New Releases by Zora Neale Hurston

Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurston made an incredible connection: She located one of the last surviving captives of the last slave ship to bring Africans to the United States. Hurston, a known figure of the Harlem Renaissance who would later write the novel ''''Their Eyes Were Watching God,'''' conducted interviews with the survivor but struggled to publish them as a book.

"En av vår tids största författare." Toni Morrison Första gången på svenska! En kväll kommer Janie Starks vandrande på Eatonvilles huvudgata. I takt med hennes steg briserar stadens nyfikenhet: Var har hon varit? Vart tog pengarna, kläderna och den unge mannen vägen? För sin närmsta vän Pheoby berättar hon om allt som tog henne dit: från de vitas bakgård till drömmarna och den dödliga dyn i Floridas träskmarker. Genom tre äktenskap, i ett rasistiskt och patriarkalt samhälle i början av 1900-talet, erövrar Janie både friheten och kärleken. Romanklassikern "De vände sina blickar mot Gud" (1937) har hyllats för sina karaktärsporträtt och sitt rika språk djupt rotat i muntlig berättartradition. Zora Neale Hurston (1891–1960) anses vara en av de viktigaste rösterna inom amerikansk litteratur, och en pionjär i att ge kvinnors och svarta människors erfarenheter en stark och självständig röst. "Den här starka berättelsen om mänsklig frigörelse gavs ut redan 1937. Det är hög tid att den får en svensk översättning." Dagens Nyheter "Jag slukade boken. Tre timmar senare var jag klar och grät floder, av skäl som både hade och inte hade med det tragiska slutet att göra." Zadie Smith

"When a mule bone becomes a bone of contention between two best friends, guitar player Jim and dancer Dave, their small Southern town becomes embroiled in the conflict. Egged on by flirtatious newcomer Daisy, matters escalate until the harmony of Eatonville is overturned and the longtime pals end up in court. Will justice or friendship prevail in this humorous Harlem Renaissance classic? ""The Mule-Bone: A Comedy of Negro Life in Three Acts"" by Langston Hughes and Zora Neale Hurston is a play written by two prominent African American authors during the 1930s. ""The Mule-Bone"" explores themes of love, rivalry, and community life in a Southern town. It''s known for its rich dialogue and humor, offering a snapshot of African American culture during the early part of the 20th century."

The acclaimed author of Their Eyes Were Watching God relates her experiences as an African American woman in early-twentieth-century America. In this autobiographical essay, author Zora Neale Hurston recounts episodes from her childhood in different communities in Florida: Eatonville and Jacksonville. She reflects on what those experiences showed her about race, identity, and feeling different. “How It Feels to Be Colored Me” was originally published in 1928 in the magazine The World Tomorrow.

A Kirkus and Shelf Awareness Best Book of 2022! A Bank Street College of Education’s Children’s Book Committee’s Best Children’s Books of the Year pick! From beloved African American folklorist Zora Neale Hurston comes a moving adaptation by National Book Award winner and #1 New York Times bestselling author of How to Be an Antiracist and Antiracist Baby, Ibram X. Kendi. Magnolia Flower follows a young Afro Indigenous girl who longs for freedom and is gorgeously illustrated by Loveis Wise (The People Remember, Ablaze with Color). Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart. The acclaimed writer of several American classics, Zora Neale Hurston wrote this stirring folktale brimming with poetic prose, culture, and history. It was first published as a short story in The Spokesman in 1925 and later in her collection Hitting a Straight Lick with a Crooked Stick (2020). Tenderly retold by #1 New York Times bestselling and National Book Award-winning author Ibram X. Kendi, Magnolia Flower is a story of a transformative and radical devotion between generations of Indigenous and Black people in America. With breathtaking illustrations by Loveis Wise, this picture book reminds us that there is no force strong enough to stop love.

A MOST ANTICIPATED BOOK FROM: Oprah Daily, Business Insider, Marie Claire, The Seattle Times, Lit Hub, Bustle, and New York Magazine’s Vulture Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author. “One of the greatest writers of our time.”—Toni Morrison You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture—"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.” White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was—someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor. Demonstrating the breadth of this revered and influential writer’s work, You Don’t Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and mind.

