Best Selling Books by Henry Louis Gates

Henry Louis Gates, Jr.''s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition''s theory of its literature, Gates uncovers a unique system for interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston''s Their Eyes Were Watching God, Ralph Ellison''s Invisible Man, and Ishmael Reed''s Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. The second volume in an enterprising trilogy on African-American literature, The Signifying Monkey--which expands the arguments of Figures in Black--makes an important contribution to literary theory, African-American literature, folklore, and literary history.

Presents an annotated version of Harriet Beecher Stowe''s classic novel "Uncle Tom''s Cabin" that describes the lives of slaves and abolitionists in the 1800s, historical discussions of the Underground Railroad, slave trade, and plantation life, and advertisements that were influenced by the novel.

A provocative anthology on questions of hate speech and speech regulation designed to protect minorities At the University of Pennsylvania, a student is reprimanded for calling a group of African-American students water buffalo. Several prominent American law schools now request that professors abstain from discussing the legal aspects of rape for fear of offending students. As debates over multiculturalism and political correctness crisscross the land, no single issue has been more of a flash point in the ongoing culture wars than hate speech codes, which seek to restrict bigoted or offensive speech and punish those who engage in it. In this provocative anthology, a range of prominent voices argue that hate speech restrictions are not only dangerous, but counterproductive. The lessons of history indicate that speech regulation designed to protect minorities is destined to be used against them. Acknowledging the legitimacy of the concerns that prompt speech codes and combining support for civil liberties with an acute concern for civil tights issues, Speaking of Race, Speaking of Sex demonstrates that it is difficult, if not impossible, to draw the line between unprotected insults and protected ideas. Decrying such speech regulation as overly concerned with the symbols of racism rather than its realities, Speaking of Race, Speaking of Sex offers a balanced and well-reasoned perspective on one of the most controversial issues of our time.

This collection of landmark slave narratives demonstrates how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition No literary genre speaks as directly and as eloquently to the brutal contradictions in American history as the slave narrative. The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person’s—and a people’s—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition. This volume collects ten works published between 1772 and 1864: • Narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America. • The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history. • The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality. • The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman. • Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft’s subversive and ingenious escape from Georgia to Philadelphia. • Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs’s complex and moving story of her prolonged resistance to sexual and racial oppression. • The narrative of the “trickster” Jacob Green (1864) presents a disturbing story full of wild humor and intense cruelty. Together, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation. Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.

An authoritative anthology tracing the history of one of the most important concepts Black people drew on to challenge the brutal, totalizing system of Jim Crow racism This book brings together a wealth of readings on the metaphor of the “New Negro,” charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States. Demonstrating how this evocative and supremely protean concept predates its popularization in Alain Locke’s 1925 anthology of the same name, The New Negro takes readers from its beginnings as a response to Henry Grady’s famous “New South” address in 1886 through the Harlem Renaissance and the New Deal. Opening a fascinating window into a largely unexplored chapter in African American, Afro-Latin American, and African intellectual history, this groundbreaking anthology includes writings by Gwendolyn Bennett, Marita Bonner, John Edward Bruce (“Bruce Grit”), Nannie Helen Burroughs, Charles W. Chesnutt, James Bertram Clarke (“José Clarana,” “Jaime Gil”), Anna Julia Cooper, Alexander Crummell, Countee Cullen, Alice Dunbar-Nelson, Marcus Garvey, Hubert Harrison, Langston Hughes, Zora Neale Hurston, D. Hamilton Jackson, Fenton Johnson, Claude McKay, Oscar Micheaux, Jeanne “Jane” Nardal, Jean Toomer, Gustavo Urrutia, Booker T. Washington, Dorothy West, Ruth Whitehead Whaley, Fannie Barrier Williams, Carter G. Woodson, and a host of others.

Offers an illustrated journey through the history and contributions of Africa''s lost civilizations, from the ancient pyramids of Nubia to the ruins of Ethiopia''s Christian kingdom to the great library and university of Timbuktu.

A major figure in African American studies, Gates (Harvard)--whose earlier works include Signifying Monkey (CH, Jun''89, 26-5523) and Thirteen Ways of Looking at a Black Man (CH, Jun''97, 34-5887)--here joins such theorists as Paul Gilroy (The Black Atlantic, CH, May''94, 31-5034), Hazel Carby (Cultures in Babylon, 1999), and Stuart Hall (editor, Representation, 1997) in taking a culture-studies approach to examining the politics and culture of the African diaspora. In four far-ranging chapters (written between 1989 and 1992), Gates considers the British Black Arts Movement and the continuing US "culture wars." Though the study is thought-provoking, this reviewer would have liked a longer preface that could effectively tie together the four separate essays. Gates sometimes (for example, in the essay titled "Critical Fanonism") succumbs to the overly dense language of theory, but at his best--as in the essay "Enlightenment''s Esau," in which he makes the case for Edmund Burke as an unlikely early anti-colonialism advocate--he is brilliant. Required reading for scholars of cultural studies and/or black-diaspora studies. Summing Up: Essential. Graduate students, researchers, faculty. Graduate Students; Researchers/Faculty. Reviewed by L. J. Parascandola.

Henry Louis Gates, Jr. presents a journey through America''s past and our nation''s attempts at renewal in this look at the Civil War''s conclusion, Reconstruction, and the rise of Jim Crow segregation. This is a story about America during and after Reconstruction, one of history''s most pivotal and misunderstood chapters. In a stirring account of emancipation, the struggle for citizenship and national reunion, and the advent of racial segregation, the renowned Harvard scholar delivers a book that is illuminating and timely. Real-life accounts drive the narrative, spanning the half century between the Civil War and Birth of a Nation. Here, you will come face-to-face with the people and events of Reconstruction''s noble democratic experiment, its tragic undermining, and the drawing of a new "color line" in the long Jim Crow era that followed. In introducing young readers to them, and to the resiliency of the African American people at times of progress and betrayal, Professor Gates shares a history that remains vitally relevant today.

Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author. "One of the greatest writers of our time."--Toni Morrison One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston''s well-known works such as "How It Feels to be Colored Me" and "My Most Humiliating Jim Crow Experience." The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer''s work, You Don''t Know Us Negroes and Other Essays is an invaluable chronicle of a writer''s development and a window into her world and time.

"Prominent African American scholar Henry Louis Gates, Jr., traced Oprah''s roots and shares the lessons of her ancestors--the legacy one generation bequeaths another, how who we are is influenced by the paths our ancestor have trod, and the extraordinary impact that even the most humble among us can have on future generations through the simple process of building a life for our loved ones. In Finding Oprah''s Roots, Henry Louis Gates, Jr., shines a searchlight into the shadows that have enveloped African American ancestry. By assembling an elite team of historians and geneticists in coordination with his well-received PBS documentary and using Oprah and her forebears as his chief example, Gates unveils a process akin to resurrection. Literally, those who were denied identity--nameless slaves who died believing their ancestors would never know them--have their identities restored here through a dazzling array of search methods. Acting as a roadmap through the intricacies of public documents and online databases, this book also highlights genetic testing resources that can make it possible to know one''s distant tribal roots in Africa. Oprah''s path back to the past was profoundly illuminating, connecting the narrative of her family to the larger American narrative and "anchoring" her in a way not previously possible. For the reader, Finding Oprah''s Roots offers the possibility of an equally rewarding experience" -- Page [4] of cover.