New Releases by Henry David Thoreau

An American masterwork in praise of nature, self-reliance, and the simple life"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived."In 1845, the transcendentalist Henry David Thoreau moved from his home in the town of Concord, Massachusetts, to a small cabin he built by hand on the shores of Walden Pond. He spent the next two years alone in the woods, learning to live self-sufficiently and to take his creative and moral inspiration from nature. Part memoir, part philosophical treatise, part environmental manifesto, Walden is Thoreau's inspirational account of those extraordinary years and one of the most influential books ever written.

On the Duty of Civil Disobedience Henry David Thoreau - On the Duty of Civil Disobedience is an essay by American transcendentalist Henry David Thoreau that was first published in 1849. In it, Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. Thoreau was motivated in part by his disgust with slavery and the MexicanAmerican War (1846-1848).

In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you adopt such a lifestyle-and only then can you reenter society, as an enlightened being. These simple but profound musings-as well as "Civil Disobedience," his protest against the government's interference with civil liberty-have inspired many to embrace his philosophy of individualism and love of nature

This Henry David Thoreau volume is a compilation of two great Thoreau works, "On the Duty of Civil Disobedience" and "A Plea for Captain John Brown." The former title argues that individuals should not permit governments to overrule their consciences, while the latter was based on a speech pleading for the life of abolitionist John Brown. Resistance to Civil Government (Civil Disobedience) is an essay by American transcendentalist Henry David Thoreau that was first published in 1849. In it, Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. Thoreau was motivated in part by his disgust with slavery and the Mexican-American War (1846-1848). A Plea for Captain John Brown is an essay by Henry David Thoreau. It is based on a speech Thoreau first delivered to an audience at Concord, Massachusetts on October 30, 1859, two weeks after John Brown's raid on Harpers Ferry, and repeated several times before Brown's execution on December 2, 1859. It was later published as a part of Echoes of Harper's Ferry in 1860.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Henry David Thoreau built his small cabin on Walden Pond in 1845 and, for two years, lived there as simply as possible, eliminating the unnecessary material and spiritual details that intrude upon human happiness. Thoreau described his experiences in Walden, using vivid, forceful prose that transforms his reflections on nature into richly evocative metaphors. This beautiful illustrated edition brings a rarely seen visual dimension to Thoreau's philosophical masterpiece.

In 1848, Henry David Thoreau twice delivered lectures in Concord, Massachusetts, on “the relationship of the individual to the state.” The essay now known as Civil Disobedience is a significant and widely admired contribution to abolitionist literature, as well as an anti-war tract, but Thoreau’s focus is less on political organization and solidarity than it is on personal choice and individual responsibility. Cultivating personal integrity in the face of political injustice is the project Thoreau defends in Civil Disobedience; this focus has made the work highly influential for twentieth- and twenty-first-century political movements. Bob Pepperman Taylor’s new Introduction explains the work’s specific political context, helping readers to understand the text as Thoreau wrote it. The edition also offers a number of historical documents on Thoreau’s abolitionism; the war with Mexico; and Thoreau’s philosophical development in relation to other thinkers.

Resistance to Civil Government (Civil Disobedience) is an essay by American transcendentalist Henry David Thoreau that was first published in 1849. In it, Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. Thoreau was motivated in part by his disgust with slavery and the Mexican-American War (1846-1848).In 1848, Thoreau gave lectures at the Concord Lyceum entitled "The Rights and Duties of the Individual in relation to Government."This formed the basis for his essay, which was first published under the title Resistance to Civil Government in 1849 in an anthology called Æsthetic Papers. The latter title distinguished Thoreau's program from that of the "non-resistants" (anarcho-pacifists) who were expressing similar views. Resistance also served as part of Thoreau's metaphor comparing the government to a machine: when the machine was producing injustice, it was the duty of conscientious citizens to be "a counter friction" (i.e., a resistance) "to stop the machine."In 1866, four years after Thoreau's death, the essay was reprinted in a collection of Thoreau's work (A Yankee in Canada, with Anti-Slavery and Reform Papers) under the title Civil Disobedience. Today, the essay also appears under the title On the Duty of Civil Disobedience, perhaps to contrast it with William Paley's Of the Duty of Civil Obedience to which Thoreau was in part responding. For instance, the 1960 New American Library Signet Classics edition of Walden included a version with this title. On Civil Disobedience is another common title.