" Um clássico de Zora Neale Hurston que conta a história épica de Janie Crawford em sua busca por uma identidade.Uma jornada sobre o amor, as alegrias e as tristezas da vida. Aclamado como o mais belo romance da literatura negra norte-americana de sua época, Seus olhos viam Deus descreve a trajetória de Janie Crawford, uma heroína afro-americana que enfrenta o tabu de escolher o próprio destino na Flórida da década de 1930. Hurston não escreve, especificamente, sobre a discriminação num mundo dominado por brancos — o que lhe rendeu algumas críticas de militantes pelos direitos dos negros —, mas é precisa na construção da tensão dos relacionamentos. O uso de dialetos e da linguagem coloquial em Seus olhos viam Deus atraiu para a escritora a crítica de outros autores negros, que a acusavam de uma atitude paternalista em relação aos brancos. Para estes, Hurston concedia aos brancos os estereótipos culturais negros esperados pela classe dominante. A escritora, que chegou a ganhar uma bolsa de estudos da Fundação Guggenheim em 1937, foi recebida com certa resistência por autores ligados ao Renascimento do Harlem e praticamente ignorada nos anos 1950 e 1960. Anos mais tarde, no entanto, quando aslutas dos movimentos negros abriram espaço para a literatura negra nas universidades dos Estados Unidos, o talento literário de Zora foi reconhecido ao lado de grandes figuras do feminismo negro, como Audre Lorde e Alice Walker, e a admiração tomou o lugar da crítica. Surgia assim um amplo movimento liderado por pensadoras e ativistas afro-americanas, dedicadas a traçar as matrilinhagens da intelectualidade negra, e que reverenciam Seus olhos viam Deus como uma “obra-mestra” (ou maestrapiece, como propôs Alice Walker). Seus olhos viam Deus acompanha o retorno à terra natal, depois de uma longa ausência, de Janie Crawford. Seus compatriotas, principalmente as mulheres, são desinteressantes e nada amistosos, sempre fofocando, engalfinhados em cochichos na porta de casa. O assunto preferido de Janie são suas aventuras amorosas: casada aos 12 anos com um homem muito mais velho — e muito mais rico —, por intervenção da avó, ela foge em busca de um caminho próprio. A heroína de Seus olhos viam Deus incorpora o inconformismo com o status quo. Uma revolta contra o que se espera de uma mulher pobre e negra. Ela denuncia a violência contra as mulheres em geral e as negras em particular. Casada três vezes e acusada de matar um dos maridos, Janie Crawford atrai para si a inveja das mulheres e o ódio dos homens. A miríade de emoções que a volta da filha pródiga causa aos moradores da pequena cidade nos confins da Flórida leva Janie a tentar se justificar, abrindo seus segredos para a amiga Pheoby. “Não há livro mais importante que esse.” - Alice Walker, autora de A cor púrpura “Há uma bela simetria entre texto e contexto no caso de Seus olhos viam Deus: o livro afirma e celebra a cultura negra (...).” - Mary Helen Washington, crítica literária, ensaísta, professora da Universidade de Maryland "

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison). During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston''s unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston''s oeuvre, this edition—newly reissued for the Feminist Press''s fiftieth anniversary—features a new preface by Walker. "Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

Zora Neale Hurston''s "Three Plays" is a compelling collection that showcases her dramatic prowess and deep understanding of African American culture. Comprising "Color Struck," "The First One," and "The Gilded Six-Bits," these plays blend rich vernacular language with poignant social commentary, exploring themes of identity, community, and love within the African American experience of the early 20th century. Hurston''s innovative use of theatrical techniques and her ability to convey complex emotions through dialogue and character interactions position her work within the Harlem Renaissance, highlighting both the struggles and the vibrancy of the black community. Zora Neale Hurston, an anthropologist and novelist, was deeply immersed in the cultural landscape of African American life, which profoundly shaped her writing. Her fieldwork in folklore and vernacular speech allowed her to incorporate authentic voice and nuance into her characters, making each play a vivid reflection of the societal dynamics of her time. Hurston''s own experiences as a black woman in America fueled her commitment to depicting the realities and richness of her culture on stage. "Three Plays" is not just a collection of theatrical works; it is an invitation to delve into the complexities of African American life. Scholars and general readers alike will find immense value in Hurston''s insights and artistic contributions, making this volume essential for anyone interested in the intersections of race, gender, and art in American literature. In this enriched edition, we have carefully created added value for your reading experience: - A comprehensive Introduction outlines these selected works'' unifying features, themes, or stylistic evolutions. - The Author Biography highlights personal milestones and literary influences that shape the entire body of writing. - A Historical Context section situates the works in their broader era—social currents, cultural trends, and key events that underpin their creation. - A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists. - A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different work''s strengths. - Reflection questions inspire deeper contemplation of the author''s overarching message, inviting readers to draw connections among different texts and relate them to modern contexts. - Lastly, our hand‐picked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collection''s central themes.

"Maybe, now, we used-to-be black African folks can be of some help to our brothers and sisters who have always been white. You will take another look at us and say that we are still black and, ethnologically speaking, you will be right. But nationally and culturally, we are as white as the next one. We have put our labor and our blood into the common causes for a long time. We have given the rest of the nation song and laughter. Maybe now, in this terrible struggle, we can give something else—the source and soul of our laughter and song. We offer you our hope-bringer, High John de Conquer." Zora Neale Hurston (1891-1960) was an influential author of African-American literature and anthropologist, who portrayed racial struggles in the early 20th century American South, and published research on Haitian voodoo. Of Hurston''s four novels and more than 50 published short stories, plays, and essays, her most popular is the 1937 novel Their Eyes Were Watching God. Originally published in The American Mercury (1943).

