed pets to Lenny Bruce and San Quentin in this provocative collection of essays. A major collection of Harlan Ellison’s incomparable, troublemaking, uncompromising, confrontational essays and newspaper columns, The Harlan Ellison Hornbook mines deep into the author’s colorful past. Failed love affairs, departed pets, a defense of comic books—in lesser hands, these subjects would be pabulum or treacle. When Harlan Ellison is behind the typewriter, the mundane becomes an all‐out intellectual brawl. Emotionally moving and verbally stimulating, these columns cannot be missed, especially Ellison’s article on controversial comedian Lenny Bruce or the chilling account of the author’s trip to visit a death row inmate in San Quentin State Prison.

An irreverent, brilliant, and outspoken collection of essays by the Hugo and Nebula Award–winning author of Strange Wine. At the beginning of the 1980s, Harlan Ellison agreed to write a regular column for the L.A. Weekly on the condition that they published whatever he wrote with no revisions and no suggestions for rewrites. What resulted was impassioned, persuasive, abusive, and hilarious. Part essay, part conversation, all Ellison—these pieces provide a glimpse into a great mind, at ease in tackling both grand ideas and the minutiae of the day to day. Collected here in An Edge in My Voice, these works also open a window to a decade when a newspaper would accept such a risky venture from such a powerful voice,

A remarkably trenchant collection of early stories by “the dark prince of American letters” exploring the injustice and desperation of a forgotten America (Pete Hamill, author of A Drinking Life). Bold and uncompromising, Gentleman Junkie and Other Stories of the Hung-up Generation is a watershed moment in Harlan Ellison’s early writing career. Rather than dealing in speculative fiction, these twenty-five short stories directly tackle issues of discrimination, injustice, bigotry, and oppression by the police. Pulling from his own experience, Ellison paints vivid portraits of the helpless and downtrodden, blazing forth with the kind of unblinking honesty that would define his career. Reviewing this collection, Dorothy Parker called Ellison “a good, honest, clean writer, putting down what he has seen and known, and no sensationalism about it.”

The award-winning original teleplay that produced the most beloved episode of the classic Star Trek series—with an introductory essay by the author. USS Enterprise Starfleet officers Capt. James T. Kirk and Mr. Spock escort a renegade criminal to a nearby planet for capital punishment, and they discover the remains of a city. This ancient civilization is inhabited by the alien Guardians of Forever, who are tasked with protecting a time machine. When the criminal escapes through the portal into the past, he alters Earth’s timeline, damaging humanity’s future role among the stars. Pursuing their prisoner, Kirk and Spock are transported to 1930s Depression-era New York City—where they meet pacifist Edith Koestler, a woman whose fate is entwined with the aftermath of the most devastating war in human history. A woman whom Kirk has grown to love—and has to sacrifice to restore order to the universe. In its original form, The City on the Edge of Forever won the Writers Guild of America Award for best teleplay. As aired, it won the Hugo Award. But as Harlan Ellison recounts in his expanded introductory essay, “Perils of the ‘City,’” the televised episode was a rewrite of his creative vision perpetrated by Star Trek creator Gene Roddenberry and the show’s producers. In his trademark visceral, no-holds-barred style, the legendary author broke a thirty-year silence to set the record straight about the mythologized controversy surrounding the celebrated episode, revealing what occurred behind-the-scenes during the production. Presented here as Ellison originally intended it to be filmed, this published teleplay of The City on the Edge of Forever remains a masterpiece of speculative fiction, and a prime example of his uncanny ability to present humanity with all its virtues and faults.