The largest one-volume edition of Thoreau’s 25-year journal, with “some of the most vigorous and original prose in English” and insights into the origins of Walden and other works (Washington Post). Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right. This is one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self. It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination. Yet at roughly seven thousand pages, or two million words, it remains Thoreau’s least-known work. This reader’s edition, the largest one-volume edition of Thoreau’s Journal ever published, is the first to capture the scope, rhythms, and variety of the work as a whole. Ranging freely over the world at large, the Journal is no less devoted to the life within. As Thoreau says, “It is in vain to write on the seasons unless you have the seasons in you.” “ . . . a superb and uniquely accessible edition of an essential American masterpiece.” —Booklist

In July 1845, Henry David Thoreau built a small cottage in the woods near Walden Pond in Concord, Massachusetts. During the two years and two months he spent there, he began to write Walden, a chronicle of his communion with nature that became one of the most influential and compelling books in American literature. Since its first publication on August 9, 1854, by Ticknor and Fields, the work has become a classic, beloved for its message of living simply and in harmony with nature. This edition of Walden features exquisite wood engravings by Michael McCurdy, one of America's leading engravers and woodblock artists. McCurdy's engravings bring the text to life--and illuminate the spirit of Thoreau's prose. Also included is a foreword by noted author, environmentalist, and naturalist Terry Tempest Williams who reflects upon Thoreau's message that as we explore our world and ourselves, we draw ever closer to the truth of our connectedness.

In the spring of 1845, Henry David Thoreau built a wooden hut on the shores of Walden Pond outside Concord, Massachusetts, intending to devote himself--for a time--to a simple life. The product of his two-year stay there was this volume of classic essays--one of the great books of American letters and a masterpiece of reflective philosophizing. Accounts of his daily life are interwoven with musings on the virtues of self-reliance and individual freedom, on society, government, and other topics--all expressed with clear-headed wisdom and remarkable beauty of style. Unabridged republication of the work published by Ticknor and Fields, Boston, 1854. Introductory note. 1 line illustration. 1 map.

Describes how Blanche Douglas Leathers studied the Mississippi River and passed the test to become a steamboat captain in 1894.

Thoreau developed ideas fundamental to ecology 50 years before that word was coined. He called for a science that would join man and nature--a "conscience", a moral knowledge founded on material faith. Edited by Laura Dassow Walls. Part of "The Spirit of Thoreau Series". 20-30 drawings by Thoreau.

. Simplify, Simplify distills Thoreau's massive body of work into 750 of his most profound ideas on subjects ranging from the ecology movement to English literature, from Confucius to John Milton.

This Library of America edition collects for the first time in one volume the four full-length works in which Henry David Thoreau combined his poetic sensibility, classical learning, philosophical austerity, and Yankee love of practical detail into literary masterpieces on humanity’s communion with nature. A Week on the Concord and Merrimack Rivers is based on a boat trip Thoreau took with his brother in 1839 from Concord, Massachusetts, to Concord, New Hampshire. Ten years in the writing (it was the book he retired to Walden to work on) and incorporating essays, passages from his journal, and some of his best poems, it is a superbly crafted achievement, its texture enriched by the idealism of the Transcendentalists, the delighted wordplay of an imaginative linguist, the individualism of a young America, and the earthiness of a lover of nature. Walden is a personal declaration of independence, a social experiment, and a voyage of spiritual discovery, set within the seasonal cycle of a year’s “Life in the Woods.” “Simplify, simplify” is the beat of its “more distant drummer”—to abandon waste and illusion, to get to the bottom of life’s essential needs, and to practice a new economy for humane living. Its witty and pointed rhetoric brings together language and nature, the human and nonhuman in unusual conjunctions that resonate with symbolic meanings. A manual of self-reliance as well as a masterpiece of style, it is one of the most fervently loved classics of American literature. The Maine Woods is an account of three trips taken by boat and canoe in 1846, 1853, and 1857 through an unexplored interior bypassed by westward expansion. It describes the virgin rivers and forests of Maine, the customs of woodsmen and Indian guides, the hunting of moose, and the effects of the timber industry and encroaching settlement. An early and eloquent plea for conservation by a farsighted naturalist, its close observation of the American wild becomes an examination of “the motives which carry men into the wilderness.” Cape Cod is the bleakest of Thoreau’s works, resembling Melville’s prose in its vision of the titanic indifference of nature. Cape Cod appears as both ocean and desert, a vast expanse of shipwrecks and barren soil, peopled by hardy, weathered inhabitants who seem survivors from the age of the first Pilgrims. Based upon his own visits and upon accounts from the earliest times, it is an unsentimental study of human endurance in the face of hostile elements, historical change, and natural decay. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.