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Barracoon désigne les bâtiments utilisés pour le confinement des Africains destinés à être vendus et exportés vers l’Europe et les Amériques. Ces bâtiments allaient du modeste « abri à esclaves » aux imposantes « maisons d’esclaves » ou « châteaux d’esclaves ». Les captifs y restaient souvent confinés pendant des mois entiers. En 1927, la jeune anthropologue Zora Neale Hurston, qui va devenir l’une des plus grandes écrivaines noires du XXe siècle part rencontrer en Alabama Cudjo Lewis. A 86 ans, Cudjo est l’ultime survivant du dernier convoi négrier qui a quitté les côtes du Dahomey pour l’Amérique. Pendant des mois, Zora va recueillir sa parole, devenir son amie, partager ses souffrances et des fiertés. Le témoignage de Cudjo restitue comme nul autre la condition, la vie d’un esclave : de sa capture en 1859 par un village voisin à sa terrifiante traversée, de ses années d’esclavage jusqu’à la guerre de sécession, jusqu’à son combat pour son émancipation. Un témoignage unique d’une sincérité et d’une précision bouleversante.

A candid, funny, bold and poignant autobiography from one of literature''s most cherished voices. Dust Tracks on a Road is the enthralling account of Zora Neale Hurston''s rise from an impoverished childhood in the rural South to celebrated artist of the Harlem Renaissance. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

« Janie avait seize ans. Un feuillage vernissé et des bourgeons tout près d'éclore et le désir de prendre à bras-le-corps la vie, mais la vie semblait se dérober. Où donc étaient-elles, ses abeilles chanteuses à elle ? » Il ne lui faudra pas moins de trois mariages et trois vies – avec le vieux Logan Killicks et ses sentiments trop frustes, le fringant Joe Starks et ses ambitions politiques dévorantes, puis la promesse d'égalité, l'étreinte d'amour et le frisson extatique qu'incarne Tea Cake – pour atteindre toute la mesure de son rêve d'émancipation et de liberté. Portrait d'une femme entière, animée par la force de son innocence pour braver la rumeur du monde et se révéler à l'existence, Mais leurs yeux dardaient sur Dieu est un chef-d'oeuvre, un monument de la littérature, aussi percutant aujourd'hui que lors de sa parution aux États-Unis en 1937.

Three classic short form plays by the inimitable Zora Neale Hurston.

GOLD ANNIVERSARY EDITIONTheir Eyes Were Watching God is a 1937 novel and the best known work by African-American writer Zora Neale Hurston. The novel narrates main character Janie Crawford''s "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny." As a young woman, who is fair-skinned with long hair, she expects more out of life, but comes to realize that people must learn about life ''fuh theyselves'' (for themselves), just as people can only go to God for themselves. Set in central and southern Florida in the early 20th century, the novel was initially poorly received, but today, it has come to be regarded as a seminal work in both African-American literature and women''s literature. TIME included the novel in its 2005 list of the 100 best English-language novels published since 1923.

De Turkey and De Law A Comedy in Three Acts

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Created by Harvard students for students everywhere, SparkNotes books contain complete plot summaries and analyses, key facts about the featured work, analysis of the major characters, suggested essay topics, themes, motifs, and symbols, and explanations of important quotations.

Three hungry witches set out to eat two orphaned children while their grandmother is away at the market.

Acclaimed anthropologist, folklorist, and novelist Zora Neale Hurston traveled the back roads of the rural South, collecting stories from men, women, and children in Florida, Alabama, Georgia, and Louisiana so that the spirit and richness of the oral storytelling tradition could be shared and preserved. What's the Hurry, Fox? is a sampling of stories from Every Tongue Got To Confess, Ms. Hurston's third volume of folktales collected from the Gulf statesin the 1930s. They have been carefully adapted and shaped by National Book -- and Coretta Scott King Award–winning author Joyce Carol Thomas to appeal to the sensibilities of young readers. Caldecott Honor -- and Coretta Scott King Award-winning artist Bryan Collier adds his unique vision with collages that capture the rich heritage and rural community setting of the stories that are Ms. Hurston's legacy to us.

In this book Zora Neale Hurston records the voices of ordinary people and pays tribute to the richness of Black vernacular--its crisp self-awareness, singular wit, and improvisational wordplay. These folk-tales reflect the joys and sorrows of the African-American experience, celebrate the redemptive power of storytelling, and showcase the continuous presence in America of the Africanized language that flourishes to this day.

A collection of short stories, most of which appeared in literary magazines during the author''s lifetime, along with previously unpublished works, spans the career of one of the century''s foremost African American writers.

A special feature of this collection of works by Zora Neale Hurston is the first complete and unexpurgated edition of her 1942 autobiography, Dust Tracks on a Road. Tell My Horse, Mules and Men, and selected articles are included also. Features a brief essay on the texts and detailed notes.

Die amerikanische Autorin (1891-1960) erzählt die Geschichte von ihrem Heimatort Eatonville, Florida, der einzigen von Schwarzen gegründeten und verwalteten Stadt der USA.

A fictionized biography of Moses as a religious leader and a great voodoo man, told in Negro vernacular.